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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44D7C8 it is the complementary color #BB2837. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44D7C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44D7C8 shade: #49D7C3, #5AE9D6, #6BFBE9, #7CFFFC and #8DFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44D7C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44D7C8 shade: #44D7C8, #33C5B5, #22B3A2, #11A18F and #008F7C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44D7C8 shade: #42D7C8, #42D79F, #42D777, #42D74F and #5DD742

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44D7C8 shade: #42D7C8, #42BED7, #4296D7, #426DD7 and #4245D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44D7C8 shade matches the following richer shades: #42D7C8, #2FE9D6 and #1DFCE5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44D7C8 shade: #42D7C8, #54C4B9, #67B2AA, #799F9B and #8C8D8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44D7C8 shade: #42D776, #42D79E, #42D7C5, #42C0D7 and #4299D7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44D7C8 shade: #23A396, #2AC5B6, #42D7C8, #64DED2 and #86E5DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44D7C8 shade: #44D7C8, #4E42D7 and #D78A42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44D7C8 shade: #44D7C8, #C542D7 and #D7C542

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44D7C8 shade: #44D7C8, #4E42D7, #D74253 and #CAD742

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44D7C8 shade: #44D7C8, #7B42D7, #D74253 and #9ED742

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 7 / 16

HEX #44D7C8

RGB 68 215 200

HSL 173.88, 0.65%, 0.55%

LAB 78.46, -41.72, -3.89

 

Complementary color

CMYK 0 / 79 / 71 / 27

HEX #BB2837

RGB 187 40 55

HSL 353.88, 0.65%, 0.45%

LAB 41.78, 57.67, 28.76

 

CMYK 66 / 0 / 9 / 16

HEX #49D7C3

RGB 73 215 195

HSL 171.55, 0.64%, 0.56%

LAB 78.44, -42.31, -1.24

 

CMYK 61 / 0 / 8 / 9

HEX #5AE9D6

RGB 90 233 214

HSL 172.03, 0.76%, 0.63%

LAB 84.64, -42.68, -2.18

 

CMYK 57 / 0 / 7 / 2

HEX #6BFBE9

RGB 107 251 233

HSL 172.5, 0.95%, 0.7%

LAB 90.78, -42.93, -3.06

 

CMYK 51 / 0 / 1 / 0

HEX #7CFFFC

RGB 124 255 252

HSL 178.63, 1%, 0.74%

LAB 92.94, -36.78, -9.66

 

CMYK 45 / 0 / 0 / 0

HEX #8DFFFF

RGB 141 255 255

HSL 180, 1%, 0.78%

LAB 93.63, -32.47, -10.13

 

CMYK 68 / 0 / 7 / 16

HEX #44D7C8

RGB 68 215 200

HSL 173.88, 0.65%, 0.55%

LAB 78.46, -41.72, -3.89

 

CMYK 74 / 0 / 8 / 23

HEX #33C5B5

RGB 51 197 181

HSL 173.42, 0.59%, 0.49%

LAB 72.21, -41.03, -2.87

 

CMYK 81 / 0 / 9 / 30

HEX #22B3A2

RGB 34 179 162

HSL 172.97, 0.68%, 0.42%

LAB 65.9, -40.07, -1.74

 

CMYK 89 / 0 / 11 / 37

HEX #11A18F

RGB 17 161 143

HSL 172.5, 0.81%, 0.35%

LAB 59.52, -38.73, -0.47

 

CMYK 100 / 0 / 13 / 44

HEX #008F7C

RGB 0 143 124

HSL 172.03, 1%, 0.28%

LAB 53.06, -37.05, 0.94

 

CMYK 69 / 0 / 7 / 16

HEX #42D7C8

RGB 66 215 200

HSL 173.96, 0.65%, 0.55%

LAB 78.42, -41.99, -3.95

 

CMYK 69 / 0 / 26 / 16

HEX #42D79F

RGB 66 215 159

HSL 157.45, 0.65%, 0.55%

LAB 77.44, -52.02, 16.49

 

CMYK 69 / 0 / 45 / 16

HEX #42D777

RGB 66 215 119

HSL 141.34, 0.65%, 0.55%

LAB 76.73, -59.75, 36.22

 

CMYK 69 / 0 / 63 / 16

HEX #42D74F

RGB 66 215 79

HSL 125.23, 0.65%, 0.55%

LAB 76.27, -65.18, 54.35

 

CMYK 57 / 0 / 69 / 16

HEX #5DD742

RGB 93 215 66

HSL 109.13, 0.65%, 0.55%

LAB 76.87, -60.65, 60.42

 

CMYK 69 / 0 / 7 / 16

HEX #42D7C8

RGB 66 215 200

HSL 173.96, 0.65%, 0.55%

LAB 78.42, -41.99, -3.95

 

CMYK 69 / 12 / 0 / 16

HEX #42BED7

RGB 66 190 215

HSL 190.07, 0.65%, 0.55%

LAB 71.48, -25.92, -22.47

 

CMYK 69 / 30 / 0 / 16

HEX #4296D7

RGB 66 150 215

HSL 206.17, 0.65%, 0.55%

LAB 59.78, -4.49, -40.58

 

CMYK 69 / 49 / 0 / 16

HEX #426DD7

RGB 66 109 215

HSL 222.68, 0.65%, 0.55%

LAB 48.26, 20.31, -58.91

 

CMYK 69 / 68 / 0 / 16

HEX #4245D7

RGB 66 69 215

HSL 238.79, 0.65%, 0.55%

LAB 38.41, 45.18, -74.94

 

CMYK 69 / 0 / 7 / 16

HEX #42D7C8

RGB 66 215 200

HSL 173.96, 0.65%, 0.55%

LAB 78.42, -41.99, -3.95

 

CMYK 80 / 0 / 8 / 9

HEX #2FE9D6

RGB 47 233 214

HSL 173.87, 0.81%, 0.55%

LAB 83.83, -48.11, -3.47

 

CMYK 88 / 0 / 9 / 1

HEX #1DFCE5

RGB 29 252 229

HSL 173.81, 0.97%, 0.55%

LAB 89.64, -53.2, -2.8

 

CMYK 69 / 0 / 7 / 16

HEX #42D7C8

RGB 66 215 200

HSL 173.96, 0.65%, 0.55%

LAB 78.42, -41.99, -3.95

 

CMYK 57 / 0 / 6 / 23

HEX #54C4B9

RGB 84 196 185

HSL 174.11, 0.49%, 0.55%

LAB 72.8, -34.39, -4.08

 

CMYK 42 / 0 / 4 / 30

HEX #67B2AA

RGB 103 178 170

HSL 173.6, 0.33%, 0.55%

LAB 67.74, -25.25, -3.23

 

CMYK 24 / 0 / 3 / 38

HEX #799F9B

RGB 121 159 155

HSL 173.68, 0.17%, 0.55%

LAB 62.7, -13.82, -2.17

 

CMYK 1 / 0 / 0 / 45

HEX #8C8D8D

RGB 140 141 141

HSL 180, 0%, 0.55%

LAB 58.55, -0.36, -0.14

 

CMYK 69 / 0 / 45 / 16

HEX #42D776

RGB 66 215 118

HSL 140.94, 0.65%, 0.55%

LAB 76.72, -59.91, 36.7

 

CMYK 69 / 0 / 27 / 16

HEX #42D79E

RGB 66 215 158

HSL 157.05, 0.65%, 0.55%

LAB 77.42, -52.24, 16.99

 

CMYK 69 / 0 / 8 / 16

HEX #42D7C5

RGB 66 215 197

HSL 172.75, 0.65%, 0.55%

LAB 78.34, -42.79, -2.47

 

CMYK 69 / 11 / 0 / 16

HEX #42C0D7

RGB 66 192 215

HSL 189.26, 0.65%, 0.55%

LAB 72.07, -26.91, -21.57

 

CMYK 69 / 29 / 0 / 16

HEX #4299D7

RGB 66 153 215

HSL 204.97, 0.65%, 0.55%

LAB 60.65, -6.2, -39.22

 

CMYK 79 / 0 / 8 / 36

HEX #23A396

RGB 35 163 150

HSL 173.91, 0.65%, 0.39%

LAB 60.56, -36.16, -2.86

 

CMYK 79 / 0 / 8 / 23

HEX #2AC5B6

RGB 42 197 182

HSL 174.19, 0.65%, 0.47%

LAB 72.1, -41.71, -3.6

 

CMYK 69 / 0 / 7 / 16

HEX #42D7C8

RGB 66 215 200

HSL 173.96, 0.65%, 0.55%

LAB 78.42, -41.99, -3.95

 

CMYK 55 / 0 / 5 / 13

HEX #64DED2

RGB 100 222 210

HSL 174.1, 0.65%, 0.63%

LAB 81.62, -36.92, -4.47

 

CMYK 41 / 0 / 4 / 10

HEX #86E5DC

RGB 134 229 220

HSL 174.32, 0.65%, 0.71%

LAB 85.14, -30.25, -4.45

 

CMYK 68 / 0 / 7 / 16

HEX #44D7C8

RGB 68 215 200

HSL 173.88, 0.65%, 0.55%

LAB 78.46, -41.72, -3.89

 

CMYK 64 / 69 / 0 / 16

HEX #4E42D7

RGB 78 66 215

HSL 244.83, 0.65%, 0.55%

LAB 38.59, 48.36, -74.61

 

CMYK 0 / 36 / 69 / 16

HEX #D78A42

RGB 215 138 66

HSL 28.99, 0.65%, 0.55%

LAB 64.17, 23.07, 49.47

 

CMYK 68 / 0 / 7 / 16

HEX #44D7C8

RGB 68 215 200

HSL 173.88, 0.65%, 0.55%

LAB 78.46, -41.72, -3.89

 

CMYK 8 / 69 / 0 / 16

HEX #C542D7

RGB 197 66 215

HSL 292.75, 0.65%, 0.55%

LAB 52.59, 70.22, -51.27

 

CMYK 0 / 8 / 69 / 16

HEX #D7C542

RGB 215 197 66

HSL 52.75, 0.65%, 0.55%

LAB 78.91, -8.25, 64.79

 

CMYK 68 / 0 / 7 / 16

HEX #44D7C8

RGB 68 215 200

HSL 173.88, 0.65%, 0.55%

LAB 78.46, -41.72, -3.89

 

CMYK 64 / 69 / 0 / 16

HEX #4E42D7

RGB 78 66 215

HSL 244.83, 0.65%, 0.55%

LAB 38.59, 48.36, -74.61

 

CMYK 0 / 69 / 61 / 16

HEX #D74253

RGB 215 66 83

HSL 353.15, 0.65%, 0.55%

LAB 50.65, 58.85, 24.13

 

CMYK 6 / 0 / 69 / 16

HEX #CAD742

RGB 202 215 66

HSL 65.23, 0.65%, 0.55%

LAB 82.67, -22.66, 68.19

 

CMYK 68 / 0 / 7 / 16

HEX #44D7C8

RGB 68 215 200

HSL 173.88, 0.65%, 0.55%

LAB 78.46, -41.72, -3.89

 

CMYK 43 / 69 / 0 / 16

HEX #7B42D7

RGB 123 66 215

HSL 262.95, 0.65%, 0.55%

LAB 42.78, 55.38, -67.59

 

CMYK 0 / 69 / 61 / 16

HEX #D74253

RGB 215 66 83

HSL 353.15, 0.65%, 0.55%

LAB 50.65, 58.85, 24.13

 

CMYK 27 / 0 / 69 / 16

HEX #9ED742

RGB 158 215 66

HSL 82.95, 0.65%, 0.55%

LAB 79.76, -40.01, 64.31

 

Description

Color code: HEX #44D7C8 | qconv.com Color code: HEX #44D7C8 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 215 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 215 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 7 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 7% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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