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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44E91F it is the complementary color #BB16E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44E91F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #44E91F: #49E91A, #5AFB2D, #6BFF40, #7CFF53 and #8DFF66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44E91F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #44E91F: #44E91F, #33D70C, #22C500, #11B300 and #00A100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 87 / 9

HEX #44E91F

RGB 68 233 31

HSL 109.01, 0.82%, 0.52%

LAB 81.62, -73.79, 74.81

 

Complementary color

CMYK 17 / 90 / 0 / 12

HEX #BB16E0

RGB 187 22 224

HSL 289.01, 0.82%, 0.48%

LAB 47.65, 81.4, -64.42

 

CMYK 69 / 0 / 89 / 9

HEX #49E91A

RGB 73 233 26

HSL 106.38, 0.82%, 0.51%

LAB 81.71, -73.07, 75.82

 

CMYK 64 / 0 / 82 / 2

HEX #5AFB2D

RGB 90 251 45

HSL 106.89, 0.96%, 0.58%

LAB 87.66, -74.66, 77.32

 

CMYK 58 / 0 / 75 / 0

HEX #6BFF40

RGB 107 255 64

HSL 106.49, 1%, 0.63%

LAB 89.4, -71.22, 73.87

 

CMYK 51 / 0 / 67 / 0

HEX #7CFF53

RGB 124 255 83

HSL 105.7, 1%, 0.66%

LAB 90.06, -65.63, 68.17

 

CMYK 45 / 0 / 60 / 0

HEX #8DFF66

RGB 141 255 102

HSL 104.71, 1%, 0.7%

LAB 90.84, -59.23, 61.64

 

CMYK 71 / 0 / 87 / 9

HEX #44E91F

RGB 68 233 31

HSL 109.01, 0.82%, 0.52%

LAB 81.62, -73.79, 74.81

 

CMYK 76 / 0 / 94 / 16

HEX #33D70C

RGB 51 215 12

HSL 108.47, 0.89%, 0.45%

LAB 75.66, -71.62, 72.51

 

CMYK 83 / 0 / 100 / 23

HEX #22C500

RGB 34 197 0

HSL 109.64, 1%, 0.39%

LAB 69.66, -68.77, 68.79

 

CMYK 91 / 0 / 100 / 30

HEX #11B300

RGB 17 179 0

HSL 114.3, 1%, 0.35%

LAB 63.64, -65.19, 63.9

 

CMYK 100 / 0 / 100 / 37

HEX #00A100

RGB 0 161 0

HSL 120, 1%, 0.32%

LAB 57.55, -61.1, 58.98

 

CMYK 71 / 0 / 87 / 9

HEX #44E91F

RGB 68 233 31

HSL 109.01, 0.82%, 0.52%

LAB 81.62, -73.79, 74.81

 

CMYK 85 / 0 / 86 / 9

HEX #23E820

RGB 35 232 32

HSL 119.1, 0.81%, 0.52%

LAB 80.84, -77.68, 73.74

 

CMYK 86 / 0 / 73 / 9

HEX #20E83E

RGB 32 232 62

HSL 129, 0.81%, 0.52%

LAB 80.94, -76.21, 65.66

 

CMYK 86 / 0 / 59 / 9

HEX #20E85F

RGB 32 232 95

HSL 138.9, 0.81%, 0.52%

LAB 81.21, -72.92, 52.93

 

CMYK 86 / 0 / 44 / 9

HEX #20E881

RGB 32 232 129

HSL 149.1, 0.81%, 0.52%

LAB 81.62, -67.9, 37.44

 

CMYK 71 / 0 / 87 / 9

HEX #44E91F

RGB 68 233 31

HSL 109.01, 0.82%, 0.52%

LAB 81.62, -73.79, 74.81

 

CMYK 72 / 0 / 86 / 89

HEX #081D04

RGB 8 29 4

HSL 110.4, 0.76%, 0.06%

LAB 8.47, -13.53, 10.8

 

CMYK 71 / 0 / 86 / 69

HEX #17500B

RGB 23 80 11

HSL 109.57, 0.76%, 0.18%

LAB 29.27, -32.3, 32.45

 

CMYK 71 / 0 / 87 / 49

HEX #268311

RGB 38 131 17

HSL 108.95, 0.77%, 0.29%

LAB 47.86, -47.22, 47.9

 

CMYK 71 / 0 / 87 / 29

HEX #35B618

RGB 53 182 24

HSL 108.99, 0.77%, 0.4%

LAB 65.18, -60.89, 61.75

 

CMYK 71 / 0 / 87 / 9

HEX #44E91F

RGB 68 233 31

HSL 109.01, 0.82%, 0.52%

LAB 81.62, -73.79, 74.81

 

CMYK 86 / 1 / 0 / 9

HEX #20E5E8

RGB 32 229 232

HSL 180.9, 0.81%, 0.52%

LAB 83, -42.37, -14.23

 

CMYK 0 / 86 / 36 / 9

HEX #E82095

RGB 232 32 149

HSL 324.9, 0.81%, 0.52%

LAB 52.24, 78.1, -12.91

 

CMYK 71 / 0 / 87 / 9

HEX #44E91F

RGB 68 233 31

HSL 109.01, 0.82%, 0.52%

LAB 81.62, -73.79, 74.81

 

CMYK 86 / 70 / 0 / 9

HEX #2045E8

RGB 32 69 232

HSL 228.9, 0.81%, 0.52%

LAB 38.53, 48.25, -84.5

 

CMYK 0 / 86 / 70 / 9

HEX #E82045

RGB 232 32 69

HSL 348.9, 0.81%, 0.52%

LAB 50.24, 72.43, 32.64

 

CMYK 71 / 0 / 87 / 9

HEX #44E91F

RGB 68 233 31

HSL 109.01, 0.82%, 0.52%

LAB 81.62, -73.79, 74.81

 

CMYK 86 / 1 / 0 / 9

HEX #20E5E8

RGB 32 229 232

HSL 180.9, 0.81%, 0.52%

LAB 83, -42.37, -14.23

 

CMYK 16 / 86 / 0 / 9

HEX #C420E8

RGB 196 32 232

HSL 289.2, 0.81%, 0.52%

LAB 50.21, 82.46, -64.75

 

CMYK 0 / 85 / 86 / 9

HEX #E82320

RGB 232 35 32

HSL 0.9, 0.81%, 0.52%

LAB 50.05, 70.72, 52.61

 

CMYK 71 / 0 / 87 / 9

HEX #44E91F

RGB 68 233 31

HSL 109.01, 0.82%, 0.52%

LAB 81.62, -73.79, 74.81

 

CMYK 86 / 27 / 0 / 9

HEX #20A9E8

RGB 32 169 232

HSL 198.9, 0.81%, 0.52%

LAB 65.36, -12.76, -41.28

 

CMYK 16 / 86 / 0 / 9

HEX #C420E8

RGB 196 32 232

HSL 289.2, 0.81%, 0.52%

LAB 50.21, 82.46, -64.75

 

CMYK 0 / 59 / 86 / 9

HEX #E85F20

RGB 232 95 32

HSL 18.9, 0.81%, 0.52%

LAB 57.51, 50.31, 58.66

 

Description

Color code: HEX #44E91F | qconv.com Color code: HEX #44E91F | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 233 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 233 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 87 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 87% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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