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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44D310 it is the complementary color #BB2CEF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44D310. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44D310 shade: #49D30B, #5AE51E, #6BF731, #7CFF44 and #8DFF57

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44D310. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44D310 shade: #44D310, #33C100, #22AF00, #119D00 and #008B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44D310 shade: #45D510, #7AD510, #AFD510, #D5C710 and #D59110

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44D310 shade: #45D510, #10D511, #10D546, #10D57B and #10D5B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44D310 shade matches the following richer shades: #45D510

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44D310 shade: #45D510, #4DC323, #56B035, #5F9E48 and #678B5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44D310 shade: #AED510, #79D510, #45D510, #10D510 and #10D545

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44D310 shade: #2C890A, #38AF0D, #45D510, #57EE21 and #74F147

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44D310 shade: #44D310, #10D5C8 and #D51094

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44D310 shade: #44D310, #1045D5 and #D51045

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44D310 shade: #44D310, #10D5C8, #A110D5 and #D5101D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44D310 shade: #44D310, #10A7D5, #A110D5 and #D53E10

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 92 / 17

HEX #44D310

RGB 68 211 16

HSL 104, 0.86%, 0.45%

LAB 74.73, -67.47, 71.4

 

Complementary color

CMYK 22 / 82 / 0 / 6

HEX #BB2CEF

RGB 187 44 239

HSL 284, 0.86%, 0.55%

LAB 50.21, 79.59, -68.76

 

CMYK 65 / 0 / 95 / 17

HEX #49D30B

RGB 73 211 11

HSL 101.4, 0.9%, 0.44%

LAB 74.84, -66.57, 72.13

 

CMYK 61 / 0 / 87 / 10

HEX #5AE51E

RGB 90 229 30

HSL 101.91, 0.79%, 0.51%

LAB 80.91, -68.18, 74.59

 

CMYK 57 / 0 / 80 / 3

HEX #6BF731

RGB 107 247 49

HSL 102.42, 0.93%, 0.58%

LAB 86.93, -69.36, 75.83

 

CMYK 51 / 0 / 73 / 0

HEX #7CFF44

RGB 124 255 68

HSL 102.03, 1%, 0.63%

LAB 89.96, -66.7, 73.33

 

CMYK 45 / 0 / 66 / 0

HEX #8DFF57

RGB 141 255 87

HSL 100.71, 1%, 0.67%

LAB 90.72, -60.55, 67.55

 

CMYK 68 / 0 / 92 / 17

HEX #44D310

RGB 68 211 16

HSL 104, 0.86%, 0.45%

LAB 74.73, -67.47, 71.4

 

CMYK 74 / 0 / 100 / 24

HEX #33C100

RGB 51 193 0

HSL 104.15, 1%, 0.38%

LAB 68.64, -65.28, 68.08

 

CMYK 81 / 0 / 100 / 31

HEX #22AF00

RGB 34 175 0

HSL 108.34, 1%, 0.34%

LAB 62.51, -62.38, 63.07

 

CMYK 89 / 0 / 100 / 38

HEX #119D00

RGB 17 157 0

HSL 113.5, 1%, 0.31%

LAB 56.32, -58.9, 58.04

 

CMYK 100 / 0 / 100 / 45

HEX #008B00

RGB 0 139 0

HSL 120, 1%, 0.27%

LAB 50.06, -54.88, 52.97

 

CMYK 68 / 0 / 92 / 16

HEX #45D510

RGB 69 213 16

HSL 103.86, 0.86%, 0.45%

LAB 75.38, -67.9, 71.95

 

CMYK 43 / 0 / 92 / 16

HEX #7AD510

RGB 122 213 16

HSL 87.72, 0.86%, 0.45%

LAB 77.14, -53.94, 74.12

 

CMYK 18 / 0 / 92 / 16

HEX #AFD510

RGB 175 213 16

HSL 71.57, 0.86%, 0.45%

LAB 80.03, -34.41, 77.65

 

CMYK 0 / 7 / 92 / 16

HEX #D5C710

RGB 213 199 16

HSL 55.74, 0.86%, 0.45%

LAB 79.06, -11.68, 78.14

 

CMYK 0 / 32 / 92 / 16

HEX #D59110

RGB 213 145 16

HSL 39.29, 0.86%, 0.45%

LAB 65.31, 16.78, 67.84

 

CMYK 68 / 0 / 92 / 16

HEX #45D510

RGB 69 213 16

HSL 103.86, 0.86%, 0.45%

LAB 75.38, -67.9, 71.95

 

CMYK 92 / 0 / 92 / 16

HEX #10D511

RGB 16 213 17

HSL 120.3, 0.86%, 0.45%

LAB 74.66, -74.27, 70.92

 

CMYK 92 / 0 / 67 / 16

HEX #10D546

RGB 16 213 70

HSL 136.45, 0.86%, 0.45%

LAB 74.91, -71.03, 56.38

 

CMYK 92 / 0 / 42 / 16

HEX #10D57B

RGB 16 213 123

HSL 152.59, 0.86%, 0.45%

LAB 75.53, -63.5, 32.52

 

CMYK 92 / 0 / 17 / 16

HEX #10D5B0

RGB 16 213 176

HSL 168.73, 0.86%, 0.45%

LAB 76.58, -51.77, 6.14

 

CMYK 68 / 0 / 92 / 16

HEX #45D510

RGB 69 213 16

HSL 103.86, 0.86%, 0.45%

LAB 75.38, -67.9, 71.95

 

CMYK 68 / 0 / 92 / 16

HEX #45D510

RGB 69 213 16

HSL 103.86, 0.86%, 0.45%

LAB 75.38, -67.9, 71.95

 

CMYK 61 / 0 / 82 / 24

HEX #4DC323

RGB 77 195 35

HSL 104.25, 0.7%, 0.45%

LAB 69.99, -59.6, 63.64

 

CMYK 51 / 0 / 70 / 31

HEX #56B035

RGB 86 176 53

HSL 103.9, 0.54%, 0.45%

LAB 64.39, -49.09, 52.34

 

CMYK 40 / 0 / 54 / 38

HEX #5F9E48

RGB 95 158 72

HSL 103.95, 0.37%, 0.45%

LAB 59.3, -36.83, 38.24

 

CMYK 26 / 0 / 35 / 45

HEX #678B5A

RGB 103 139 90

HSL 104.08, 0.21%, 0.45%

LAB 54.12, -22.35, 22.27

 

CMYK 18 / 0 / 92 / 16

HEX #AED510

RGB 174 213 16

HSL 71.88, 0.86%, 0.45%

LAB 79.97, -34.81, 77.57

 

CMYK 43 / 0 / 92 / 16

HEX #79D510

RGB 121 213 16

HSL 88.02, 0.86%, 0.45%

LAB 77.1, -54.26, 74.06

 

CMYK 68 / 0 / 92 / 16

HEX #45D510

RGB 69 213 16

HSL 103.86, 0.86%, 0.45%

LAB 75.38, -67.9, 71.95

 

CMYK 92 / 0 / 92 / 16

HEX #10D510

RGB 16 213 16

HSL 120, 0.86%, 0.45%

LAB 74.66, -74.29, 71.05

 

CMYK 92 / 0 / 68 / 16

HEX #10D545

RGB 16 213 69

HSL 136.14, 0.86%, 0.45%

LAB 74.91, -71.13, 56.76

 

CMYK 68 / 0 / 93 / 46

HEX #2C890A

RGB 44 137 10

HSL 103.94, 0.86%, 0.29%

LAB 50.04, -48.29, 51.38

 

CMYK 68 / 0 / 93 / 31

HEX #38AF0D

RGB 56 175 13

HSL 104.07, 0.86%, 0.37%

LAB 62.95, -58.41, 61.89

 

CMYK 68 / 0 / 92 / 16

HEX #45D510

RGB 69 213 16

HSL 103.86, 0.86%, 0.45%

LAB 75.38, -67.9, 71.95

 

CMYK 63 / 0 / 86 / 7

HEX #57EE21

RGB 87 238 33

HSL 104.2, 0.86%, 0.53%

LAB 83.59, -71.65, 76.3

 

CMYK 52 / 0 / 71 / 5

HEX #74F147

RGB 116 241 71

HSL 104.12, 0.86%, 0.61%

LAB 85.54, -63.63, 67.78

 

CMYK 68 / 0 / 92 / 17

HEX #44D310

RGB 68 211 16

HSL 104, 0.86%, 0.45%

LAB 74.73, -67.47, 71.4

 

CMYK 92 / 0 / 6 / 16

HEX #10D5C8

RGB 16 213 200

HSL 176.04, 0.86%, 0.45%

LAB 77.2, -45.3, -5.82

 

CMYK 0 / 92 / 31 / 16

HEX #D51094

RGB 213 16 148

HSL 319.8, 0.86%, 0.45%

LAB 47.82, 76.22, -19.37

 

CMYK 68 / 0 / 92 / 17

HEX #44D310

RGB 68 211 16

HSL 104, 0.86%, 0.45%

LAB 74.73, -67.47, 71.4

 

CMYK 92 / 68 / 0 / 16

HEX #1045D5

RGB 16 69 213

HSL 223.86, 0.86%, 0.45%

LAB 36.31, 40.78, -77.31

 

CMYK 0 / 92 / 68 / 16

HEX #D51045

RGB 213 16 69

HSL 343.86, 0.86%, 0.45%

LAB 45.56, 70.09, 26.01

 

CMYK 68 / 0 / 92 / 17

HEX #44D310

RGB 68 211 16

HSL 104, 0.86%, 0.45%

LAB 74.73, -67.47, 71.4

 

CMYK 92 / 0 / 6 / 16

HEX #10D5C8

RGB 16 213 200

HSL 176.04, 0.86%, 0.45%

LAB 77.2, -45.3, -5.82

 

CMYK 24 / 92 / 0 / 16

HEX #A110D5

RGB 161 16 213

HSL 284.16, 0.86%, 0.45%

LAB 42.39, 76.58, -66.86

 

CMYK 0 / 92 / 86 / 16

HEX #D5101D

RGB 213 16 29

HSL 356.04, 0.86%, 0.45%

LAB 45.09, 68.77, 48.38

 

CMYK 68 / 0 / 92 / 17

HEX #44D310

RGB 68 211 16

HSL 104, 0.86%, 0.45%

LAB 74.73, -67.47, 71.4

 

CMYK 92 / 22 / 0 / 16

HEX #10A7D5

RGB 16 167 213

HSL 194.01, 0.86%, 0.45%

LAB 63.8, -19.2, -33.26

 

CMYK 24 / 92 / 0 / 16

HEX #A110D5

RGB 161 16 213

HSL 284.16, 0.86%, 0.45%

LAB 42.39, 76.58, -66.86

 

CMYK 0 / 71 / 92 / 16

HEX #D53E10

RGB 213 62 16

HSL 14.01, 0.86%, 0.45%

LAB 49.04, 57.24, 56.45

 

Description

Color code: HEX #44D310 | qconv.com Color code: HEX #44D310 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 211 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 211 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 92 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 92% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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