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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44E6B2 it is the complementary color #BB194D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44E6B2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44E6B2 shade: #49E6AD, #5AF8C0, #6BFFD3, #7CFFE6 and #8DFFF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44E6B2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44E6B2 shade: #44E6B2, #33D49F, #22C28C, #11B079 and #009E66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44E6B2 shade: #42E5B1, #42E585, #42E559, #57E542 and #83E542

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44E6B2 shade: #42E5B1, #42E5DC, #42C1E5, #4295E5 and #4269E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44E6B2 shade matches the following richer shades: #42E5B1 and #31F6B7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44E6B2 shade: #42E5B1, #53D3AA, #65C2A4, #76B19E and #879F98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44E6B2 shade: #42E558, #42E583, #42E5AF, #42E5DA and #42C4E5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44E6B2 shade: #19BB87, #1EDFA1, #42E5B1, #66EAC0 and #8BEFCF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44E6B2 shade: #44E6B2, #4258E5 and #E56D42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44E6B2 shade: #44E6B2, #AF42E5 and #E5AF42

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44E6B2 shade: #44E6B2, #4258E5, #E54278 and #E5CF42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44E6B2 shade: #44E6B2, #5D42E5, #E54278 and #CAE542

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 23 / 10

HEX #44E6B2

RGB 68 230 178

HSL 160.74, 0.76%, 0.58%

LAB 82.4, -53.49, 13.46

 

Complementary color

CMYK 0 / 87 / 59 / 27

HEX #BB194D

RGB 187 25 77

HSL 340.74, 0.76%, 0.42%

LAB 40.89, 62.62, 13.87

 

CMYK 68 / 0 / 25 / 10

HEX #49E6AD

RGB 73 230 173

HSL 158.22, 0.76%, 0.59%

LAB 82.39, -53.88, 16.09

 

CMYK 64 / 0 / 23 / 3

HEX #5AF8C0

RGB 90 248 192

HSL 158.73, 0.92%, 0.66%

LAB 88.5, -54.22, 14.86

 

CMYK 58 / 0 / 17 / 0

HEX #6BFFD3

RGB 107 255 211

HSL 162.16, 1%, 0.71%

LAB 91.39, -49.85, 9.22

 

CMYK 51 / 0 / 10 / 0

HEX #7CFFE6

RGB 124 255 230

HSL 168.55, 1%, 0.74%

LAB 92.36, -42.11, 0.87

 

CMYK 45 / 0 / 2 / 0

HEX #8DFFF9

RGB 141 255 249

HSL 176.84, 1%, 0.78%

LAB 93.46, -33.92, -7.27

 

CMYK 70 / 0 / 23 / 10

HEX #44E6B2

RGB 68 230 178

HSL 160.74, 0.76%, 0.58%

LAB 82.4, -53.49, 13.46

 

CMYK 76 / 0 / 25 / 17

HEX #33D49F

RGB 51 212 159

HSL 160.25, 0.65%, 0.52%

LAB 76.25, -52.84, 14.78

 

CMYK 82 / 0 / 28 / 24

HEX #22C28C

RGB 34 194 140

HSL 159.75, 0.7%, 0.45%

LAB 70.05, -51.89, 16.24

 

CMYK 90 / 0 / 31 / 31

HEX #11B079

RGB 17 176 121

HSL 159.25, 0.82%, 0.38%

LAB 63.8, -50.53, 17.85

 

CMYK 100 / 0 / 35 / 38

HEX #009E66

RGB 0 158 102

HSL 158.73, 1%, 0.31%

LAB 57.48, -48.77, 19.61

 

CMYK 71 / 0 / 23 / 10

HEX #42E5B1

RGB 66 229 177

HSL 160.86, 0.76%, 0.58%

LAB 82.04, -53.59, 13.47

 

CMYK 71 / 0 / 42 / 10

HEX #42E585

RGB 66 229 133

HSL 144.66, 0.76%, 0.58%

LAB 81.23, -62.43, 35.03

 

CMYK 71 / 0 / 61 / 10

HEX #42E559

RGB 66 229 89

HSL 128.47, 0.76%, 0.58%

LAB 80.69, -68.7, 55.07

 

CMYK 62 / 0 / 71 / 10

HEX #57E542

RGB 87 229 66

HSL 112.27, 0.76%, 0.58%

LAB 80.99, -66.89, 64.62

 

CMYK 43 / 0 / 71 / 10

HEX #83E542

RGB 131 229 66

HSL 96.07, 0.76%, 0.58%

LAB 82.52, -55.13, 66.66

 

CMYK 71 / 0 / 23 / 10

HEX #42E5B1

RGB 66 229 177

HSL 160.86, 0.76%, 0.58%

LAB 82.04, -53.59, 13.47

 

CMYK 71 / 0 / 4 / 10

HEX #42E5DC

RGB 66 229 220

HSL 176.69, 0.76%, 0.58%

LAB 83.11, -42.8, -7.68

 

CMYK 71 / 16 / 0 / 10

HEX #42C1E5

RGB 66 193 229

HSL 193.25, 0.76%, 0.58%

LAB 72.86, -23.08, -27.96

 

CMYK 71 / 35 / 0 / 10

HEX #4295E5

RGB 66 149 229

HSL 209.45, 0.76%, 0.58%

LAB 60.17, 0.93, -47.75

 

CMYK 71 / 54 / 0 / 10

HEX #4269E5

RGB 66 105 229

HSL 225.64, 0.76%, 0.58%

LAB 48.16, 27.83, -67

 

CMYK 71 / 0 / 23 / 10

HEX #42E5B1

RGB 66 229 177

HSL 160.86, 0.76%, 0.58%

LAB 82.04, -53.59, 13.47

 

CMYK 80 / 0 / 26 / 4

HEX #31F6B7

RGB 49 246 183

HSL 160.81, 0.92%, 0.58%

LAB 86.99, -60.77, 17.27

 

CMYK 71 / 0 / 23 / 10

HEX #42E5B1

RGB 66 229 177

HSL 160.86, 0.76%, 0.58%

LAB 82.04, -53.59, 13.47

 

CMYK 61 / 0 / 19 / 17

HEX #53D3AA

RGB 83 211 170

HSL 160.78, 0.59%, 0.58%

LAB 76.88, -44.99, 9.91

 

CMYK 48 / 0 / 15 / 24

HEX #65C2A4

RGB 101 194 164

HSL 160.65, 0.43%, 0.58%

LAB 72.25, -34.88, 6.6

 

CMYK 33 / 0 / 11 / 31

HEX #76B19E

RGB 118 177 158

HSL 160.68, 0.27%, 0.58%

LAB 67.85, -23.39, 3.64

 

CMYK 15 / 0 / 4 / 38

HEX #879F98

RGB 135 159 152

HSL 162.5, 0.11%, 0.58%

LAB 63.52, -9.84, 0.83

 

CMYK 71 / 0 / 62 / 10

HEX #42E558

RGB 66 229 88

HSL 128.1, 0.76%, 0.58%

LAB 80.68, -68.81, 55.48

 

CMYK 71 / 0 / 43 / 10

HEX #42E583

RGB 66 229 131

HSL 143.93, 0.76%, 0.58%

LAB 81.2, -62.78, 35.99

 

CMYK 71 / 0 / 24 / 10

HEX #42E5AF

RGB 66 229 175

HSL 160.12, 0.76%, 0.58%

LAB 82, -54.04, 14.46

 

CMYK 71 / 0 / 5 / 10

HEX #42E5DA

RGB 66 229 218

HSL 175.95, 0.76%, 0.58%

LAB 83.05, -43.34, -6.7

 

CMYK 71 / 14 / 0 / 10

HEX #42C4E5

RGB 66 196 229

HSL 192.15, 0.76%, 0.58%

LAB 73.74, -24.6, -26.62

 

CMYK 87 / 0 / 28 / 27

HEX #19BB87

RGB 25 187 135

HSL 160.74, 0.76%, 0.42%

LAB 67.65, -51.04, 15.58

 

CMYK 87 / 0 / 28 / 13

HEX #1EDFA1

RGB 30 223 161

HSL 160.73, 0.76%, 0.5%

LAB 79.4, -58.52, 18.09

 

CMYK 71 / 0 / 23 / 10

HEX #42E5B1

RGB 66 229 177

HSL 160.86, 0.76%, 0.58%

LAB 82.04, -53.59, 13.47

 

CMYK 56 / 0 / 18 / 8

HEX #66EAC0

RGB 102 234 192

HSL 160.91, 0.76%, 0.66%

LAB 84.73, -46.17, 9.55

 

CMYK 42 / 0 / 13 / 6

HEX #8BEFCF

RGB 139 239 207

HSL 160.8, 0.76%, 0.74%

LAB 87.84, -36.61, 6.34

 

CMYK 70 / 0 / 23 / 10

HEX #44E6B2

RGB 68 230 178

HSL 160.74, 0.76%, 0.58%

LAB 82.4, -53.49, 13.46

 

CMYK 71 / 62 / 0 / 10

HEX #4258E5

RGB 66 88 229

HSL 231.9, 0.76%, 0.58%

LAB 43.94, 38.45, -73.87

 

CMYK 0 / 52 / 71 / 10

HEX #E56D42

RGB 229 109 66

HSL 15.83, 0.76%, 0.58%

LAB 59.88, 43.74, 45.3

 

CMYK 70 / 0 / 23 / 10

HEX #44E6B2

RGB 68 230 178

HSL 160.74, 0.76%, 0.58%

LAB 82.4, -53.49, 13.46

 

CMYK 24 / 71 / 0 / 10

HEX #AF42E5

RGB 175 66 229

HSL 280.12, 0.76%, 0.58%

LAB 50.3, 68.38, -63.07

 

CMYK 0 / 24 / 71 / 10

HEX #E5AF42

RGB 229 175 66

HSL 40.12, 0.76%, 0.58%

LAB 74.64, 9.2, 60.92

 

CMYK 70 / 0 / 23 / 10

HEX #44E6B2

RGB 68 230 178

HSL 160.74, 0.76%, 0.58%

LAB 82.4, -53.49, 13.46

 

CMYK 71 / 62 / 0 / 10

HEX #4258E5

RGB 66 88 229

HSL 231.9, 0.76%, 0.58%

LAB 43.94, 38.45, -73.87

 

CMYK 0 / 71 / 48 / 10

HEX #E54278

RGB 229 66 120

HSL 340.12, 0.76%, 0.58%

LAB 53.93, 65.78, 6.86

 

CMYK 0 / 10 / 71 / 10

HEX #E5CF42

RGB 229 207 66

HSL 51.9, 0.76%, 0.58%

LAB 82.74, -7.42, 68.99

 

CMYK 70 / 0 / 23 / 10

HEX #44E6B2

RGB 68 230 178

HSL 160.74, 0.76%, 0.58%

LAB 82.4, -53.49, 13.46

 

CMYK 59 / 71 / 0 / 10

HEX #5D42E5

RGB 93 66 229

HSL 249.94, 0.76%, 0.58%

LAB 41.03, 54.56, -78.57

 

CMYK 0 / 71 / 48 / 10

HEX #E54278

RGB 229 66 120

HSL 340.12, 0.76%, 0.58%

LAB 53.93, 65.78, 6.86

 

CMYK 12 / 0 / 71 / 10

HEX #CAE542

RGB 202 229 66

HSL 69.94, 0.76%, 0.58%

LAB 86.5, -29.33, 71.94

 

Description

Color code: HEX #44E6B2 | qconv.com Color code: HEX #44E6B2 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 230 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 230 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 23 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 23% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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