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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #451C8F it is the complementary color #BAE370. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #451C8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #451C8F shade: #4A1C8A, #5B2E9D, #6C40B0, #7D52C3 and #8E64D6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #451C8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #451C8F shade: #451C8F, #340A7C, #230069, #120056 and #010043

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #451C8F shade: #461D91, #651D91, #851D91, #911D7E and #911D5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #451C8F shade: #461D91, #271D91 and #1D1D91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #451C8F shade matches the following richer shades: #461D91, #420F9F and #3E01AD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #451C8F shade: #461D91, #4A2B83, #4E3975, #524767 and #565559

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #451C8F shade: #1D3291, #261D91, #451D91, #641D91 and #831D91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #451C8F shade: #250F4C, #35166E, #461D91, #5723B3 and #682BD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #451C8F shade: #451C8F, #911D51 and #22911D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #451C8F shade: #451C8F, #91451D and #1D9145

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #451C8F shade: #451C8F, #911D51, #68911D and #1D915D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #451C8F shade: #451C8F, #911D2E, #68911D and #1D917F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 80 / 0 / 44

HEX #451C8F

RGB 69 28 143

HSL 261.39, 0.67%, 0.34%

LAB 23.93, 45.42, -55.81

 

Complementary color

CMYK 18 / 0 / 51 / 11

HEX #BAE370

RGB 186 227 112

HSL 81.39, 0.67%, 0.66%

LAB 85.27, -31.18, 51.32

 

CMYK 46 / 80 / 0 / 46

HEX #4A1C8A

RGB 74 28 138

HSL 265.09, 0.66%, 0.33%

LAB 24.07, 44.82, -52.44

 

CMYK 42 / 71 / 0 / 38

HEX #5B2E9D

RGB 91 46 157

HSL 264.32, 0.55%, 0.4%

LAB 30.91, 44.23, -52.89

 

CMYK 39 / 64 / 0 / 31

HEX #6C40B0

RGB 108 64 176

HSL 263.57, 0.47%, 0.47%

LAB 37.82, 43.24, -52.98

 

CMYK 36 / 58 / 0 / 24

HEX #7D52C3

RGB 125 82 195

HSL 262.83, 0.48%, 0.54%

LAB 44.71, 42.15, -52.92

 

CMYK 34 / 53 / 0 / 16

HEX #8E64D6

RGB 142 100 214

HSL 262.11, 0.58%, 0.62%

LAB 51.52, 41.07, -52.81

 

CMYK 52 / 80 / 0 / 44

HEX #451C8F

RGB 69 28 143

HSL 261.39, 0.67%, 0.34%

LAB 23.93, 45.42, -55.81

 

CMYK 58 / 92 / 0 / 51

HEX #340A7C

RGB 52 10 124

HSL 262.11, 0.85%, 0.26%

LAB 17.47, 45.09, -54.56

 

CMYK 67 / 100 / 0 / 59

HEX #230069

RGB 35 0 105

HSL 260, 1%, 0.21%

LAB 11.81, 42.32, -51.69

 

CMYK 79 / 100 / 0 / 66

HEX #120056

RGB 18 0 86

HSL 252.56, 1%, 0.17%

LAB 7.23, 36.26, -46.6

 

CMYK 99 / 100 / 0 / 74

HEX #010043

RGB 1 0 67

HSL 240.9, 1%, 0.13%

LAB 3.72, 25.49, -39.19

 

CMYK 52 / 80 / 0 / 43

HEX #461D91

RGB 70 29 145

HSL 261.21, 0.67%, 0.34%

LAB 24.4, 45.67, -56.27

 

CMYK 30 / 80 / 0 / 43

HEX #651D91

RGB 101 29 145

HSL 277.24, 0.67%, 0.34%

LAB 28.62, 50.74, -49.21

 

CMYK 8 / 80 / 0 / 43

HEX #851D91

RGB 133 29 145

HSL 293.79, 0.67%, 0.34%

LAB 33.79, 56.91, -40.59

 

CMYK 0 / 80 / 13 / 43

HEX #911D7E

RGB 145 29 126

HSL 309.83, 0.67%, 0.34%

LAB 34.81, 56.38, -27.07

 

CMYK 0 / 80 / 35 / 43

HEX #911D5E

RGB 145 29 94

HSL 326.38, 0.67%, 0.34%

LAB 33.36, 52.14, -8.97

 

CMYK 52 / 80 / 0 / 43

HEX #461D91

RGB 70 29 145

HSL 261.21, 0.67%, 0.34%

LAB 24.4, 45.67, -56.27

 

CMYK 73 / 80 / 0 / 43

HEX #271D91

RGB 39 29 145

HSL 245.17, 0.67%, 0.34%

LAB 21.41, 42.02, -61.3

 

CMYK 80 / 80 / 0 / 43

HEX #1D1D91

RGB 29 29 145

HSL 240, 0.67%, 0.34%

LAB 20.77, 41.23, -62.39

 

CMYK 52 / 80 / 0 / 43

HEX #461D91

RGB 70 29 145

HSL 261.21, 0.67%, 0.34%

LAB 24.4, 45.67, -56.27

 

CMYK 58 / 91 / 0 / 38

HEX #420F9F

RGB 66 15 159

HSL 261.25, 0.83%, 0.34%

LAB 23.68, 54.08, -66.08

 

CMYK 64 / 99 / 0 / 32

HEX #3E01AD

RGB 62 1 173

HSL 261.28, 0.99%, 0.34%

LAB 23.88, 60.48, -74.26

 

CMYK 52 / 80 / 0 / 43

HEX #461D91

RGB 70 29 145

HSL 261.21, 0.67%, 0.34%

LAB 24.4, 45.67, -56.27

 

CMYK 44 / 67 / 0 / 49

HEX #4A2B83

RGB 74 43 131

HSL 261.14, 0.51%, 0.34%

LAB 26.22, 35.15, -44.55

 

CMYK 33 / 51 / 0 / 54

HEX #4E3975

RGB 78 57 117

HSL 261, 0.34%, 0.34%

LAB 28.98, 23.55, -31.28

 

CMYK 20 / 31 / 0 / 60

HEX #524767

RGB 82 71 103

HSL 260.63, 0.18%, 0.34%

LAB 32.44, 11.99, -16.97

 

CMYK 3 / 4 / 0 / 65

HEX #565559

RGB 86 85 89

HSL 255, 0.02%, 0.34%

LAB 36.36, 1.27, -2.18

 

CMYK 80 / 66 / 0 / 43

HEX #1D3291

RGB 29 50 145

HSL 229.14, 0.67%, 0.34%

LAB 25.52, 28.16, -54.55

 

CMYK 74 / 80 / 0 / 43

HEX #261D91

RGB 38 29 145

HSL 244.66, 0.67%, 0.34%

LAB 21.34, 41.94, -61.42

 

CMYK 52 / 80 / 0 / 43

HEX #451D91

RGB 69 29 145

HSL 260.69, 0.67%, 0.34%

LAB 24.28, 45.52, -56.47

 

CMYK 31 / 80 / 0 / 43

HEX #641D91

RGB 100 29 145

HSL 276.72, 0.67%, 0.34%

LAB 28.47, 50.56, -49.46

 

CMYK 10 / 80 / 0 / 43

HEX #831D91

RGB 131 29 145

HSL 292.76, 0.67%, 0.34%

LAB 33.45, 56.5, -41.15

 

CMYK 51 / 80 / 0 / 70

HEX #250F4C

RGB 37 15 76

HSL 261.64, 0.67%, 0.18%

LAB 10.97, 27.07, -33.48

 

CMYK 52 / 80 / 0 / 57

HEX #35166E

RGB 53 22 110

HSL 261.14, 0.67%, 0.26%

LAB 17.72, 36.46, -45.12

 

CMYK 52 / 80 / 0 / 43

HEX #461D91

RGB 70 29 145

HSL 261.21, 0.67%, 0.34%

LAB 24.4, 45.67, -56.27

 

CMYK 51 / 80 / 0 / 30

HEX #5723B3

RGB 87 35 179

HSL 261.67, 0.67%, 0.42%

LAB 30.6, 54.54, -66.65

 

CMYK 51 / 80 / 0 / 16

HEX #682BD5

RGB 104 43 213

HSL 261.53, 0.67%, 0.5%

LAB 36.88, 62.26, -76.18

 

CMYK 52 / 80 / 0 / 44

HEX #451C8F

RGB 69 28 143

HSL 261.39, 0.67%, 0.34%

LAB 23.93, 45.42, -55.81

 

CMYK 0 / 80 / 44 / 43

HEX #911D51

RGB 145 29 81

HSL 333.1, 0.67%, 0.34%

LAB 32.9, 50.74, -1.21

 

CMYK 77 / 0 / 80 / 43

HEX #22911D

RGB 34 145 29

HSL 117.41, 0.67%, 0.34%

LAB 52.6, -51.96, 48.75

 

CMYK 52 / 80 / 0 / 44

HEX #451C8F

RGB 69 28 143

HSL 261.39, 0.67%, 0.34%

LAB 23.93, 45.42, -55.81

 

CMYK 0 / 52 / 80 / 43

HEX #91451D

RGB 145 69 29

HSL 20.69, 0.67%, 0.34%

LAB 38.49, 29.36, 37.69

 

CMYK 80 / 0 / 52 / 43

HEX #1D9145

RGB 29 145 69

HSL 140.69, 0.67%, 0.34%

LAB 52.89, -48.15, 31.47

 

CMYK 52 / 80 / 0 / 44

HEX #451C8F

RGB 69 28 143

HSL 261.39, 0.67%, 0.34%

LAB 23.93, 45.42, -55.81

 

CMYK 0 / 80 / 44 / 43

HEX #911D51

RGB 145 29 81

HSL 333.1, 0.67%, 0.34%

LAB 32.9, 50.74, -1.21

 

CMYK 28 / 0 / 80 / 43

HEX #68911D

RGB 104 145 29

HSL 81.21, 0.67%, 0.34%

LAB 55.36, -31.2, 52.34

 

CMYK 80 / 0 / 36 / 43

HEX #1D915D

RGB 29 145 93

HSL 153.1, 0.67%, 0.34%

LAB 53.28, -43.62, 18.98

 

CMYK 52 / 80 / 0 / 44

HEX #451C8F

RGB 69 28 143

HSL 261.39, 0.67%, 0.34%

LAB 23.93, 45.42, -55.81

 

CMYK 0 / 80 / 68 / 43

HEX #911D2E

RGB 145 29 46

HSL 351.21, 0.67%, 0.34%

LAB 32.02, 48.01, 20.51

 

CMYK 28 / 0 / 80 / 43

HEX #68911D

RGB 104 145 29

HSL 81.21, 0.67%, 0.34%

LAB 55.36, -31.2, 52.34

 

CMYK 80 / 0 / 12 / 43

HEX #1D917F

RGB 29 145 127

HSL 170.69, 0.67%, 0.34%

LAB 54.07, -35.11, 0.73

 

Description

Color code: HEX #451C8F | qconv.com Color code: HEX #451C8F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 28 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 28 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 80 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 80% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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