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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4503EF it is the complementary color #BAFC10. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4503EF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4503EF shade: #4A03EA, #5B15FD, #6C27FF, #7D39FF and #8E4BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4503EF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4503EF shade: #4503EF, #3400DC, #2300C9, #1200B6 and #0100A3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4503EF shade: #4402ED, #8302ED, #C302ED, #ED02D8 and #ED0299

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4503EF shade: #4402ED, #0502ED and #0202ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4503EF shade matches the following richer shades: #4402ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4503EF shade: #4402ED, #4D16DA, #5529C7, #5E3DB3 and #6650A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4503EF shade: #0241ED, #0202ED, #4102ED, #8002ED and #BE02ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4503EF shade: #2D029C, #3802C4, #4402ED, #5B1CFD and #7945FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4503EF shade: #4503EF, #ED0280 and #22ED02

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4503EF shade: #4503EF, #ED4102 and #02ED41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4503EF shade: #4503EF, #ED0280, #AFED02 and #02ED70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4503EF shade: #4503EF, #ED0239, #AFED02 and #02EDB6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 99 / 0 / 6

HEX #4503EF

RGB 69 3 239

HSL 256.78, 0.98%, 0.47%

LAB 33.05, 76.05, -97.51

 

Complementary color

CMYK 26 / 0 / 94 / 1

HEX #BAFC10

RGB 186 252 16

HSL 76.78, 0.98%, 0.53%

LAB 91.73, -47.3, 87.15

 

CMYK 68 / 99 / 0 / 8

HEX #4A03EA

RGB 74 3 234

HSL 258.44, 0.97%, 0.46%

LAB 32.84, 75.07, -95.02

 

CMYK 64 / 92 / 0 / 1

HEX #5B15FD

RGB 91 21 253

HSL 258.1, 0.98%, 0.54%

LAB 37.58, 77.51, -97.83

 

CMYK 58 / 85 / 0 / 0

HEX #6C27FF

RGB 108 39 255

HSL 259.17, 1%, 0.58%

LAB 40.99, 74.53, -93.24

 

CMYK 51 / 78 / 0 / 0

HEX #7D39FF

RGB 125 57 255

HSL 260.61, 1%, 0.61%

LAB 44.95, 69.86, -86.65

 

CMYK 44 / 71 / 0 / 0

HEX #8E4BFF

RGB 142 75 255

HSL 262.33, 1%, 0.65%

LAB 49.5, 64.5, -79.12

 

CMYK 71 / 99 / 0 / 6

HEX #4503EF

RGB 69 3 239

HSL 256.78, 0.98%, 0.47%

LAB 33.05, 76.05, -97.51

 

CMYK 76 / 100 / 0 / 14

HEX #3400DC

RGB 52 0 220

HSL 254.18, 1%, 0.43%

LAB 29.15, 71.52, -93.18

 

CMYK 83 / 100 / 0 / 21

HEX #2300C9

RGB 35 0 201

HSL 250.45, 1%, 0.39%

LAB 25.49, 66.57, -88.28

 

CMYK 90 / 100 / 0 / 29

HEX #1200B6

RGB 18 0 182

HSL 245.93, 1%, 0.36%

LAB 21.97, 61.63, -82.93

 

CMYK 99 / 100 / 0 / 36

HEX #0100A3

RGB 1 0 163

HSL 240.37, 1%, 0.32%

LAB 18.59, 56.67, -77.13

 

CMYK 71 / 99 / 0 / 7

HEX #4402ED

RGB 68 2 237

HSL 256.85, 0.98%, 0.47%

LAB 32.67, 75.69, -97.01

 

CMYK 45 / 99 / 0 / 7

HEX #8302ED

RGB 131 2 237

HSL 272.94, 0.98%, 0.47%

LAB 39.55, 79.49, -85.4

 

CMYK 18 / 99 / 0 / 7

HEX #C302ED

RGB 195 2 237

HSL 289.28, 0.98%, 0.47%

LAB 49.2, 86.69, -69.21

 

CMYK 0 / 99 / 9 / 7

HEX #ED02D8

RGB 237 2 216

HSL 305.36, 0.98%, 0.47%

LAB 55.08, 89.97, -47.49

 

CMYK 0 / 99 / 35 / 7

HEX #ED0299

RGB 237 2 153

HSL 321.45, 0.98%, 0.47%

LAB 52.23, 82.77, -15.23

 

CMYK 71 / 99 / 0 / 7

HEX #4402ED

RGB 68 2 237

HSL 256.85, 0.98%, 0.47%

LAB 32.67, 75.69, -97.01

 

CMYK 98 / 99 / 0 / 7

HEX #0502ED

RGB 5 2 237

HSL 240.77, 0.98%, 0.47%

LAB 29.89, 74.62, -101.73

 

CMYK 99 / 99 / 0 / 7

HEX #0202ED

RGB 2 2 237

HSL 240, 0.98%, 0.47%

LAB 29.84, 74.6, -101.82

 

CMYK 71 / 99 / 0 / 7

HEX #4402ED

RGB 68 2 237

HSL 256.85, 0.98%, 0.47%

LAB 32.67, 75.69, -97.01

 

CMYK 71 / 99 / 0 / 7

HEX #4402ED

RGB 68 2 237

HSL 256.85, 0.98%, 0.47%

LAB 32.67, 75.69, -97.01

 

CMYK 65 / 90 / 0 / 15

HEX #4D16DA

RGB 77 22 218

HSL 256.84, 0.82%, 0.47%

LAB 32.29, 67.95, -86.75

 

CMYK 57 / 79 / 0 / 22

HEX #5529C7

RGB 85 41 199

HSL 256.71, 0.66%, 0.47%

LAB 33.22, 57.12, -74.15

 

CMYK 47 / 66 / 0 / 30

HEX #5E3DB3

RGB 94 61 179

HSL 256.78, 0.49%, 0.47%

LAB 35.93, 42.85, -57.9

 

CMYK 36 / 50 / 0 / 37

HEX #6650A0

RGB 102 80 160

HSL 256.5, 0.33%, 0.47%

LAB 39.75, 28.05, -40.4

 

CMYK 99 / 73 / 0 / 7

HEX #0241ED

RGB 2 65 237

HSL 223.91, 0.98%, 0.47%

LAB 37.68, 51.46, -88.77

 

CMYK 99 / 99 / 0 / 7

HEX #0202ED

RGB 2 2 237

HSL 240, 0.98%, 0.47%

LAB 29.84, 74.6, -101.82

 

CMYK 73 / 99 / 0 / 7

HEX #4102ED

RGB 65 2 237

HSL 256.09, 0.98%, 0.47%

LAB 32.44, 75.59, -97.41

 

CMYK 46 / 99 / 0 / 7

HEX #8002ED

RGB 128 2 237

HSL 272.17, 0.98%, 0.47%

LAB 39.15, 79.23, -86.07

 

CMYK 20 / 99 / 0 / 7

HEX #BE02ED

RGB 190 2 237

HSL 288, 0.98%, 0.47%

LAB 48.39, 86.02, -70.57

 

CMYK 71 / 99 / 0 / 39

HEX #2D029C

RGB 45 2 156

HSL 256.75, 0.97%, 0.31%

LAB 20.05, 55.23, -70.34

 

CMYK 71 / 99 / 0 / 23

HEX #3802C4

RGB 56 2 196

HSL 256.7, 0.98%, 0.39%

LAB 26.36, 65.54, -83.85

 

CMYK 71 / 99 / 0 / 7

HEX #4402ED

RGB 68 2 237

HSL 256.85, 0.98%, 0.47%

LAB 32.67, 75.69, -97.01

 

CMYK 64 / 89 / 0 / 1

HEX #5B1CFD

RGB 91 28 253

HSL 256.8, 0.98%, 0.55%

LAB 38.1, 75.91, -96.95

 

CMYK 52 / 73 / 0 / 1

HEX #7945FD

RGB 121 69 253

HSL 256.96, 0.98%, 0.63%

LAB 46.19, 63.59, -83.5

 

CMYK 71 / 99 / 0 / 6

HEX #4503EF

RGB 69 3 239

HSL 256.78, 0.98%, 0.47%

LAB 33.05, 76.05, -97.51

 

CMYK 0 / 99 / 46 / 7

HEX #ED0280

RGB 237 2 128

HSL 327.83, 0.98%, 0.47%

LAB 51.39, 80.58, -1.45

 

CMYK 86 / 0 / 99 / 7

HEX #22ED02

RGB 34 237 2

HSL 111.83, 0.98%, 0.47%

LAB 82.33, -79.84, 78.75

 

CMYK 71 / 99 / 0 / 6

HEX #4503EF

RGB 69 3 239

HSL 256.78, 0.98%, 0.47%

LAB 33.05, 76.05, -97.51

 

CMYK 0 / 73 / 99 / 7

HEX #ED4102

RGB 237 65 2

HSL 16.09, 0.98%, 0.47%

LAB 53.8, 63.64, 64.89

 

CMYK 99 / 0 / 73 / 7

HEX #02ED41

RGB 2 237 65

HSL 136.09, 0.98%, 0.47%

LAB 82.36, -78.81, 66.02

 

CMYK 71 / 99 / 0 / 6

HEX #4503EF

RGB 69 3 239

HSL 256.78, 0.98%, 0.47%

LAB 33.05, 76.05, -97.51

 

CMYK 0 / 99 / 46 / 7

HEX #ED0280

RGB 237 2 128

HSL 327.83, 0.98%, 0.47%

LAB 51.39, 80.58, -1.45

 

CMYK 26 / 0 / 99 / 7

HEX #AFED02

RGB 175 237 2

HSL 75.83, 0.98%, 0.47%

LAB 86.84, -45.19, 84.22

 

CMYK 99 / 0 / 53 / 7

HEX #02ED70

RGB 2 237 112

HSL 148.09, 0.98%, 0.47%

LAB 82.78, -73.53, 47.04

 

CMYK 71 / 99 / 0 / 6

HEX #4503EF

RGB 69 3 239

HSL 256.78, 0.98%, 0.47%

LAB 33.05, 76.05, -97.51

 

CMYK 0 / 99 / 76 / 7

HEX #ED0239

RGB 237 2 57

HSL 345.96, 0.98%, 0.47%

LAB 49.91, 76.61, 39.57

 

CMYK 26 / 0 / 99 / 7

HEX #AFED02

RGB 175 237 2

HSL 75.83, 0.98%, 0.47%

LAB 86.84, -45.19, 84.22

 

CMYK 99 / 0 / 23 / 7

HEX #02EDB6

RGB 2 237 182

HSL 165.96, 0.98%, 0.47%

LAB 83.94, -60.04, 13.46

 

Description

Color code: HEX #4503EF | qconv.com Color code: HEX #4503EF | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 3 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 3 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 99 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 99% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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