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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #451FE4 it is the complementary color #BAE01B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #451FE4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #451FE4 shade: #4A1FDF, #5B31F2, #6C43FF, #7D55FF and #8E67FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #451FE4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #451FE4 shade: #451FE4, #340DD1, #2300BE, #1200AB and #010098

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #451FE4 shade: #4621E4, #7B21E4, #AF21E4, #E421E3 and #E421AF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #451FE4 shade: #4621E4 and #2121E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #451FE4 shade matches the following richer shades: #4621E4 and #3A0CF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #451FE4 shade: #4621E4, #5335CF, #5F49BB, #6B5DA7 and #787193

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #451FE4 shade: #2165E4, #2131E4, #4421E4, #7821E4 and #AC21E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #451FE4 shade: #2E149E, #3918C3, #4621E4, #6545E8 and #836AED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #451FE4 shade: #451FE4, #E42199 and #4BE421

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #451FE4 shade: #451FE4, #E44421 and #21E444

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #451FE4 shade: #451FE4, #E42199, #C0E421 and #21E46B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #451FE4 shade: #451FE4, #E4215E, #C0E421 and #21E4A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 86 / 0 / 11

HEX #451FE4

RGB 69 31 228

HSL 251.57, 0.78%, 0.51%

LAB 33.66, 67.37, -90.23

 

Complementary color

CMYK 17 / 0 / 88 / 12

HEX #BAE01B

RGB 186 224 27

HSL 71.57, 0.78%, 0.49%

LAB 83.88, -34.83, 79.41

 

CMYK 67 / 86 / 0 / 13

HEX #4A1FDF

RGB 74 31 223

HSL 253.44, 0.76%, 0.5%

LAB 33.49, 66.37, -87.65

 

CMYK 62 / 80 / 0 / 5

HEX #5B31F2

RGB 91 49 242

HSL 253.06, 0.88%, 0.57%

LAB 39.3, 66.02, -88.79

 

CMYK 58 / 74 / 0 / 0

HEX #6C43FF

RGB 108 67 255

HSL 253.09, 1%, 0.63%

LAB 44.83, 63.37, -86.9

 

CMYK 51 / 67 / 0 / 0

HEX #7D55FF

RGB 125 85 255

HSL 254.12, 1%, 0.67%

LAB 49.59, 56.79, -79.05

 

CMYK 44 / 60 / 0 / 0

HEX #8E67FF

RGB 142 103 255

HSL 255.39, 1%, 0.7%

LAB 54.73, 50.25, -70.62

 

CMYK 70 / 86 / 0 / 11

HEX #451FE4

RGB 69 31 228

HSL 251.57, 0.78%, 0.51%

LAB 33.66, 67.37, -90.23

 

CMYK 75 / 94 / 0 / 18

HEX #340DD1

RGB 52 13 209

HSL 251.94, 0.88%, 0.44%

LAB 28.44, 66.53, -88.01

 

CMYK 82 / 100 / 0 / 25

HEX #2300BE

RGB 35 0 190

HSL 251.05, 1%, 0.37%

LAB 23.92, 63.88, -84.41

 

CMYK 89 / 100 / 0 / 33

HEX #1200AB

RGB 18 0 171

HSL 246.32, 1%, 0.34%

LAB 20.32, 58.87, -79.08

 

CMYK 99 / 100 / 0 / 40

HEX #010098

RGB 1 0 152

HSL 240.39, 1%, 0.3%

LAB 16.86, 53.84, -73.26

 

CMYK 69 / 86 / 0 / 11

HEX #4621E4

RGB 70 33 228

HSL 251.38, 0.78%, 0.51%

LAB 33.96, 66.75, -89.73

 

CMYK 46 / 86 / 0 / 11

HEX #7B21E4

RGB 123 33 228

HSL 267.69, 0.78%, 0.51%

LAB 39.41, 71.45, -80.55

 

CMYK 23 / 86 / 0 / 11

HEX #AF21E4

RGB 175 33 228

HSL 283.69, 0.78%, 0.51%

LAB 46.72, 78.33, -68.3

 

CMYK 0 / 86 / 0 / 11

HEX #E421E3

RGB 228 33 227

HSL 300.31, 0.78%, 0.51%

LAB 55.2, 86.8, -53.62

 

CMYK 0 / 86 / 23 / 11

HEX #E421AF

RGB 228 33 175

HSL 316.31, 0.78%, 0.51%

LAB 52.59, 79.89, -27.81

 

CMYK 69 / 86 / 0 / 11

HEX #4621E4

RGB 70 33 228

HSL 251.38, 0.78%, 0.51%

LAB 33.96, 66.75, -89.73

 

CMYK 86 / 86 / 0 / 11

HEX #2121E4

RGB 33 33 228

HSL 240, 0.78%, 0.51%

LAB 31.84, 65.06, -93.33

 

CMYK 69 / 86 / 0 / 11

HEX #4621E4

RGB 70 33 228

HSL 251.38, 0.78%, 0.51%

LAB 33.96, 66.75, -89.73

 

CMYK 77 / 95 / 0 / 3

HEX #3A0CF8

RGB 58 12 248

HSL 251.69, 0.94%, 0.51%

LAB 33.86, 76.52, -101.28

 

CMYK 69 / 86 / 0 / 11

HEX #4621E4

RGB 70 33 228

HSL 251.38, 0.78%, 0.51%

LAB 33.96, 66.75, -89.73

 

CMYK 60 / 74 / 0 / 19

HEX #5335CF

RGB 83 53 207

HSL 251.69, 0.62%, 0.51%

LAB 35.77, 53.51, -74.61

 

CMYK 49 / 61 / 0 / 27

HEX #5F49BB

RGB 95 73 187

HSL 251.58, 0.46%, 0.51%

LAB 39.22, 38.48, -57.27

 

CMYK 36 / 44 / 0 / 35

HEX #6B5DA7

RGB 107 93 167

HSL 251.35, 0.3%, 0.51%

LAB 43.86, 23.42, -37.99

 

CMYK 18 / 23 / 0 / 42

HEX #787193

RGB 120 113 147

HSL 252.35, 0.14%, 0.51%

LAB 49.39, 10.09, -17.5

 

CMYK 86 / 56 / 0 / 11

HEX #2165E4

RGB 33 101 228

HSL 219.08, 0.78%, 0.51%

LAB 45.95, 26.78, -70.07

 

CMYK 86 / 79 / 0 / 11

HEX #2131E4

RGB 33 49 228

HSL 235.08, 0.78%, 0.51%

LAB 34.23, 57.98, -89.34

 

CMYK 70 / 86 / 0 / 11

HEX #4421E4

RGB 68 33 228

HSL 250.77, 0.78%, 0.51%

LAB 33.81, 66.63, -89.99

 

CMYK 47 / 86 / 0 / 11

HEX #7821E4

RGB 120 33 228

HSL 266.77, 0.78%, 0.51%

LAB 39.04, 71.11, -81.17

 

CMYK 25 / 86 / 0 / 11

HEX #AC21E4

RGB 172 33 228

HSL 282.77, 0.78%, 0.51%

LAB 46.26, 77.88, -69.07

 

CMYK 71 / 87 / 0 / 38

HEX #2E149E

RGB 46 20 158

HSL 251.3, 0.78%, 0.35%

LAB 22.12, 50.59, -68.12

 

CMYK 71 / 88 / 0 / 24

HEX #3918C3

RGB 57 24 195

HSL 251.58, 0.78%, 0.43%

LAB 28.02, 60.16, -80.5

 

CMYK 69 / 86 / 0 / 11

HEX #4621E4

RGB 70 33 228

HSL 251.38, 0.78%, 0.51%

LAB 33.96, 66.75, -89.73

 

CMYK 56 / 70 / 0 / 9

HEX #6545E8

RGB 101 69 232

HSL 251.78, 0.78%, 0.59%

LAB 42.54, 54.97, -77.77

 

CMYK 45 / 55 / 0 / 7

HEX #836AED

RGB 131 106 237

HSL 251.45, 0.78%, 0.67%

LAB 53.22, 41.31, -63.1

 

CMYK 70 / 86 / 0 / 11

HEX #451FE4

RGB 69 31 228

HSL 251.57, 0.78%, 0.51%

LAB 33.66, 67.37, -90.23

 

CMYK 0 / 86 / 33 / 11

HEX #E42199

RGB 228 33 153

HSL 323.08, 0.78%, 0.51%

LAB 51.7, 77.45, -16.18

 

CMYK 67 / 0 / 86 / 11

HEX #4BE421

RGB 75 228 33

HSL 107.08, 0.78%, 0.51%

LAB 80.23, -70.92, 73.25

 

CMYK 70 / 86 / 0 / 11

HEX #451FE4

RGB 69 31 228

HSL 251.57, 0.78%, 0.51%

LAB 33.66, 67.37, -90.23

 

CMYK 0 / 70 / 86 / 11

HEX #E44421

RGB 228 68 33

HSL 10.77, 0.78%, 0.51%

LAB 52.66, 60.15, 54

 

CMYK 86 / 0 / 70 / 11

HEX #21E444

RGB 33 228 68

HSL 130.77, 0.78%, 0.51%

LAB 79.74, -74.48, 62.31

 

CMYK 70 / 86 / 0 / 11

HEX #451FE4

RGB 69 31 228

HSL 251.57, 0.78%, 0.51%

LAB 33.66, 67.37, -90.23

 

CMYK 0 / 86 / 33 / 11

HEX #E42199

RGB 228 33 153

HSL 323.08, 0.78%, 0.51%

LAB 51.7, 77.45, -16.18

 

CMYK 16 / 0 / 86 / 11

HEX #C0E421

RGB 192 228 33

HSL 71.08, 0.78%, 0.51%

LAB 85.4, -34.12, 79.72

 

CMYK 86 / 0 / 53 / 11

HEX #21E46B

RGB 33 228 107

HSL 142.77, 0.78%, 0.51%

LAB 80.11, -69.99, 46.16

 

CMYK 70 / 86 / 0 / 11

HEX #451FE4

RGB 69 31 228

HSL 251.57, 0.78%, 0.51%

LAB 33.66, 67.37, -90.23

 

CMYK 0 / 86 / 59 / 11

HEX #E4215E

RGB 228 33 94

HSL 341.23, 0.78%, 0.51%

LAB 49.97, 72.54, 17.01

 

CMYK 16 / 0 / 86 / 11

HEX #C0E421

RGB 192 228 33

HSL 71.08, 0.78%, 0.51%

LAB 85.4, -34.12, 79.72

 

CMYK 86 / 0 / 27 / 11

HEX #21E4A6

RGB 33 228 166

HSL 160.92, 0.78%, 0.51%

LAB 81.05, -59.08, 17.78

 

Description

Color code: HEX #451FE4 | qconv.com Color code: HEX #451FE4 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 31 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 31 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 86 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 86% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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