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Color name
HEX #44EAAC

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44EAAC it is the complementary color #BB1553. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44EAAC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44EAAC shade: #49EAA7, #5AFCBA, #6BFFCD, #7CFFE0 and #8DFFF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44EAAC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44EAAC shade: #44EAAC, #33D899, #22C686, #11B473 and #00A260

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44EAAC shade: #43EAAC, #43EA7F, #43EA51, #61EA43 and #8EEA43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44EAAC shade: #43EAAC, #43EAD9, #43CEEA, #43A1EA and #4374EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44EAAC shade matches the following richer shades: #43EAAC and #32FBB0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44EAAC shade: #43EAAC, #54D9A7, #65C8A3, #76B79F and #86A69A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44EAAC shade: #43EA51, #43EA7D, #43EAAA, #43EAD7 and #43D1EA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44EAAC shade: #16C583, #1EE69B, #43EAAC, #68EEBC and #8DF2CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44EAAC shade: #44EAAC, #4361EA and #EA6743

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44EAAC shade: #44EAAC, #AA43EA and #EAAA43

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44EAAC shade: #44EAAC, #4361EA, #EA4383 and #EACB43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44EAAC shade: #44EAAC, #5643EA, #EA4383 and #D7EA43

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 26 / 8

HEX #44EAAC

RGB 68 234 172

HSL 157.59, 0.8%, 0.59%

LAB 83.47, -56.4, 18.1

 

Complementary color

CMYK 0 / 89 / 56 / 27

HEX #BB1553

RGB 187 21 83

HSL 337.59, 0.8%, 0.41%

LAB 40.78, 63.76, 9.91

 

CMYK 69 / 0 / 29 / 8

HEX #49EAA7

RGB 73 234 167

HSL 155.03, 0.79%, 0.6%

LAB 83.47, -56.74, 20.71

 

CMYK 64 / 0 / 26 / 1

HEX #5AFCBA

RGB 90 252 186

HSL 155.56, 0.96%, 0.67%

LAB 89.55, -57.1, 19.42

 

CMYK 58 / 0 / 20 / 0

HEX #6BFFCD

RGB 107 255 205

HSL 159.73, 1%, 0.71%

LAB 91.26, -51.18, 12.12

 

CMYK 51 / 0 / 12 / 0

HEX #7CFFE0

RGB 124 255 224

HSL 165.8, 1%, 0.74%

LAB 92.21, -43.5, 3.76

 

CMYK 45 / 0 / 5 / 0

HEX #8DFFF3

RGB 141 255 243

HSL 173.68, 1%, 0.78%

LAB 93.3, -35.35, -4.41

 

CMYK 71 / 0 / 26 / 8

HEX #44EAAC

RGB 68 234 172

HSL 157.59, 0.8%, 0.59%

LAB 83.47, -56.4, 18.1

 

CMYK 76 / 0 / 29 / 15

HEX #33D899

RGB 51 216 153

HSL 157.09, 0.68%, 0.52%

LAB 77.35, -55.73, 19.49

 

CMYK 83 / 0 / 32 / 22

HEX #22C686

RGB 34 198 134

HSL 156.59, 0.71%, 0.45%

LAB 71.18, -54.75, 21.01

 

CMYK 91 / 0 / 36 / 29

HEX #11B473

RGB 17 180 115

HSL 156.07, 0.83%, 0.39%

LAB 64.96, -53.34, 22.68

 

CMYK 100 / 0 / 41 / 36

HEX #00A260

RGB 0 162 96

HSL 155.56, 1%, 0.32%

LAB 58.68, -51.51, 24.5

 

CMYK 71 / 0 / 26 / 8

HEX #43EAAC

RGB 67 234 172

HSL 157.72, 0.8%, 0.59%

LAB 83.45, -56.54, 18.07

 

CMYK 71 / 0 / 46 / 8

HEX #43EA7F

RGB 67 234 127

HSL 141.56, 0.8%, 0.59%

LAB 82.68, -65.05, 39.88

 

CMYK 71 / 0 / 65 / 8

HEX #43EA51

RGB 67 234 81

HSL 125.03, 0.8%, 0.59%

LAB 82.18, -70.98, 60.05

 

CMYK 59 / 0 / 71 / 8

HEX #61EA43

RGB 97 234 67

HSL 109.22, 0.8%, 0.59%

LAB 82.8, -66.25, 66.21

 

CMYK 39 / 0 / 71 / 8

HEX #8EEA43

RGB 142 234 67

HSL 93.05, 0.8%, 0.59%

LAB 84.48, -53.52, 68.45

 

CMYK 71 / 0 / 26 / 8

HEX #43EAAC

RGB 67 234 172

HSL 157.72, 0.8%, 0.59%

LAB 83.45, -56.54, 18.07

 

CMYK 71 / 0 / 7 / 8

HEX #43EAD9

RGB 67 234 217

HSL 173.89, 0.8%, 0.59%

LAB 84.51, -45.67, -4.02

 

CMYK 71 / 12 / 0 / 8

HEX #43CEEA

RGB 67 206 234

HSL 190.06, 0.8%, 0.59%

LAB 76.85, -27.9, -24.56

 

CMYK 71 / 31 / 0 / 8

HEX #43A1EA

RGB 67 161 234

HSL 206.23, 0.8%, 0.59%

LAB 63.85, -4.11, -44.7

 

CMYK 71 / 50 / 0 / 8

HEX #4374EA

RGB 67 116 234

HSL 222.4, 0.8%, 0.59%

LAB 51.41, 22.86, -64.54

 

CMYK 71 / 0 / 26 / 8

HEX #43EAAC

RGB 67 234 172

HSL 157.72, 0.8%, 0.59%

LAB 83.45, -56.54, 18.07

 

CMYK 80 / 0 / 30 / 2

HEX #32FBB0

RGB 50 251 176

HSL 157.61, 0.96%, 0.59%

LAB 88.36, -64.05, 22.77

 

CMYK 71 / 0 / 26 / 8

HEX #43EAAC

RGB 67 234 172

HSL 157.72, 0.8%, 0.59%

LAB 83.45, -56.54, 18.07

 

CMYK 61 / 0 / 23 / 15

HEX #54D9A7

RGB 84 217 167

HSL 157.44, 0.64%, 0.59%

LAB 78.64, -48.03, 14

 

CMYK 50 / 0 / 19 / 22

HEX #65C8A3

RGB 101 200 163

HSL 157.58, 0.47%, 0.59%

LAB 74.01, -37.86, 9.66

 

CMYK 36 / 0 / 13 / 28

HEX #76B79F

RGB 118 183 159

HSL 157.85, 0.31%, 0.59%

LAB 69.63, -26.16, 5.66

 

CMYK 19 / 0 / 7 / 35

HEX #86A69A

RGB 134 166 154

HSL 157.5, 0.15%, 0.59%

LAB 65.49, -13.5, 2.57

 

CMYK 71 / 0 / 65 / 8

HEX #43EA51

RGB 67 234 81

HSL 125.03, 0.8%, 0.59%

LAB 82.18, -70.98, 60.05

 

CMYK 71 / 0 / 47 / 8

HEX #43EA7D

RGB 67 234 125

HSL 140.84, 0.8%, 0.59%

LAB 82.66, -65.37, 40.82

 

CMYK 71 / 0 / 27 / 8

HEX #43EAAA

RGB 67 234 170

HSL 157.01, 0.8%, 0.59%

LAB 83.41, -56.97, 19.05

 

CMYK 71 / 0 / 8 / 8

HEX #43EAD7

RGB 67 234 215

HSL 173.17, 0.8%, 0.59%

LAB 84.46, -46.2, -3.04

 

CMYK 71 / 11 / 0 / 8

HEX #43D1EA

RGB 67 209 234

HSL 188.98, 0.8%, 0.59%

LAB 77.72, -29.37, -23.23

 

CMYK 89 / 0 / 34 / 23

HEX #16C583

RGB 22 197 131

HSL 157.37, 0.8%, 0.43%

LAB 70.69, -55.93, 21.92

 

CMYK 87 / 0 / 33 / 10

HEX #1EE69B

RGB 30 230 155

HSL 157.5, 0.8%, 0.51%

LAB 81.42, -62.4, 24

 

CMYK 71 / 0 / 26 / 8

HEX #43EAAC

RGB 67 234 172

HSL 157.72, 0.8%, 0.59%

LAB 83.45, -56.54, 18.07

 

CMYK 56 / 0 / 21 / 7

HEX #68EEBC

RGB 104 238 188

HSL 157.61, 0.8%, 0.67%

LAB 85.87, -48.35, 13.27

 

CMYK 42 / 0 / 15 / 5

HEX #8DF2CD

RGB 141 242 205

HSL 158.02, 0.8%, 0.75%

LAB 88.72, -37.89, 8.66

 

CMYK 71 / 0 / 26 / 8

HEX #44EAAC

RGB 68 234 172

HSL 157.59, 0.8%, 0.59%

LAB 83.47, -56.4, 18.1

 

CMYK 71 / 59 / 0 / 8

HEX #4361EA

RGB 67 97 234

HSL 229.22, 0.8%, 0.59%

LAB 46.56, 34.73, -72.42

 

CMYK 0 / 56 / 71 / 8

HEX #EA6743

RGB 234 103 67

HSL 12.93, 0.8%, 0.59%

LAB 59.52, 48.52, 44.6

 

CMYK 71 / 0 / 26 / 8

HEX #44EAAC

RGB 68 234 172

HSL 157.59, 0.8%, 0.59%

LAB 83.47, -56.4, 18.1

 

CMYK 27 / 71 / 0 / 8

HEX #AA43EA

RGB 170 67 234

HSL 277.01, 0.8%, 0.59%

LAB 50.1, 68.06, -66.25

 

CMYK 0 / 27 / 71 / 8

HEX #EAAA43

RGB 234 170 67

HSL 37.01, 0.8%, 0.59%

LAB 73.96, 14.01, 59.99

 

CMYK 71 / 0 / 26 / 8

HEX #44EAAC

RGB 68 234 172

HSL 157.59, 0.8%, 0.59%

LAB 83.47, -56.4, 18.1

 

CMYK 71 / 59 / 0 / 8

HEX #4361EA

RGB 67 97 234

HSL 229.22, 0.8%, 0.59%

LAB 46.56, 34.73, -72.42

 

CMYK 0 / 71 / 44 / 8

HEX #EA4383

RGB 234 67 131

HSL 337.01, 0.8%, 0.59%

LAB 55.22, 67.81, 2.27

 

CMYK 0 / 13 / 71 / 8

HEX #EACB43

RGB 234 203 67

HSL 48.86, 0.8%, 0.59%

LAB 82.17, -3.22, 68.21

 

CMYK 71 / 0 / 26 / 8

HEX #44EAAC

RGB 68 234 172

HSL 157.59, 0.8%, 0.59%

LAB 83.47, -56.4, 18.1

 

CMYK 63 / 71 / 0 / 8

HEX #5643EA

RGB 86 67 234

HSL 246.83, 0.8%, 0.59%

LAB 41.11, 54.64, -81.29

 

CMYK 0 / 71 / 44 / 8

HEX #EA4383

RGB 234 67 131

HSL 337.01, 0.8%, 0.59%

LAB 55.22, 67.81, 2.27

 

CMYK 8 / 0 / 71 / 8

HEX #D7EA43

RGB 215 234 67

HSL 66.83, 0.8%, 0.59%

LAB 88.78, -26.42, 74.13

 

Description

Color code: HEX #44EAAC | qconv.com Color code: HEX #44EAAC | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 234 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 234 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 26 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 26% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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