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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44FC3E it is the complementary color #BB03C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44FC3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44FC3E shade: #49FC39, #5AFF4C, #6BFF5F, #7CFF72 and #8DFF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44FC3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44FC3E shade: #44FC3E, #33EA2B, #22D818, #11C605 and #00B400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44FC3E shade: #46FC40, #79FC40, #ABFC40, #DEFC40 and #FCE740

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44FC3E shade: #46FC40, #40FC6D, #40FCA0, #40FCD2 and #40F3FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44FC3E shade matches the following richer shades: #46FC40

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44FC3E shade: #46FC40, #55EC50, #63DD5F, #72CD6F and #81BD7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44FC3E shade: #ABFC40, #79FC40, #46FC40, #40FC6C and #40FC9E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44FC3E shade: #0BE604, #1FFB17, #46FC40, #6DFD69 and #95FD91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44FC3E shade: #44FC3E, #40DDFC and #FC4092

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44FC3E shade: #44FC3E, #4046FC and #FC4046

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44FC3E shade: #44FC3E, #40DDFC, #F640FC and #FC5F40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44FC3E shade: #44FC3E, #40A4FC, #F640FC and #FC9840

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 75 / 1

HEX #44FC3E

RGB 68 252 62

HSL 118.11, 0.97%, 0.62%

LAB 87.58, -77.92, 72.41

 

Complementary color

CMYK 3 / 98 / 0 / 24

HEX #BB03C1

RGB 187 3 193

HSL 298.11, 0.97%, 0.38%

LAB 44.91, 78.45, -50.96

 

CMYK 71 / 0 / 77 / 1

HEX #49FC39

RGB 73 252 57

HSL 115.08, 0.97%, 0.61%

LAB 87.65, -77.45, 74

 

CMYK 65 / 0 / 70 / 0

HEX #5AFF4C

RGB 90 255 76

HSL 115.31, 1%, 0.65%

LAB 89.02, -74.04, 69.34

 

CMYK 58 / 0 / 63 / 0

HEX #6BFF5F

RGB 107 255 95

HSL 115.5, 1%, 0.69%

LAB 89.61, -68.77, 62.84

 

CMYK 51 / 0 / 55 / 0

HEX #7CFF72

RGB 124 255 114

HSL 115.74, 1%, 0.72%

LAB 90.33, -62.63, 55.69

 

CMYK 45 / 0 / 48 / 0

HEX #8DFF85

RGB 141 255 133

HSL 116.07, 1%, 0.76%

LAB 91.18, -55.73, 48.14

 

CMYK 73 / 0 / 75 / 1

HEX #44FC3E

RGB 68 252 62

HSL 118.11, 0.97%, 0.62%

LAB 87.58, -77.92, 72.41

 

CMYK 78 / 0 / 82 / 8

HEX #33EA2B

RGB 51 234 43

HSL 117.49, 0.82%, 0.54%

LAB 81.69, -76.07, 72.09

 

CMYK 84 / 0 / 89 / 15

HEX #22D818

RGB 34 216 24

HSL 116.88, 0.8%, 0.47%

LAB 75.77, -73.59, 70.84

 

CMYK 91 / 0 / 97 / 22

HEX #11C605

RGB 17 198 5

HSL 116.27, 0.95%, 0.4%

LAB 69.84, -70.37, 68.31

 

CMYK 100 / 0 / 100 / 29

HEX #00B400

RGB 0 180 0

HSL 120, 1%, 0.35%

LAB 63.87, -66.36, 64.04

 

CMYK 72 / 0 / 75 / 1

HEX #46FC40

RGB 70 252 64

HSL 118.09, 0.97%, 0.62%

LAB 87.63, -77.48, 71.84

 

CMYK 52 / 0 / 75 / 1

HEX #79FC40

RGB 121 252 64

HSL 101.81, 0.97%, 0.62%

LAB 88.95, -66.69, 73.58

 

CMYK 32 / 0 / 75 / 1

HEX #ABFC40

RGB 171 252 64

HSL 85.85, 0.97%, 0.62%

LAB 91.08, -51.21, 76.37

 

CMYK 12 / 0 / 75 / 1

HEX #DEFC40

RGB 222 252 64

HSL 69.57, 0.97%, 0.62%

LAB 94.11, -32.15, 80.31

 

CMYK 0 / 8 / 75 / 1

HEX #FCE740

RGB 252 231 64

HSL 53.3, 0.97%, 0.62%

LAB 90.88, -9.91, 78.13

 

CMYK 72 / 0 / 75 / 1

HEX #46FC40

RGB 70 252 64

HSL 118.09, 0.97%, 0.62%

LAB 87.63, -77.48, 71.84

 

CMYK 75 / 0 / 57 / 1

HEX #40FC6D

RGB 64 252 109

HSL 134.36, 0.97%, 0.62%

LAB 87.88, -74.05, 54.65

 

CMYK 75 / 0 / 37 / 1

HEX #40FCA0

RGB 64 252 160

HSL 150.64, 0.97%, 0.62%

LAB 88.57, -66.08, 31.18

 

CMYK 75 / 0 / 17 / 1

HEX #40FCD2

RGB 64 252 210

HSL 166.6, 0.97%, 0.62%

LAB 89.56, -55.31, 6.99

 

CMYK 75 / 4 / 0 / 1

HEX #40F3FC

RGB 64 243 252

HSL 182.87, 0.97%, 0.62%

LAB 88.07, -40.35, -17.09

 

CMYK 72 / 0 / 75 / 1

HEX #46FC40

RGB 70 252 64

HSL 118.09, 0.97%, 0.62%

LAB 87.63, -77.48, 71.84

 

CMYK 72 / 0 / 75 / 1

HEX #46FC40

RGB 70 252 64

HSL 118.09, 0.97%, 0.62%

LAB 87.63, -77.48, 71.84

 

CMYK 64 / 0 / 66 / 7

HEX #55EC50

RGB 85 236 80

HSL 118.08, 0.8%, 0.62%

LAB 83.18, -68.47, 61.64

 

CMYK 55 / 0 / 57 / 13

HEX #63DD5F

RGB 99 221 95

HSL 118.1, 0.65%, 0.62%

LAB 79.15, -58.47, 50.87

 

CMYK 44 / 0 / 46 / 20

HEX #72CD6F

RGB 114 205 111

HSL 118.09, 0.48%, 0.62%

LAB 75.07, -46.01, 38.4

 

CMYK 32 / 0 / 33 / 26

HEX #81BD7F

RGB 129 189 127

HSL 118.06, 0.32%, 0.62%

LAB 71.28, -31.73, 25.36

 

CMYK 32 / 0 / 75 / 1

HEX #ABFC40

RGB 171 252 64

HSL 85.85, 0.97%, 0.62%

LAB 91.08, -51.21, 76.37

 

CMYK 52 / 0 / 75 / 1

HEX #79FC40

RGB 121 252 64

HSL 101.81, 0.97%, 0.62%

LAB 88.95, -66.69, 73.58

 

CMYK 72 / 0 / 75 / 1

HEX #46FC40

RGB 70 252 64

HSL 118.09, 0.97%, 0.62%

LAB 87.63, -77.48, 71.84

 

CMYK 75 / 0 / 57 / 1

HEX #40FC6C

RGB 64 252 108

HSL 134.04, 0.97%, 0.62%

LAB 87.87, -74.17, 55.07

 

CMYK 75 / 0 / 37 / 1

HEX #40FC9E

RGB 64 252 158

HSL 150, 0.97%, 0.62%

LAB 88.53, -66.45, 32.14

 

CMYK 95 / 0 / 98 / 10

HEX #0BE604

RGB 11 230 4

HSL 118.14, 0.97%, 0.46%

LAB 80, -79.28, 76.64

 

CMYK 88 / 0 / 91 / 2

HEX #1FFB17

RGB 31 251 23

HSL 117.89, 0.97%, 0.54%

LAB 86.68, -83.45, 80.24

 

CMYK 72 / 0 / 75 / 1

HEX #46FC40

RGB 70 252 64

HSL 118.09, 0.97%, 0.62%

LAB 87.63, -77.48, 71.84

 

CMYK 57 / 0 / 58 / 1

HEX #6DFD69

RGB 109 253 105

HSL 118.38, 0.97%, 0.7%

LAB 89.17, -66.58, 58.16

 

CMYK 41 / 0 / 43 / 1

HEX #95FD91

RGB 149 253 145

HSL 117.78, 0.96%, 0.78%

LAB 91.09, -51.02, 42.36

 

CMYK 73 / 0 / 75 / 1

HEX #44FC3E

RGB 68 252 62

HSL 118.11, 0.97%, 0.62%

LAB 87.58, -77.92, 72.41

 

CMYK 75 / 12 / 0 / 1

HEX #40DDFC

RGB 64 221 252

HSL 189.89, 0.97%, 0.62%

LAB 81.75, -30.07, -26.68

 

CMYK 0 / 75 / 42 / 1

HEX #FC4092

RGB 252 64 146

HSL 333.83, 0.97%, 0.62%

LAB 58.45, 74.95, -1.51

 

CMYK 73 / 0 / 75 / 1

HEX #44FC3E

RGB 68 252 62

HSL 118.11, 0.97%, 0.62%

LAB 87.58, -77.92, 72.41

 

CMYK 75 / 72 / 0 / 1

HEX #4046FC

RGB 64 70 252

HSL 238.09, 0.97%, 0.62%

LAB 42, 56.42, -90

 

CMYK 0 / 75 / 72 / 1

HEX #FC4046

RGB 252 64 70

HSL 358.09, 0.97%, 0.62%

LAB 56.88, 69.93, 40.82

 

CMYK 73 / 0 / 75 / 1

HEX #44FC3E

RGB 68 252 62

HSL 118.11, 0.97%, 0.62%

LAB 87.58, -77.92, 72.41

 

CMYK 75 / 12 / 0 / 1

HEX #40DDFC

RGB 64 221 252

HSL 189.89, 0.97%, 0.62%

LAB 81.75, -30.07, -26.68

 

CMYK 2 / 75 / 0 / 1

HEX #F640FC

RGB 246 64 252

HSL 298.09, 0.97%, 0.62%

LAB 61.9, 86.87, -56.74

 

CMYK 0 / 62 / 75 / 1

HEX #FC5F40

RGB 252 95 64

HSL 9.89, 0.97%, 0.62%

LAB 61, 58.26, 48.59

 

CMYK 73 / 0 / 75 / 1

HEX #44FC3E

RGB 68 252 62

HSL 118.11, 0.97%, 0.62%

LAB 87.58, -77.92, 72.41

 

CMYK 75 / 35 / 0 / 1

HEX #40A4FC

RGB 64 164 252

HSL 208.09, 0.97%, 0.62%

LAB 65.49, 0.03, -51.97

 

CMYK 2 / 75 / 0 / 1

HEX #F640FC

RGB 246 64 252

HSL 298.09, 0.97%, 0.62%

LAB 61.9, 86.87, -56.74

 

CMYK 0 / 40 / 75 / 1

HEX #FC9840

RGB 252 152 64

HSL 28.09, 0.97%, 0.62%

LAB 71.91, 30.81, 59.87

 

Description

Color code: HEX #44FC3E | qconv.com Color code: HEX #44FC3E | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 252 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 252 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 75 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 75% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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