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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #451DDA it is the complementary color #BAE225. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #451DDA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #451DDA shade: #4A1DD5, #5B2FE8, #6C41FB, #7D53FF and #8E65FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #451DDA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #451DDA shade: #451DDA, #340BC7, #2300B4, #1200A1 and #01008E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #451DDA shade: #441CD9, #771CD9, #AA1CD9, #D91CD5 and #D91CA2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #451DDA shade: #441CD9 and #1C1CD9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #451DDA shade matches the following richer shades: #441CD9 and #3908EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #451DDA shade: #441CD9, #4F30C5, #5B44B1, #66589D and #726B89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #451DDA shade: #1C5BD9, #1C29D9, #421CD9, #741CD9 and #A61CD9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #451DDA shade: #2D1390, #3917B4, #441CD9, #5D39E5 and #7B5DEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #451DDA shade: #451DDA, #D91C8D and #42D91C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #451DDA shade: #451DDA, #D9421C and #1CD942

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #451DDA shade: #451DDA, #D91C8D, #B3D91C and #1CD968

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #451DDA shade: #451DDA, #D91C55, #B3D91C and #1CD9A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 87 / 0 / 15

HEX #451DDA

RGB 69 29 218

HSL 252.7, 0.77%, 0.48%

LAB 32.27, 65.39, -86.8

 

Complementary color

CMYK 18 / 0 / 84 / 11

HEX #BAE225

RGB 186 226 37

HSL 72.7, 0.77%, 0.52%

LAB 84.47, -35.48, 77.94

 

CMYK 65 / 86 / 0 / 16

HEX #4A1DD5

RGB 74 29 213

HSL 254.67, 0.76%, 0.47%

LAB 32.12, 64.42, -84.15

 

CMYK 61 / 80 / 0 / 9

HEX #5B2FE8

RGB 91 47 232

HSL 254.27, 0.8%, 0.55%

LAB 37.99, 64.16, -85.28

 

CMYK 57 / 74 / 0 / 2

HEX #6C41FB

RGB 108 65 251

HSL 253.87, 0.96%, 0.62%

LAB 44.14, 63.21, -85.81

 

CMYK 51 / 67 / 0 / 0

HEX #7D53FF

RGB 125 83 255

HSL 254.65, 1%, 0.66%

LAB 49.21, 57.83, -79.66

 

CMYK 44 / 60 / 0 / 0

HEX #8E65FF

RGB 142 101 255

HSL 255.97, 1%, 0.7%

LAB 54.32, 51.34, -71.28

 

CMYK 68 / 87 / 0 / 15

HEX #451DDA

RGB 69 29 218

HSL 252.7, 0.77%, 0.48%

LAB 32.27, 65.39, -86.8

 

CMYK 74 / 94 / 0 / 22

HEX #340BC7

RGB 52 11 199

HSL 253.09, 0.9%, 0.41%

LAB 27, 64.41, -84.56

 

CMYK 81 / 100 / 0 / 29

HEX #2300B4

RGB 35 0 180

HSL 251.67, 1%, 0.35%

LAB 22.49, 61.42, -80.85

 

CMYK 89 / 100 / 0 / 37

HEX #1200A1

RGB 18 0 161

HSL 246.71, 1%, 0.32%

LAB 18.81, 56.33, -75.52

 

CMYK 99 / 100 / 0 / 44

HEX #01008E

RGB 1 0 142

HSL 240.42, 1%, 0.28%

LAB 15.27, 51.23, -69.7

 

CMYK 69 / 87 / 0 / 15

HEX #441CD9

RGB 68 28 217

HSL 252.7, 0.77%, 0.48%

LAB 31.96, 65.39, -86.74

 

CMYK 45 / 87 / 0 / 15

HEX #771CD9

RGB 119 28 217

HSL 268.89, 0.77%, 0.48%

LAB 37.41, 69.86, -77.55

 

CMYK 22 / 87 / 0 / 15

HEX #AA1CD9

RGB 170 28 217

HSL 285.08, 0.77%, 0.48%

LAB 44.78, 76.61, -65.2

 

CMYK 0 / 87 / 2 / 15

HEX #D91CD5

RGB 217 28 213

HSL 301.27, 0.77%, 0.48%

LAB 52.27, 83.64, -50.45

 

CMYK 0 / 87 / 25 / 15

HEX #D91CA2

RGB 217 28 162

HSL 317.46, 0.77%, 0.48%

LAB 49.73, 76.95, -24.74

 

CMYK 69 / 87 / 0 / 15

HEX #441CD9

RGB 68 28 217

HSL 252.7, 0.77%, 0.48%

LAB 31.96, 65.39, -86.74

 

CMYK 87 / 87 / 0 / 15

HEX #1C1CD9

RGB 28 28 217

HSL 240, 0.77%, 0.48%

LAB 29.63, 63.66, -90.68

 

CMYK 69 / 87 / 0 / 15

HEX #441CD9

RGB 68 28 217

HSL 252.7, 0.77%, 0.48%

LAB 31.96, 65.39, -86.74

 

CMYK 76 / 97 / 0 / 7

HEX #3908EC

RGB 57 8 236

HSL 252.89, 0.93%, 0.48%

LAB 32.03, 74.2, -97.53

 

CMYK 69 / 87 / 0 / 15

HEX #441CD9

RGB 68 28 217

HSL 252.7, 0.77%, 0.48%

LAB 31.96, 65.39, -86.74

 

CMYK 60 / 76 / 0 / 23

HEX #4F30C5

RGB 79 48 197

HSL 252.48, 0.61%, 0.48%

LAB 33.58, 52.6, -72.41

 

CMYK 49 / 62 / 0 / 31

HEX #5B44B1

RGB 91 68 177

HSL 252.66, 0.44%, 0.48%

LAB 36.99, 37.63, -55.01

 

CMYK 35 / 44 / 0 / 38

HEX #66589D

RGB 102 88 157

HSL 252.17, 0.28%, 0.48%

LAB 41.59, 22.29, -35.68

 

CMYK 17 / 22 / 0 / 46

HEX #726B89

RGB 114 107 137

HSL 254, 0.12%, 0.48%

LAB 46.84, 9.25, -15.5

 

CMYK 87 / 58 / 0 / 15

HEX #1C5BD9

RGB 28 91 217

HSL 220, 0.77%, 0.48%

LAB 42.37, 28.71, -69.67

 

CMYK 87 / 81 / 0 / 15

HEX #1C29D9

RGB 28 41 217

HSL 235.87, 0.77%, 0.48%

LAB 31.45, 58.26, -87.66

 

CMYK 70 / 87 / 0 / 15

HEX #421CD9

RGB 66 28 217

HSL 252.06, 0.77%, 0.48%

LAB 31.8, 65.27, -87.01

 

CMYK 47 / 87 / 0 / 15

HEX #741CD9

RGB 116 28 217

HSL 267.94, 0.77%, 0.48%

LAB 37.03, 69.53, -78.2

 

CMYK 24 / 87 / 0 / 15

HEX #A61CD9

RGB 166 28 217

HSL 283.81, 0.77%, 0.48%

LAB 44.16, 76.01, -66.25

 

CMYK 69 / 87 / 0 / 44

HEX #2D1390

RGB 45 19 144

HSL 252.48, 0.77%, 0.32%

LAB 20.19, 46.87, -62.68

 

CMYK 68 / 87 / 0 / 29

HEX #3917B4

RGB 57 23 180

HSL 252.99, 0.77%, 0.4%

LAB 26.09, 56.42, -74.8

 

CMYK 69 / 87 / 0 / 15

HEX #441CD9

RGB 68 28 217

HSL 252.7, 0.77%, 0.48%

LAB 31.96, 65.39, -86.74

 

CMYK 59 / 75 / 0 / 10

HEX #5D39E5

RGB 93 57 229

HSL 252.56, 0.77%, 0.56%

LAB 39.43, 59.07, -81.2

 

CMYK 47 / 60 / 0 / 8

HEX #7B5DEA

RGB 123 93 234

HSL 252.77, 0.77%, 0.64%

LAB 49.47, 46.21, -67.51

 

CMYK 68 / 87 / 0 / 15

HEX #451DDA

RGB 69 29 218

HSL 252.7, 0.77%, 0.48%

LAB 32.27, 65.39, -86.8

 

CMYK 0 / 87 / 35 / 15

HEX #D91C8D

RGB 217 28 141

HSL 324.13, 0.77%, 0.48%

LAB 48.89, 74.67, -13.45

 

CMYK 70 / 0 / 87 / 15

HEX #42D91C

RGB 66 217 28

HSL 107.94, 0.77%, 0.48%

LAB 76.6, -69.36, 71.01

 

CMYK 68 / 87 / 0 / 15

HEX #451DDA

RGB 69 29 218

HSL 252.7, 0.77%, 0.48%

LAB 32.27, 65.39, -86.8

 

CMYK 0 / 70 / 87 / 15

HEX #D9421C

RGB 217 66 28

HSL 12.06, 0.77%, 0.48%

LAB 50.37, 57.25, 53.41

 

CMYK 87 / 0 / 70 / 15

HEX #1CD942

RGB 28 217 66

HSL 132.06, 0.77%, 0.48%

LAB 76.23, -71.84, 59.36

 

CMYK 68 / 87 / 0 / 15

HEX #451DDA

RGB 69 29 218

HSL 252.7, 0.77%, 0.48%

LAB 32.27, 65.39, -86.8

 

CMYK 0 / 87 / 35 / 15

HEX #D91C8D

RGB 217 28 141

HSL 324.13, 0.77%, 0.48%

LAB 48.89, 74.67, -13.45

 

CMYK 18 / 0 / 87 / 15

HEX #B3D91C

RGB 179 217 28

HSL 72.06, 0.77%, 0.48%

LAB 81.45, -34.4, 77.06

 

CMYK 87 / 0 / 52 / 15

HEX #1CD968

RGB 28 217 104

HSL 144.13, 0.77%, 0.48%

LAB 76.6, -67.28, 43.28

 

CMYK 68 / 87 / 0 / 15

HEX #451DDA

RGB 69 29 218

HSL 252.7, 0.77%, 0.48%

LAB 32.27, 65.39, -86.8

 

CMYK 0 / 87 / 61 / 15

HEX #D91C55

RGB 217 28 85

HSL 341.9, 0.77%, 0.48%

LAB 47.29, 70.17, 18.54

 

CMYK 18 / 0 / 87 / 15

HEX #B3D91C

RGB 179 217 28

HSL 72.06, 0.77%, 0.48%

LAB 81.45, -34.4, 77.06

 

CMYK 87 / 0 / 26 / 15

HEX #1CD9A0

RGB 28 217 160

HSL 161.9, 0.77%, 0.48%

LAB 77.53, -56.61, 16

 

Description

Color code: HEX #451DDA | qconv.com Color code: HEX #451DDA | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 29 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 29 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 87 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 87% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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