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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #451291CE it is the complementary color #BAED6ECE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #451291CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #451291CE shade: #4A128CCE, #5B249FCE, #6C36B2CE, #7D48C5CE and #8E5AD8CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #451291CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #451291CE shade: #451291CE, #34007ECE, #23006BCE, #120058CE and #010045CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #451291CE shade: #451291, #671291, #8A1291, #911276 and #911254

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #451291CE shade: #451291, #231291 and #121291

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #451291CE shade matches the following richer shades: #451291 and #42059E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #451291CE shade: #451291, #481F84, #4A2C77, #4D3A6A and #4F475C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #451291CE shade: #122391, #231291, #451291, #671291 and #891291

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #451291CE shade: #220948, #340D6D, #451291, #5716B6 and #681BDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #451291CE shade: #451291, #911245 and #129112

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #451291CE shade: #451291, #914512 and #129145

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #451291CE shade: #451291, #911245, #5E9112 and #12915E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #451291CE shade: #451291, #91121F, #5E9112 and #129185

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 71 / 0 / 35

HEX #451291CE

RGBA 69 18 145 0.81

HSLA 264.09, 0.78%, 0.32%, 0.81

LABA 22.8, 49.87, -58.91, 0.81

 

Complementary color

CMYK 17 / 0 / 43 / 6

HEX #BAED6ECE

RGBA 186 237 110 0.81

HSLA 84.09, 0.78%, 0.68%, 0.81

LABA 88.03, -35.97, 55.5, 0.81

 

CMYK 38 / 71 / 0 / 37

HEX #4A128CCE

RGBA 74 18 140 0.81

HSLA 267.54, 0.77%, 0.31%, 0.81

LABA 22.94, 49.21, -55.55, 0.81

 

CMYK 35 / 63 / 0 / 30

HEX #5B249FCE

RGBA 91 36 159 0.81

HSLA 266.83, 0.63%, 0.38%, 0.81

LABA 29.38, 49.53, -56.59, 0.81

 

CMYK 32 / 56 / 0 / 24

HEX #6C36B2CE

RGBA 108 54 178 0.81

HSLA 266.13, 0.53%, 0.45%, 0.81

LABA 36.06, 48.99, -57.02, 0.81

 

CMYK 30 / 51 / 0 / 18

HEX #7D48C5CE

RGBA 125 72 197 0.81

HSLA 265.44, 0.52%, 0.53%, 0.81

LABA 42.8, 48.11, -57.16, 0.81

 

CMYK 28 / 47 / 0 / 12

HEX #8E5AD8CE

RGBA 142 90 216 0.81

HSLA 264.76, 0.62%, 0.6%, 0.81

LABA 49.52, 47.1, -57.15, 0.81

 

CMYK 42 / 71 / 0 / 35

HEX #451291CE

RGBA 69 18 145 0.81

HSLA 264.09, 0.78%, 0.32%, 0.81

LABA 22.8, 49.87, -58.91, 0.81

 

CMYK 48 / 81 / 0 / 41

HEX #34007ECE

RGBA 52 0 126 0.81

HSLA 264.76, 1%, 0.25%, 0.81

LABA 16.68, 48.72, -57.15, 0.81

 

CMYK 55 / 81 / 0 / 47

HEX #23006BCE

RGBA 35 0 107 0.81

HSLA 259.63, 1%, 0.21%, 0.81

LABA 12.08, 42.84, -52.54, 0.81

 

CMYK 64 / 81 / 0 / 53

HEX #120058CE

RGBA 18 0 88 0.81

HSLA 252.27, 1%, 0.17%, 0.81

LABA 7.53, 36.88, -47.48, 0.81

 

CMYK 80 / 81 / 0 / 59

HEX #010045CE

RGBA 1 0 69 0.81

HSLA 240.87, 1%, 0.14%, 0.81

LABA 3.94, 26.69, -40.25, 0.81

 

CMYK 52 / 88 / 0 / 43

HEX #451291

RGB 69 18 145

HSL 264.09, 0.78%, 0.32%

LAB 22.8, 49.87, -58.91

 

CMYK 29 / 88 / 0 / 43

HEX #671291

RGB 103 18 145

HSL 280.16, 0.78%, 0.32%

LAB 27.74, 54.55, -50.62

 

CMYK 5 / 88 / 0 / 43

HEX #8A1291

RGB 138 18 145

HSL 296.69, 0.78%, 0.32%

LAB 33.73, 60.61, -40.64

 

CMYK 0 / 88 / 19 / 43

HEX #911276

RGB 145 18 118

HSL 312.76, 0.78%, 0.32%

LAB 33.48, 57.91, -24.13

 

CMYK 0 / 88 / 42 / 43

HEX #911254

RGB 145 18 84

HSL 328.82, 0.78%, 0.32%

LAB 32.02, 53.87, -4.48

 

CMYK 52 / 88 / 0 / 43

HEX #451291

RGB 69 18 145

HSL 264.09, 0.78%, 0.32%

LAB 22.8, 49.87, -58.91

 

CMYK 76 / 88 / 0 / 43

HEX #231291

RGB 35 18 145

HSL 248.03, 0.78%, 0.32%

LAB 19.37, 46.86, -64.7

 

CMYK 88 / 88 / 0 / 43

HEX #121291

RGB 18 18 145

HSL 240, 0.78%, 0.32%

LAB 18.39, 46.06, -66.35

 

CMYK 52 / 88 / 0 / 43

HEX #451291

RGB 69 18 145

HSL 264.09, 0.78%, 0.32%

LAB 22.8, 49.87, -58.91

 

CMYK 58 / 97 / 0 / 38

HEX #42059E

RGB 66 5 158

HSL 263.92, 0.94%, 0.32%

LAB 22.78, 56.21, -66.97

 

CMYK 52 / 88 / 0 / 43

HEX #451291

RGB 69 18 145

HSL 264.09, 0.78%, 0.32%

LAB 22.8, 49.87, -58.91

 

CMYK 45 / 77 / 0 / 48

HEX #481F84

RGB 72 31 132

HSL 264.36, 0.62%, 0.32%

LAB 23.75, 41.47, -49.22

 

CMYK 38 / 63 / 0 / 53

HEX #4A2C77

RGB 74 44 119

HSL 264, 0.46%, 0.32%

LAB 25.53, 31.11, -38.09

 

CMYK 27 / 45 / 0 / 58

HEX #4D3A6A

RGB 77 58 106

HSL 263.75, 0.29%, 0.32%

LAB 28.5, 19.52, -25.05

 

CMYK 14 / 23 / 0 / 64

HEX #4F475C

RGB 79 71 92

HSL 262.86, 0.13%, 0.32%

LAB 31.67, 8.1, -11.16

 

CMYK 88 / 76 / 0 / 43

HEX #122391

RGB 18 35 145

HSL 231.97, 0.78%, 0.32%

LAB 21.49, 37.07, -61.21

 

CMYK 76 / 88 / 0 / 43

HEX #231291

RGB 35 18 145

HSL 248.03, 0.78%, 0.32%

LAB 19.37, 46.86, -64.7

 

CMYK 52 / 88 / 0 / 43

HEX #451291

RGB 69 18 145

HSL 264.09, 0.78%, 0.32%

LAB 22.8, 49.87, -58.91

 

CMYK 29 / 88 / 0 / 43

HEX #671291

RGB 103 18 145

HSL 280.16, 0.78%, 0.32%

LAB 27.74, 54.55, -50.62

 

CMYK 6 / 88 / 0 / 43

HEX #891291

RGB 137 18 145

HSL 296.22, 0.78%, 0.32%

LAB 33.55, 60.42, -40.94

 

CMYK 53 / 88 / 0 / 72

HEX #220948

RGB 34 9 72

HSL 263.81, 0.78%, 0.16%

LAB 9.02, 28.5, -33.9

 

CMYK 52 / 88 / 0 / 57

HEX #340D6D

RGB 52 13 109

HSL 264.38, 0.79%, 0.24%

LAB 16.12, 40.02, -47.11

 

CMYK 52 / 88 / 0 / 43

HEX #451291

RGB 69 18 145

HSL 264.09, 0.78%, 0.32%

LAB 22.8, 49.87, -58.91

 

CMYK 52 / 88 / 0 / 29

HEX #5716B6

RGB 87 22 182

HSL 264.38, 0.78%, 0.4%

LAB 29.36, 59.86, -70.49

 

CMYK 53 / 88 / 0 / 14

HEX #681BDB

RGB 104 27 219

HSL 264.06, 0.78%, 0.48%

LAB 35.68, 69.03, -81.63

 

CMYK 52 / 88 / 0 / 43

HEX #451291

RGB 69 18 145

HSL 264.09, 0.78%, 0.32%

LAB 22.8, 49.87, -58.91

 

CMYK 0 / 88 / 52 / 43

HEX #911245

RGB 145 18 69

HSL 335.91, 0.78%, 0.32%

LAB 31.54, 52.5, 4.71

 

CMYK 88 / 0 / 88 / 43

HEX #129112

RGB 18 145 18

HSL 120, 0.78%, 0.32%

LAB 52.31, -54.66, 51.51

 

CMYK 52 / 88 / 0 / 43

HEX #451291

RGB 69 18 145

HSL 264.09, 0.78%, 0.32%

LAB 22.8, 49.87, -58.91

 

CMYK 0 / 52 / 88 / 43

HEX #914512

RGB 145 69 18

HSL 24.09, 0.78%, 0.32%

LAB 38.41, 28.99, 42.57

 

CMYK 88 / 0 / 52 / 43

HEX #129145

RGB 18 145 69

HSL 144.09, 0.78%, 0.32%

LAB 52.74, -49.36, 31.26

 

CMYK 52 / 88 / 0 / 43

HEX #451291

RGB 69 18 145

HSL 264.09, 0.78%, 0.32%

LAB 22.8, 49.87, -58.91

 

CMYK 0 / 88 / 52 / 43

HEX #911245

RGB 145 18 69

HSL 335.91, 0.78%, 0.32%

LAB 31.54, 52.5, 4.71

 

CMYK 35 / 0 / 88 / 43

HEX #5E9112

RGB 94 145 18

HSL 84.09, 0.78%, 0.32%

LAB 54.74, -35.59, 54.56

 

CMYK 88 / 0 / 35 / 43

HEX #12915E

RGB 18 145 94

HSL 155.91, 0.78%, 0.32%

LAB 53.15, -44.52, 18.22

 

CMYK 52 / 88 / 0 / 43

HEX #451291

RGB 69 18 145

HSL 264.09, 0.78%, 0.32%

LAB 22.8, 49.87, -58.91

 

CMYK 0 / 88 / 79 / 43

HEX #91121F

RGB 145 18 31

HSL 353.86, 0.78%, 0.32%

LAB 30.76, 50.25, 28.56

 

CMYK 35 / 0 / 88 / 43

HEX #5E9112

RGB 94 145 18

HSL 84.09, 0.78%, 0.32%

LAB 54.74, -35.59, 54.56

 

CMYK 88 / 0 / 8 / 43

HEX #129185

RGB 18 145 133

HSL 174.33, 0.78%, 0.32%

LAB 54.1, -34.34, -2.7

 

Description

Color code: HEX #451291CE | qconv.com Color code: HEX #451291CE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 18 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 18 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 71 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 71% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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