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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #450B44 it is the complementary color #BAF4BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #450B44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #450B44 shade: #4A0B3F, #5B1D52, #6C2F65, #7D4178 and #8E538B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #450B44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #450B44 shade: #450B44, #340031, #23001E, #12000B and #010000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #450B44 shade: #470B46, #470B35, #470B25, #470B15 and #470B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #450B44 shade: #470B46, #380B47, #270B47, #170B47 and #0B0B47

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #450B44 shade matches the following richer shades: #470B46 and #4D044C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #450B44 shade: #470B46, #40123F, #391839, #331F32 and #2C252C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #450B44 shade: #280B47, #380B47, #470B46, #470B36 and #470B26

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #450B44 shade: #000000, #230522, #470B46, #6A1169 and #8E168C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #450B44 shade: #450B44, #47180B and #0B4730

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #450B44 shade: #450B44, #46470B and #0B4647

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #450B44 shade: #450B44, #47180B, #0B470C and #0B3A47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #450B44 shade: #450B44, #472A0B, #0B470C and #0B2847

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 1 / 73

HEX #450B44

RGB 69 11 68

HSL 301.03, 0.73%, 0.16%

LAB 15.07, 34.25, -21.02

 

Complementary color

CMYK 24 / 0 / 23 / 4

HEX #BAF4BB

RGB 186 244 187

HSL 121.03, 0.73%, 0.84%

LAB 91.11, -29.06, 21.65

 

CMYK 0 / 85 / 15 / 71

HEX #4A0B3F

RGB 74 11 63

HSL 310.48, 0.74%, 0.17%

LAB 15.77, 34.65, -16.35

 

CMYK 0 / 68 / 10 / 64

HEX #5B1D52

RGB 91 29 82

HSL 308.71, 0.52%, 0.24%

LAB 22.7, 35.31, -18.32

 

CMYK 0 / 56 / 6 / 58

HEX #6C2F65

RGB 108 47 101

HSL 306.89, 0.39%, 0.3%

LAB 29.81, 34.97, -19.49

 

CMYK 0 / 48 / 4 / 51

HEX #7D4178

RGB 125 65 120

HSL 305, 0.32%, 0.37%

LAB 36.92, 34.28, -20.28

 

CMYK 0 / 42 / 2 / 44

HEX #8E538B

RGB 142 83 139

HSL 303.05, 0.26%, 0.44%

LAB 43.95, 33.49, -20.87

 

CMYK 0 / 84 / 1 / 73

HEX #450B44

RGB 69 11 68

HSL 301.03, 0.73%, 0.16%

LAB 15.07, 34.25, -21.02

 

CMYK 0 / 100 / 6 / 80

HEX #340031

RGB 52 0 49

HSL 303.46, 1%, 0.1%

LAB 8.58, 31.39, -17.92

 

CMYK 0 / 100 / 14 / 86

HEX #23001E

RGB 35 0 30

HSL 308.57, 1%, 0.07%

LAB 4.07, 20.32, -10.7

 

CMYK 0 / 100 / 39 / 93

HEX #12000B

RGB 18 0 11

HSL 323.33, 1%, 0.04%

LAB 1.38, 6.75, -2.34

 

CMYK 0 / 100 / 100 / 100

HEX #010000

RGB 1 0 0

HSL 0, 1%, 0%

LAB 0.06, 0.26, 0.09

 

CMYK 0 / 85 / 1 / 72

HEX #470B46

RGB 71 11 70

HSL 301, 0.73%, 0.16%

LAB 15.6, 35.13, -21.56

 

CMYK 0 / 85 / 25 / 72

HEX #470B35

RGB 71 11 53

HSL 318, 0.73%, 0.16%

LAB 14.6, 32.21, -11.1

 

CMYK 0 / 85 / 48 / 72

HEX #470B25

RGB 71 11 37

HSL 334, 0.73%, 0.16%

LAB 13.9, 30.05, -0.5

 

CMYK 0 / 85 / 70 / 72

HEX #470B15

RGB 71 11 21

HSL 350, 0.73%, 0.16%

LAB 13.43, 28.55, 10.65

 

CMYK 0 / 85 / 85 / 72

HEX #470B0B

RGB 71 11 11

HSL 0, 0.73%, 0.16%

LAB 13.25, 27.95, 15.98

 

CMYK 0 / 85 / 1 / 72

HEX #470B46

RGB 71 11 70

HSL 301, 0.73%, 0.16%

LAB 15.6, 35.13, -21.56

 

CMYK 21 / 85 / 0 / 72

HEX #380B47

RGB 56 11 71

HSL 285, 0.73%, 0.16%

LAB 12.83, 31.76, -26.84

 

CMYK 45 / 85 / 0 / 72

HEX #270B47

RGB 39 11 71

HSL 268, 0.73%, 0.16%

LAB 10, 28.11, -31.57

 

CMYK 68 / 85 / 0 / 72

HEX #170B47

RGB 23 11 71

HSL 252, 0.73%, 0.16%

LAB 7.92, 25.33, -35.06

 

CMYK 85 / 85 / 0 / 72

HEX #0B0B47

RGB 11 11 71

HSL 240, 0.73%, 0.16%

LAB 6.91, 23.65, -36.75

 

CMYK 0 / 85 / 1 / 72

HEX #470B46

RGB 71 11 70

HSL 301, 0.73%, 0.16%

LAB 15.6, 35.13, -21.56

 

CMYK 0 / 95 / 1 / 70

HEX #4D044C

RGB 77 4 76

HSL 300.82, 0.9%, 0.16%

LAB 16.44, 39.83, -24.3

 

CMYK 0 / 85 / 1 / 72

HEX #470B46

RGB 71 11 70

HSL 301, 0.73%, 0.16%

LAB 15.6, 35.13, -21.56

 

CMYK 0 / 72 / 2 / 75

HEX #40123F

RGB 64 18 63

HSL 301.3, 0.56%, 0.16%

LAB 14.85, 28.93, -17.92

 

CMYK 0 / 58 / 0 / 78

HEX #391839

RGB 57 24 57

HSL 300, 0.41%, 0.16%

LAB 14.5, 22.06, -14.31

 

CMYK 0 / 39 / 2 / 80

HEX #331F32

RGB 51 31 50

HSL 303, 0.24%, 0.16%

LAB 15.03, 13.57, -8.6

 

CMYK 0 / 16 / 0 / 83

HEX #2C252C

RGB 44 37 44

HSL 300, 0.09%, 0.16%

LAB 15.7, 4.88, -3.4

 

CMYK 44 / 85 / 0 / 72

HEX #280B47

RGB 40 11 71

HSL 269, 0.73%, 0.16%

LAB 10.15, 28.3, -31.32

 

CMYK 21 / 85 / 0 / 72

HEX #380B47

RGB 56 11 71

HSL 285, 0.73%, 0.16%

LAB 12.83, 31.76, -26.84

 

CMYK 0 / 85 / 1 / 72

HEX #470B46

RGB 71 11 70

HSL 301, 0.73%, 0.16%

LAB 15.6, 35.13, -21.56

 

CMYK 0 / 85 / 24 / 72

HEX #470B36

RGB 71 11 54

HSL 317, 0.73%, 0.16%

LAB 14.65, 32.36, -11.74

 

CMYK 0 / 85 / 46 / 72

HEX #470B26

RGB 71 11 38

HSL 333, 0.73%, 0.16%

LAB 13.94, 30.16, -1.19

 

CMYK 0 / 86 / 3 / 86

HEX #230522

RGB 35 5 34

HSL 302, 0.75%, 0.08%

LAB 5.25, 19.26, -12.05

 

CMYK 0 / 85 / 1 / 72

HEX #470B46

RGB 71 11 70

HSL 301, 0.73%, 0.16%

LAB 15.6, 35.13, -21.56

 

CMYK 0 / 84 / 1 / 58

HEX #6A1169

RGB 106 17 105

HSL 300.67, 0.72%, 0.24%

LAB 25.21, 47.64, -29.34

 

CMYK 0 / 85 / 1 / 44

HEX #8E168C

RGB 142 22 140

HSL 301, 0.73%, 0.32%

LAB 34.43, 59.7, -36.4

 

CMYK 0 / 84 / 1 / 73

HEX #450B44

RGB 69 11 68

HSL 301.03, 0.73%, 0.16%

LAB 15.07, 34.25, -21.02

 

CMYK 0 / 66 / 85 / 72

HEX #47180B

RGB 71 24 11

HSL 13, 0.73%, 0.16%

LAB 15.58, 21.66, 19.01

 

CMYK 85 / 0 / 32 / 72

HEX #0B4730

RGB 11 71 48

HSL 157, 0.73%, 0.16%

LAB 26.13, -24.92, 8.65

 

CMYK 0 / 84 / 1 / 73

HEX #450B44

RGB 69 11 68

HSL 301.03, 0.73%, 0.16%

LAB 15.07, 34.25, -21.02

 

CMYK 1 / 0 / 85 / 72

HEX #46470B

RGB 70 71 11

HSL 61, 0.73%, 0.16%

LAB 28.99, -8.59, 33.21

 

CMYK 85 / 1 / 0 / 72

HEX #0B4647

RGB 11 70 71

HSL 181, 0.73%, 0.16%

LAB 26.47, -17.25, -5.84

 

CMYK 0 / 84 / 1 / 73

HEX #450B44

RGB 69 11 68

HSL 301.03, 0.73%, 0.16%

LAB 15.07, 34.25, -21.02

 

CMYK 0 / 66 / 85 / 72

HEX #47180B

RGB 71 24 11

HSL 13, 0.73%, 0.16%

LAB 15.58, 21.66, 19.01

 

CMYK 85 / 0 / 83 / 72

HEX #0B470C

RGB 11 71 12

HSL 121, 0.73%, 0.16%

LAB 25.58, -31.35, 28.36

 

CMYK 85 / 18 / 0 / 72

HEX #0B3A47

RGB 11 58 71

HSL 193, 0.73%, 0.16%

LAB 22.13, -10.15, -12.42

 

CMYK 0 / 84 / 1 / 73

HEX #450B44

RGB 69 11 68

HSL 301.03, 0.73%, 0.16%

LAB 15.07, 34.25, -21.02

 

CMYK 0 / 41 / 85 / 72

HEX #472A0B

RGB 71 42 11

HSL 31, 0.73%, 0.16%

LAB 20.12, 10.44, 24.46

 

CMYK 85 / 0 / 83 / 72

HEX #0B470C

RGB 11 71 12

HSL 121, 0.73%, 0.16%

LAB 25.58, -31.35, 28.36

 

CMYK 85 / 44 / 0 / 72

HEX #0B2847

RGB 11 40 71

HSL 211, 0.73%, 0.16%

LAB 15.71, 2.12, -22.46

 

Description

Color code: HEX #450B44 | qconv.com Color code: HEX #450B44 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 11 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 11 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 1 yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 1% 73% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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