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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44CD3F it is the complementary color #BB32C0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44CD3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44CD3F shade: #49CD3A, #5ADF4D, #6BF160, #7CFF73 and #8DFF86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44CD3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44CD3F shade: #44CD3F, #33BB2C, #22A919, #119706 and #008500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44CD3F shade: #45CE40, #6CCE40, #92CE40, #B8CE40 and #CEBE40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44CD3F shade: #45CE40, #40CE62, #40CE88, #40CEAE and #40C8CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44CD3F shade matches the following richer shades: #45CE40, #33E12D and #21F51A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44CD3F shade: #45CE40, #57BA54, #69A767, #7B947B and #8E808E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44CD3F shade: #93CE40, #6DCE40, #48CE40, #40CE5F and #40CE85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44CD3F shade: #2A9526, #34B62F, #45CE40, #65D661 and #85DF82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44CD3F shade: #44CD3F, #40B9CE and #CE4080

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44CD3F shade: #44CD3F, #4048CE and #CE4048

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44CD3F shade: #44CD3F, #40B9CE, #C740CE and #CE5640

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44CD3F shade: #44CD3F, #408ECE, #C740CE and #CE8040

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 69 / 20

HEX #44CD3F

RGB 68 205 63

HSL 117.89, 0.59%, 0.53%

LAB 73.06, -63.03, 57.36

 

Complementary color

CMYK 3 / 74 / 0 / 25

HEX #BB32C0

RGB 187 50 192

HSL 297.89, 0.59%, 0.47%

LAB 47.82, 69.64, -45.74

 

CMYK 64 / 0 / 72 / 20

HEX #49CD3A

RGB 73 205 58

HSL 113.88, 0.6%, 0.52%

LAB 73.14, -62.43, 59.36

 

CMYK 60 / 0 / 65 / 13

HEX #5ADF4D

RGB 90 223 77

HSL 114.66, 0.7%, 0.59%

LAB 79.32, -63.23, 58.7

 

CMYK 56 / 0 / 60 / 5

HEX #6BF160

RGB 107 241 96

HSL 115.45, 0.84%, 0.66%

LAB 85.44, -63.72, 57.75

 

CMYK 51 / 0 / 55 / 0

HEX #7CFF73

RGB 124 255 115

HSL 116.14, 1%, 0.73%

LAB 90.34, -62.51, 55.26

 

CMYK 45 / 0 / 47 / 0

HEX #8DFF86

RGB 141 255 134

HSL 116.53, 1%, 0.76%

LAB 91.19, -55.6, 47.69

 

CMYK 67 / 0 / 69 / 20

HEX #44CD3F

RGB 68 205 63

HSL 117.89, 0.59%, 0.53%

LAB 73.06, -63.03, 57.36

 

CMYK 73 / 0 / 76 / 27

HEX #33BB2C

RGB 51 187 44

HSL 117.06, 0.62%, 0.45%

LAB 66.84, -61.74, 57.76

 

CMYK 80 / 0 / 85 / 34

HEX #22A919

RGB 34 169 25

HSL 116.25, 0.74%, 0.38%

LAB 60.59, -59.8, 57.31

 

CMYK 89 / 0 / 96 / 41

HEX #119706

RGB 17 151 6

HSL 115.45, 0.92%, 0.31%

LAB 54.31, -56.97, 55.45

 

CMYK 100 / 0 / 100 / 48

HEX #008500

RGB 0 133 0

HSL 120, 1%, 0.26%

LAB 47.98, -53.15, 51.3

 

CMYK 67 / 0 / 69 / 19

HEX #45CE40

RGB 69 206 64

HSL 117.89, 0.59%, 0.53%

LAB 73.4, -63.08, 57.34

 

CMYK 48 / 0 / 69 / 19

HEX #6CCE40

RGB 108 206 64

HSL 101.41, 0.59%, 0.53%

LAB 74.64, -53.37, 59.01

 

CMYK 29 / 0 / 69 / 19

HEX #92CE40

RGB 146 206 64

HSL 85.35, 0.59%, 0.53%

LAB 76.45, -40.62, 61.46

 

CMYK 11 / 0 / 69 / 19

HEX #B8CE40

RGB 184 206 64

HSL 69.3, 0.59%, 0.53%

LAB 78.87, -25.79, 64.7

 

CMYK 0 / 8 / 69 / 19

HEX #CEBE40

RGB 206 190 64

HSL 53.24, 0.59%, 0.53%

LAB 76.26, -8.59, 62.65

 

CMYK 67 / 0 / 69 / 19

HEX #45CE40

RGB 69 206 64

HSL 117.89, 0.59%, 0.53%

LAB 73.4, -63.08, 57.34

 

CMYK 69 / 0 / 52 / 19

HEX #40CE62

RGB 64 206 98

HSL 134.37, 0.59%, 0.53%

LAB 73.62, -60.1, 42.63

 

CMYK 69 / 0 / 34 / 19

HEX #40CE88

RGB 64 206 136

HSL 150.42, 0.59%, 0.53%

LAB 74.2, -53.61, 24.14

 

CMYK 69 / 0 / 16 / 19

HEX #40CEAE

RGB 64 206 174

HSL 166.48, 0.59%, 0.53%

LAB 75.01, -45.07, 5.02

 

CMYK 69 / 3 / 0 / 19

HEX #40C8CE

RGB 64 200 206

HSL 182.54, 0.59%, 0.53%

LAB 74.1, -33.73, -13.62

 

CMYK 67 / 0 / 69 / 19

HEX #45CE40

RGB 69 206 64

HSL 117.89, 0.59%, 0.53%

LAB 73.4, -63.08, 57.34

 

CMYK 77 / 0 / 80 / 12

HEX #33E12D

RGB 51 225 45

HSL 118, 0.75%, 0.53%

LAB 78.89, -73.33, 68.98

 

CMYK 87 / 0 / 89 / 4

HEX #21F51A

RGB 33 245 26

HSL 118.08, 0.92%, 0.53%

LAB 84.84, -81.61, 78.26

 

CMYK 67 / 0 / 69 / 19

HEX #45CE40

RGB 69 206 64

HSL 117.89, 0.59%, 0.53%

LAB 73.4, -63.08, 57.34

 

CMYK 53 / 0 / 55 / 27

HEX #57BA54

RGB 87 186 84

HSL 118.24, 0.43%, 0.53%

LAB 67.86, -49.49, 42.54

 

CMYK 37 / 0 / 38 / 35

HEX #69A767

RGB 105 167 103

HSL 118.13, 0.27%, 0.53%

LAB 63.03, -33.21, 26.96

 

CMYK 17 / 0 / 17 / 42

HEX #7B947B

RGB 123 148 123

HSL 120, 0.1%, 0.53%

LAB 58.81, -13.91, 10.32

 

CMYK 0 / 10 / 0 / 44

HEX #8E808E

RGB 142 128 142

HSL 300, 0.06%, 0.53%

LAB 55.22, 7.98, -5.6

 

CMYK 29 / 0 / 69 / 19

HEX #93CE40

RGB 147 206 64

HSL 84.93, 0.59%, 0.53%

LAB 76.51, -40.25, 61.54

 

CMYK 47 / 0 / 69 / 19

HEX #6DCE40

RGB 109 206 64

HSL 100.99, 0.59%, 0.53%

LAB 74.68, -53.07, 59.07

 

CMYK 65 / 0 / 69 / 19

HEX #48CE40

RGB 72 206 64

HSL 116.62, 0.59%, 0.53%

LAB 73.47, -62.47, 57.44

 

CMYK 69 / 0 / 54 / 19

HEX #40CE5F

RGB 64 206 95

HSL 133.1, 0.59%, 0.53%

LAB 73.58, -60.52, 44.02

 

CMYK 69 / 0 / 35 / 19

HEX #40CE85

RGB 64 206 133

HSL 149.15, 0.59%, 0.53%

LAB 74.14, -54.2, 25.64

 

CMYK 72 / 0 / 74 / 42

HEX #2A9526

RGB 42 149 38

HSL 117.84, 0.59%, 0.37%

LAB 54.16, -51.23, 47.17

 

CMYK 71 / 0 / 74 / 29

HEX #34B62F

RGB 52 182 47

HSL 117.78, 0.59%, 0.45%

LAB 65.27, -59.73, 55.17

 

CMYK 67 / 0 / 69 / 19

HEX #45CE40

RGB 69 206 64

HSL 117.89, 0.59%, 0.53%

LAB 73.4, -63.08, 57.34

 

CMYK 53 / 0 / 55 / 16

HEX #65D661

RGB 101 214 97

HSL 117.95, 0.59%, 0.61%

LAB 77.11, -55.08, 47.56

 

CMYK 40 / 0 / 42 / 13

HEX #85DF82

RGB 133 223 130

HSL 118.06, 0.59%, 0.69%

LAB 81.5, -45.27, 37.28

 

CMYK 67 / 0 / 69 / 20

HEX #44CD3F

RGB 68 205 63

HSL 117.89, 0.59%, 0.53%

LAB 73.06, -63.03, 57.36

 

CMYK 69 / 10 / 0 / 19

HEX #40B9CE

RGB 64 185 206

HSL 188.87, 0.59%, 0.53%

LAB 69.64, -26.45, -20.35

 

CMYK 0 / 69 / 38 / 19

HEX #CE4080

RGB 206 64 128

HSL 332.96, 0.59%, 0.53%

LAB 49.91, 60.74, -4.28

 

CMYK 67 / 0 / 69 / 20

HEX #44CD3F

RGB 68 205 63

HSL 117.89, 0.59%, 0.53%

LAB 73.06, -63.03, 57.36

 

CMYK 69 / 65 / 0 / 19

HEX #4048CE

RGB 64 72 206

HSL 236.62, 0.59%, 0.53%

LAB 38.17, 40.12, -70.16

 

CMYK 0 / 69 / 65 / 19

HEX #CE4048

RGB 206 64 72

HSL 356.62, 0.59%, 0.53%

LAB 48.58, 56.12, 27.71

 

CMYK 67 / 0 / 69 / 20

HEX #44CD3F

RGB 68 205 63

HSL 117.89, 0.59%, 0.53%

LAB 73.06, -63.03, 57.36

 

CMYK 69 / 10 / 0 / 19

HEX #40B9CE

RGB 64 185 206

HSL 188.87, 0.59%, 0.53%

LAB 69.64, -26.45, -20.35

 

CMYK 3 / 69 / 0 / 19

HEX #C740CE

RGB 199 64 206

HSL 297.04, 0.59%, 0.53%

LAB 52.14, 69.83, -46.84

 

CMYK 0 / 58 / 69 / 19

HEX #CE5640

RGB 206 86 64

HSL 9.3, 0.59%, 0.53%

LAB 52, 46.2, 36.47

 

CMYK 67 / 0 / 69 / 20

HEX #44CD3F

RGB 68 205 63

HSL 117.89, 0.59%, 0.53%

LAB 73.06, -63.03, 57.36

 

CMYK 69 / 31 / 0 / 19

HEX #408ECE

RGB 64 142 206

HSL 207.04, 0.59%, 0.53%

LAB 56.97, -3.27, -39.95

 

CMYK 3 / 69 / 0 / 19

HEX #C740CE

RGB 199 64 206

HSL 297.04, 0.59%, 0.53%

LAB 52.14, 69.83, -46.84

 

CMYK 0 / 38 / 69 / 19

HEX #CE8040

RGB 206 128 64

HSL 27.04, 0.59%, 0.53%

LAB 60.72, 24.59, 46.34

 

Description

Color code: HEX #44CD3F | qconv.com Color code: HEX #44CD3F | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 205 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 205 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 69 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 69% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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