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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #450BD1 it is the complementary color #BAF42E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #450BD1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #450BD1 shade: #4A0BCC, #5B1DDF, #6C2FF2, #7D41FF and #8E53FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #450BD1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #450BD1 shade: #450BD1, #3400BE, #2300AB, #120098 and #010085

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #450BD1 shade: #450BD0, #7A0BD0, #AF0BD0, #D00BBC and #D00B87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #450BD1 shade: #450BD0, #100BD0 and #0B0BD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #450BD1 shade matches the following richer shades: #450BD0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #450BD1 shade: #450BD0, #4C1DBF, #532EAD, #5B409B and #625289

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #450BD1 shade: #0B3CD0, #0E0BD0, #430BD0, #780BD0 and #AC0BD0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #450BD1 shade: #2B0782, #3809A9, #450BD0, #5412F3 and #7039F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #450BD1 shade: #450BD1, #D00B71 and #22D00B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #450BD1 shade: #450BD1, #D0430B and #0BD043

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #450BD1 shade: #450BD1, #D00B71, #98D00B and #0BD06A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #450BD1 shade: #450BD1, #D00B36, #98D00B and #0BD0A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 95 / 0 / 18

HEX #450BD1

RGB 69 11 209

HSL 257.58, 0.9%, 0.43%

LAB 29.68, 67.67, -85.89

 

Complementary color

CMYK 24 / 0 / 81 / 4

HEX #BAF42E

RGB 186 244 46

HSL 77.58, 0.9%, 0.57%

LAB 89.55, -43.18, 80.26

 

CMYK 64 / 95 / 0 / 20

HEX #4A0BCC

RGB 74 11 204

HSL 259.59, 0.9%, 0.42%

LAB 29.55, 66.73, -83.19

 

CMYK 59 / 87 / 0 / 13

HEX #5B1DDF

RGB 91 29 223

HSL 259.18, 0.77%, 0.49%

LAB 34.86, 68.28, -85.32

 

CMYK 55 / 81 / 0 / 5

HEX #6C2FF2

RGB 108 47 242

HSL 258.77, 0.88%, 0.57%

LAB 40.63, 68.53, -86.54

 

CMYK 51 / 75 / 0 / 0

HEX #7D41FF

RGB 125 65 255

HSL 258.95, 1%, 0.63%

LAB 46.12, 66.48, -84.72

 

CMYK 44 / 67 / 0 / 0

HEX #8E53FF

RGB 142 83 255

HSL 260.58, 1%, 0.66%

LAB 50.87, 60.68, -76.89

 

CMYK 67 / 95 / 0 / 18

HEX #450BD1

RGB 69 11 209

HSL 257.58, 0.9%, 0.43%

LAB 29.68, 67.67, -85.89

 

CMYK 73 / 100 / 0 / 25

HEX #3400BE

RGB 52 0 190

HSL 256.42, 1%, 0.37%

LAB 25.1, 64.35, -82.41

 

CMYK 80 / 100 / 0 / 33

HEX #2300AB

RGB 35 0 171

HSL 252.28, 1%, 0.34%

LAB 21.2, 59.18, -77.59

 

CMYK 88 / 100 / 0 / 40

HEX #120098

RGB 18 0 152

HSL 247.11, 1%, 0.3%

LAB 17.44, 54.03, -72.28

 

CMYK 99 / 100 / 0 / 48

HEX #010085

RGB 1 0 133

HSL 240.45, 1%, 0.26%

LAB 13.83, 48.85, -66.46

 

CMYK 67 / 95 / 0 / 18

HEX #450BD0

RGB 69 11 208

HSL 257.66, 0.9%, 0.43%

LAB 29.56, 67.42, -85.52

 

CMYK 41 / 95 / 0 / 18

HEX #7A0BD0

RGB 122 11 208

HSL 273.81, 0.9%, 0.43%

LAB 35.85, 71.56, -74.91

 

CMYK 16 / 95 / 0 / 18

HEX #AF0BD0

RGB 175 11 208

HSL 289.95, 0.9%, 0.43%

LAB 44.1, 78.27, -61.09

 

CMYK 0 / 95 / 10 / 18

HEX #D00BBC

RGB 208 11 188

HSL 306.09, 0.9%, 0.43%

LAB 48.61, 80.6, -41.93

 

CMYK 0 / 95 / 35 / 18

HEX #D00B87

RGB 208 11 135

HSL 322.23, 0.9%, 0.43%

LAB 46.18, 74.34, -14.09

 

CMYK 67 / 95 / 0 / 18

HEX #450BD0

RGB 69 11 208

HSL 257.66, 0.9%, 0.43%

LAB 29.56, 67.42, -85.52

 

CMYK 92 / 95 / 0 / 18

HEX #100BD0

RGB 16 11 208

HSL 241.52, 0.9%, 0.43%

LAB 26.46, 65.85, -90.77

 

CMYK 95 / 95 / 0 / 18

HEX #0B0BD0

RGB 11 11 208

HSL 240, 0.9%, 0.43%

LAB 26.35, 65.8, -90.96

 

CMYK 67 / 95 / 0 / 18

HEX #450BD0

RGB 69 11 208

HSL 257.66, 0.9%, 0.43%

LAB 29.56, 67.42, -85.52

 

CMYK 67 / 95 / 0 / 18

HEX #450BD0

RGB 69 11 208

HSL 257.66, 0.9%, 0.43%

LAB 29.56, 67.42, -85.52

 

CMYK 60 / 85 / 0 / 25

HEX #4C1DBF

RGB 76 29 191

HSL 257.41, 0.74%, 0.43%

LAB 29.85, 58.8, -75.04

 

CMYK 52 / 73 / 0 / 32

HEX #532EAD

RGB 83 46 173

HSL 257.48, 0.58%, 0.43%

LAB 31.37, 47.25, -61.82

 

CMYK 41 / 59 / 0 / 39

HEX #5B409B

RGB 91 64 155

HSL 257.8, 0.42%, 0.43%

LAB 34.51, 33.55, -45.84

 

CMYK 28 / 40 / 0 / 46

HEX #625289

RGB 98 82 137

HSL 257.45, 0.25%, 0.43%

LAB 38.62, 19.33, -28.33

 

CMYK 95 / 71 / 0 / 18

HEX #0B3CD0

RGB 11 60 208

HSL 225.08, 0.9%, 0.43%

LAB 33.68, 44.38, -78.76

 

CMYK 93 / 95 / 0 / 18

HEX #0E0BD0

RGB 14 11 208

HSL 240.91, 0.9%, 0.43%

LAB 26.41, 65.82, -90.85

 

CMYK 68 / 95 / 0 / 18

HEX #430BD0

RGB 67 11 208

HSL 257.06, 0.9%, 0.43%

LAB 29.38, 67.32, -85.82

 

CMYK 42 / 95 / 0 / 18

HEX #780BD0

RGB 120 11 208

HSL 273.2, 0.9%, 0.43%

LAB 35.57, 71.35, -75.38

 

CMYK 17 / 95 / 0 / 18

HEX #AC0BD0

RGB 172 11 208

HSL 289.04, 0.9%, 0.43%

LAB 43.6, 77.83, -61.92

 

CMYK 67 / 95 / 0 / 49

HEX #2B0782

RGB 43 7 130

HSL 257.56, 0.9%, 0.27%

LAB 16.88, 46.88, -59.39

 

CMYK 67 / 95 / 0 / 34

HEX #3809A9

RGB 56 9 169

HSL 257.63, 0.9%, 0.35%

LAB 23.34, 57.39, -72.76

 

CMYK 67 / 95 / 0 / 18

HEX #450BD0

RGB 69 11 208

HSL 257.66, 0.9%, 0.43%

LAB 29.56, 67.42, -85.52

 

CMYK 65 / 93 / 0 / 5

HEX #5412F3

RGB 84 18 243

HSL 257.6, 0.9%, 0.51%

LAB 35.57, 75.34, -95.55

 

CMYK 54 / 77 / 0 / 4

HEX #7039F5

RGB 112 57 245

HSL 257.55, 0.9%, 0.59%

LAB 42.71, 65.7, -84.79

 

CMYK 67 / 95 / 0 / 18

HEX #450BD1

RGB 69 11 209

HSL 257.58, 0.9%, 0.43%

LAB 29.68, 67.67, -85.89

 

CMYK 0 / 95 / 46 / 18

HEX #D00B71

RGB 208 11 113

HSL 328.93, 0.9%, 0.43%

LAB 45.42, 72.32, -1.7

 

CMYK 84 / 0 / 95 / 18

HEX #22D00B

RGB 34 208 11

HSL 112.99, 0.9%, 0.43%

LAB 73.2, -71.68, 70.5

 

CMYK 67 / 95 / 0 / 18

HEX #450BD1

RGB 69 11 209

HSL 257.58, 0.9%, 0.43%

LAB 29.68, 67.67, -85.89

 

CMYK 0 / 68 / 95 / 18

HEX #D0430B

RGB 208 67 11

HSL 17.06, 0.9%, 0.43%

LAB 48.82, 53.61, 57.25

 

CMYK 95 / 0 / 68 / 18

HEX #0BD043

RGB 11 208 67

HSL 137.06, 0.9%, 0.43%

LAB 73.28, -70.08, 55.8

 

CMYK 67 / 95 / 0 / 18

HEX #450BD1

RGB 69 11 209

HSL 257.58, 0.9%, 0.43%

LAB 29.68, 67.67, -85.89

 

CMYK 0 / 95 / 46 / 18

HEX #D00B71

RGB 208 11 113

HSL 328.93, 0.9%, 0.43%

LAB 45.42, 72.32, -1.7

 

CMYK 27 / 0 / 95 / 18

HEX #98D00B

RGB 152 208 11

HSL 77.06, 0.9%, 0.43%

LAB 77.17, -41.28, 75.35

 

CMYK 95 / 0 / 49 / 18

HEX #0BD06A

RGB 11 208 106

HSL 148.93, 0.9%, 0.43%

LAB 73.69, -64.98, 38.67

 

CMYK 67 / 95 / 0 / 18

HEX #450BD1

RGB 69 11 209

HSL 257.58, 0.9%, 0.43%

LAB 29.68, 67.67, -85.89

 

CMYK 0 / 95 / 74 / 18

HEX #D00B36

RGB 208 11 54

HSL 346.9, 0.9%, 0.43%

LAB 44.11, 68.76, 33.17

 

CMYK 27 / 0 / 95 / 18

HEX #98D00B

RGB 152 208 11

HSL 77.06, 0.9%, 0.43%

LAB 77.17, -41.28, 75.35

 

CMYK 95 / 0 / 20 / 18

HEX #0BD0A6

RGB 11 208 166

HSL 167.21, 0.9%, 0.43%

LAB 74.78, -52.49, 8.92

 

Description

Color code: HEX #450BD1 | qconv.com Color code: HEX #450BD1 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 11 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 11 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 95 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 95% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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