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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44DB3C it is the complementary color #BB24C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44DB3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44DB3C shade: #49DB37, #5AED4A, #6BFF5D, #7CFF70 and #8DFF83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44DB3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44DB3C shade: #44DB3C, #33C929, #22B716, #11A503 and #009300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44DB3C shade: #45DB3D, #70DB3D, #9ADB3D, #C5DB3D and #DBC73D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44DB3C shade: #45DB3D, #3DDB60, #3DDB8B, #3DDBB5 and #3DD7DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44DB3C shade matches the following richer shades: #45DB3D and #34EE2B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44DB3C shade: #45DB3D, #56C950, #66B662, #77A475 and #889187

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44DB3C shade: #9CDB3D, #72DB3D, #48DB3D, #3DDB5D and #3DDB87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44DB3C shade: #26A71F, #2DCA25, #45DB3D, #66E260 and #88E883

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44DB3C shade: #44DB3C, #3DC6DB and #DB3D87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44DB3C shade: #44DB3C, #3D48DB and #DB3D48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44DB3C shade: #44DB3C, #3DC6DB, #D13DDB and #DB523D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44DB3C shade: #44DB3C, #3D97DB, #D13DDB and #DB823D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 73 / 14

HEX #44DB3C

RGB 68 219 60

HSL 116.98, 0.69%, 0.55%

LAB 77.41, -67.85, 62.95

 

Complementary color

CMYK 4 / 82 / 0 / 24

HEX #BB24C3

RGB 187 36 195

HSL 296.98, 0.69%, 0.45%

LAB 46.67, 73.96, -49.32

 

CMYK 67 / 0 / 75 / 14

HEX #49DB37

RGB 73 219 55

HSL 113.41, 0.69%, 0.54%

LAB 77.49, -67.28, 64.77

 

CMYK 62 / 0 / 69 / 7

HEX #5AED4A

RGB 90 237 74

HSL 114.11, 0.82%, 0.61%

LAB 83.57, -68.29, 64.39

 

CMYK 58 / 0 / 64 / 0

HEX #6BFF5D

RGB 107 255 93

HSL 114.81, 1%, 0.68%

LAB 89.6, -68.96, 63.63

 

CMYK 51 / 0 / 56 / 0

HEX #7CFF70

RGB 124 255 112

HSL 114.97, 1%, 0.72%

LAB 90.31, -62.85, 56.55

 

CMYK 45 / 0 / 49 / 0

HEX #8DFF83

RGB 141 255 131

HSL 115.16, 1%, 0.76%

LAB 91.15, -55.99, 49.05

 

CMYK 69 / 0 / 73 / 14

HEX #44DB3C

RGB 68 219 60

HSL 116.98, 0.69%, 0.55%

LAB 77.41, -67.85, 62.95

 

CMYK 75 / 0 / 80 / 21

HEX #33C929

RGB 51 201 41

HSL 116.25, 0.66%, 0.47%

LAB 71.31, -66.33, 62.98

 

CMYK 81 / 0 / 88 / 28

HEX #22B716

RGB 34 183 22

HSL 115.53, 0.79%, 0.4%

LAB 65.17, -64.15, 62.04

 

CMYK 90 / 0 / 98 / 35

HEX #11A503

RGB 17 165 3

HSL 114.81, 0.96%, 0.33%

LAB 59.01, -61.13, 59.76

 

CMYK 100 / 0 / 100 / 42

HEX #009300

RGB 0 147 0

HSL 120, 1%, 0.29%

LAB 52.8, -57.16, 55.17

 

CMYK 68 / 0 / 72 / 14

HEX #45DB3D

RGB 69 219 61

HSL 116.96, 0.69%, 0.55%

LAB 77.44, -67.59, 62.63

 

CMYK 49 / 0 / 72 / 14

HEX #70DB3D

RGB 112 219 61

HSL 100.63, 0.69%, 0.55%

LAB 78.72, -57.37, 64.35

 

CMYK 30 / 0 / 72 / 14

HEX #9ADB3D

RGB 154 219 61

HSL 84.68, 0.69%, 0.55%

LAB 80.67, -43.54, 66.93

 

CMYK 10 / 0 / 72 / 14

HEX #C5DB3D

RGB 197 219 61

HSL 68.35, 0.69%, 0.55%

LAB 83.37, -26.87, 70.49

 

CMYK 0 / 9 / 72 / 14

HEX #DBC73D

RGB 219 199 61

HSL 52.41, 0.69%, 0.55%

LAB 79.75, -7.81, 67.6

 

CMYK 68 / 0 / 72 / 14

HEX #45DB3D

RGB 69 219 61

HSL 116.96, 0.69%, 0.55%

LAB 77.44, -67.59, 62.63

 

CMYK 72 / 0 / 56 / 14

HEX #3DDB60

RGB 61 219 96

HSL 133.29, 0.69%, 0.55%

LAB 77.58, -65.33, 48.32

 

CMYK 72 / 0 / 37 / 14

HEX #3DDB8B

RGB 61 219 139

HSL 149.62, 0.69%, 0.55%

LAB 78.18, -58.42, 27.94

 

CMYK 72 / 0 / 17 / 14

HEX #3DDBB5

RGB 61 219 181

HSL 165.57, 0.69%, 0.55%

LAB 79.04, -49.23, 7.07

 

CMYK 72 / 2 / 0 / 14

HEX #3DD7DB

RGB 61 215 219

HSL 181.52, 0.69%, 0.55%

LAB 78.87, -37.35, -13.46

 

CMYK 68 / 0 / 72 / 14

HEX #45DB3D

RGB 69 219 61

HSL 116.96, 0.69%, 0.55%

LAB 77.44, -67.59, 62.63

 

CMYK 78 / 0 / 82 / 7

HEX #34EE2B

RGB 52 238 43

HSL 117.23, 0.85%, 0.55%

LAB 82.94, -77.1, 73.25

 

CMYK 68 / 0 / 72 / 14

HEX #45DB3D

RGB 69 219 61

HSL 116.96, 0.69%, 0.55%

LAB 77.44, -67.59, 62.63

 

CMYK 57 / 0 / 60 / 21

HEX #56C950

RGB 86 201 80

HSL 117.02, 0.53%, 0.55%

LAB 72.45, -55.96, 49.74

 

CMYK 44 / 0 / 46 / 29

HEX #66B662

RGB 102 182 98

HSL 117.14, 0.37%, 0.55%

LAB 67.4, -41.65, 35.17

 

CMYK 27 / 0 / 29 / 36

HEX #77A475

RGB 119 164 117

HSL 117.45, 0.21%, 0.55%

LAB 63.14, -24.69, 19.65

 

CMYK 6 / 0 / 7 / 43

HEX #889187

RGB 136 145 135

HSL 114, 0.04%, 0.55%

LAB 59.19, -5.23, 4.18

 

CMYK 29 / 0 / 72 / 14

HEX #9CDB3D

RGB 156 219 61

HSL 83.92, 0.69%, 0.55%

LAB 80.78, -42.81, 67.08

 

CMYK 48 / 0 / 72 / 14

HEX #72DB3D

RGB 114 219 61

HSL 99.87, 0.69%, 0.55%

LAB 78.8, -56.79, 64.45

 

CMYK 67 / 0 / 72 / 14

HEX #48DB3D

RGB 72 219 61

HSL 115.82, 0.69%, 0.55%

LAB 77.51, -67.03, 62.72

 

CMYK 72 / 0 / 58 / 14

HEX #3DDB5D

RGB 61 219 93

HSL 132.15, 0.69%, 0.55%

LAB 77.55, -65.72, 49.65

 

CMYK 72 / 0 / 38 / 14

HEX #3DDB87

RGB 61 219 135

HSL 148.1, 0.69%, 0.55%

LAB 78.11, -59.17, 29.9

 

CMYK 77 / 0 / 81 / 35

HEX #26A71F

RGB 38 167 31

HSL 116.91, 0.69%, 0.39%

LAB 60.02, -58.29, 55.19

 

CMYK 78 / 0 / 82 / 21

HEX #2DCA25

RGB 45 202 37

HSL 117.09, 0.69%, 0.47%

LAB 71.51, -67.72, 64.25

 

CMYK 68 / 0 / 72 / 14

HEX #45DB3D

RGB 69 219 61

HSL 116.96, 0.69%, 0.55%

LAB 77.44, -67.59, 62.63

 

CMYK 55 / 0 / 58 / 11

HEX #66E260

RGB 102 226 96

HSL 117.23, 0.69%, 0.63%

LAB 80.77, -59.47, 52.33

 

CMYK 41 / 0 / 44 / 9

HEX #88E883

RGB 136 232 131

HSL 117.03, 0.69%, 0.71%

LAB 84.27, -48.04, 40.37

 

CMYK 69 / 0 / 73 / 14

HEX #44DB3C

RGB 68 219 60

HSL 116.98, 0.69%, 0.55%

LAB 77.41, -67.85, 62.95

 

CMYK 72 / 10 / 0 / 14

HEX #3DC6DB

RGB 61 198 219

HSL 187.97, 0.69%, 0.55%

LAB 73.87, -29.29, -21.02

 

CMYK 0 / 72 / 38 / 14

HEX #DB3D87

RGB 219 61 135

HSL 331.9, 0.69%, 0.55%

LAB 52, 66.14, -5.14

 

CMYK 69 / 0 / 73 / 14

HEX #44DB3C

RGB 68 219 60

HSL 116.98, 0.69%, 0.55%

LAB 77.41, -67.85, 62.95

 

CMYK 72 / 67 / 0 / 14

HEX #3D48DB

RGB 61 72 219

HSL 235.82, 0.69%, 0.55%

LAB 39.14, 44.19, -76.05

 

CMYK 0 / 72 / 67 / 14

HEX #DB3D48

RGB 219 61 72

HSL 355.82, 0.69%, 0.55%

LAB 50.53, 61.26, 30.65

 

CMYK 69 / 0 / 73 / 14

HEX #44DB3C

RGB 68 219 60

HSL 116.98, 0.69%, 0.55%

LAB 77.41, -67.85, 62.95

 

CMYK 72 / 10 / 0 / 14

HEX #3DC6DB

RGB 61 198 219

HSL 187.97, 0.69%, 0.55%

LAB 73.87, -29.29, -21.02

 

CMYK 5 / 72 / 0 / 14

HEX #D13DDB

RGB 209 61 219

HSL 296.2, 0.69%, 0.55%

LAB 54.03, 75.15, -51.14

 

CMYK 0 / 63 / 72 / 14

HEX #DB523D

RGB 219 82 61

HSL 7.97, 0.69%, 0.55%

LAB 53.42, 52.46, 40.3

 

CMYK 69 / 0 / 73 / 14

HEX #44DB3C

RGB 68 219 60

HSL 116.98, 0.69%, 0.55%

LAB 77.41, -67.85, 62.95

 

CMYK 72 / 31 / 0 / 14

HEX #3D97DB

RGB 61 151 219

HSL 205.82, 0.69%, 0.55%

LAB 60.1, -4.39, -42.31

 

CMYK 5 / 72 / 0 / 14

HEX #D13DDB

RGB 209 61 219

HSL 296.2, 0.69%, 0.55%

LAB 54.03, 75.15, -51.14

 

CMYK 0 / 41 / 72 / 14

HEX #DB823D

RGB 219 130 61

HSL 26.2, 0.69%, 0.55%

LAB 62.81, 28.76, 50.53

 

Description

Color code: HEX #44DB3C | qconv.com Color code: HEX #44DB3C | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 219 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 219 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 73 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 73% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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