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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44E571 it is the complementary color #BB1A8E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44E571. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44E571 shade: #49E56C, #5AF77F, #6BFF92, #7CFFA5 and #8DFFB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44E571. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44E571 shade: #44E571, #33D35E, #22C14B, #11AF38 and #009D25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44E571 shade: #43E570, #43E544, #6DE543, #99E543 and #C5E543

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44E571 shade: #43E570, #43E59C, #43E5C8, #43D7E5 and #43ABE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44E571 shade matches the following richer shades: #43E570 and #31F768

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44E571 shade: #43E570, #54D478, #65C37F, #76B187 and #88A08F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44E571 shade: #6EE543, #43E543, #43E56E, #43E599 and #43E5C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44E571 shade: #1ABC47, #1FE055, #43E570, #67EA8C and #8BEFA7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44E571 shade: #44E571, #4399E5 and #E54358

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44E571 shade: #44E571, #6E43E5 and #E56E43

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44E571 shade: #44E571, #4399E5, #E543BA and #E58E43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44E571 shade: #44E571, #4368E5, #E543BA and #E5BF43

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 51 / 10

HEX #44E571

RGB 68 229 113

HSL 136.77, 0.76%, 0.58%

LAB 80.99, -65.3, 44.52

 

Complementary color

CMYK 0 / 86 / 24 / 27

HEX #BB1A8E

RGB 187 26 142

HSL 316.77, 0.76%, 0.42%

LAB 43.15, 68.57, -23.35

 

CMYK 68 / 0 / 53 / 10

HEX #49E56C

RGB 73 229 108

HSL 133.46, 0.75%, 0.59%

LAB 81.04, -65.17, 46.96

 

CMYK 64 / 0 / 49 / 3

HEX #5AF77F

RGB 90 247 127

HSL 134.14, 0.91%, 0.66%

LAB 87.11, -65.7, 45.56

 

CMYK 58 / 0 / 43 / 0

HEX #6BFF92

RGB 107 255 146

HSL 135.81, 1%, 0.71%

LAB 90.19, -62.31, 40.42

 

CMYK 51 / 0 / 35 / 0

HEX #7CFFA5

RGB 124 255 165

HSL 138.78, 1%, 0.74%

LAB 91.02, -55.34, 32.22

 

CMYK 45 / 0 / 28 / 0

HEX #8DFFB8

RGB 141 255 184

HSL 142.63, 1%, 0.78%

LAB 91.97, -47.75, 24.04

 

CMYK 70 / 0 / 51 / 10

HEX #44E571

RGB 68 229 113

HSL 136.77, 0.76%, 0.58%

LAB 80.99, -65.3, 44.52

 

CMYK 76 / 0 / 55 / 17

HEX #33D35E

RGB 51 211 94

HSL 136.13, 0.65%, 0.51%

LAB 74.89, -64.38, 46

 

CMYK 82 / 0 / 61 / 24

HEX #22C14B

RGB 34 193 75

HSL 135.47, 0.7%, 0.45%

LAB 68.74, -63, 47.44

 

CMYK 90 / 0 / 68 / 31

HEX #11AF38

RGB 17 175 56

HSL 134.81, 0.82%, 0.38%

LAB 62.56, -60.98, 48.72

 

CMYK 100 / 0 / 76 / 38

HEX #009D25

RGB 0 157 37

HSL 134.14, 1%, 0.31%

LAB 56.33, -58.26, 49.56

 

CMYK 71 / 0 / 51 / 10

HEX #43E570

RGB 67 229 112

HSL 136.67, 0.76%, 0.58%

LAB 80.96, -65.6, 44.95

 

CMYK 71 / 0 / 70 / 10

HEX #43E544

RGB 67 229 68

HSL 120.37, 0.76%, 0.58%

LAB 80.54, -70.57, 63.29

 

CMYK 52 / 0 / 71 / 10

HEX #6DE543

RGB 109 229 67

HSL 104.44, 0.76%, 0.58%

LAB 81.67, -61.46, 65.18

 

CMYK 33 / 0 / 71 / 10

HEX #99E543

RGB 153 229 67

HSL 88.15, 0.76%, 0.58%

LAB 83.56, -47.77, 67.69

 

CMYK 14 / 0 / 71 / 10

HEX #C5E543

RGB 197 229 67

HSL 71.85, 0.76%, 0.58%

LAB 86.16, -31.27, 71.15

 

CMYK 71 / 0 / 51 / 10

HEX #43E570

RGB 67 229 112

HSL 136.67, 0.76%, 0.58%

LAB 80.96, -65.6, 44.95

 

CMYK 71 / 0 / 32 / 10

HEX #43E59C

RGB 67 229 156

HSL 152.96, 0.76%, 0.58%

LAB 81.64, -57.97, 23.86

 

CMYK 71 / 0 / 13 / 10

HEX #43E5C8

RGB 67 229 200

HSL 169.26, 0.76%, 0.58%

LAB 82.59, -47.93, 2.15

 

CMYK 71 / 6 / 0 / 10

HEX #43D7E5

RGB 67 215 229

HSL 185.19, 0.76%, 0.58%

LAB 79.3, -33.73, -18.16

 

CMYK 71 / 25 / 0 / 10

HEX #43ABE5

RGB 67 171 229

HSL 201.48, 0.76%, 0.58%

LAB 66.5, -11.36, -37.8

 

CMYK 71 / 0 / 51 / 10

HEX #43E570

RGB 67 229 112

HSL 136.67, 0.76%, 0.58%

LAB 80.96, -65.6, 44.95

 

CMYK 80 / 0 / 58 / 3

HEX #31F768

RGB 49 247 104

HSL 136.67, 0.93%, 0.58%

LAB 86.09, -74.89, 54.7

 

CMYK 71 / 0 / 51 / 10

HEX #43E570

RGB 67 229 112

HSL 136.67, 0.76%, 0.58%

LAB 80.96, -65.6, 44.95

 

CMYK 60 / 0 / 43 / 17

HEX #54D478

RGB 84 212 120

HSL 136.88, 0.6%, 0.58%

LAB 76.27, -55.07, 35.21

 

CMYK 48 / 0 / 35 / 24

HEX #65C37F

RGB 101 195 127

HSL 136.6, 0.44%, 0.58%

LAB 71.78, -42.86, 25.8

 

CMYK 33 / 0 / 24 / 31

HEX #76B187

RGB 118 177 135

HSL 137.29, 0.27%, 0.58%

LAB 67.31, -28.13, 15.53

 

CMYK 15 / 0 / 11 / 37

HEX #88A08F

RGB 136 160 143

HSL 137.5, 0.11%, 0.58%

LAB 63.64, -11.84, 6.06

 

CMYK 52 / 0 / 71 / 10

HEX #6EE543

RGB 110 229 67

HSL 104.07, 0.76%, 0.58%

LAB 81.71, -61.2, 65.22

 

CMYK 71 / 0 / 71 / 10

HEX #43E543

RGB 67 229 67

HSL 120, 0.76%, 0.58%

LAB 80.54, -70.65, 63.65

 

CMYK 71 / 0 / 52 / 10

HEX #43E56E

RGB 67 229 110

HSL 135.93, 0.76%, 0.58%

LAB 80.94, -65.88, 45.87

 

CMYK 71 / 0 / 33 / 10

HEX #43E599

RGB 67 229 153

HSL 151.85, 0.76%, 0.58%

LAB 81.58, -58.57, 25.33

 

CMYK 71 / 0 / 14 / 10

HEX #43E5C5

RGB 67 229 197

HSL 168.15, 0.76%, 0.58%

LAB 82.52, -48.68, 3.63

 

CMYK 86 / 0 / 62 / 26

HEX #1ABC47

RGB 26 188 71

HSL 136.67, 0.76%, 0.42%

LAB 67.01, -62.66, 47.22

 

CMYK 86 / 0 / 62 / 12

HEX #1FE055

RGB 31 224 85

HSL 136.79, 0.76%, 0.5%

LAB 78.61, -71.75, 54.29

 

CMYK 71 / 0 / 51 / 10

HEX #43E570

RGB 67 229 112

HSL 136.67, 0.76%, 0.58%

LAB 80.96, -65.6, 44.95

 

CMYK 56 / 0 / 40 / 8

HEX #67EA8C

RGB 103 234 140

HSL 136.95, 0.76%, 0.66%

LAB 83.77, -56.13, 35.02

 

CMYK 42 / 0 / 30 / 6

HEX #8BEFA7

RGB 139 239 167

HSL 136.8, 0.76%, 0.74%

LAB 87, -44.46, 25.89

 

CMYK 70 / 0 / 51 / 10

HEX #44E571

RGB 68 229 113

HSL 136.77, 0.76%, 0.58%

LAB 80.99, -65.3, 44.52

 

CMYK 71 / 33 / 0 / 10

HEX #4399E5

RGB 67 153 229

HSL 208.15, 0.76%, 0.58%

LAB 61.34, -1.25, -45.91

 

CMYK 0 / 71 / 62 / 10

HEX #E54358

RGB 229 67 88

HSL 352.22, 0.76%, 0.58%

LAB 53.36, 63.07, 25.16

 

CMYK 70 / 0 / 51 / 10

HEX #44E571

RGB 68 229 113

HSL 136.77, 0.76%, 0.58%

LAB 80.99, -65.3, 44.52

 

CMYK 52 / 71 / 0 / 10

HEX #6E43E5

RGB 110 67 229

HSL 255.93, 0.76%, 0.58%

LAB 42.74, 56.47, -75.7

 

CMYK 0 / 52 / 71 / 10

HEX #E56E43

RGB 229 110 67

HSL 15.93, 0.76%, 0.58%

LAB 60.08, 43.29, 45.02

 

CMYK 70 / 0 / 51 / 10

HEX #44E571

RGB 68 229 113

HSL 136.77, 0.76%, 0.58%

LAB 80.99, -65.3, 44.52

 

CMYK 71 / 33 / 0 / 10

HEX #4399E5

RGB 67 153 229

HSL 208.15, 0.76%, 0.58%

LAB 61.34, -1.25, -45.91

 

CMYK 0 / 71 / 19 / 10

HEX #E543BA

RGB 229 67 186

HSL 315.93, 0.76%, 0.58%

LAB 56.3, 72.72, -28.45

 

CMYK 0 / 38 / 71 / 10

HEX #E58E43

RGB 229 142 67

HSL 27.78, 0.76%, 0.58%

LAB 66.83, 26.8, 52.36

 

CMYK 70 / 0 / 51 / 10

HEX #44E571

RGB 68 229 113

HSL 136.77, 0.76%, 0.58%

LAB 80.99, -65.3, 44.52

 

CMYK 71 / 55 / 0 / 10

HEX #4368E5

RGB 67 104 229

HSL 226.3, 0.76%, 0.58%

LAB 47.94, 28.59, -67.34

 

CMYK 0 / 71 / 19 / 10

HEX #E543BA

RGB 229 67 186

HSL 315.93, 0.76%, 0.58%

LAB 56.3, 72.72, -28.45

 

CMYK 0 / 17 / 71 / 10

HEX #E5BF43

RGB 229 191 67

HSL 45.93, 0.76%, 0.58%

LAB 78.65, 0.85, 64.56

 

Description

Color code: HEX #44E571 | qconv.com Color code: HEX #44E571 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 229 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 229 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 51 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 51% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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