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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44D5EC it is the complementary color #BB2A13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44D5EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44D5EC shade: #49D5E7, #5AE7FA, #6BF9FF, #7CFFFF and #8DFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44D5EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44D5EC shade: #44D5EC, #33C3D9, #22B1C6, #119FB3 and #008DA0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44D5EC shade: #45D6ED, #45A9ED, #457CED, #454EED and #6945ED

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44D5EC shade: #45D6ED, #45A9ED, #457CED, #454EED and #4545ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44D5EC shade matches the following richer shades: #45D6ED and #35E2FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44D5EC shade: #45D6ED, #56CADC, #66BECC, #77B2BB and #87A6AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44D5EC shade: #45EDAA, #45EDD6, #45D6ED, #45AAED and #457DED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44D5EC shade: #14B2CB, #20CDE9, #45D6ED, #6BDEF0 and #90E6F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44D5EC shade: #44D5EC, #7D45ED and #EDC045

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44D5EC shade: #44D5EC, #ED45D6 and #D6ED45

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44D5EC shade: #44D5EC, #7D45ED, #ED5C45 and #B5ED45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44D5EC shade: #44D5EC, #AF45ED, #ED5C45 and #83ED45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 10 / 0 / 7

HEX #44D5EC

RGB 68 213 236

HSL 188.21, 0.82%, 0.6%

LAB 78.97, -30.58, -22.4

 

Complementary color

CMYK 0 / 78 / 90 / 27

HEX #BB2A13

RGB 187 42 19

HSL 8.21, 0.82%, 0.4%

LAB 41.64, 55.92, 47.92

 

CMYK 68 / 8 / 0 / 9

HEX #49D5E7

RGB 73 213 231

HSL 186.84, 0.77%, 0.6%

LAB 78.91, -31.41, -19.8

 

CMYK 64 / 8 / 0 / 2

HEX #5AE7FA

RGB 90 231 250

HSL 187.13, 0.94%, 0.67%

LAB 85.11, -32.07, -20.45

 

CMYK 58 / 2 / 0 / 0

HEX #6BF9FF

RGB 107 249 255

HSL 182.43, 1%, 0.71%

LAB 90.82, -36.38, -14.43

 

CMYK 51 / 0 / 0 / 0

HEX #7CFFFF

RGB 124 255 255

HSL 180, 1%, 0.74%

LAB 93.03, -36.02, -11.09

 

CMYK 45 / 0 / 0 / 0

HEX #8DFFFF

RGB 141 255 255

HSL 180, 1%, 0.78%

LAB 93.63, -32.47, -10.13

 

CMYK 71 / 10 / 0 / 7

HEX #44D5EC

RGB 68 213 236

HSL 188.21, 0.82%, 0.6%

LAB 78.97, -30.58, -22.4

 

CMYK 76 / 10 / 0 / 15

HEX #33C3D9

RGB 51 195 217

HSL 187.95, 0.69%, 0.53%

LAB 72.72, -29.57, -21.69

 

CMYK 83 / 11 / 0 / 22

HEX #22B1C6

RGB 34 177 198

HSL 187.68, 0.71%, 0.45%

LAB 66.41, -28.28, -20.91

 

CMYK 91 / 11 / 0 / 30

HEX #119FB3

RGB 17 159 179

HSL 187.41, 0.83%, 0.38%

LAB 60.04, -26.62, -20.03

 

CMYK 100 / 12 / 0 / 37

HEX #008DA0

RGB 0 141 160

HSL 187.13, 1%, 0.31%

LAB 53.59, -24.62, -19.07

 

CMYK 71 / 10 / 0 / 7

HEX #45D6ED

RGB 69 214 237

HSL 188.21, 0.82%, 0.6%

LAB 79.31, -30.64, -22.4

 

CMYK 71 / 29 / 0 / 7

HEX #45A9ED

RGB 69 169 237

HSL 204.29, 0.82%, 0.6%

LAB 66.33, -7.31, -42.45

 

CMYK 71 / 48 / 0 / 7

HEX #457CED

RGB 69 124 237

HSL 220.36, 0.82%, 0.6%

LAB 53.81, 19.24, -62.35

 

CMYK 71 / 67 / 0 / 7

HEX #454EED

RGB 69 78 237

HSL 236.79, 0.82%, 0.6%

LAB 42.5, 47.51, -80.74

 

CMYK 56 / 71 / 0 / 7

HEX #6945ED

RGB 105 69 237

HSL 252.86, 0.82%, 0.6%

LAB 43.32, 56.96, -79.3

 

CMYK 71 / 10 / 0 / 7

HEX #45D6ED

RGB 69 214 237

HSL 188.21, 0.82%, 0.6%

LAB 79.31, -30.64, -22.4

 

CMYK 71 / 29 / 0 / 7

HEX #45A9ED

RGB 69 169 237

HSL 204.29, 0.82%, 0.6%

LAB 66.33, -7.31, -42.45

 

CMYK 71 / 48 / 0 / 7

HEX #457CED

RGB 69 124 237

HSL 220.36, 0.82%, 0.6%

LAB 53.81, 19.24, -62.35

 

CMYK 71 / 67 / 0 / 7

HEX #454EED

RGB 69 78 237

HSL 236.79, 0.82%, 0.6%

LAB 42.5, 47.51, -80.74

 

CMYK 71 / 71 / 0 / 7

HEX #4545ED

RGB 69 69 237

HSL 240, 0.82%, 0.6%

LAB 40.63, 52.64, -83.82

 

CMYK 71 / 10 / 0 / 7

HEX #45D6ED

RGB 69 214 237

HSL 188.21, 0.82%, 0.6%

LAB 79.31, -30.64, -22.4

 

CMYK 79 / 11 / 0 / 1

HEX #35E2FD

RGB 53 226 253

HSL 188.1, 0.98%, 0.6%

LAB 83.04, -33.22, -25.25

 

CMYK 71 / 10 / 0 / 7

HEX #45D6ED

RGB 69 214 237

HSL 188.21, 0.82%, 0.6%

LAB 79.31, -30.64, -22.4

 

CMYK 61 / 8 / 0 / 14

HEX #56CADC

RGB 86 202 220

HSL 188.06, 0.66%, 0.6%

LAB 75.69, -27.28, -18.73

 

CMYK 50 / 7 / 0 / 20

HEX #66BECC

RGB 102 190 204

HSL 188.24, 0.5%, 0.6%

LAB 72.24, -22.66, -15.22

 

CMYK 36 / 5 / 0 / 27

HEX #77B2BB

RGB 119 178 187

HSL 187.94, 0.33%, 0.6%

LAB 69, -16.77, -10.66

 

CMYK 21 / 3 / 0 / 33

HEX #87A6AB

RGB 135 166 171

HSL 188.33, 0.18%, 0.6%

LAB 66.03, -9.49, -6.12

 

CMYK 71 / 0 / 28 / 7

HEX #45EDAA

RGB 69 237 170

HSL 156.07, 0.82%, 0.6%

LAB 84.35, -57.86, 20.36

 

CMYK 71 / 0 / 10 / 7

HEX #45EDD6

RGB 69 237 214

HSL 171.79, 0.82%, 0.6%

LAB 85.35, -47.5, -1.21

 

CMYK 71 / 10 / 0 / 7

HEX #45D6ED

RGB 69 214 237

HSL 188.21, 0.82%, 0.6%

LAB 79.31, -30.64, -22.4

 

CMYK 71 / 28 / 0 / 7

HEX #45AAED

RGB 69 170 237

HSL 203.93, 0.82%, 0.6%

LAB 66.62, -7.86, -42

 

CMYK 71 / 47 / 0 / 7

HEX #457DED

RGB 69 125 237

HSL 220, 0.82%, 0.6%

LAB 54.08, 18.62, -61.92

 

CMYK 90 / 12 / 0 / 20

HEX #14B2CB

RGB 20 178 203

HSL 188.2, 0.82%, 0.44%

LAB 66.75, -28.04, -23.17

 

CMYK 86 / 12 / 0 / 9

HEX #20CDE9

RGB 32 205 233

HSL 188.36, 0.82%, 0.52%

LAB 75.98, -30.93, -25.39

 

CMYK 71 / 10 / 0 / 7

HEX #45D6ED

RGB 69 214 237

HSL 188.21, 0.82%, 0.6%

LAB 79.31, -30.64, -22.4

 

CMYK 55 / 8 / 0 / 6

HEX #6BDEF0

RGB 107 222 240

HSL 188.12, 0.82%, 0.68%

LAB 82.73, -27.64, -18.72

 

CMYK 41 / 6 / 0 / 4

HEX #90E6F4

RGB 144 230 244

HSL 188.4, 0.82%, 0.76%

LAB 86.53, -22.46, -14.97

 

CMYK 71 / 10 / 0 / 7

HEX #44D5EC

RGB 68 213 236

HSL 188.21, 0.82%, 0.6%

LAB 78.97, -30.58, -22.4

 

CMYK 47 / 71 / 0 / 7

HEX #7D45ED

RGB 125 69 237

HSL 260, 0.82%, 0.6%

LAB 45.26, 59.98, -76.04

 

CMYK 0 / 19 / 71 / 7

HEX #EDC045

RGB 237 192 69

HSL 43.93, 0.82%, 0.6%

LAB 79.69, 3.82, 65.07

 

CMYK 71 / 10 / 0 / 7

HEX #44D5EC

RGB 68 213 236

HSL 188.21, 0.82%, 0.6%

LAB 78.97, -30.58, -22.4

 

CMYK 0 / 71 / 10 / 7

HEX #ED45D6

RGB 237 69 214

HSL 308.21, 0.82%, 0.6%

LAB 59.08, 77.81, -40.03

 

CMYK 10 / 0 / 71 / 7

HEX #D6ED45

RGB 214 237 69

HSL 68.21, 0.82%, 0.6%

LAB 89.53, -28.13, 74.15

 

CMYK 71 / 10 / 0 / 7

HEX #44D5EC

RGB 68 213 236

HSL 188.21, 0.82%, 0.6%

LAB 78.97, -30.58, -22.4

 

CMYK 47 / 71 / 0 / 7

HEX #7D45ED

RGB 125 69 237

HSL 260, 0.82%, 0.6%

LAB 45.26, 59.98, -76.04

 

CMYK 0 / 61 / 71 / 7

HEX #ED5C45

RGB 237 92 69

HSL 8.21, 0.82%, 0.6%

LAB 58.12, 54.66, 42.09

 

CMYK 24 / 0 / 71 / 7

HEX #B5ED45

RGB 181 237 69

HSL 80, 0.82%, 0.6%

LAB 87.4, -40.94, 71.34

 

CMYK 71 / 10 / 0 / 7

HEX #44D5EC

RGB 68 213 236

HSL 188.21, 0.82%, 0.6%

LAB 78.97, -30.58, -22.4

 

CMYK 26 / 71 / 0 / 7

HEX #AF45ED

RGB 175 69 237

HSL 277.86, 0.82%, 0.6%

LAB 51.25, 68.83, -66.04

 

CMYK 0 / 61 / 71 / 7

HEX #ED5C45

RGB 237 92 69

HSL 8.21, 0.82%, 0.6%

LAB 58.12, 54.66, 42.09

 

CMYK 45 / 0 / 71 / 7

HEX #83ED45

RGB 131 237 69

HSL 97.86, 0.82%, 0.6%

LAB 84.91, -58.02, 68.02

 

Description

Color code: HEX #44D5EC | qconv.com Color code: HEX #44D5EC | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 213 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 213 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 10 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 10% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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