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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4501C8 it is the complementary color #BAFE37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4501C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4501C8 shade: #4A01C3, #5B13D6, #6C25E9, #7D37FC and #8E49FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4501C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4501C8 shade: #4501C8, #3400B5, #2300A2, #12008F and #01007C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4501C8 shade: #4401C6, #7901C6, #AE01C6, #C601A8 and #C60173

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4501C8 shade: #4401C6, #0F01C6 and #0101C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4501C8 shade matches the following richer shades: #4401C6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4501C8 shade: #4401C6, #4911B6, #4E21A6, #543196 and #594186

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4501C8 shade: #0128C6, #0E01C6, #4301C6, #7701C6 and #AC01C6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4501C8 shade: #280174, #36019D, #4401C6, #5201EF and #691CFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4501C8 shade: #4501C8, #C6015D and #0EC601

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4501C8 shade: #4501C8, #C64301 and #01C643

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4501C8 shade: #4501C8, #C6015D, #84C601 and #01C66A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4501C8 shade: #4501C8, #C60122, #84C601 and #01C6A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 100 / 0 / 22

HEX #4501C8

RGB 69 1 200

HSL 260.5, 0.99%, 0.39%

LAB 28, 67.24, -83.44

 

Complementary color

CMYK 27 / 0 / 78 / 0

HEX #BAFE37

RGB 186 254 55

HSL 80.5, 0.99%, 0.61%

LAB 92.4, -47.11, 80.5

 

CMYK 62 / 99 / 0 / 24

HEX #4A01C3

RGB 74 1 195

HSL 262.58, 0.99%, 0.38%

LAB 27.89, 66.32, -80.66

 

CMYK 57 / 91 / 0 / 16

HEX #5B13D6

RGB 91 19 214

HSL 262.15, 0.84%, 0.46%

LAB 33.02, 68.68, -83.19

 

CMYK 54 / 84 / 0 / 9

HEX #6C25E9

RGB 108 37 233

HSL 261.73, 0.82%, 0.53%

LAB 38.54, 69.81, -84.89

 

CMYK 50 / 78 / 0 / 1

HEX #7D37FC

RGB 125 55 252

HSL 261.32, 0.97%, 0.6%

LAB 44.41, 69.91, -85.87

 

CMYK 44 / 71 / 0 / 0

HEX #8E49FF

RGB 142 73 255

HSL 262.75, 1%, 0.64%

LAB 49.17, 65.41, -79.65

 

CMYK 66 / 100 / 0 / 22

HEX #4501C8

RGB 69 1 200

HSL 260.5, 0.99%, 0.39%

LAB 28, 67.24, -83.44

 

CMYK 71 / 100 / 0 / 29

HEX #3400B5

RGB 52 0 181

HSL 257.24, 1%, 0.35%

LAB 23.89, 62.18, -79.07

 

CMYK 78 / 100 / 0 / 36

HEX #2300A2

RGB 35 0 162

HSL 252.96, 1%, 0.32%

LAB 19.91, 56.93, -74.27

 

CMYK 87 / 100 / 0 / 44

HEX #12008F

RGB 18 0 143

HSL 247.55, 1%, 0.28%

LAB 16.06, 51.7, -68.99

 

CMYK 99 / 100 / 0 / 51

HEX #01007C

RGB 1 0 124

HSL 240.48, 1%, 0.24%

LAB 12.36, 46.45, -63.17

 

CMYK 66 / 99 / 0 / 22

HEX #4401C6

RGB 68 1 198

HSL 260.41, 0.99%, 0.39%

LAB 27.65, 66.72, -82.85

 

CMYK 39 / 99 / 0 / 22

HEX #7901C6

RGB 121 1 198

HSL 276.55, 0.99%, 0.39%

LAB 34.32, 70.7, -71.6

 

CMYK 12 / 99 / 0 / 22

HEX #AE01C6

RGB 174 1 198

HSL 292.69, 0.99%, 0.39%

LAB 42.91, 77.42, -57.22

 

CMYK 0 / 99 / 15 / 22

HEX #C601A8

RGB 198 1 168

HSL 309.14, 0.99%, 0.39%

LAB 45.43, 77.01, -35.27

 

CMYK 0 / 99 / 42 / 22

HEX #C60173

RGB 198 1 115

HSL 325.28, 0.99%, 0.39%

LAB 43.16, 71.21, -6.51

 

CMYK 66 / 99 / 0 / 22

HEX #4401C6

RGB 68 1 198

HSL 260.41, 0.99%, 0.39%

LAB 27.65, 66.72, -82.85

 

CMYK 92 / 99 / 0 / 22

HEX #0F01C6

RGB 15 1 198

HSL 244.26, 0.99%, 0.39%

LAB 24.32, 65.35, -88.48

 

CMYK 99 / 99 / 0 / 22

HEX #0101C6

RGB 1 1 198

HSL 240, 0.99%, 0.39%

LAB 24.02, 65.25, -89

 

CMYK 66 / 99 / 0 / 22

HEX #4401C6

RGB 68 1 198

HSL 260.41, 0.99%, 0.39%

LAB 27.65, 66.72, -82.85

 

CMYK 66 / 99 / 0 / 22

HEX #4401C6

RGB 68 1 198

HSL 260.41, 0.99%, 0.39%

LAB 27.65, 66.72, -82.85

 

CMYK 60 / 91 / 0 / 29

HEX #4911B6

RGB 73 17 182

HSL 260.36, 0.83%, 0.39%

LAB 27.28, 59.96, -73.97

 

CMYK 53 / 80 / 0 / 35

HEX #4E21A6

RGB 78 33 166

HSL 260.3, 0.67%, 0.39%

LAB 28.01, 50.74, -63.15

 

CMYK 44 / 67 / 0 / 41

HEX #543196

RGB 84 49 150

HSL 260.79, 0.51%, 0.39%

LAB 30.12, 39.29, -49.94

 

CMYK 34 / 51 / 0 / 47

HEX #594186

RGB 89 65 134

HSL 260.87, 0.35%, 0.39%

LAB 33.19, 26.45, -35.13

 

CMYK 99 / 80 / 0 / 22

HEX #0128C6

RGB 1 40 198

HSL 228.12, 0.99%, 0.39%

LAB 28.38, 52.09, -81.72

 

CMYK 93 / 99 / 0 / 22

HEX #0E01C6

RGB 14 1 198

HSL 243.96, 0.99%, 0.39%

LAB 24.3, 65.34, -88.53

 

CMYK 66 / 99 / 0 / 22

HEX #4301C6

RGB 67 1 198

HSL 260.1, 0.99%, 0.39%

LAB 27.55, 66.67, -83.01

 

CMYK 40 / 99 / 0 / 22

HEX #7701C6

RGB 119 1 198

HSL 275.94, 0.99%, 0.39%

LAB 34.03, 70.5, -72.09

 

CMYK 13 / 99 / 0 / 22

HEX #AC01C6

RGB 172 1 198

HSL 292.08, 0.99%, 0.39%

LAB 42.57, 77.12, -57.8

 

CMYK 66 / 99 / 0 / 55

HEX #280174

RGB 40 1 116

HSL 260.35, 0.98%, 0.23%

LAB 14.02, 45.06, -55.18

 

CMYK 66 / 99 / 0 / 38

HEX #36019D

RGB 54 1 157

HSL 260.38, 0.99%, 0.31%

LAB 20.98, 56.17, -69.38

 

CMYK 66 / 99 / 0 / 22

HEX #4401C6

RGB 68 1 198

HSL 260.41, 0.99%, 0.39%

LAB 27.65, 66.72, -82.85

 

CMYK 66 / 100 / 0 / 6

HEX #5201EF

RGB 82 1 239

HSL 260.42, 0.99%, 0.47%

LAB 34.08, 76.85, -95.77

 

CMYK 59 / 89 / 0 / 0

HEX #691CFE

RGB 105 28 254

HSL 260.44, 0.99%, 0.55%

LAB 39.56, 77.11, -95.05

 

CMYK 66 / 100 / 0 / 22

HEX #4501C8

RGB 69 1 200

HSL 260.5, 0.99%, 0.39%

LAB 28, 67.24, -83.44

 

CMYK 0 / 99 / 53 / 22

HEX #C6015D

RGB 198 1 93

HSL 331.98, 0.99%, 0.39%

LAB 42.49, 69.43, 6.31

 

CMYK 93 / 0 / 99 / 22

HEX #0EC601

RGB 14 198 1

HSL 116.04, 0.99%, 0.39%

LAB 69.81, -70.61, 68.73

 

CMYK 66 / 100 / 0 / 22

HEX #4501C8

RGB 69 1 200

HSL 260.5, 0.99%, 0.39%

LAB 28, 67.24, -83.44

 

CMYK 0 / 66 / 99 / 22

HEX #C64301

RGB 198 67 1

HSL 20.1, 0.99%, 0.39%

LAB 47, 50.07, 57.79

 

CMYK 99 / 0 / 66 / 22

HEX #01C643

RGB 1 198 67

HSL 140.1, 0.99%, 0.39%

LAB 70.04, -67.52, 52.27

 

CMYK 66 / 100 / 0 / 22

HEX #4501C8

RGB 69 1 200

HSL 260.5, 0.99%, 0.39%

LAB 28, 67.24, -83.44

 

CMYK 0 / 99 / 53 / 22

HEX #C6015D

RGB 198 1 93

HSL 331.98, 0.99%, 0.39%

LAB 42.49, 69.43, 6.31

 

CMYK 33 / 0 / 99 / 22

HEX #84C601

RGB 132 198 1

HSL 80.1, 0.99%, 0.39%

LAB 73.09, -44.64, 72.7

 

CMYK 99 / 0 / 46 / 22

HEX #01C66A

RGB 1 198 106

HSL 151.98, 0.99%, 0.39%

LAB 70.48, -62.05, 34.6

 

CMYK 66 / 100 / 0 / 22

HEX #4501C8

RGB 69 1 200

HSL 260.5, 0.99%, 0.39%

LAB 28, 67.24, -83.44

 

CMYK 0 / 99 / 83 / 22

HEX #C60122

RGB 198 1 34

HSL 349.95, 0.99%, 0.39%

LAB 41.44, 66.62, 41.34

 

CMYK 33 / 0 / 99 / 22

HEX #84C601

RGB 132 198 1

HSL 80.1, 0.99%, 0.39%

LAB 73.09, -44.64, 72.7

 

CMYK 99 / 0 / 17 / 22

HEX #01C6A5

RGB 1 198 165

HSL 169.95, 0.99%, 0.39%

LAB 71.63, -49.04, 4.93

 

Description

Color code: HEX #4501C8 | qconv.com Color code: HEX #4501C8 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 1 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 1 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 100 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 100% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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