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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44F2DB it is the complementary color #BB0D24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44F2DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44F2DB shade: #49F2D6, #5AFFE9, #6BFFFC, #7CFFFF and #8DFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44F2DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44F2DB shade: #44F2DB, #33E0C8, #22CEB5, #11BCA2 and #00AA8F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44F2DB shade: #45F2DB, #45F2AD, #45F27E, #45F24F and #6AF245

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44F2DB shade: #45F2DB, #45DAF2, #45ACF2, #457DF2 and #454EF2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44F2DB shade matches the following richer shades: #45F2DB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44F2DB shade: #45F2DB, #55E2CF, #65D2C4, #75C2B8 and #85B2AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44F2DB shade: #45F27F, #45F2AD, #45F2DB, #45DBF2 and #45ADF2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44F2DB shade: #0FD6BB, #1EEFD4, #45F2DB, #6CF5E3 and #92F7EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44F2DB shade: #44F2DB, #5145F2 and #F29645

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44F2DB shade: #44F2DB, #DB45F2 and #F2DB45

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44F2DB shade: #44F2DB, #5145F2, #F2455C and #E7F245

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44F2DB shade: #44F2DB, #8445F2, #F2455C and #B3F245

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 10 / 5

HEX #44F2DB

RGB 68 242 219

HSL 172.07, 0.87%, 0.61%

LAB 86.92, -48.46, -1.52

 

Complementary color

CMYK 0 / 93 / 81 / 27

HEX #BB0D24

RGB 187 13 36

HSL 352.07, 0.87%, 0.39%

LAB 39.55, 62.63, 37.56

 

CMYK 70 / 0 / 12 / 5

HEX #49F2D6

RGB 73 242 214

HSL 170.06, 0.87%, 0.62%

LAB 86.89, -49.11, 1.05

 

CMYK 65 / 0 / 9 / 0

HEX #5AFFE9

RGB 90 255 233

HSL 172, 1%, 0.68%

LAB 91.49, -47.48, -2.06

 

CMYK 58 / 0 / 1 / 0

HEX #6BFFFC

RGB 107 255 252

HSL 178.78, 1%, 0.71%

LAB 92.43, -39.9, -10.47

 

CMYK 51 / 0 / 0 / 0

HEX #7CFFFF

RGB 124 255 255

HSL 180, 1%, 0.74%

LAB 93.03, -36.02, -11.09

 

CMYK 45 / 0 / 0 / 0

HEX #8DFFFF

RGB 141 255 255

HSL 180, 1%, 0.78%

LAB 93.63, -32.47, -10.13

 

CMYK 72 / 0 / 10 / 5

HEX #44F2DB

RGB 68 242 219

HSL 172.07, 0.87%, 0.61%

LAB 86.92, -48.46, -1.52

 

CMYK 77 / 0 / 11 / 12

HEX #33E0C8

RGB 51 224 200

HSL 171.68, 0.74%, 0.54%

LAB 80.84, -47.64, -0.43

 

CMYK 83 / 0 / 12 / 19

HEX #22CEB5

RGB 34 206 181

HSL 171.28, 0.72%, 0.47%

LAB 74.71, -46.56, 0.76

 

CMYK 91 / 0 / 14 / 26

HEX #11BCA2

RGB 17 188 162

HSL 170.88, 0.83%, 0.4%

LAB 68.53, -45.12, 2.09

 

CMYK 100 / 0 / 16 / 33

HEX #00AA8F

RGB 0 170 143

HSL 170.47, 1%, 0.33%

LAB 62.28, -43.37, 3.54

 

CMYK 71 / 0 / 10 / 5

HEX #45F2DB

RGB 69 242 219

HSL 172.02, 0.87%, 0.61%

LAB 86.94, -48.34, -1.49

 

CMYK 71 / 0 / 29 / 5

HEX #45F2AD

RGB 69 242 173

HSL 156.07, 0.87%, 0.61%

LAB 85.9, -59.14, 20.96

 

CMYK 71 / 0 / 48 / 5

HEX #45F27E

RGB 69 242 126

HSL 139.77, 0.87%, 0.61%

LAB 85.14, -67.68, 43.47

 

CMYK 71 / 0 / 67 / 5

HEX #45F24F

RGB 69 242 79

HSL 123.47, 0.87%, 0.61%

LAB 84.66, -73.38, 63.51

 

CMYK 56 / 0 / 71 / 5

HEX #6AF245

RGB 106 242 69

HSL 107.17, 0.87%, 0.61%

LAB 85.5, -66.7, 68.34

 

CMYK 71 / 0 / 10 / 5

HEX #45F2DB

RGB 69 242 219

HSL 172.02, 0.87%, 0.61%

LAB 86.94, -48.34, -1.49

 

CMYK 71 / 10 / 0 / 5

HEX #45DAF2

RGB 69 218 242

HSL 188.32, 0.87%, 0.61%

LAB 80.64, -31.07, -23.05

 

CMYK 71 / 29 / 0 / 5

HEX #45ACF2

RGB 69 172 242

HSL 204.28, 0.87%, 0.61%

LAB 67.41, -7.29, -43.48

 

CMYK 71 / 48 / 0 / 5

HEX #457DF2

RGB 69 125 242

HSL 220.58, 0.87%, 0.61%

LAB 54.39, 20.4, -64.2

 

CMYK 71 / 68 / 0 / 5

HEX #454EF2

RGB 69 78 242

HSL 236.88, 0.87%, 0.61%

LAB 42.95, 49.16, -82.82

 

CMYK 71 / 0 / 10 / 5

HEX #45F2DB

RGB 69 242 219

HSL 172.02, 0.87%, 0.61%

LAB 86.94, -48.34, -1.49

 

CMYK 71 / 0 / 10 / 5

HEX #45F2DB

RGB 69 242 219

HSL 172.02, 0.87%, 0.61%

LAB 86.94, -48.34, -1.49

 

CMYK 62 / 0 / 8 / 11

HEX #55E2CF

RGB 85 226 207

HSL 171.91, 0.71%, 0.61%

LAB 82.29, -42.19, -1.95

 

CMYK 52 / 0 / 7 / 18

HEX #65D2C4

RGB 101 210 196

HSL 172.29, 0.55%, 0.61%

LAB 77.78, -34.68, -2.64

 

CMYK 40 / 0 / 5 / 24

HEX #75C2B8

RGB 117 194 184

HSL 172.21, 0.39%, 0.61%

LAB 73.43, -26.15, -2.47

 

CMYK 25 / 0 / 3 / 30

HEX #85B2AC

RGB 133 178 172

HSL 172, 0.23%, 0.61%

LAB 69.33, -16.24, -1.82

 

CMYK 71 / 0 / 48 / 5

HEX #45F27F

RGB 69 242 127

HSL 140.12, 0.87%, 0.61%

LAB 85.15, -67.53, 43.01

 

CMYK 71 / 0 / 29 / 5

HEX #45F2AD

RGB 69 242 173

HSL 156.07, 0.87%, 0.61%

LAB 85.9, -59.14, 20.96

 

CMYK 71 / 0 / 10 / 5

HEX #45F2DB

RGB 69 242 219

HSL 172.02, 0.87%, 0.61%

LAB 86.94, -48.34, -1.49

 

CMYK 71 / 10 / 0 / 5

HEX #45DBF2

RGB 69 219 242

HSL 187.98, 0.87%, 0.61%

LAB 80.93, -31.55, -22.61

 

CMYK 71 / 29 / 0 / 5

HEX #45ADF2

RGB 69 173 242

HSL 203.93, 0.87%, 0.61%

LAB 67.7, -7.84, -43.04

 

CMYK 93 / 0 / 13 / 16

HEX #0FD6BB

RGB 15 214 187

HSL 171.86, 0.87%, 0.45%

LAB 77.15, -49.33, 1.07

 

CMYK 87 / 0 / 11 / 6

HEX #1EEFD4

RGB 30 239 212

HSL 172.25, 0.87%, 0.53%

LAB 85.38, -52.31, -0.16

 

CMYK 71 / 0 / 10 / 5

HEX #45F2DB

RGB 69 242 219

HSL 172.02, 0.87%, 0.61%

LAB 86.94, -48.34, -1.49

 

CMYK 56 / 0 / 7 / 4

HEX #6CF5E3

RGB 108 245 227

HSL 172.12, 0.87%, 0.69%

LAB 88.94, -41.56, -2.63

 

CMYK 41 / 0 / 5 / 3

HEX #92F7EA

RGB 146 247 234

HSL 172.28, 0.86%, 0.77%

LAB 91.04, -32.55, -3.04

 

CMYK 72 / 0 / 10 / 5

HEX #44F2DB

RGB 68 242 219

HSL 172.07, 0.87%, 0.61%

LAB 86.92, -48.46, -1.52

 

CMYK 67 / 71 / 0 / 5

HEX #5145F2

RGB 81 69 242

HSL 244.16, 0.87%, 0.61%

LAB 41.87, 55.44, -84.57

 

CMYK 0 / 38 / 71 / 5

HEX #F29645

RGB 242 150 69

HSL 28.09, 0.87%, 0.61%

LAB 70.26, 28.01, 55.56

 

CMYK 72 / 0 / 10 / 5

HEX #44F2DB

RGB 68 242 219

HSL 172.07, 0.87%, 0.61%

LAB 86.92, -48.46, -1.52

 

CMYK 10 / 71 / 0 / 5

HEX #DB45F2

RGB 219 69 242

HSL 292.02, 0.87%, 0.61%

LAB 57.78, 78.41, -58.01

 

CMYK 0 / 10 / 71 / 5

HEX #F2DB45

RGB 242 219 69

HSL 52.02, 0.87%, 0.61%

LAB 86.98, -7.88, 72.43

 

CMYK 72 / 0 / 10 / 5

HEX #44F2DB

RGB 68 242 219

HSL 172.07, 0.87%, 0.61%

LAB 86.92, -48.46, -1.52

 

CMYK 67 / 71 / 0 / 5

HEX #5145F2

RGB 81 69 242

HSL 244.16, 0.87%, 0.61%

LAB 41.87, 55.44, -84.57

 

CMYK 0 / 71 / 62 / 5

HEX #F2455C

RGB 242 69 92

HSL 352.02, 0.87%, 0.61%

LAB 55.99, 66.48, 26.68

 

CMYK 5 / 0 / 71 / 5

HEX #E7F245

RGB 231 242 69

HSL 63.82, 0.87%, 0.61%

LAB 92.1, -23.66, 77.05

 

CMYK 72 / 0 / 10 / 5

HEX #44F2DB

RGB 68 242 219

HSL 172.07, 0.87%, 0.61%

LAB 86.92, -48.46, -1.52

 

CMYK 45 / 71 / 0 / 5

HEX #8445F2

RGB 132 69 242

HSL 261.85, 0.87%, 0.61%

LAB 46.41, 62.38, -76.95

 

CMYK 0 / 71 / 62 / 5

HEX #F2455C

RGB 242 69 92

HSL 352.02, 0.87%, 0.61%

LAB 55.99, 66.48, 26.68

 

CMYK 26 / 0 / 71 / 5

HEX #B3F245

RGB 179 242 69

HSL 81.85, 0.87%, 0.61%

LAB 88.69, -43.86, 72.58

 

Description

Color code: HEX #44F2DB | qconv.com Color code: HEX #44F2DB | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 242 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 242 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 10 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 10% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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