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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44F562 it is the complementary color #BB0A9D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44F562. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44F562 shade: #49F55D, #5AFF70, #6BFF83, #7CFF96 and #8DFFA9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44F562. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44F562 shade: #44F562, #33E34F, #22D13C, #11BF29 and #00AD16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44F562 shade: #42F560, #54F542, #84F542, #B5F542 and #E5F542

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44F562 shade: #42F560, #42F591, #42F5C1, #42F5F1 and #42C9F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44F562 shade matches the following richer shades: #42F560

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44F562 shade: #42F560, #52E56B, #62D576, #72C580 and #82B58B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44F562 shade: #84F542, #54F542, #42F560, #42F590 and #42F5BF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44F562 shade: #0BD92E, #1BF33F, #42F560, #69F781 and #90F9A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44F562 shade: #44F562, #42B3F5 and #F5426C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44F562 shade: #44F562, #6042F5 and #F56042

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44F562 shade: #44F562, #42B3F5, #F542D7 and #F58442

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44F562 shade: #44F562, #427EF5, #F542D7 and #F5B942

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 60 / 4

HEX #44F562

RGB 68 245 98

HSL 130.17, 0.9%, 0.61%

LAB 85.71, -72.55, 56.94

 

Complementary color

CMYK 0 / 95 / 16 / 27

HEX #BB0A9D

RGB 187 10 157

HSL 310.17, 0.9%, 0.39%

LAB 43.09, 72.73, -32.53

 

CMYK 70 / 0 / 62 / 4

HEX #49F55D

RGB 73 245 93

HSL 126.98, 0.9%, 0.62%

LAB 85.76, -72.31, 59.14

 

CMYK 65 / 0 / 56 / 0

HEX #5AFF70

RGB 90 255 112

HSL 128, 1%, 0.68%

LAB 89.33, -70.46, 55.15

 

CMYK 58 / 0 / 49 / 0

HEX #6BFF83

RGB 107 255 131

HSL 129.73, 1%, 0.71%

LAB 89.99, -64.52, 47.35

 

CMYK 51 / 0 / 41 / 0

HEX #7CFF96

RGB 124 255 150

HSL 131.91, 1%, 0.74%

LAB 90.78, -57.79, 39.34

 

CMYK 45 / 0 / 34 / 0

HEX #8DFFA9

RGB 141 255 169

HSL 134.74, 1%, 0.78%

LAB 91.71, -50.38, 31.25

 

CMYK 72 / 0 / 60 / 4

HEX #44F562

RGB 68 245 98

HSL 130.17, 0.9%, 0.61%

LAB 85.71, -72.55, 56.94

 

CMYK 78 / 0 / 65 / 11

HEX #33E34F

RGB 51 227 79

HSL 129.55, 0.76%, 0.55%

LAB 79.73, -71.28, 58.1

 

CMYK 84 / 0 / 71 / 18

HEX #22D13C

RGB 34 209 60

HSL 128.91, 0.72%, 0.48%

LAB 73.72, -69.48, 59

 

CMYK 91 / 0 / 79 / 25

HEX #11BF29

RGB 17 191 41

HSL 128.28, 0.84%, 0.41%

LAB 67.68, -67, 59.38

 

CMYK 100 / 0 / 87 / 32

HEX #00AD16

RGB 0 173 22

HSL 127.63, 1%, 0.34%

LAB 61.61, -63.78, 58.8

 

CMYK 73 / 0 / 61 / 4

HEX #42F560

RGB 66 245 96

HSL 130.06, 0.9%, 0.61%

LAB 85.66, -73.07, 57.72

 

CMYK 66 / 0 / 73 / 4

HEX #54F542

RGB 84 245 66

HSL 113.97, 0.9%, 0.61%

LAB 85.8, -72.74, 69.46

 

CMYK 46 / 0 / 73 / 4

HEX #84F542

RGB 132 245 66

HSL 97.88, 0.9%, 0.61%

LAB 87.29, -60.94, 71.45

 

CMYK 26 / 0 / 73 / 4

HEX #B5F542

RGB 181 245 66

HSL 81.45, 0.9%, 0.61%

LAB 89.64, -44.59, 74.53

 

CMYK 7 / 0 / 73 / 4

HEX #E5F542

RGB 229 245 66

HSL 65.36, 0.9%, 0.61%

LAB 92.73, -26.02, 78.57

 

CMYK 73 / 0 / 61 / 4

HEX #42F560

RGB 66 245 96

HSL 130.06, 0.9%, 0.61%

LAB 85.66, -73.07, 57.72

 

CMYK 73 / 0 / 41 / 4

HEX #42F591

RGB 66 245 145

HSL 146.48, 0.9%, 0.61%

LAB 86.26, -66.05, 35.62

 

CMYK 73 / 0 / 21 / 4

HEX #42F5C1

RGB 66 245 193

HSL 162.57, 0.9%, 0.61%

LAB 87.15, -56.29, 12.36

 

CMYK 73 / 0 / 2 / 4

HEX #42F5F1

RGB 66 245 241

HSL 178.66, 0.9%, 0.61%

LAB 88.36, -44.12, -10.91

 

CMYK 73 / 18 / 0 / 4

HEX #42C9F5

RGB 66 201 245

HSL 194.75, 0.9%, 0.61%

LAB 75.78, -22.1, -32.11

 

CMYK 73 / 0 / 61 / 4

HEX #42F560

RGB 66 245 96

HSL 130.06, 0.9%, 0.61%

LAB 85.66, -73.07, 57.72

 

CMYK 73 / 0 / 61 / 4

HEX #42F560

RGB 66 245 96

HSL 130.06, 0.9%, 0.61%

LAB 85.66, -73.07, 57.72

 

CMYK 64 / 0 / 53 / 10

HEX #52E56B

RGB 82 229 107

HSL 130.2, 0.74%, 0.61%

LAB 81.23, -63.64, 47.71

 

CMYK 54 / 0 / 45 / 16

HEX #62D576

RGB 98 213 118

HSL 130.43, 0.58%, 0.61%

LAB 76.98, -52.56, 37.21

 

CMYK 42 / 0 / 35 / 23

HEX #72C580

RGB 114 197 128

HSL 130.12, 0.42%, 0.61%

LAB 72.94, -39.91, 26.92

 

CMYK 28 / 0 / 23 / 29

HEX #82B58B

RGB 130 181 139

HSL 130.59, 0.26%, 0.61%

LAB 69.22, -25.45, 16.11

 

CMYK 46 / 0 / 73 / 4

HEX #84F542

RGB 132 245 66

HSL 97.88, 0.9%, 0.61%

LAB 87.29, -60.94, 71.45

 

CMYK 66 / 0 / 73 / 4

HEX #54F542

RGB 84 245 66

HSL 113.97, 0.9%, 0.61%

LAB 85.8, -72.74, 69.46

 

CMYK 73 / 0 / 61 / 4

HEX #42F560

RGB 66 245 96

HSL 130.06, 0.9%, 0.61%

LAB 85.66, -73.07, 57.72

 

CMYK 73 / 0 / 41 / 4

HEX #42F590

RGB 66 245 144

HSL 146.15, 0.9%, 0.61%

LAB 86.24, -66.22, 36.09

 

CMYK 73 / 0 / 22 / 4

HEX #42F5BF

RGB 66 245 191

HSL 161.9, 0.9%, 0.61%

LAB 87.11, -56.75, 13.34

 

CMYK 95 / 0 / 79 / 15

HEX #0BD92E

RGB 11 217 46

HSL 130.19, 0.9%, 0.45%

LAB 76, -74.33, 65.84

 

CMYK 89 / 0 / 74 / 5

HEX #1BF33F

RGB 27 243 63

HSL 130, 0.9%, 0.53%

LAB 84.33, -79.6, 68.7

 

CMYK 73 / 0 / 61 / 4

HEX #42F560

RGB 66 245 96

HSL 130.06, 0.9%, 0.61%

LAB 85.66, -73.07, 57.72

 

CMYK 57 / 0 / 48 / 3

HEX #69F781

RGB 105 247 129

HSL 130.14, 0.9%, 0.69%

LAB 87.54, -62.3, 45.23

 

CMYK 42 / 0 / 35 / 2

HEX #90F9A2

RGB 144 249 162

HSL 130.29, 0.9%, 0.77%

LAB 89.99, -48.19, 32.49

 

CMYK 72 / 0 / 60 / 4

HEX #44F562

RGB 68 245 98

HSL 130.17, 0.9%, 0.61%

LAB 85.71, -72.55, 56.94

 

CMYK 73 / 27 / 0 / 4

HEX #42B3F5

RGB 66 179 245

HSL 202.12, 0.9%, 0.61%

LAB 69.46, -10.51, -41.91

 

CMYK 0 / 73 / 56 / 4

HEX #F5426C

RGB 245 66 108

HSL 345.92, 0.9%, 0.61%

LAB 56.48, 69.37, 17.98

 

CMYK 72 / 0 / 60 / 4

HEX #44F562

RGB 68 245 98

HSL 130.17, 0.9%, 0.61%

LAB 85.71, -72.55, 56.94

 

CMYK 61 / 73 / 0 / 4

HEX #6042F5

RGB 96 66 245

HSL 250.06, 0.9%, 0.61%

LAB 42.73, 59.59, -84.81

 

CMYK 0 / 61 / 73 / 4

HEX #F56042

RGB 245 96 66

HSL 10.06, 0.9%, 0.61%

LAB 60.04, 55.53, 46.19

 

CMYK 72 / 0 / 60 / 4

HEX #44F562

RGB 68 245 98

HSL 130.17, 0.9%, 0.61%

LAB 85.71, -72.55, 56.94

 

CMYK 73 / 27 / 0 / 4

HEX #42B3F5

RGB 66 179 245

HSL 202.12, 0.9%, 0.61%

LAB 69.46, -10.51, -41.91

 

CMYK 0 / 73 / 12 / 4

HEX #F542D7

RGB 245 66 215

HSL 310.06, 0.9%, 0.61%

LAB 60.08, 80.66, -38.94

 

CMYK 0 / 46 / 73 / 4

HEX #F58442

RGB 245 132 66

HSL 22.12, 0.9%, 0.61%

LAB 66.75, 38.38, 53.38

 

CMYK 72 / 0 / 60 / 4

HEX #44F562

RGB 68 245 98

HSL 130.17, 0.9%, 0.61%

LAB 85.71, -72.55, 56.94

 

CMYK 73 / 49 / 0 / 4

HEX #427EF5

RGB 66 126 245

HSL 219.89, 0.9%, 0.61%

LAB 54.73, 20.47, -65.31

 

CMYK 0 / 73 / 12 / 4

HEX #F542D7

RGB 245 66 215

HSL 310.06, 0.9%, 0.61%

LAB 60.08, 80.66, -38.94

 

CMYK 0 / 24 / 73 / 4

HEX #F5B942

RGB 245 185 66

HSL 39.89, 0.9%, 0.61%

LAB 78.75, 10.71, 65.59

 

Description

Color code: HEX #44F562 | qconv.com Color code: HEX #44F562 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 245 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 245 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 60 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 60% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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