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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44CB95 it is the complementary color #BB346A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44CB95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44CB95 shade: #49CB90, #5ADDA3, #6BEFB6, #7CFFC9 and #8DFFDC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44CB95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44CB95 shade: #44CB95, #33B982, #22A76F, #11955C and #008349

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44CB95 shade: #44CA95, #44CA70, #44CA4C, #60CA44 and #84CA44

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44CB95 shade: #44CA95, #44CAB9, #44B8CA, #4493CA and #446FCA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44CB95 shade matches the following richer shades: #44CA95, #31DE98 and #1DF19C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44CB95 shade: #44CA95, #57B791, #6BA38D, #7E9089 and #927D85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44CB95 shade: #44CA4D, #44CA71, #44CA95, #44CAB8 and #44B8CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44CB95 shade: #299268, #32B37F, #44CA95, #64D3A7 and #84DCB9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44CB95 shade: #44CB95, #445FCA and #CA5F44

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44CB95 shade: #44CB95, #9544CA and #CA9544

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44CB95 shade: #44CB95, #445FCA, #CA447A and #CAAF44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44CB95 shade: #44CB95, #5144CA, #CA447A and #BDCA44

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 27 / 20

HEX #44CB95

RGB 68 203 149

HSL 156, 0.56%, 0.53%

LAB 73.62, -49.04, 16.48

 

Complementary color

CMYK 0 / 72 / 43 / 27

HEX #BB346A

RGB 187 52 106

HSL 336, 0.56%, 0.47%

LAB 44.32, 57.44, 0.55

 

CMYK 64 / 0 / 29 / 20

HEX #49CB90

RGB 73 203 144

HSL 152.77, 0.56%, 0.54%

LAB 73.64, -49.23, 19.19

 

CMYK 59 / 0 / 26 / 13

HEX #5ADDA3

RGB 90 221 163

HSL 153.44, 0.66%, 0.61%

LAB 79.92, -49.39, 17.92

 

CMYK 55 / 0 / 24 / 6

HEX #6BEFB6

RGB 107 239 182

HSL 154.09, 0.8%, 0.68%

LAB 86.12, -49.42, 16.76

 

CMYK 51 / 0 / 21 / 0

HEX #7CFFC9

RGB 124 255 201

HSL 155.27, 1%, 0.74%

LAB 91.69, -48.52, 14.87

 

CMYK 45 / 0 / 14 / 0

HEX #8DFFDC

RGB 141 255 220

HSL 161.58, 1%, 0.78%

LAB 92.73, -40.55, 6.65

 

CMYK 67 / 0 / 27 / 20

HEX #44CB95

RGB 68 203 149

HSL 156, 0.56%, 0.53%

LAB 73.62, -49.04, 16.48

 

CMYK 72 / 0 / 30 / 27

HEX #33B982

RGB 51 185 130

HSL 155.37, 0.57%, 0.46%

LAB 67.29, -48.58, 17.85

 

CMYK 80 / 0 / 34 / 35

HEX #22A76F

RGB 34 167 111

HSL 154.74, 0.66%, 0.39%

LAB 60.89, -47.81, 19.37

 

CMYK 89 / 0 / 38 / 42

HEX #11955C

RGB 17 149 92

HSL 154.09, 0.8%, 0.33%

LAB 54.43, -46.58, 21.06

 

CMYK 100 / 0 / 44 / 49

HEX #008349

RGB 0 131 73

HSL 153.44, 1%, 0.26%

LAB 47.9, -44.86, 22.92

 

CMYK 66 / 0 / 26 / 21

HEX #44CA95

RGB 68 202 149

HSL 156.27, 0.56%, 0.53%

LAB 73.31, -48.63, 16.05

 

CMYK 66 / 0 / 45 / 21

HEX #44CA70

RGB 68 202 112

HSL 139.7, 0.56%, 0.53%

LAB 72.65, -55.78, 34.52

 

CMYK 66 / 0 / 62 / 21

HEX #44CA4C

RGB 68 202 76

HSL 123.58, 0.56%, 0.53%

LAB 72.22, -60.73, 51.11

 

CMYK 52 / 0 / 66 / 21

HEX #60CA44

RGB 96 202 68

HSL 107.46, 0.56%, 0.53%

LAB 72.99, -54.93, 55.55

 

CMYK 35 / 0 / 66 / 21

HEX #84CA44

RGB 132 202 68

HSL 91.34, 0.56%, 0.53%

LAB 74.55, -43.63, 57.69

 

CMYK 66 / 0 / 26 / 21

HEX #44CA95

RGB 68 202 149

HSL 156.27, 0.56%, 0.53%

LAB 73.31, -48.63, 16.05

 

CMYK 66 / 0 / 8 / 21

HEX #44CAB9

RGB 68 202 185

HSL 172.39, 0.56%, 0.53%

LAB 74.17, -39.89, -2.12

 

CMYK 66 / 9 / 0 / 21

HEX #44B8CA

RGB 68 184 202

HSL 188.06, 0.56%, 0.53%

LAB 69.31, -26.58, -18.65

 

CMYK 66 / 27 / 0 / 21

HEX #4493CA

RGB 68 147 202

HSL 204.63, 0.56%, 0.53%

LAB 58.38, -6.87, -35.48

 

CMYK 66 / 45 / 0 / 21

HEX #446FCA

RGB 68 111 202

HSL 220.75, 0.56%, 0.53%

LAB 48.09, 14.73, -51.77

 

CMYK 66 / 0 / 26 / 21

HEX #44CA95

RGB 68 202 149

HSL 156.27, 0.56%, 0.53%

LAB 73.31, -48.63, 16.05

 

CMYK 78 / 0 / 32 / 13

HEX #31DE98

RGB 49 222 152

HSL 155.72, 0.72%, 0.53%

LAB 79.13, -58.45, 22.46

 

CMYK 88 / 0 / 35 / 5

HEX #1DF19C

RGB 29 241 156

HSL 155.94, 0.88%, 0.53%

LAB 84.78, -66.16, 28.04

 

CMYK 66 / 0 / 26 / 21

HEX #44CA95

RGB 68 202 149

HSL 156.27, 0.56%, 0.53%

LAB 73.31, -48.63, 16.05

 

CMYK 52 / 0 / 21 / 28

HEX #57B791

RGB 87 183 145

HSL 156.25, 0.4%, 0.53%

LAB 67.97, -37.49, 10.79

 

CMYK 34 / 0 / 13 / 36

HEX #6BA38D

RGB 107 163 141

HSL 156.43, 0.23%, 0.53%

LAB 62.71, -23.39, 5.62

 

CMYK 13 / 0 / 5 / 44

HEX #7E9089

RGB 126 144 137

HSL 156.67, 0.08%, 0.53%

LAB 58.22, -7.9, 1.53

 

CMYK 0 / 14 / 9 / 43

HEX #927D85

RGB 146 125 133

HSL 337.14, 0.09%, 0.53%

LAB 54.52, 9.49, -1.35

 

CMYK 66 / 0 / 62 / 21

HEX #44CA4D

RGB 68 202 77

HSL 124.03, 0.56%, 0.53%

LAB 72.23, -60.62, 50.69

 

CMYK 66 / 0 / 44 / 21

HEX #44CA71

RGB 68 202 113

HSL 140.15, 0.56%, 0.53%

LAB 72.67, -55.61, 34.03

 

CMYK 66 / 0 / 26 / 21

HEX #44CA95

RGB 68 202 149

HSL 156.27, 0.56%, 0.53%

LAB 73.31, -48.63, 16.05

 

CMYK 66 / 0 / 9 / 21

HEX #44CAB8

RGB 68 202 184

HSL 171.94, 0.56%, 0.53%

LAB 74.15, -40.16, -1.62

 

CMYK 66 / 9 / 0 / 21

HEX #44B8CA

RGB 68 184 202

HSL 188.06, 0.56%, 0.53%

LAB 69.31, -26.58, -18.65

 

CMYK 72 / 0 / 29 / 43

HEX #299268

RGB 41 146 104

HSL 156, 0.56%, 0.37%

LAB 54.06, -39.86, 13.89

 

CMYK 72 / 0 / 29 / 30

HEX #32B37F

RGB 50 179 127

HSL 155.81, 0.56%, 0.45%

LAB 65.32, -46.97, 16.75

 

CMYK 66 / 0 / 26 / 21

HEX #44CA95

RGB 68 202 149

HSL 156.27, 0.56%, 0.53%

LAB 73.31, -48.63, 16.05

 

CMYK 53 / 0 / 21 / 17

HEX #64D3A7

RGB 100 211 167

HSL 156.22, 0.56%, 0.61%

LAB 77.33, -42.13, 12.23

 

CMYK 40 / 0 / 16 / 14

HEX #84DCB9

RGB 132 220 185

HSL 156.14, 0.56%, 0.69%

LAB 81.62, -34.37, 8.94

 

CMYK 67 / 0 / 27 / 20

HEX #44CB95

RGB 68 203 149

HSL 156, 0.56%, 0.53%

LAB 73.62, -49.04, 16.48

 

CMYK 66 / 53 / 0 / 21

HEX #445FCA

RGB 68 95 202

HSL 227.91, 0.56%, 0.53%

LAB 43.77, 24.85, -58.72

 

CMYK 0 / 53 / 66 / 21

HEX #CA5F44

RGB 202 95 68

HSL 12.09, 0.56%, 0.53%

LAB 53.12, 40.56, 35.42

 

CMYK 67 / 0 / 27 / 20

HEX #44CB95

RGB 68 203 149

HSL 156, 0.56%, 0.53%

LAB 73.62, -49.04, 16.48

 

CMYK 26 / 66 / 0 / 21

HEX #9544CA

RGB 149 68 202

HSL 276.27, 0.56%, 0.53%

LAB 45.34, 56.47, -55.81

 

CMYK 0 / 26 / 66 / 21

HEX #CA9544

RGB 202 149 68

HSL 36.27, 0.56%, 0.53%

LAB 65.33, 11.69, 49.35

 

CMYK 67 / 0 / 27 / 20

HEX #44CB95

RGB 68 203 149

HSL 156, 0.56%, 0.53%

LAB 73.62, -49.04, 16.48

 

CMYK 66 / 53 / 0 / 21

HEX #445FCA

RGB 68 95 202

HSL 227.91, 0.56%, 0.53%

LAB 43.77, 24.85, -58.72

 

CMYK 0 / 66 / 40 / 21

HEX #CA447A

RGB 202 68 122

HSL 335.82, 0.56%, 0.53%

LAB 49.61, 57.38, -1.18

 

CMYK 0 / 13 / 66 / 21

HEX #CAAF44

RGB 202 175 68

HSL 47.91, 0.56%, 0.53%

LAB 71.98, -2.28, 56.49

 

CMYK 67 / 0 / 27 / 20

HEX #44CB95

RGB 68 203 149

HSL 156, 0.56%, 0.53%

LAB 73.62, -49.04, 16.48

 

CMYK 60 / 66 / 0 / 21

HEX #5144CA

RGB 81 68 202

HSL 245.82, 0.56%, 0.53%

LAB 38.11, 43.55, -67.89

 

CMYK 0 / 66 / 40 / 21

HEX #CA447A

RGB 202 68 122

HSL 335.82, 0.56%, 0.53%

LAB 49.61, 57.38, -1.18

 

CMYK 6 / 0 / 66 / 21

HEX #BDCA44

RGB 189 202 68

HSL 65.82, 0.56%, 0.53%

LAB 78.16, -21.56, 62.57

 

Description

Color code: HEX #44CB95 | qconv.com Color code: HEX #44CB95 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 203 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 203 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 27 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 27% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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