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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44CC42 it is the complementary color #BB33BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44CC42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44CC42 shade: #49CC3D, #5ADE50, #6BF063, #7CFF76 and #8DFF89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44CC42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44CC42 shade: #44CC42, #33BA2F, #22A81C, #119609 and #008400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44CC42 shade: #44CD42, #69CD42, #8FCD42, #B4CD42 and #CDC042

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44CC42 shade: #44CD42, #42CD65, #42CD8B, #42CDB0 and #42C4CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44CC42 shade matches the following richer shades: #44CD42, #31E02E and #1EF31B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44CC42 shade: #44CD42, #56B955, #69A668, #7C927C and #8F7F8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44CC42 shade: #8ECD42, #69CD42, #44CD42, #42CD64 and #42CD89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44CC42 shade: #299427, #32B530, #44CD42, #64D562 and #84DE83

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44CC42 shade: #44CC42, #42B3CD and #CD427C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44CC42 shade: #44CC42, #4244CD and #CD4244

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44CC42 shade: #44CC42, #42B3CD, #CA42CD and #CD5B42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44CC42 shade: #44CC42, #4289CD, #CA42CD and #CD8542

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 68 / 20

HEX #44CC42

RGB 68 204 66

HSL 119.13, 0.58%, 0.53%

LAB 72.77, -62.42, 55.87

 

Complementary color

CMYK 1 / 73 / 0 / 26

HEX #BB33BD

RGB 187 51 189

HSL 299.13, 0.58%, 0.47%

LAB 47.76, 68.84, -44.08

 

CMYK 64 / 0 / 70 / 20

HEX #49CC3D

RGB 73 204 61

HSL 114.97, 0.58%, 0.52%

LAB 72.85, -61.84, 57.94

 

CMYK 59 / 0 / 64 / 13

HEX #5ADE50

RGB 90 222 80

HSL 115.77, 0.68%, 0.59%

LAB 79.04, -62.59, 57.17

 

CMYK 55 / 0 / 59 / 6

HEX #6BF063

RGB 107 240 99

HSL 116.6, 0.82%, 0.66%

LAB 85.17, -63.04, 56.14

 

CMYK 51 / 0 / 54 / 0

HEX #7CFF76

RGB 124 255 118

HSL 117.37, 1%, 0.73%

LAB 90.37, -62.16, 53.95

 

CMYK 45 / 0 / 46 / 0

HEX #8DFF89

RGB 141 255 137

HSL 117.97, 1%, 0.77%

LAB 91.23, -55.21, 46.31

 

CMYK 67 / 0 / 68 / 20

HEX #44CC42

RGB 68 204 66

HSL 119.13, 0.58%, 0.53%

LAB 72.77, -62.42, 55.87

 

CMYK 73 / 0 / 75 / 27

HEX #33BA2F

RGB 51 186 47

HSL 118.27, 0.6%, 0.46%

LAB 66.54, -61.2, 56.44

 

CMYK 80 / 0 / 83 / 34

HEX #22A81C

RGB 34 168 28

HSL 117.43, 0.71%, 0.38%

LAB 60.27, -59.34, 56.25

 

CMYK 89 / 0 / 94 / 41

HEX #119609

RGB 17 150 9

HSL 116.6, 0.89%, 0.31%

LAB 53.98, -56.59, 54.69

 

CMYK 100 / 0 / 100 / 48

HEX #008400

RGB 0 132 0

HSL 120, 1%, 0.26%

LAB 47.63, -52.86, 51.02

 

CMYK 67 / 0 / 68 / 20

HEX #44CD42

RGB 68 205 66

HSL 119.14, 0.58%, 0.53%

LAB 73.08, -62.76, 56.21

 

CMYK 49 / 0 / 68 / 20

HEX #69CD42

RGB 105 205 66

HSL 103.17, 0.58%, 0.53%

LAB 74.23, -53.7, 57.77

 

CMYK 30 / 0 / 68 / 20

HEX #8FCD42

RGB 143 205 66

HSL 86.76, 0.58%, 0.53%

LAB 76.01, -41.14, 60.18

 

CMYK 12 / 0 / 68 / 20

HEX #B4CD42

RGB 180 205 66

HSL 70.79, 0.58%, 0.53%

LAB 78.32, -26.82, 63.3

 

CMYK 0 / 6 / 68 / 20

HEX #CDC042

RGB 205 192 66

HSL 54.39, 0.58%, 0.53%

LAB 76.72, -9.94, 62.3

 

CMYK 67 / 0 / 68 / 20

HEX #44CD42

RGB 68 205 66

HSL 119.14, 0.58%, 0.53%

LAB 73.08, -62.76, 56.21

 

CMYK 68 / 0 / 51 / 20

HEX #42CD65

RGB 66 205 101

HSL 135.11, 0.58%, 0.53%

LAB 73.39, -58.96, 40.9

 

CMYK 68 / 0 / 32 / 20

HEX #42CD8B

RGB 66 205 139

HSL 151.51, 0.58%, 0.53%

LAB 73.99, -52.29, 22.29

 

CMYK 68 / 0 / 14 / 20

HEX #42CDB0

RGB 66 205 176

HSL 167.48, 0.58%, 0.53%

LAB 74.8, -43.84, 3.65

 

CMYK 68 / 4 / 0 / 20

HEX #42C4CD

RGB 66 196 205

HSL 183.88, 0.58%, 0.53%

LAB 72.92, -31.84, -14.84

 

CMYK 67 / 0 / 68 / 20

HEX #44CD42

RGB 68 205 66

HSL 119.14, 0.58%, 0.53%

LAB 73.08, -62.76, 56.21

 

CMYK 78 / 0 / 79 / 12

HEX #31E02E

RGB 49 224 46

HSL 118.99, 0.74%, 0.53%

LAB 78.56, -73.24, 68.38

 

CMYK 88 / 0 / 89 / 5

HEX #1EF31B

RGB 30 243 27

HSL 119.17, 0.9%, 0.53%

LAB 84.2, -81.26, 77.54

 

CMYK 67 / 0 / 68 / 20

HEX #44CD42

RGB 68 205 66

HSL 119.14, 0.58%, 0.53%

LAB 73.08, -62.76, 56.21

 

CMYK 54 / 0 / 54 / 27

HEX #56B955

RGB 86 185 85

HSL 119.4, 0.42%, 0.53%

LAB 67.53, -49.23, 41.65

 

CMYK 37 / 0 / 37 / 35

HEX #69A668

RGB 105 166 104

HSL 119.03, 0.26%, 0.53%

LAB 62.74, -32.58, 26.04

 

CMYK 15 / 0 / 15 / 43

HEX #7C927C

RGB 124 146 124

HSL 120, 0.09%, 0.53%

LAB 58.32, -12.28, 9.07

 

CMYK 0 / 11 / 0 / 44

HEX #8F7F8F

RGB 143 127 143

HSL 300, 0.07%, 0.53%

LAB 55.07, 9.13, -6.39

 

CMYK 31 / 0 / 68 / 20

HEX #8ECD42

RGB 142 205 66

HSL 87.19, 0.58%, 0.53%

LAB 75.95, -41.51, 60.11

 

CMYK 49 / 0 / 68 / 20

HEX #69CD42

RGB 105 205 66

HSL 103.17, 0.58%, 0.53%

LAB 74.23, -53.7, 57.77

 

CMYK 67 / 0 / 68 / 20

HEX #44CD42

RGB 68 205 66

HSL 119.14, 0.58%, 0.53%

LAB 73.08, -62.76, 56.21

 

CMYK 68 / 0 / 51 / 20

HEX #42CD64

RGB 66 205 100

HSL 134.68, 0.58%, 0.53%

LAB 73.38, -59.1, 41.37

 

CMYK 68 / 0 / 33 / 20

HEX #42CD89

RGB 66 205 137

HSL 150.65, 0.58%, 0.53%

LAB 73.95, -52.69, 23.29

 

CMYK 72 / 0 / 74 / 42

HEX #299427

RGB 41 148 39

HSL 118.9, 0.58%, 0.37%

LAB 53.81, -50.98, 46.43

 

CMYK 72 / 0 / 73 / 29

HEX #32B530

RGB 50 181 48

HSL 119.1, 0.58%, 0.45%

LAB 64.91, -59.67, 54.44

 

CMYK 67 / 0 / 68 / 20

HEX #44CD42

RGB 68 205 66

HSL 119.14, 0.58%, 0.53%

LAB 73.08, -62.76, 56.21

 

CMYK 53 / 0 / 54 / 16

HEX #64D562

RGB 100 213 98

HSL 118.96, 0.58%, 0.61%

LAB 76.79, -54.83, 46.7

 

CMYK 41 / 0 / 41 / 13

HEX #84DE83

RGB 132 222 131

HSL 119.34, 0.58%, 0.69%

LAB 81.17, -44.99, 36.36

 

CMYK 67 / 0 / 68 / 20

HEX #44CC42

RGB 68 204 66

HSL 119.13, 0.58%, 0.53%

LAB 72.77, -62.42, 55.87

 

CMYK 68 / 13 / 0 / 20

HEX #42B3CD

RGB 66 179 205

HSL 191.22, 0.58%, 0.53%

LAB 67.88, -23.45, -22.49

 

CMYK 0 / 68 / 40 / 20

HEX #CD427C

RGB 205 66 124

HSL 334.96, 0.58%, 0.53%

LAB 49.89, 59.27, -1.92

 

CMYK 67 / 0 / 68 / 20

HEX #44CC42

RGB 68 204 66

HSL 119.13, 0.58%, 0.53%

LAB 72.77, -62.42, 55.87

 

CMYK 68 / 67 / 0 / 20

HEX #4244CD

RGB 66 68 205

HSL 239.14, 0.58%, 0.53%

LAB 37.3, 42.45, -70.99

 

CMYK 0 / 68 / 67 / 20

HEX #CD4244

RGB 205 66 68

HSL 359.14, 0.58%, 0.53%

LAB 48.63, 54.79, 30.1

 

CMYK 67 / 0 / 68 / 20

HEX #44CC42

RGB 68 204 66

HSL 119.13, 0.58%, 0.53%

LAB 72.77, -62.42, 55.87

 

CMYK 68 / 13 / 0 / 20

HEX #42B3CD

RGB 66 179 205

HSL 191.22, 0.58%, 0.53%

LAB 67.88, -23.45, -22.49

 

CMYK 1 / 68 / 0 / 20

HEX #CA42CD

RGB 202 66 205

HSL 298.71, 0.58%, 0.53%

LAB 52.8, 69.61, -45.19

 

CMYK 0 / 56 / 68 / 20

HEX #CD5B42

RGB 205 91 66

HSL 10.79, 0.58%, 0.53%

LAB 52.79, 43.55, 36.24

 

CMYK 67 / 0 / 68 / 20

HEX #44CC42

RGB 68 204 66

HSL 119.13, 0.58%, 0.53%

LAB 72.77, -62.42, 55.87

 

CMYK 68 / 33 / 0 / 20

HEX #4289CD

RGB 66 137 205

HSL 209.35, 0.58%, 0.53%

LAB 55.54, -0.39, -41.63

 

CMYK 1 / 68 / 0 / 20

HEX #CA42CD

RGB 202 66 205

HSL 298.71, 0.58%, 0.53%

LAB 52.8, 69.61, -45.19

 

CMYK 0 / 35 / 68 / 20

HEX #CD8542

RGB 205 133 66

HSL 28.92, 0.58%, 0.53%

LAB 61.78, 21.57, 46.5

 

Description

Color code: HEX #44CC42 | qconv.com Color code: HEX #44CC42 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 204 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 204 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 68 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 68% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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