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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44D643 it is the complementary color #BB29BC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44D643. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44D643 shade: #49D63E, #5AE851, #6BFA64, #7CFF77 and #8DFF8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44D643. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44D643 shade: #44D643, #33C430, #22B21D, #11A00A and #008E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44D643 shade: #44D643, #6BD643, #93D643, #BBD643 and #D6C943

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44D643 shade: #44D643, #43D669, #43D691, #43D6B9 and #43CBD6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44D643 shade matches the following richer shades: #44D643, #32E830 and #1FFB1E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44D643 shade: #44D643, #56C355, #68B168, #7B9E7B and #8D8B8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44D643 shade: #94D643, #6CD643, #45D643, #43D668 and #43D68F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44D643 shade: #25A224, #2CC42B, #44D643, #65DD65 and #87E586

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44D643 shade: #44D643, #43BBD6 and #D64380

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44D643 shade: #44D643, #4345D6 and #D64345

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44D643 shade: #44D643, #43BBD6, #D343D6 and #D65E43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44D643 shade: #44D643, #438FD6, #D343D6 and #D68A43

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 69 / 16

HEX #44D643

RGB 68 214 67

HSL 119.59, 0.64%, 0.55%

LAB 75.9, -65.65, 58.82

 

Complementary color

CMYK 1 / 78 / 0 / 26

HEX #BB29BC

RGB 187 41 188

HSL 299.59, 0.64%, 0.45%

LAB 46.69, 71.6, -45.21

 

CMYK 66 / 0 / 71 / 16

HEX #49D63E

RGB 73 214 62

HSL 115.66, 0.65%, 0.54%

LAB 75.98, -65.12, 60.81

 

CMYK 61 / 0 / 65 / 9

HEX #5AE851

RGB 90 232 81

HSL 116.42, 0.77%, 0.61%

LAB 82.1, -65.97, 60.11

 

CMYK 57 / 0 / 60 / 2

HEX #6BFA64

RGB 107 250 100

HSL 117.2, 0.94%, 0.69%

LAB 88.17, -66.51, 59.14

 

CMYK 51 / 0 / 53 / 0

HEX #7CFF77

RGB 124 255 119

HSL 117.79, 1%, 0.73%

LAB 90.38, -62.04, 53.51

 

CMYK 45 / 0 / 46 / 0

HEX #8DFF8A

RGB 141 255 138

HSL 118.46, 1%, 0.77%

LAB 91.24, -55.07, 45.85

 

CMYK 68 / 0 / 69 / 16

HEX #44D643

RGB 68 214 67

HSL 119.59, 0.64%, 0.55%

LAB 75.9, -65.65, 58.82

 

CMYK 74 / 0 / 76 / 23

HEX #33C430

RGB 51 196 48

HSL 118.78, 0.61%, 0.48%

LAB 69.75, -64.31, 59.29

 

CMYK 81 / 0 / 84 / 30

HEX #22B21D

RGB 34 178 29

HSL 117.99, 0.72%, 0.41%

LAB 63.57, -62.34, 58.99

 

CMYK 89 / 0 / 94 / 37

HEX #11A00A

RGB 17 160 10

HSL 117.2, 0.88%, 0.33%

LAB 57.35, -59.5, 57.37

 

CMYK 100 / 0 / 100 / 44

HEX #008E00

RGB 0 142 0

HSL 120, 1%, 0.28%

LAB 51.09, -55.74, 53.8

 

CMYK 68 / 0 / 69 / 16

HEX #44D643

RGB 68 214 67

HSL 119.59, 0.64%, 0.55%

LAB 75.9, -65.65, 58.82

 

CMYK 50 / 0 / 69 / 16

HEX #6BD643

RGB 107 214 67

HSL 103.67, 0.64%, 0.55%

LAB 77.06, -56.47, 60.38

 

CMYK 31 / 0 / 69 / 16

HEX #93D643

RGB 147 214 67

HSL 87.35, 0.64%, 0.55%

LAB 78.87, -43.53, 62.83

 

CMYK 13 / 0 / 69 / 16

HEX #BBD643

RGB 187 214 67

HSL 71.02, 0.64%, 0.55%

LAB 81.33, -28.22, 66.12

 

CMYK 0 / 6 / 69 / 16

HEX #D6C943

RGB 214 201 67

HSL 54.69, 0.64%, 0.55%

LAB 79.88, -10.66, 65.35

 

CMYK 68 / 0 / 69 / 16

HEX #44D643

RGB 68 214 67

HSL 119.59, 0.64%, 0.55%

LAB 75.9, -65.65, 58.82

 

CMYK 69 / 0 / 51 / 16

HEX #43D669

RGB 67 214 105

HSL 135.51, 0.64%, 0.55%

LAB 76.26, -61.4, 42.51

 

CMYK 69 / 0 / 32 / 16

HEX #43D691

RGB 67 214 145

HSL 151.84, 0.64%, 0.55%

LAB 76.88, -54.43, 23.08

 

CMYK 69 / 0 / 14 / 16

HEX #43D6B9

RGB 67 214 185

HSL 168.16, 0.64%, 0.55%

LAB 77.75, -45.31, 3.1

 

CMYK 69 / 5 / 0 / 16

HEX #43CBD6

RGB 67 203 214

HSL 184.49, 0.64%, 0.55%

LAB 75.3, -32.42, -16.13

 

CMYK 68 / 0 / 69 / 16

HEX #44D643

RGB 68 214 67

HSL 119.59, 0.64%, 0.55%

LAB 75.9, -65.65, 58.82

 

CMYK 78 / 0 / 79 / 9

HEX #32E830

RGB 50 232 48

HSL 119.35, 0.8%, 0.55%

LAB 81.07, -75.34, 70.19

 

CMYK 88 / 0 / 88 / 2

HEX #1FFB1E

RGB 31 251 30

HSL 119.73, 0.97%, 0.55%

LAB 86.69, -83.24, 79.18

 

CMYK 68 / 0 / 69 / 16

HEX #44D643

RGB 68 214 67

HSL 119.59, 0.64%, 0.55%

LAB 75.9, -65.65, 58.82

 

CMYK 56 / 0 / 56 / 24

HEX #56C355

RGB 86 195 85

HSL 119.45, 0.48%, 0.55%

LAB 70.64, -53.12, 45.36

 

CMYK 41 / 0 / 41 / 31

HEX #68B168

RGB 104 177 104

HSL 120, 0.32%, 0.55%

LAB 66.05, -37.94, 30.36

 

CMYK 22 / 0 / 22 / 38

HEX #7B9E7B

RGB 123 158 123

HSL 120, 0.15%, 0.55%

LAB 61.74, -19.17, 14.43

 

CMYK 0 / 1 / 0 / 45

HEX #8D8B8D

RGB 141 139 141

HSL 300, 0.01%, 0.55%

LAB 58.09, 1.13, -0.81

 

CMYK 31 / 0 / 69 / 16

HEX #94D643

RGB 148 214 67

HSL 86.94, 0.64%, 0.55%

LAB 78.92, -43.17, 62.9

 

CMYK 50 / 0 / 69 / 16

HEX #6CD643

RGB 108 214 67

HSL 103.27, 0.64%, 0.55%

LAB 77.09, -56.19, 60.43

 

CMYK 68 / 0 / 69 / 16

HEX #45D643

RGB 69 214 67

HSL 119.18, 0.64%, 0.55%

LAB 75.92, -65.47, 58.85

 

CMYK 69 / 0 / 51 / 16

HEX #43D668

RGB 67 214 104

HSL 135.1, 0.64%, 0.55%

LAB 76.24, -61.54, 42.97

 

CMYK 69 / 0 / 33 / 16

HEX #43D68F

RGB 67 214 143

HSL 151.02, 0.64%, 0.55%

LAB 76.84, -54.83, 24.08

 

CMYK 77 / 0 / 78 / 36

HEX #25A224

RGB 37 162 36

HSL 119.52, 0.64%, 0.39%

LAB 58.38, -56.53, 52.05

 

CMYK 78 / 0 / 78 / 23

HEX #2CC42B

RGB 44 196 43

HSL 119.61, 0.64%, 0.47%

LAB 69.6, -65.69, 60.72

 

CMYK 68 / 0 / 69 / 16

HEX #44D643

RGB 68 214 67

HSL 119.59, 0.64%, 0.55%

LAB 75.9, -65.65, 58.82

 

CMYK 54 / 0 / 54 / 13

HEX #65DD65

RGB 101 221 101

HSL 120, 0.64%, 0.63%

LAB 79.28, -57.26, 48.29

 

CMYK 41 / 0 / 41 / 10

HEX #87E586

RGB 135 229 134

HSL 119.37, 0.65%, 0.71%

LAB 83.4, -46.64, 37.76

 

CMYK 68 / 0 / 69 / 16

HEX #44D643

RGB 68 214 67

HSL 119.59, 0.64%, 0.55%

LAB 75.9, -65.65, 58.82

 

CMYK 69 / 13 / 0 / 16

HEX #43BBD6

RGB 67 187 214

HSL 191.02, 0.64%, 0.55%

LAB 70.59, -24.58, -23.28

 

CMYK 0 / 69 / 40 / 16

HEX #D64380

RGB 214 67 128

HSL 335.1, 0.64%, 0.55%

LAB 51.69, 61.9, -1.51

 

CMYK 68 / 0 / 69 / 16

HEX #44D643

RGB 68 214 67

HSL 119.59, 0.64%, 0.55%

LAB 75.9, -65.65, 58.82

 

CMYK 69 / 68 / 0 / 16

HEX #4345D6

RGB 67 69 214

HSL 239.18, 0.64%, 0.55%

LAB 38.38, 44.96, -74.41

 

CMYK 0 / 69 / 68 / 16

HEX #D64345

RGB 214 67 69

HSL 359.18, 0.64%, 0.55%

LAB 50.38, 57.35, 32.02

 

CMYK 68 / 0 / 69 / 16

HEX #44D643

RGB 68 214 67

HSL 119.59, 0.64%, 0.55%

LAB 75.9, -65.65, 58.82

 

CMYK 69 / 13 / 0 / 16

HEX #43BBD6

RGB 67 187 214

HSL 191.02, 0.64%, 0.55%

LAB 70.59, -24.58, -23.28

 

CMYK 1 / 69 / 0 / 16

HEX #D343D6

RGB 211 67 214

HSL 298.78, 0.64%, 0.55%

LAB 54.78, 72.73, -47.09

 

CMYK 0 / 56 / 69 / 16

HEX #D65E43

RGB 214 94 67

HSL 11.02, 0.64%, 0.55%

LAB 54.77, 45.48, 38.36

 

CMYK 68 / 0 / 69 / 16

HEX #44D643

RGB 68 214 67

HSL 119.59, 0.64%, 0.55%

LAB 75.9, -65.65, 58.82

 

CMYK 69 / 33 / 0 / 16

HEX #438FD6

RGB 67 143 214

HSL 208.98, 0.64%, 0.55%

LAB 57.74, -0.63, -43.22

 

CMYK 1 / 69 / 0 / 16

HEX #D343D6

RGB 211 67 214

HSL 298.78, 0.64%, 0.55%

LAB 54.78, 72.73, -47.09

 

CMYK 0 / 36 / 69 / 16

HEX #D68A43

RGB 214 138 67

HSL 28.98, 0.64%, 0.55%

LAB 64.06, 22.71, 48.83

 

Description

Color code: HEX #44D643 | qconv.com Color code: HEX #44D643 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 214 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 214 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 69 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 69% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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