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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44E209 it is the complementary color #BB1DF6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44E209. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44E209 shade: #49E204, #5AF417, #6BFF2A, #7CFF3D and #8DFF50

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44E209. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44E209 shade: #44E209, #33D000, #22BE00, #11AC00 and #009A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44E209 shade: #44E109, #7EE109, #B8E109, #E1D009 and #E19609

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44E209 shade: #44E109, #0AE109, #09E143, #09E17D and #09E1B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44E209 shade matches the following richer shades: #44E109

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44E209 shade: #44E109, #4DCE1C, #55BB2F, #5EA842 and #679555

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44E209 shade: #BAE109, #80E109, #47E109, #0DE109 and #09E13F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44E209 shade: #2C9206, #38BA08, #44E109, #59F61E and #76F746

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44E209 shade: #44E209, #09E1CF and #E1099D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44E209 shade: #44E209, #0947E1 and #E10947

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44E209 shade: #44E209, #09E1CF, #A409E1 and #E1091B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44E209 shade: #44E209, #09B2E1, #A409E1 and #E13809

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 96 / 11

HEX #44E209

RGB 68 226 9

HSL 103.69, 0.92%, 0.46%

LAB 79.41, -72.22, 75.99

 

Complementary color

CMYK 24 / 88 / 0 / 4

HEX #BB1DF6

RGB 187 29 246

HSL 283.69, 0.92%, 0.54%

LAB 49.61, 84.12, -73.66

 

CMYK 68 / 0 / 98 / 11

HEX #49E204

RGB 73 226 4

HSL 101.35, 0.97%, 0.45%

LAB 79.51, -71.38, 76.56

 

CMYK 63 / 0 / 91 / 4

HEX #5AF417

RGB 90 244 23

HSL 101.81, 0.91%, 0.52%

LAB 85.47, -73.21, 79.61

 

CMYK 58 / 0 / 84 / 0

HEX #6BFF2A

RGB 107 255 42

HSL 101.69, 1%, 0.58%

LAB 89.31, -72.34, 79.65

 

CMYK 51 / 0 / 76 / 0

HEX #7CFF3D

RGB 124 255 61

HSL 100.52, 1%, 0.62%

LAB 89.93, -67.12, 75.48

 

CMYK 45 / 0 / 69 / 0

HEX #8DFF50

RGB 141 255 80

HSL 99.09, 1%, 0.66%

LAB 90.67, -61.09, 70.11

 

CMYK 70 / 0 / 96 / 11

HEX #44E209

RGB 68 226 9

HSL 103.69, 0.92%, 0.46%

LAB 79.41, -72.22, 75.99

 

CMYK 75 / 0 / 100 / 18

HEX #33D000

RGB 51 208 0

HSL 105.29, 1%, 0.41%

LAB 73.43, -69.77, 71.9

 

CMYK 82 / 0 / 100 / 25

HEX #22BE00

RGB 34 190 0

HSL 109.26, 1%, 0.37%

LAB 67.4, -66.76, 66.98

 

CMYK 90 / 0 / 100 / 33

HEX #11AC00

RGB 17 172 0

HSL 114.07, 1%, 0.34%

LAB 61.33, -63.21, 62.05

 

CMYK 100 / 0 / 100 / 40

HEX #009A00

RGB 0 154 0

HSL 120, 1%, 0.3%

LAB 55.19, -59.14, 57.08

 

CMYK 70 / 0 / 96 / 12

HEX #44E109

RGB 68 225 9

HSL 103.61, 0.92%, 0.46%

LAB 79.1, -71.92, 75.74

 

CMYK 44 / 0 / 96 / 12

HEX #7EE109

RGB 126 225 9

HSL 87.5, 0.92%, 0.46%

LAB 80.91, -57.36, 77.95

 

CMYK 18 / 0 / 96 / 12

HEX #B8E109

RGB 184 225 9

HSL 71.39, 0.92%, 0.46%

LAB 84, -36.36, 81.7

 

CMYK 0 / 8 / 96 / 12

HEX #E1D009

RGB 225 208 9

HSL 55.28, 0.92%, 0.46%

LAB 82.45, -11.13, 81.89

 

CMYK 0 / 33 / 96 / 12

HEX #E19609

RGB 225 150 9

HSL 39.17, 0.92%, 0.46%

LAB 67.9, 19.21, 71.41

 

CMYK 70 / 0 / 96 / 12

HEX #44E109

RGB 68 225 9

HSL 103.61, 0.92%, 0.46%

LAB 79.1, -71.92, 75.74

 

CMYK 96 / 0 / 96 / 12

HEX #0AE109

RGB 10 225 9

HSL 119.72, 0.92%, 0.46%

LAB 78.42, -77.91, 74.91

 

CMYK 96 / 0 / 70 / 12

HEX #09E143

RGB 9 225 67

HSL 136.11, 0.92%, 0.46%

LAB 78.64, -75.06, 61.48

 

CMYK 96 / 0 / 44 / 12

HEX #09E17D

RGB 9 225 125

HSL 152.22, 0.92%, 0.46%

LAB 79.26, -67.42, 36.35

 

CMYK 96 / 0 / 18 / 12

HEX #09E1B8

RGB 9 225 184

HSL 168.61, 0.92%, 0.46%

LAB 80.39, -54.74, 7.35

 

CMYK 70 / 0 / 96 / 12

HEX #44E109

RGB 68 225 9

HSL 103.61, 0.92%, 0.46%

LAB 79.1, -71.92, 75.74

 

CMYK 70 / 0 / 96 / 12

HEX #44E109

RGB 68 225 9

HSL 103.61, 0.92%, 0.46%

LAB 79.1, -71.92, 75.74

 

CMYK 63 / 0 / 86 / 19

HEX #4DCE1C

RGB 77 206 28

HSL 103.48, 0.76%, 0.46%

LAB 73.42, -63.61, 68.34

 

CMYK 55 / 0 / 75 / 27

HEX #55BB2F

RGB 85 187 47

HSL 103.71, 0.6%, 0.46%

LAB 67.78, -54, 57.98

 

CMYK 44 / 0 / 61 / 34

HEX #5EA842

RGB 94 168 66

HSL 103.53, 0.44%, 0.46%

LAB 62.32, -42.18, 44.61

 

CMYK 31 / 0 / 43 / 42

HEX #679555

RGB 103 149 85

HSL 103.13, 0.27%, 0.46%

LAB 57.11, -28.1, 28.9

 

CMYK 17 / 0 / 96 / 12

HEX #BAE109

RGB 186 225 9

HSL 70.83, 0.92%, 0.46%

LAB 84.13, -35.56, 81.85

 

CMYK 43 / 0 / 96 / 12

HEX #80E109

RGB 128 225 9

HSL 86.94, 0.92%, 0.46%

LAB 80.99, -56.73, 78.06

 

CMYK 68 / 0 / 96 / 12

HEX #47E109

RGB 71 225 9

HSL 102.78, 0.92%, 0.46%

LAB 79.16, -71.37, 75.82

 

CMYK 94 / 0 / 96 / 12

HEX #0DE109

RGB 13 225 9

HSL 118.89, 0.92%, 0.46%

LAB 78.44, -77.8, 74.92

 

CMYK 96 / 0 / 72 / 12

HEX #09E13F

RGB 9 225 63

HSL 135, 0.92%, 0.46%

LAB 78.62, -75.4, 62.9

 

CMYK 70 / 0 / 96 / 43

HEX #2C9206

RGB 44 146 6

HSL 103.71, 0.92%, 0.3%

LAB 53.07, -51.47, 54.6

 

CMYK 70 / 0 / 96 / 27

HEX #38BA08

RGB 56 186 8

HSL 103.82, 0.92%, 0.38%

LAB 66.5, -62.06, 65.47

 

CMYK 70 / 0 / 96 / 12

HEX #44E109

RGB 68 225 9

HSL 103.61, 0.92%, 0.46%

LAB 79.1, -71.92, 75.74

 

CMYK 64 / 0 / 88 / 4

HEX #59F61E

RGB 89 246 30

HSL 103.61, 0.92%, 0.54%

LAB 86.07, -73.86, 79.01

 

CMYK 52 / 0 / 72 / 3

HEX #76F746

RGB 118 247 70

HSL 103.73, 0.92%, 0.62%

LAB 87.4, -65.32, 70.03

 

CMYK 70 / 0 / 96 / 11

HEX #44E209

RGB 68 226 9

HSL 103.69, 0.92%, 0.46%

LAB 79.41, -72.22, 75.99

 

CMYK 96 / 0 / 8 / 12

HEX #09E1CF

RGB 9 225 207

HSL 175, 0.92%, 0.46%

LAB 80.97, -48.66, -4.01

 

CMYK 0 / 96 / 30 / 12

HEX #E1099D

RGB 225 9 157

HSL 318.89, 0.92%, 0.46%

LAB 50.26, 80.25, -20.82

 

CMYK 70 / 0 / 96 / 11

HEX #44E209

RGB 68 226 9

HSL 103.69, 0.92%, 0.46%

LAB 79.41, -72.22, 75.99

 

CMYK 96 / 68 / 0 / 12

HEX #0947E1

RGB 9 71 225

HSL 222.78, 0.92%, 0.46%

LAB 37.84, 43.74, -81.67

 

CMYK 0 / 96 / 68 / 12

HEX #E10947

RGB 225 9 71

HSL 342.78, 0.92%, 0.46%

LAB 47.83, 73.76, 28.15

 

CMYK 70 / 0 / 96 / 11

HEX #44E209

RGB 68 226 9

HSL 103.69, 0.92%, 0.46%

LAB 79.41, -72.22, 75.99

 

CMYK 96 / 0 / 8 / 12

HEX #09E1CF

RGB 9 225 207

HSL 175, 0.92%, 0.46%

LAB 80.97, -48.66, -4.01

 

CMYK 27 / 96 / 0 / 12

HEX #A409E1

RGB 164 9 225

HSL 283.06, 0.92%, 0.46%

LAB 43.54, 79.95, -71.84

 

CMYK 0 / 96 / 88 / 12

HEX #E1091B

RGB 225 9 27

HSL 355, 0.92%, 0.46%

LAB 47.34, 72.43, 52.16

 

CMYK 70 / 0 / 96 / 11

HEX #44E209

RGB 68 226 9

HSL 103.69, 0.92%, 0.46%

LAB 79.41, -72.22, 75.99

 

CMYK 96 / 21 / 0 / 12

HEX #09B2E1

RGB 9 178 225

HSL 193.06, 0.92%, 0.46%

LAB 67.53, -21.03, -34.08

 

CMYK 27 / 96 / 0 / 12

HEX #A409E1

RGB 164 9 225

HSL 283.06, 0.92%, 0.46%

LAB 43.54, 79.95, -71.84

 

CMYK 0 / 75 / 96 / 12

HEX #E13809

RGB 225 56 9

HSL 13.06, 0.92%, 0.46%

LAB 50.52, 62.98, 60.34

 

Description

Color code: HEX #44E209 | qconv.com Color code: HEX #44E209 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 226 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 226 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 96 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 96% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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