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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44D649 it is the complementary color #BB29B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44D649. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44D649 shade: #49D644, #5AE857, #6BFA6A, #7CFF7D and #8DFF90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44D649. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44D649 shade: #44D649, #33C436, #22B223, #11A010 and #008E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44D649 shade: #43D648, #65D643, #8DD643, #B5D643 and #D6CF43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44D649 shade: #43D648, #43D66F, #43D697, #43D6BF and #43C5D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44D649 shade matches the following richer shades: #43D648, #30E837 and #1EFB25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44D649 shade: #43D648, #55C359, #68B16A, #7B9E7C and #8D8B8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44D649 shade: #8CD643, #65D643, #43D648, #43D66F and #43D696

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44D649 shade: #24A228, #2BC430, #43D648, #65DD69 and #86E58A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44D649 shade: #44D649, #43B3D6 and #D64379

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44D649 shade: #44D649, #4843D6 and #D64843

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44D649 shade: #44D649, #43B3D6, #D643D1 and #D66543

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44D649 shade: #44D649, #4387D6, #D643D1 and #D69143

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 66 / 16

HEX #44D649

RGB 68 214 73

HSL 122.05, 0.64%, 0.55%

LAB 75.95, -65.1, 56.49

 

Complementary color

CMYK 0 / 78 / 3 / 27

HEX #BB29B6

RGB 187 41 182

HSL 302.05, 0.64%, 0.45%

LAB 46.35, 70.66, -42.23

 

CMYK 66 / 0 / 68 / 16

HEX #49D644

RGB 73 214 68

HSL 117.95, 0.64%, 0.55%

LAB 76.02, -64.61, 58.59

 

CMYK 61 / 0 / 63 / 9

HEX #5AE857

RGB 90 232 87

HSL 118.76, 0.76%, 0.63%

LAB 82.15, -65.38, 57.71

 

CMYK 57 / 0 / 58 / 2

HEX #6BFA6A

RGB 107 250 106

HSL 119.58, 0.94%, 0.7%

LAB 88.23, -65.86, 56.62

 

CMYK 51 / 0 / 51 / 0

HEX #7CFF7D

RGB 124 255 125

HSL 120.46, 1%, 0.74%

LAB 90.45, -61.3, 50.84

 

CMYK 45 / 0 / 44 / 0

HEX #8DFF90

RGB 141 255 144

HSL 121.58, 1%, 0.78%

LAB 91.32, -54.24, 43.07

 

CMYK 68 / 0 / 66 / 16

HEX #44D649

RGB 68 214 73

HSL 122.05, 0.64%, 0.55%

LAB 75.95, -65.1, 56.49

 

CMYK 74 / 0 / 72 / 23

HEX #33C436

RGB 51 196 54

HSL 121.24, 0.59%, 0.48%

LAB 69.79, -63.85, 57.23

 

CMYK 81 / 0 / 80 / 30

HEX #22B223

RGB 34 178 35

HSL 120.42, 0.68%, 0.42%

LAB 63.59, -62, 57.36

 

CMYK 89 / 0 / 90 / 37

HEX #11A010

RGB 17 160 16

HSL 119.58, 0.82%, 0.35%

LAB 57.36, -59.3, 56.37

 

CMYK 100 / 0 / 100 / 44

HEX #008E00

RGB 0 142 0

HSL 120, 1%, 0.28%

LAB 51.09, -55.74, 53.8

 

CMYK 69 / 0 / 66 / 16

HEX #43D648

RGB 67 214 72

HSL 122.04, 0.64%, 0.55%

LAB 75.92, -65.37, 56.86

 

CMYK 53 / 0 / 69 / 16

HEX #65D643

RGB 101 214 67

HSL 106.12, 0.64%, 0.55%

LAB 76.84, -58.13, 60.09

 

CMYK 34 / 0 / 69 / 16

HEX #8DD643

RGB 141 214 67

HSL 89.8, 0.64%, 0.55%

LAB 78.56, -45.66, 62.41

 

CMYK 15 / 0 / 69 / 16

HEX #B5D643

RGB 181 214 67

HSL 73.47, 0.64%, 0.55%

LAB 80.92, -30.62, 65.57

 

CMYK 0 / 3 / 69 / 16

HEX #D6CF43

RGB 214 207 67

HSL 57.14, 0.64%, 0.55%

LAB 81.47, -13.68, 66.94

 

CMYK 69 / 0 / 66 / 16

HEX #43D648

RGB 67 214 72

HSL 122.04, 0.64%, 0.55%

LAB 75.92, -65.37, 56.86

 

CMYK 69 / 0 / 48 / 16

HEX #43D66F

RGB 67 214 111

HSL 137.96, 0.64%, 0.55%

LAB 76.33, -60.5, 39.69

 

CMYK 69 / 0 / 29 / 16

HEX #43D697

RGB 67 214 151

HSL 154.29, 0.64%, 0.55%

LAB 76.99, -53.19, 20.09

 

CMYK 69 / 0 / 11 / 16

HEX #43D6BF

RGB 67 214 191

HSL 170.61, 0.64%, 0.55%

LAB 77.9, -43.78, 0.11

 

CMYK 69 / 8 / 0 / 16

HEX #43C5D6

RGB 67 197 214

HSL 186.94, 0.64%, 0.55%

LAB 73.53, -29.53, -18.8

 

CMYK 69 / 0 / 66 / 16

HEX #43D648

RGB 67 214 72

HSL 122.04, 0.64%, 0.55%

LAB 75.92, -65.37, 56.86

 

CMYK 79 / 0 / 76 / 9

HEX #30E837

RGB 48 232 55

HSL 122.28, 0.8%, 0.55%

LAB 81.08, -75.15, 68.13

 

CMYK 88 / 0 / 85 / 2

HEX #1EFB25

RGB 30 251 37

HSL 121.9, 0.97%, 0.55%

LAB 86.7, -83.06, 77.88

 

CMYK 69 / 0 / 66 / 16

HEX #43D648

RGB 67 214 72

HSL 122.04, 0.64%, 0.55%

LAB 75.92, -65.37, 56.86

 

CMYK 56 / 0 / 54 / 24

HEX #55C359

RGB 85 195 89

HSL 122.18, 0.48%, 0.55%

LAB 70.65, -52.86, 43.47

 

CMYK 41 / 0 / 40 / 31

HEX #68B16A

RGB 104 177 106

HSL 121.64, 0.32%, 0.55%

LAB 66.08, -37.62, 29.35

 

CMYK 22 / 0 / 22 / 38

HEX #7B9E7C

RGB 123 158 124

HSL 121.71, 0.15%, 0.55%

LAB 61.76, -18.99, 13.9

 

CMYK 0 / 1 / 0 / 45

HEX #8D8B8D

RGB 141 139 141

HSL 300, 0.01%, 0.55%

LAB 58.09, 1.13, -0.81

 

CMYK 35 / 0 / 69 / 16

HEX #8CD643

RGB 140 214 67

HSL 90.2, 0.64%, 0.55%

LAB 78.5, -46, 62.34

 

CMYK 53 / 0 / 69 / 16

HEX #65D643

RGB 101 214 67

HSL 106.12, 0.64%, 0.55%

LAB 76.84, -58.13, 60.09

 

CMYK 69 / 0 / 66 / 16

HEX #43D648

RGB 67 214 72

HSL 122.04, 0.64%, 0.55%

LAB 75.92, -65.37, 56.86

 

CMYK 69 / 0 / 48 / 16

HEX #43D66F

RGB 67 214 111

HSL 137.96, 0.64%, 0.55%

LAB 76.33, -60.5, 39.69

 

CMYK 69 / 0 / 30 / 16

HEX #43D696

RGB 67 214 150

HSL 153.88, 0.64%, 0.55%

LAB 76.97, -53.4, 20.59

 

CMYK 78 / 0 / 75 / 36

HEX #24A228

RGB 36 162 40

HSL 121.9, 0.64%, 0.39%

LAB 58.39, -56.38, 50.66

 

CMYK 78 / 0 / 76 / 23

HEX #2BC430

RGB 43 196 48

HSL 121.96, 0.64%, 0.47%

LAB 69.62, -65.48, 59.11

 

CMYK 69 / 0 / 66 / 16

HEX #43D648

RGB 67 214 72

HSL 122.04, 0.64%, 0.55%

LAB 75.92, -65.37, 56.86

 

CMYK 54 / 0 / 52 / 13

HEX #65DD69

RGB 101 221 105

HSL 122, 0.64%, 0.63%

LAB 79.33, -56.75, 46.47

 

CMYK 41 / 0 / 40 / 10

HEX #86E58A

RGB 134 229 138

HSL 122.53, 0.65%, 0.71%

LAB 83.41, -46.34, 35.77

 

CMYK 68 / 0 / 66 / 16

HEX #44D649

RGB 68 214 73

HSL 122.05, 0.64%, 0.55%

LAB 75.95, -65.1, 56.49

 

CMYK 69 / 16 / 0 / 16

HEX #43B3D6

RGB 67 179 214

HSL 194.29, 0.64%, 0.55%

LAB 68.23, -20.49, -26.89

 

CMYK 0 / 69 / 43 / 16

HEX #D64379

RGB 214 67 121

HSL 337.96, 0.64%, 0.55%

LAB 51.49, 61.21, 2.4

 

CMYK 68 / 0 / 66 / 16

HEX #44D649

RGB 68 214 73

HSL 122.05, 0.64%, 0.55%

LAB 75.95, -65.1, 56.49

 

CMYK 66 / 69 / 0 / 16

HEX #4843D6

RGB 72 67 214

HSL 242.04, 0.64%, 0.55%

LAB 38.28, 46.72, -74.56

 

CMYK 0 / 66 / 69 / 16

HEX #D64843

RGB 214 72 67

HSL 2.04, 0.64%, 0.55%

LAB 51.08, 55.27, 34.01

 

CMYK 68 / 0 / 66 / 16

HEX #44D649

RGB 68 214 73

HSL 122.05, 0.64%, 0.55%

LAB 75.95, -65.1, 56.49

 

CMYK 69 / 16 / 0 / 16

HEX #43B3D6

RGB 67 179 214

HSL 194.29, 0.64%, 0.55%

LAB 68.23, -20.49, -26.89

 

CMYK 0 / 69 / 2 / 16

HEX #D643D1

RGB 214 67 209

HSL 302.04, 0.64%, 0.55%

LAB 54.98, 72.59, -43.89

 

CMYK 0 / 53 / 69 / 16

HEX #D66543

RGB 214 101 67

HSL 13.88, 0.64%, 0.55%

LAB 56.1, 42.07, 39.9

 

CMYK 68 / 0 / 66 / 16

HEX #44D649

RGB 68 214 73

HSL 122.05, 0.64%, 0.55%

LAB 75.95, -65.1, 56.49

 

CMYK 69 / 37 / 0 / 16

HEX #4387D6

RGB 67 135 214

HSL 212.24, 0.64%, 0.55%

LAB 55.46, 4.09, -46.83

 

CMYK 0 / 69 / 2 / 16

HEX #D643D1

RGB 214 67 209

HSL 302.04, 0.64%, 0.55%

LAB 54.98, 72.59, -43.89

 

CMYK 0 / 32 / 69 / 16

HEX #D69143

RGB 214 145 67

HSL 31.84, 0.64%, 0.55%

LAB 65.71, 18.93, 50.62

 

Description

Color code: HEX #44D649 | qconv.com Color code: HEX #44D649 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 214 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 214 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 66 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 66% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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