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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44D01D it is the complementary color #BB2FE2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44D01D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44D01D shade: #49D018, #5AE22B, #6BF43E, #7CFF51 and #8DFF64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44D01D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44D01D shade: #44D01D, #33BE0A, #22AC00, #119A00 and #008800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44D01D shade: #43CE1C, #73CE1C, #A3CE1C, #CECA1C and #CE9A1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44D01D shade: #43CE1C, #1CCE25, #1CCE55, #1CCE86 and #1CCEB6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44D01D shade matches the following richer shades: #43CE1C and #38E109

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44D01D shade: #43CE1C, #4EBB2F, #58A842, #639655 and #6E8368

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44D01D shade: #A5CE1C, #75CE1C, #46CE1C, #1CCE22 and #1CCE52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44D01D shade: #2B8612, #37AA17, #43CE1C, #58E331 and #75E855

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44D01D shade: #44D01D, #1CCEC9 and #CE1C8D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44D01D shade: #44D01D, #1C46CE and #CE1C46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44D01D shade: #44D01D, #1CCEC9, #A51CCE and #CE1C22

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44D01D shade: #44D01D, #1C9FCE, #A51CCE and #CE4C1C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 86 / 18

HEX #44D01D

RGB 68 208 29

HSL 106.93, 0.76%, 0.46%

LAB 73.82, -66.12, 68.4

 

Complementary color

CMYK 17 / 79 / 0 / 11

HEX #BB2FE2

RGB 187 47 226

HSL 286.93, 0.76%, 0.54%

LAB 49.6, 76.42, -62.4

 

CMYK 65 / 0 / 88 / 18

HEX #49D018

RGB 73 208 24

HSL 104.02, 0.79%, 0.45%

LAB 73.93, -65.28, 69.52

 

CMYK 60 / 0 / 81 / 11

HEX #5AE22B

RGB 90 226 43

HSL 104.59, 0.76%, 0.53%

LAB 80.03, -66.65, 70.88

 

CMYK 56 / 0 / 75 / 4

HEX #6BF43E

RGB 107 244 62

HSL 105.16, 0.89%, 0.6%

LAB 86.09, -67.62, 71.27

 

CMYK 51 / 0 / 68 / 0

HEX #7CFF51

RGB 124 255 81

HSL 105.17, 1%, 0.66%

LAB 90.04, -65.79, 68.9

 

CMYK 45 / 0 / 61 / 0

HEX #8DFF64

RGB 141 255 100

HSL 104.13, 1%, 0.7%

LAB 90.83, -59.42, 62.46

 

CMYK 67 / 0 / 86 / 18

HEX #44D01D

RGB 68 208 29

HSL 106.93, 0.76%, 0.46%

LAB 73.82, -66.12, 68.4

 

CMYK 73 / 0 / 95 / 25

HEX #33BE0A

RGB 51 190 10

HSL 106.33, 0.9%, 0.39%

LAB 67.69, -64.16, 66.17

 

CMYK 80 / 0 / 100 / 33

HEX #22AC00

RGB 34 172 0

HSL 108.14, 1%, 0.34%

LAB 61.52, -61.49, 62.28

 

CMYK 89 / 0 / 100 / 40

HEX #119A00

RGB 17 154 0

HSL 113.38, 1%, 0.3%

LAB 55.31, -58.03, 57.23

 

CMYK 100 / 0 / 100 / 47

HEX #008800

RGB 0 136 0

HSL 120, 1%, 0.27%

LAB 49.02, -54.02, 52.13

 

CMYK 67 / 0 / 86 / 19

HEX #43CE1C

RGB 67 206 28

HSL 106.85, 0.76%, 0.46%

LAB 73.17, -65.72, 68.03

 

CMYK 44 / 0 / 86 / 19

HEX #73CE1C

RGB 115 206 28

HSL 90.67, 0.76%, 0.46%

LAB 74.74, -53.18, 70.01

 

CMYK 21 / 0 / 86 / 19

HEX #A3CE1C

RGB 163 206 28

HSL 74.49, 0.76%, 0.46%

LAB 77.29, -35.76, 73.18

 

CMYK 0 / 2 / 86 / 19

HEX #CECA1C

RGB 206 202 28

HSL 58.65, 0.76%, 0.46%

LAB 79.3, -15.99, 76.12

 

CMYK 0 / 25 / 86 / 19

HEX #CE9A1C

RGB 206 154 28

HSL 42.47, 0.76%, 0.46%

LAB 66.76, 9.07, 65.97

 

CMYK 67 / 0 / 86 / 19

HEX #43CE1C

RGB 67 206 28

HSL 106.85, 0.76%, 0.46%

LAB 73.17, -65.72, 68.03

 

CMYK 86 / 0 / 82 / 19

HEX #1CCE25

RGB 28 206 37

HSL 123.03, 0.76%, 0.46%

LAB 72.58, -70.74, 65.15

 

CMYK 86 / 0 / 59 / 19

HEX #1CCE55

RGB 28 206 85

HSL 139.21, 0.76%, 0.46%

LAB 72.92, -66.42, 47.74

 

CMYK 86 / 0 / 35 / 19

HEX #1CCE86

RGB 28 206 134

HSL 155.73, 0.76%, 0.46%

LAB 73.62, -58.19, 24.31

 

CMYK 86 / 0 / 12 / 19

HEX #1CCEB6

RGB 28 206 182

HSL 171.91, 0.76%, 0.46%

LAB 74.68, -46.7, 0.17

 

CMYK 67 / 0 / 86 / 19

HEX #43CE1C

RGB 67 206 28

HSL 106.85, 0.76%, 0.46%

LAB 73.17, -65.72, 68.03

 

CMYK 75 / 0 / 96 / 12

HEX #38E109

RGB 56 225 9

HSL 106.94, 0.92%, 0.46%

LAB 78.87, -73.87, 75.46

 

CMYK 67 / 0 / 86 / 19

HEX #43CE1C

RGB 67 206 28

HSL 106.85, 0.76%, 0.46%

LAB 73.17, -65.72, 68.03

 

CMYK 58 / 0 / 75 / 27

HEX #4EBB2F

RGB 78 187 47

HSL 106.71, 0.6%, 0.46%

LAB 67.55, -55.83, 57.67

 

CMYK 48 / 0 / 61 / 34

HEX #58A842

RGB 88 168 66

HSL 107.06, 0.44%, 0.46%

LAB 62.06, -44.06, 44.25

 

CMYK 34 / 0 / 43 / 41

HEX #639655

RGB 99 150 85

HSL 107.08, 0.28%, 0.46%

LAB 57.19, -30.01, 28.96

 

CMYK 16 / 0 / 21 / 49

HEX #6E8368

RGB 110 131 104

HSL 106.67, 0.11%, 0.46%

LAB 52.45, -13.08, 12.12

 

CMYK 20 / 0 / 86 / 19

HEX #A5CE1C

RGB 165 206 28

HSL 73.82, 0.76%, 0.46%

LAB 77.42, -34.97, 73.34

 

CMYK 43 / 0 / 86 / 19

HEX #75CE1C

RGB 117 206 28

HSL 90, 0.76%, 0.46%

LAB 74.83, -52.53, 70.12

 

CMYK 66 / 0 / 86 / 19

HEX #46CE1C

RGB 70 206 28

HSL 105.84, 0.76%, 0.46%

LAB 73.24, -65.12, 68.12

 

CMYK 86 / 0 / 83 / 19

HEX #1CCE22

RGB 28 206 34

HSL 122.02, 0.76%, 0.46%

LAB 72.56, -70.9, 65.9

 

CMYK 86 / 0 / 60 / 19

HEX #1CCE52

RGB 28 206 82

HSL 138.2, 0.76%, 0.46%

LAB 72.89, -66.8, 49.06

 

CMYK 68 / 0 / 87 / 47

HEX #2B8612

RGB 43 134 18

HSL 107.07, 0.76%, 0.3%

LAB 49.02, -47.14, 48.73

 

CMYK 68 / 0 / 86 / 33

HEX #37AA17

RGB 55 170 23

HSL 106.94, 0.76%, 0.38%

LAB 61.33, -56.63, 58.6

 

CMYK 67 / 0 / 86 / 19

HEX #43CE1C

RGB 67 206 28

HSL 106.85, 0.76%, 0.46%

LAB 73.17, -65.72, 68.03

 

CMYK 61 / 0 / 78 / 11

HEX #58E331

RGB 88 227 49

HSL 106.85, 0.76%, 0.54%

LAB 80.31, -67.13, 69.47

 

CMYK 50 / 0 / 63 / 9

HEX #75E855

RGB 117 232 85

HSL 106.94, 0.76%, 0.62%

LAB 82.99, -58.9, 59.71

 

CMYK 67 / 0 / 86 / 18

HEX #44D01D

RGB 68 208 29

HSL 106.93, 0.76%, 0.46%

LAB 73.82, -66.12, 68.4

 

CMYK 86 / 0 / 2 / 19

HEX #1CCEC9

RGB 28 206 201

HSL 178.31, 0.76%, 0.46%

LAB 75.21, -41.38, -9.31

 

CMYK 0 / 86 / 32 / 19

HEX #CE1C8D

RGB 206 28 141

HSL 321.91, 0.76%, 0.46%

LAB 46.81, 72.24, -16.81

 

CMYK 67 / 0 / 86 / 18

HEX #44D01D

RGB 68 208 29

HSL 106.93, 0.76%, 0.46%

LAB 73.82, -66.12, 68.4

 

CMYK 86 / 66 / 0 / 19

HEX #1C46CE

RGB 28 70 206

HSL 225.84, 0.76%, 0.46%

LAB 36.14, 38.1, -73.53

 

CMYK 0 / 86 / 66 / 19

HEX #CE1C46

RGB 206 28 70

HSL 345.84, 0.76%, 0.46%

LAB 44.79, 66.54, 24.12

 

CMYK 67 / 0 / 86 / 18

HEX #44D01D

RGB 68 208 29

HSL 106.93, 0.76%, 0.46%

LAB 73.82, -66.12, 68.4

 

CMYK 86 / 0 / 2 / 19

HEX #1CCEC9

RGB 28 206 201

HSL 178.31, 0.76%, 0.46%

LAB 75.21, -41.38, -9.31

 

CMYK 20 / 86 / 0 / 19

HEX #A51CCE

RGB 165 28 206

HSL 286.18, 0.76%, 0.46%

LAB 43.19, 73.85, -61.49

 

CMYK 0 / 86 / 83 / 19

HEX #CE1C22

RGB 206 28 34

HSL 357.98, 0.76%, 0.46%

LAB 44.33, 65.19, 44.63

 

CMYK 67 / 0 / 86 / 18

HEX #44D01D

RGB 68 208 29

HSL 106.93, 0.76%, 0.46%

LAB 73.82, -66.12, 68.4

 

CMYK 86 / 23 / 0 / 19

HEX #1C9FCE

RGB 28 159 206

HSL 195.84, 0.76%, 0.46%

LAB 61.22, -16.74, -33.36

 

CMYK 20 / 86 / 0 / 19

HEX #A51CCE

RGB 165 28 206

HSL 286.18, 0.76%, 0.46%

LAB 43.19, 73.85, -61.49

 

CMYK 0 / 63 / 86 / 19

HEX #CE4C1C

RGB 206 76 28

HSL 16.18, 0.76%, 0.46%

LAB 49.95, 49.42, 52.26

 

Description

Color code: HEX #44D01D | qconv.com Color code: HEX #44D01D | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 208 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 208 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 86 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 86% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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