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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44ED14 it is the complementary color #BB12EB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44ED14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44ED14 shade: #49ED0F, #5AFF22, #6BFF35, #7CFF48 and #8DFF5B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44ED14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44ED14 shade: #44ED14, #33DB01, #22C900, #11B700 and #00A500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44ED14 shade: #42ED12, #7DED12, #B9ED12, #EDE712 and #EDAB12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44ED14 shade: #42ED12, #12ED1C, #12ED58, #12ED93 and #12EDCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44ED14 shade matches the following richer shades: #42ED12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44ED14 shade: #42ED12, #4ED926, #59C43B, #65AF50 and #709B64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44ED14 shade: #BAED12, #80ED12, #45ED12, #12ED19 and #12ED54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44ED14 shade: #2DA00C, #38C70F, #42ED12, #61F038 and #7FF35F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44ED14 shade: #44ED14, #12EDE6 and #ED129D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44ED14 shade: #44ED14, #1245ED and #ED1245

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44ED14 shade: #44ED14, #12EDE6, #BA12ED and #ED1219

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44ED14 shade: #44ED14, #12B3ED, #BA12ED and #ED4C12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 92 / 7

HEX #44ED14

RGB 68 237 20

HSL 106.73, 0.86%, 0.5%

LAB 82.83, -75.31, 77.62

 

Complementary color

CMYK 20 / 92 / 0 / 8

HEX #BB12EB

RGB 187 18 235

HSL 286.73, 0.86%, 0.5%

LAB 48.25, 83.81, -69.68

 

CMYK 69 / 0 / 94 / 7

HEX #49ED0F

RGB 73 237 15

HSL 104.32, 0.88%, 0.49%

LAB 82.92, -74.56, 78.33

 

CMYK 65 / 0 / 87 / 0

HEX #5AFF22

RGB 90 255 34

HSL 104.8, 1%, 0.57%

LAB 88.83, -76.34, 80.68

 

CMYK 58 / 0 / 79 / 0

HEX #6BFF35

RGB 107 255 53

HSL 103.96, 1%, 0.6%

LAB 89.35, -71.84, 77.01

 

CMYK 51 / 0 / 72 / 0

HEX #7CFF48

RGB 124 255 72

HSL 102.95, 1%, 0.64%

LAB 89.99, -66.44, 72.02

 

CMYK 45 / 0 / 64 / 0

HEX #8DFF5B

RGB 141 255 91

HSL 101.71, 1%, 0.68%

LAB 90.75, -60.22, 66.03

 

CMYK 71 / 0 / 92 / 7

HEX #44ED14

RGB 68 237 20

HSL 106.73, 0.86%, 0.5%

LAB 82.83, -75.31, 77.62

 

CMYK 77 / 0 / 100 / 14

HEX #33DB01

RGB 51 219 1

HSL 106.24, 0.99%, 0.43%

LAB 76.9, -72.97, 74.58

 

CMYK 83 / 0 / 100 / 21

HEX #22C900

RGB 34 201 0

HSL 109.85, 1%, 0.39%

LAB 70.95, -69.91, 69.82

 

CMYK 91 / 0 / 100 / 28

HEX #11B700

RGB 17 183 0

HSL 114.43, 1%, 0.36%

LAB 64.95, -66.31, 64.95

 

CMYK 100 / 0 / 100 / 35

HEX #00A500

RGB 0 165 0

HSL 120, 1%, 0.32%

LAB 58.89, -62.22, 60.05

 

CMYK 72 / 0 / 92 / 7

HEX #42ED12

RGB 66 237 18

HSL 106.85, 0.86%, 0.5%

LAB 82.79, -75.68, 77.82

 

CMYK 47 / 0 / 92 / 7

HEX #7DED12

RGB 125 237 18

HSL 90.68, 0.86%, 0.5%

LAB 84.47, -61.99, 79.89

 

CMYK 22 / 0 / 92 / 7

HEX #B9ED12

RGB 185 237 18

HSL 74.25, 0.86%, 0.5%

LAB 87.45, -41.2, 83.53

 

CMYK 0 / 3 / 92 / 7

HEX #EDE712

RGB 237 231 18

HSL 58.36, 0.86%, 0.5%

LAB 89.49, -17.33, 86.7

 

CMYK 0 / 28 / 92 / 7

HEX #EDAB12

RGB 237 171 18

HSL 41.92, 0.86%, 0.5%

LAB 74.3, 13.31, 75.33

 

CMYK 72 / 0 / 92 / 7

HEX #42ED12

RGB 66 237 18

HSL 106.85, 0.86%, 0.5%

LAB 82.79, -75.68, 77.82

 

CMYK 92 / 0 / 88 / 7

HEX #12ED1C

RGB 18 237 28

HSL 122.74, 0.86%, 0.5%

LAB 82.26, -80.32, 75.68

 

CMYK 92 / 0 / 63 / 7

HEX #12ED58

RGB 18 237 88

HSL 139.18, 0.86%, 0.5%

LAB 82.59, -76.07, 57.48

 

CMYK 92 / 0 / 38 / 7

HEX #12ED93

RGB 18 237 147

HSL 155.34, 0.86%, 0.5%

LAB 83.34, -67.09, 30.66

 

CMYK 92 / 0 / 13 / 7

HEX #12EDCE

RGB 18 237 206

HSL 171.51, 0.86%, 0.5%

LAB 84.56, -53.61, 1.79

 

CMYK 72 / 0 / 92 / 7

HEX #42ED12

RGB 66 237 18

HSL 106.85, 0.86%, 0.5%

LAB 82.79, -75.68, 77.82

 

CMYK 72 / 0 / 92 / 7

HEX #42ED12

RGB 66 237 18

HSL 106.85, 0.86%, 0.5%

LAB 82.79, -75.68, 77.82

 

CMYK 64 / 0 / 82 / 15

HEX #4ED926

RGB 78 217 38

HSL 106.59, 0.7%, 0.5%

LAB 76.91, -66.59, 69.18

 

CMYK 55 / 0 / 70 / 23

HEX #59C43B

RGB 89 196 59

HSL 106.86, 0.54%, 0.5%

LAB 70.82, -55.35, 56.73

 

CMYK 42 / 0 / 54 / 31

HEX #65AF50

RGB 101 175 80

HSL 106.74, 0.37%, 0.5%

LAB 64.97, -41.33, 41.15

 

CMYK 28 / 0 / 35 / 39

HEX #709B64

RGB 112 155 100

HSL 106.91, 0.22%, 0.5%

LAB 59.71, -25.51, 24.28

 

CMYK 22 / 0 / 92 / 7

HEX #BAED12

RGB 186 237 18

HSL 73.97, 0.86%, 0.5%

LAB 87.51, -40.81, 83.61

 

CMYK 46 / 0 / 92 / 7

HEX #80ED12

RGB 128 237 18

HSL 89.86, 0.86%, 0.5%

LAB 84.59, -61.08, 80.04

 

CMYK 71 / 0 / 92 / 7

HEX #45ED12

RGB 69 237 18

HSL 106.03, 0.86%, 0.5%

LAB 82.85, -75.19, 77.89

 

CMYK 92 / 0 / 89 / 7

HEX #12ED19

RGB 18 237 25

HSL 121.92, 0.86%, 0.5%

LAB 82.25, -80.41, 76.17

 

CMYK 92 / 0 / 65 / 7

HEX #12ED54

RGB 18 237 84

HSL 138.08, 0.86%, 0.5%

LAB 82.56, -76.51, 59.09

 

CMYK 72 / 0 / 93 / 37

HEX #2DA00C

RGB 45 160 12

HSL 106.62, 0.86%, 0.34%

LAB 57.78, -55.72, 57.59

 

CMYK 72 / 0 / 92 / 22

HEX #38C70F

RGB 56 199 15

HSL 106.63, 0.86%, 0.42%

LAB 70.68, -65.97, 68.06

 

CMYK 72 / 0 / 92 / 7

HEX #42ED12

RGB 66 237 18

HSL 106.85, 0.86%, 0.5%

LAB 82.79, -75.68, 77.82

 

CMYK 60 / 0 / 77 / 6

HEX #61F038

RGB 97 240 56

HSL 106.63, 0.86%, 0.58%

LAB 84.56, -69.01, 71.54

 

CMYK 48 / 0 / 61 / 5

HEX #7FF35F

RGB 127 243 95

HSL 107.03, 0.86%, 0.66%

LAB 86.72, -59.32, 59.8

 

CMYK 71 / 0 / 92 / 7

HEX #44ED14

RGB 68 237 20

HSL 106.73, 0.86%, 0.5%

LAB 82.83, -75.31, 77.62

 

CMYK 92 / 0 / 3 / 7

HEX #12EDE6

RGB 18 237 230

HSL 178.08, 0.86%, 0.5%

LAB 85.21, -47.06, -9.89

 

CMYK 0 / 92 / 34 / 7

HEX #ED129D

RGB 237 18 157

HSL 321.92, 0.86%, 0.5%

LAB 52.81, 81.9, -16.72

 

CMYK 71 / 0 / 92 / 7

HEX #44ED14

RGB 68 237 20

HSL 106.73, 0.86%, 0.5%

LAB 82.83, -75.31, 77.62

 

CMYK 92 / 71 / 0 / 7

HEX #1245ED

RGB 18 69 237

HSL 226.03, 0.86%, 0.5%

LAB 38.72, 49.45, -87.03

 

CMYK 0 / 92 / 71 / 7

HEX #ED1245

RGB 237 18 69

HSL 346.03, 0.86%, 0.5%

LAB 50.53, 75.71, 33.23

 

CMYK 71 / 0 / 92 / 7

HEX #44ED14

RGB 68 237 20

HSL 106.73, 0.86%, 0.5%

LAB 82.83, -75.31, 77.62

 

CMYK 92 / 0 / 3 / 7

HEX #12EDE6

RGB 18 237 230

HSL 178.08, 0.86%, 0.5%

LAB 85.21, -47.06, -9.89

 

CMYK 22 / 92 / 0 / 7

HEX #BA12ED

RGB 186 18 237

HSL 286.03, 0.86%, 0.5%

LAB 48.24, 84.02, -70.84

 

CMYK 0 / 92 / 89 / 7

HEX #ED1219

RGB 237 18 25

HSL 358.08, 0.86%, 0.5%

LAB 50.11, 74.52, 56.16

 

CMYK 71 / 0 / 92 / 7

HEX #44ED14

RGB 68 237 20

HSL 106.73, 0.86%, 0.5%

LAB 82.83, -75.31, 77.62

 

CMYK 92 / 24 / 0 / 7

HEX #12B3ED

RGB 18 179 237

HSL 195.89, 0.86%, 0.5%

LAB 68.38, -17.1, -39.31

 

CMYK 22 / 92 / 0 / 7

HEX #BA12ED

RGB 186 18 237

HSL 286.03, 0.86%, 0.5%

LAB 48.24, 84.02, -70.84

 

CMYK 0 / 68 / 92 / 7

HEX #ED4C12

RGB 237 76 18

HSL 15.89, 0.86%, 0.5%

LAB 55.3, 59.8, 62.04

 

Description

Color code: HEX #44ED14 | qconv.com Color code: HEX #44ED14 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 237 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 237 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 92 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 92% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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