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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44DD51 it is the complementary color #BB22AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44DD51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44DD51 shade: #49DD4C, #5AEF5F, #6BFF72, #7CFF85 and #8DFF98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44DD51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44DD51 shade: #44DD51, #33CB3E, #22B92B, #11A718 and #009505

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44DD51 shade: #46DD53, #62DD46, #8ADD46, #B3DD46 and #DCDD46

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44DD51 shade: #46DD53, #46DD7B, #46DDA4, #46DDCD and #46C4DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44DD51 shade matches the following richer shades: #46DD53 and #34EF44

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44DD51 shade: #46DD53, #57CB61, #69BA70, #7BA87F and #8D968D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44DD51 shade: #8ADD46, #61DD46, #46DD52, #46DD7B and #46DDA3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44DD51 shade: #20B02C, #27D335, #46DD53, #69E373 and #8BEA93

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44DD51 shade: #44DD51, #46B2DD and #DD4676

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44DD51 shade: #44DD51, #5246DD and #DD5246

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44DD51 shade: #44DD51, #46B2DD, #DD46D0 and #DD7146

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44DD51 shade: #44DD51, #4685DD, #DD46D0 and #DD9E46

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 63 / 13

HEX #44DD51

RGB 68 221 81

HSL 125.1, 0.69%, 0.57%

LAB 78.19, -66.6, 55.66

 

Complementary color

CMYK 0 / 82 / 7 / 27

HEX #BB22AE

RGB 187 34 174

HSL 305.1, 0.69%, 0.43%

LAB 45.31, 71.19, -39.16

 

CMYK 67 / 0 / 66 / 13

HEX #49DD4C

RGB 73 221 76

HSL 121.22, 0.69%, 0.58%

LAB 78.26, -66.2, 57.82

 

CMYK 62 / 0 / 60 / 6

HEX #5AEF5F

RGB 90 239 95

HSL 122.01, 0.82%, 0.65%

LAB 84.35, -66.96, 56.79

 

CMYK 58 / 0 / 55 / 0

HEX #6BFF72

RGB 107 255 114

HSL 122.84, 1%, 0.71%

LAB 89.79, -66.72, 54.92

 

CMYK 51 / 0 / 48 / 0

HEX #7CFF85

RGB 124 255 133

HSL 124.12, 1%, 0.74%

LAB 90.55, -60.25, 47.22

 

CMYK 45 / 0 / 40 / 0

HEX #8DFF98

RGB 141 255 152

HSL 125.79, 1%, 0.78%

LAB 91.44, -53.08, 39.33

 

CMYK 69 / 0 / 63 / 13

HEX #44DD51

RGB 68 221 81

HSL 125.1, 0.69%, 0.57%

LAB 78.19, -66.6, 55.66

 

CMYK 75 / 0 / 69 / 20

HEX #33CB3E

RGB 51 203 62

HSL 124.34, 0.6%, 0.5%

LAB 72.07, -65.39, 56.6

 

CMYK 82 / 0 / 77 / 27

HEX #22B92B

RGB 34 185 43

HSL 123.58, 0.69%, 0.43%

LAB 65.91, -63.6, 57.08

 

CMYK 90 / 0 / 86 / 35

HEX #11A718

RGB 17 167 24

HSL 122.8, 0.82%, 0.36%

LAB 59.73, -61.01, 56.7

 

CMYK 100 / 0 / 97 / 42

HEX #009505

RGB 0 149 5

HSL 122.01, 1%, 0.29%

LAB 53.5, -57.58, 54.89

 

CMYK 68 / 0 / 62 / 13

HEX #46DD53

RGB 70 221 83

HSL 125.17, 0.69%, 0.57%

LAB 78.25, -66.04, 54.89

 

CMYK 56 / 0 / 68 / 13

HEX #62DD46

RGB 98 221 70

HSL 108.87, 0.69%, 0.57%

LAB 78.9, -61.21, 61.07

 

CMYK 38 / 0 / 68 / 13

HEX #8ADD46

RGB 138 221 70

HSL 92.98, 0.69%, 0.57%

LAB 80.49, -49.38, 63.23

 

CMYK 19 / 0 / 68 / 13

HEX #B3DD46

RGB 179 221 70

HSL 76.69, 0.69%, 0.57%

LAB 82.77, -34.47, 66.3

 

CMYK 0 / 0 / 68 / 13

HEX #DCDD46

RGB 220 221 70

HSL 60.4, 0.69%, 0.57%

LAB 85.69, -17.97, 70.18

 

CMYK 68 / 0 / 62 / 13

HEX #46DD53

RGB 70 221 83

HSL 125.17, 0.69%, 0.57%

LAB 78.25, -66.04, 54.89

 

CMYK 68 / 0 / 44 / 13

HEX #46DD7B

RGB 70 221 123

HSL 141.06, 0.69%, 0.57%

LAB 78.72, -60.6, 36.79

 

CMYK 68 / 0 / 26 / 13

HEX #46DDA4

RGB 70 221 164

HSL 157.35, 0.69%, 0.57%

LAB 79.44, -52.71, 16.66

 

CMYK 68 / 0 / 7 / 13

HEX #46DDCD

RGB 70 221 205

HSL 173.64, 0.69%, 0.57%

LAB 80.42, -42.77, -3.68

 

CMYK 68 / 11 / 0 / 13

HEX #46C4DD

RGB 70 196 221

HSL 189.93, 0.69%, 0.57%

LAB 73.55, -26.52, -22.57

 

CMYK 68 / 0 / 62 / 13

HEX #46DD53

RGB 70 221 83

HSL 125.17, 0.69%, 0.57%

LAB 78.25, -66.04, 54.89

 

CMYK 78 / 0 / 72 / 6

HEX #34EF44

RGB 52 239 68

HSL 125.13, 0.85%, 0.57%

LAB 83.38, -75.78, 66.14

 

CMYK 68 / 0 / 62 / 13

HEX #46DD53

RGB 70 221 83

HSL 125.17, 0.69%, 0.57%

LAB 78.25, -66.04, 54.89

 

CMYK 57 / 0 / 52 / 20

HEX #57CB61

RGB 87 203 97

HSL 125.17, 0.53%, 0.57%

LAB 73.29, -54.38, 42.84

 

CMYK 44 / 0 / 40 / 27

HEX #69BA70

RGB 105 186 112

HSL 125.19, 0.37%, 0.57%

LAB 68.96, -40.36, 29.97

 

CMYK 27 / 0 / 24 / 34

HEX #7BA87F

RGB 123 168 127

HSL 125.33, 0.21%, 0.57%

LAB 64.76, -23.53, 16.42

 

CMYK 6 / 0 / 6 / 41

HEX #8D968D

RGB 141 150 141

HSL 120, 0.04%, 0.57%

LAB 61.13, -5.01, 3.62

 

CMYK 38 / 0 / 68 / 13

HEX #8ADD46

RGB 138 221 70

HSL 92.98, 0.69%, 0.57%

LAB 80.49, -49.38, 63.23

 

CMYK 56 / 0 / 68 / 13

HEX #61DD46

RGB 97 221 70

HSL 109.27, 0.69%, 0.57%

LAB 78.87, -61.46, 61.03

 

CMYK 68 / 0 / 63 / 13

HEX #46DD52

RGB 70 221 82

HSL 124.77, 0.69%, 0.57%

LAB 78.24, -66.14, 55.31

 

CMYK 68 / 0 / 44 / 13

HEX #46DD7B

RGB 70 221 123

HSL 141.06, 0.69%, 0.57%

LAB 78.72, -60.6, 36.79

 

CMYK 68 / 0 / 26 / 13

HEX #46DDA3

RGB 70 221 163

HSL 156.95, 0.69%, 0.57%

LAB 79.42, -52.93, 17.16

 

CMYK 82 / 0 / 75 / 31

HEX #20B02C

RGB 32 176 44

HSL 125, 0.69%, 0.41%

LAB 62.96, -61, 53.8

 

CMYK 82 / 0 / 75 / 17

HEX #27D335

RGB 39 211 53

HSL 124.88, 0.69%, 0.49%

LAB 74.37, -70.12, 62.13

 

CMYK 68 / 0 / 62 / 13

HEX #46DD53

RGB 70 221 83

HSL 125.17, 0.69%, 0.57%

LAB 78.25, -66.04, 54.89

 

CMYK 54 / 0 / 49 / 11

HEX #69E373

RGB 105 227 115

HSL 124.92, 0.69%, 0.65%

LAB 81.39, -56.72, 44.27

 

CMYK 41 / 0 / 37 / 8

HEX #8BEA93

RGB 139 234 147

HSL 125.05, 0.69%, 0.73%

LAB 85.22, -45.63, 33.66

 

CMYK 69 / 0 / 63 / 13

HEX #44DD51

RGB 68 221 81

HSL 125.1, 0.69%, 0.57%

LAB 78.19, -66.6, 55.66

 

CMYK 68 / 19 / 0 / 13

HEX #46B2DD

RGB 70 178 221

HSL 197.09, 0.69%, 0.57%

LAB 68.29, -17.3, -30.64

 

CMYK 0 / 68 / 47 / 13

HEX #DD4676

RGB 221 70 118

HSL 340.93, 0.69%, 0.57%

LAB 53.02, 61.85, 6.56

 

CMYK 69 / 0 / 63 / 13

HEX #44DD51

RGB 68 221 81

HSL 125.1, 0.69%, 0.57%

LAB 78.19, -66.6, 55.66

 

CMYK 63 / 68 / 0 / 13

HEX #5246DD

RGB 82 70 221

HSL 244.77, 0.69%, 0.57%

LAB 40.24, 48.51, -75.34

 

CMYK 0 / 63 / 68 / 13

HEX #DD5246

RGB 221 82 70

HSL 4.77, 0.69%, 0.57%

LAB 53.87, 53.58, 35.92

 

CMYK 69 / 0 / 63 / 13

HEX #44DD51

RGB 68 221 81

HSL 125.1, 0.69%, 0.57%

LAB 78.19, -66.6, 55.66

 

CMYK 68 / 19 / 0 / 13

HEX #46B2DD

RGB 70 178 221

HSL 197.09, 0.69%, 0.57%

LAB 68.29, -17.3, -30.64

 

CMYK 0 / 68 / 6 / 13

HEX #DD46D0

RGB 221 70 208

HSL 305.17, 0.69%, 0.57%

LAB 56.39, 72.97, -41.02

 

CMYK 0 / 49 / 68 / 13

HEX #DD7146

RGB 221 113 70

HSL 17.09, 0.69%, 0.57%

LAB 59.55, 38.88, 42.54

 

CMYK 69 / 0 / 63 / 13

HEX #44DD51

RGB 68 221 81

HSL 125.1, 0.69%, 0.57%

LAB 78.19, -66.6, 55.66

 

CMYK 68 / 40 / 0 / 13

HEX #4685DD

RGB 70 133 221

HSL 214.97, 0.69%, 0.57%

LAB 55.38, 8.21, -50.89

 

CMYK 0 / 68 / 6 / 13

HEX #DD46D0

RGB 221 70 208

HSL 305.17, 0.69%, 0.57%

LAB 56.39, 72.97, -41.02

 

CMYK 0 / 29 / 68 / 13

HEX #DD9E46

RGB 221 158 70

HSL 34.97, 0.69%, 0.57%

LAB 69.66, 15.06, 53.72

 

Description

Color code: HEX #44DD51 | qconv.com Color code: HEX #44DD51 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 221 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 221 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 63 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 63% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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