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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44D7D3 it is the complementary color #BB282C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44D7D3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44D7D3 shade: #49D7CE, #5AE9E1, #6BFBF4, #7CFFFF and #8DFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44D7D3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44D7D3 shade: #44D7D3, #33C5C0, #22B3AD, #11A19A and #008F87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44D7D3 shade: #42D7D3, #42D7AB, #42D782, #42D75A and #51D742

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44D7D3 shade: #42D7D3, #42B3D7, #428AD7, #4262D7 and #4242D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44D7D3 shade matches the following richer shades: #42D7D3, #2FE9E4 and #1DFCF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44D7D3 shade: #42D7D3, #54C4C1, #67B2B0, #799F9E and #8C8D8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44D7D3 shade: #42D782, #42D7AA, #42D7D2, #42B4D7 and #428CD7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44D7D3 shade: #23A3A0, #2AC5C1, #42D7D3, #64DEDB and #86E5E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44D7D3 shade: #44D7D3, #5B42D7 and #D79642

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44D7D3 shade: #44D7D3, #D242D7 and #D7D242

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44D7D3 shade: #44D7D3, #5B42D7, #D74247 and #BED742

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44D7D3 shade: #44D7D3, #8742D7, #D74247 and #91D742

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 2 / 16

HEX #44D7D3

RGB 68 215 211

HSL 178.37, 0.65%, 0.55%

LAB 78.77, -38.73, -9.32

 

Complementary color

CMYK 0 / 79 / 76 / 27

HEX #BB282C

RGB 187 40 44

HSL 358.37, 0.65%, 0.45%

LAB 41.63, 57.21, 35.14

 

CMYK 66 / 0 / 4 / 16

HEX #49D7CE

RGB 73 215 206

HSL 176.2, 0.64%, 0.56%

LAB 78.74, -39.4, -6.68

 

CMYK 61 / 0 / 3 / 9

HEX #5AE9E1

RGB 90 233 225

HSL 176.64, 0.76%, 0.63%

LAB 84.94, -39.85, -7.54

 

CMYK 57 / 0 / 3 / 2

HEX #6BFBF4

RGB 107 251 244

HSL 177.08, 0.95%, 0.7%

LAB 91.08, -40.16, -8.34

 

CMYK 51 / 0 / 0 / 0

HEX #7CFFFF

RGB 124 255 255

HSL 180, 1%, 0.74%

LAB 93.03, -36.02, -11.09

 

CMYK 45 / 0 / 0 / 0

HEX #8DFFFF

RGB 141 255 255

HSL 180, 1%, 0.78%

LAB 93.63, -32.47, -10.13

 

CMYK 68 / 0 / 2 / 16

HEX #44D7D3

RGB 68 215 211

HSL 178.37, 0.65%, 0.55%

LAB 78.77, -38.73, -9.32

 

CMYK 74 / 0 / 3 / 23

HEX #33C5C0

RGB 51 197 192

HSL 177.95, 0.59%, 0.49%

LAB 72.52, -37.96, -8.39

 

CMYK 81 / 0 / 3 / 30

HEX #22B3AD

RGB 34 179 173

HSL 177.52, 0.68%, 0.42%

LAB 66.21, -36.92, -7.37

 

CMYK 89 / 0 / 4 / 37

HEX #11A19A

RGB 17 161 154

HSL 177.08, 0.81%, 0.35%

LAB 59.84, -35.51, -6.22

 

CMYK 100 / 0 / 6 / 44

HEX #008F87

RGB 0 143 135

HSL 176.64, 1%, 0.28%

LAB 53.38, -33.76, -4.94

 

CMYK 69 / 0 / 2 / 16

HEX #42D7D3

RGB 66 215 211

HSL 178.39, 0.65%, 0.55%

LAB 78.73, -39, -9.39

 

CMYK 69 / 0 / 20 / 16

HEX #42D7AB

RGB 66 215 171

HSL 162.28, 0.65%, 0.55%

LAB 77.7, -49.29, 10.49

 

CMYK 69 / 0 / 40 / 16

HEX #42D782

RGB 66 215 130

HSL 145.77, 0.65%, 0.55%

LAB 76.9, -57.85, 30.88

 

CMYK 69 / 0 / 58 / 16

HEX #42D75A

RGB 66 215 90

HSL 129.66, 0.65%, 0.55%

LAB 76.37, -63.92, 49.65

 

CMYK 62 / 0 / 69 / 16

HEX #51D742

RGB 81 215 66

HSL 113.96, 0.65%, 0.55%

LAB 76.52, -63.45, 59.95

 

CMYK 69 / 0 / 2 / 16

HEX #42D7D3

RGB 66 215 211

HSL 178.39, 0.65%, 0.55%

LAB 78.73, -39, -9.39

 

CMYK 69 / 17 / 0 / 16

HEX #42B3D7

RGB 66 179 215

HSL 194.5, 0.65%, 0.55%

LAB 68.24, -20.31, -27.42

 

CMYK 69 / 36 / 0 / 16

HEX #428AD7

RGB 66 138 215

HSL 211.01, 0.65%, 0.55%

LAB 56.33, 2.51, -46.02

 

CMYK 69 / 54 / 0 / 16

HEX #4262D7

RGB 66 98 215

HSL 227.11, 0.65%, 0.55%

LAB 45.36, 27.26, -63.6

 

CMYK 69 / 69 / 0 / 16

HEX #4242D7

RGB 66 66 215

HSL 240, 0.65%, 0.55%

LAB 37.77, 46.92, -75.99

 

CMYK 69 / 0 / 2 / 16

HEX #42D7D3

RGB 66 215 211

HSL 178.39, 0.65%, 0.55%

LAB 78.73, -39, -9.39

 

CMYK 80 / 0 / 2 / 9

HEX #2FE9E4

RGB 47 233 228

HSL 178.39, 0.81%, 0.55%

LAB 84.22, -44.26, -10.28

 

CMYK 88 / 0 / 2 / 1

HEX #1DFCF6

RGB 29 252 246

HSL 178.39, 0.97%, 0.55%

LAB 90.11, -48.55, -10.96

 

CMYK 69 / 0 / 2 / 16

HEX #42D7D3

RGB 66 215 211

HSL 178.39, 0.65%, 0.55%

LAB 78.73, -39, -9.39

 

CMYK 57 / 0 / 2 / 23

HEX #54C4C1

RGB 84 196 193

HSL 178.39, 0.49%, 0.55%

LAB 73.03, -32.27, -8.1

 

CMYK 42 / 0 / 1 / 30

HEX #67B2B0

RGB 103 178 176

HSL 178.4, 0.33%, 0.55%

LAB 67.92, -23.75, -6.29

 

CMYK 24 / 0 / 1 / 38

HEX #799F9E

RGB 121 159 158

HSL 178.42, 0.17%, 0.55%

LAB 62.79, -13.13, -3.73

 

CMYK 1 / 0 / 0 / 45

HEX #8C8D8D

RGB 140 141 141

HSL 180, 0%, 0.55%

LAB 58.55, -0.36, -0.14

 

CMYK 69 / 0 / 40 / 16

HEX #42D782

RGB 66 215 130

HSL 145.77, 0.65%, 0.55%

LAB 76.9, -57.85, 30.88

 

CMYK 69 / 0 / 21 / 16

HEX #42D7AA

RGB 66 215 170

HSL 161.88, 0.65%, 0.55%

LAB 77.67, -49.52, 10.99

 

CMYK 69 / 0 / 2 / 16

HEX #42D7D2

RGB 66 215 210

HSL 177.99, 0.65%, 0.55%

LAB 78.7, -39.27, -8.89

 

CMYK 69 / 16 / 0 / 16

HEX #42B4D7

RGB 66 180 215

HSL 194.09, 0.65%, 0.55%

LAB 68.54, -20.83, -26.97

 

CMYK 69 / 35 / 0 / 16

HEX #428CD7

RGB 66 140 215

HSL 210.2, 0.65%, 0.55%

LAB 56.9, 1.32, -45.11

 

CMYK 79 / 0 / 2 / 36

HEX #23A3A0

RGB 35 163 160

HSL 178.59, 0.65%, 0.39%

LAB 60.86, -33.23, -8.06

 

CMYK 79 / 0 / 2 / 23

HEX #2AC5C1

RGB 42 197 193

HSL 178.45, 0.65%, 0.47%

LAB 72.41, -38.6, -9.12

 

CMYK 69 / 0 / 2 / 16

HEX #42D7D3

RGB 66 215 211

HSL 178.39, 0.65%, 0.55%

LAB 78.73, -39, -9.39

 

CMYK 55 / 0 / 1 / 13

HEX #64DEDB

RGB 100 222 219

HSL 178.52, 0.65%, 0.63%

LAB 81.87, -34.61, -8.88

 

CMYK 41 / 0 / 1 / 10

HEX #86E5E3

RGB 134 229 227

HSL 178.74, 0.65%, 0.71%

LAB 85.33, -28.57, -7.86

 

CMYK 68 / 0 / 2 / 16

HEX #44D7D3

RGB 68 215 211

HSL 178.37, 0.65%, 0.55%

LAB 78.77, -38.73, -9.32

 

CMYK 58 / 69 / 0 / 16

HEX #5B42D7

RGB 91 66 215

HSL 250.07, 0.65%, 0.55%

LAB 39.63, 50.15, -72.88

 

CMYK 0 / 30 / 69 / 16

HEX #D79642

RGB 215 150 66

HSL 33.83, 0.65%, 0.55%

LAB 67.02, 16.6, 52.52

 

CMYK 68 / 0 / 2 / 16

HEX #44D7D3

RGB 68 215 211

HSL 178.37, 0.65%, 0.55%

LAB 78.77, -38.73, -9.32

 

CMYK 2 / 69 / 0 / 16

HEX #D242D7

RGB 210 66 215

HSL 297.99, 0.65%, 0.55%

LAB 54.56, 73.02, -48.02

 

CMYK 0 / 2 / 69 / 16

HEX #D7D242

RGB 215 210 66

HSL 57.99, 0.65%, 0.55%

LAB 82.34, -14.81, 68.2

 

CMYK 68 / 0 / 2 / 16

HEX #44D7D3

RGB 68 215 211

HSL 178.37, 0.65%, 0.55%

LAB 78.77, -38.73, -9.32

 

CMYK 58 / 69 / 0 / 16

HEX #5B42D7

RGB 91 66 215

HSL 250.07, 0.65%, 0.55%

LAB 39.63, 50.15, -72.88

 

CMYK 0 / 69 / 67 / 16

HEX #D74247

RGB 215 66 71

HSL 357.99, 0.65%, 0.55%

LAB 50.45, 58.16, 30.98

 

CMYK 12 / 0 / 69 / 16

HEX #BED742

RGB 190 215 66

HSL 70.07, 0.65%, 0.55%

LAB 81.81, -27.54, 67.04

 

CMYK 68 / 0 / 2 / 16

HEX #44D7D3

RGB 68 215 211

HSL 178.37, 0.65%, 0.55%

LAB 78.77, -38.73, -9.32

 

CMYK 37 / 69 / 0 / 16

HEX #8742D7

RGB 135 66 215

HSL 267.79, 0.65%, 0.55%

LAB 44.17, 57.59, -65.28

 

CMYK 0 / 69 / 67 / 16

HEX #D74247

RGB 215 66 71

HSL 357.99, 0.65%, 0.55%

LAB 50.45, 58.16, 30.98

 

CMYK 33 / 0 / 69 / 16

HEX #91D742

RGB 145 215 66

HSL 88.19, 0.65%, 0.55%

LAB 79.05, -44.74, 63.36

 

Description

Color code: HEX #44D7D3 | qconv.com Color code: HEX #44D7D3 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 215 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 215 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 2 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 2% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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