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Color name
HEX #44C716

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44C716 it is the complementary color #BB38E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44C716. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44C716 shade: #49C711, #5AD924, #6BEB37, #7CFD4A and #8DFF5D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44C716. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44C716 shade: #44C716, #33B503, #22A300, #119100 and #007F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44C716 shade: #44C516, #73C516, #A2C516, #C5B916 and #C58A16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44C716 shade: #44C516, #16C518, #16C547, #16C576 and #16C5A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44C716 shade matches the following richer shades: #44C516 and #3BD704

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44C716 shade: #44C516, #4CB428, #55A239, #5D904B and #667E5D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44C716 shade: #A2C516, #73C516, #45C516, #16C516 and #16C545

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44C716 shade: #2A7B0E, #37A012, #44C516, #52E61F and #6FEA44

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44C716 shade: #44C716, #16C5BA and #C5168B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44C716 shade: #44C716, #1645C5 and #C51645

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44C716 shade: #44C716, #16C5BA, #9716C5 and #C51622

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44C716 shade: #44C716, #169CC5, #9716C5 and #C53F16

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 89 / 22

HEX #44C716

RGB 68 199 22

HSL 104.41, 0.8%, 0.43%

LAB 70.96, -63.48, 67.29

 

Complementary color

CMYK 20 / 76 / 0 / 9

HEX #BB38E9

RGB 187 56 233

HSL 284.41, 0.8%, 0.57%

LAB 51.01, 74.98, -64.09

 

CMYK 63 / 0 / 91 / 22

HEX #49C711

RGB 73 199 17

HSL 101.54, 0.84%, 0.42%

LAB 71.08, -62.54, 68.27

 

CMYK 59 / 0 / 83 / 15

HEX #5AD924

RGB 90 217 36

HSL 102.1, 0.72%, 0.5%

LAB 77.24, -63.94, 70.08

 

CMYK 54 / 0 / 77 / 8

HEX #6BEB37

RGB 107 235 55

HSL 102.67, 0.82%, 0.57%

LAB 83.35, -64.92, 70.78

 

CMYK 51 / 0 / 71 / 1

HEX #7CFD4A

RGB 124 253 74

HSL 103.24, 0.98%, 0.64%

LAB 89.41, -65.59, 70.75

 

CMYK 45 / 0 / 64 / 0

HEX #8DFF5D

RGB 141 255 93

HSL 102.22, 1%, 0.68%

LAB 90.77, -60.05, 65.25

 

CMYK 66 / 0 / 89 / 22

HEX #44C716

RGB 68 199 22

HSL 104.41, 0.8%, 0.43%

LAB 70.96, -63.48, 67.29

 

CMYK 72 / 0 / 98 / 29

HEX #33B503

RGB 51 181 3

HSL 103.82, 0.97%, 0.36%

LAB 64.77, -61.52, 64.62

 

CMYK 79 / 0 / 100 / 36

HEX #22A300

RGB 34 163 0

HSL 107.48, 1%, 0.32%

LAB 58.54, -58.78, 59.9

 

CMYK 88 / 0 / 100 / 43

HEX #119100

RGB 17 145 0

HSL 112.97, 1%, 0.28%

LAB 52.25, -55.38, 54.78

 

CMYK 100 / 0 / 100 / 50

HEX #007F00

RGB 0 127 0

HSL 120, 1%, 0.25%

LAB 45.88, -51.41, 49.62

 

CMYK 65 / 0 / 89 / 23

HEX #44C516

RGB 68 197 22

HSL 104.23, 0.8%, 0.43%

LAB 70.33, -62.83, 66.75

 

CMYK 42 / 0 / 89 / 23

HEX #73C516

RGB 115 197 22

HSL 88.11, 0.8%, 0.43%

LAB 71.98, -49.82, 68.82

 

CMYK 18 / 0 / 89 / 23

HEX #A2C516

RGB 162 197 22

HSL 72, 0.8%, 0.43%

LAB 74.62, -32.17, 72.07

 

CMYK 0 / 6 / 89 / 23

HEX #C5B916

RGB 197 185 22

HSL 55.89, 0.8%, 0.43%

LAB 73.95, -11.41, 72.66

 

CMYK 0 / 30 / 89 / 23

HEX #C58A16

RGB 197 138 22

HSL 39.77, 0.8%, 0.43%

LAB 61.74, 13.67, 63.05

 

CMYK 65 / 0 / 89 / 23

HEX #44C516

RGB 68 197 22

HSL 104.23, 0.8%, 0.43%

LAB 70.33, -62.83, 66.75

 

CMYK 89 / 0 / 88 / 23

HEX #16C518

RGB 22 197 24

HSL 120.69, 0.8%, 0.43%

LAB 69.59, -69.25, 65.44

 

CMYK 89 / 0 / 64 / 23

HEX #16C547

RGB 22 197 71

HSL 136.8, 0.8%, 0.43%

LAB 69.87, -65.77, 50.43

 

CMYK 89 / 0 / 40 / 23

HEX #16C576

RGB 22 197 118

HSL 152.91, 0.8%, 0.43%

LAB 70.46, -58.57, 28.44

 

CMYK 89 / 0 / 16 / 23

HEX #16C5A6

RGB 22 197 166

HSL 169.37, 0.8%, 0.43%

LAB 71.46, -47.56, 4.15

 

CMYK 65 / 0 / 89 / 23

HEX #44C516

RGB 68 197 22

HSL 104.23, 0.8%, 0.43%

LAB 70.33, -62.83, 66.75

 

CMYK 73 / 0 / 98 / 16

HEX #3BD704

RGB 59 215 4

HSL 104.36, 0.96%, 0.43%

LAB 75.79, -70.53, 73.45

 

CMYK 65 / 0 / 89 / 23

HEX #44C516

RGB 68 197 22

HSL 104.23, 0.8%, 0.43%

LAB 70.33, -62.83, 66.75

 

CMYK 58 / 0 / 78 / 29

HEX #4CB428

RGB 76 180 40

HSL 104.57, 0.64%, 0.43%

LAB 65.23, -54.29, 57.71

 

CMYK 48 / 0 / 65 / 36

HEX #55A239

RGB 85 162 57

HSL 104, 0.48%, 0.43%

LAB 59.95, -43.44, 45.9

 

CMYK 35 / 0 / 48 / 44

HEX #5D904B

RGB 93 144 75

HSL 104.35, 0.32%, 0.43%

LAB 54.85, -30.7, 31.25

 

CMYK 19 / 0 / 26 / 51

HEX #667E5D

RGB 102 126 93

HSL 103.64, 0.15%, 0.43%

LAB 50.14, -15.39, 15.18

 

CMYK 18 / 0 / 89 / 23

HEX #A2C516

RGB 162 197 22

HSL 72, 0.8%, 0.43%

LAB 74.62, -32.17, 72.07

 

CMYK 42 / 0 / 89 / 23

HEX #73C516

RGB 115 197 22

HSL 88.11, 0.8%, 0.43%

LAB 71.98, -49.82, 68.82

 

CMYK 65 / 0 / 89 / 23

HEX #45C516

RGB 69 197 22

HSL 103.89, 0.8%, 0.43%

LAB 70.35, -62.62, 66.78

 

CMYK 89 / 0 / 89 / 23

HEX #16C516

RGB 22 197 22

HSL 120, 0.8%, 0.43%

LAB 69.58, -69.33, 65.82

 

CMYK 89 / 0 / 65 / 23

HEX #16C545

RGB 22 197 69

HSL 136.11, 0.8%, 0.43%

LAB 69.85, -65.99, 51.26

 

CMYK 66 / 0 / 89 / 52

HEX #2A7B0E

RGB 42 123 14

HSL 104.59, 0.8%, 0.27%

LAB 45.21, -43.63, 46.33

 

CMYK 66 / 0 / 89 / 37

HEX #37A012

RGB 55 160 18

HSL 104.37, 0.8%, 0.35%

LAB 58.03, -53.46, 56.8

 

CMYK 65 / 0 / 89 / 23

HEX #44C516

RGB 68 197 22

HSL 104.23, 0.8%, 0.43%

LAB 70.33, -62.83, 66.75

 

CMYK 64 / 0 / 87 / 10

HEX #52E61F

RGB 82 230 31

HSL 104.62, 0.8%, 0.51%

LAB 81.01, -70.22, 74.4

 

CMYK 53 / 0 / 71 / 8

HEX #6FEA44

RGB 111 234 68

HSL 104.46, 0.8%, 0.59%

LAB 83.25, -62.66, 66.45

 

CMYK 66 / 0 / 89 / 22

HEX #44C716

RGB 68 199 22

HSL 104.41, 0.8%, 0.43%

LAB 70.96, -63.48, 67.29

 

CMYK 89 / 0 / 6 / 23

HEX #16C5BA

RGB 22 197 186

HSL 176.23, 0.8%, 0.43%

LAB 71.99, -42.05, -5.95

 

CMYK 0 / 89 / 29 / 23

HEX #C5168B

RGB 197 22 139

HSL 319.89, 0.8%, 0.43%

LAB 44.67, 71.07, -19.02

 

CMYK 66 / 0 / 89 / 22

HEX #44C716

RGB 68 199 22

HSL 104.41, 0.8%, 0.43%

LAB 70.96, -63.48, 67.29

 

CMYK 89 / 65 / 0 / 23

HEX #1645C5

RGB 22 69 197

HSL 223.89, 0.8%, 0.43%

LAB 34.92, 35.04, -70.32

 

CMYK 0 / 89 / 65 / 23

HEX #C51645

RGB 197 22 69

HSL 343.89, 0.8%, 0.43%

LAB 42.57, 65.25, 21.52

 

CMYK 66 / 0 / 89 / 22

HEX #44C716

RGB 68 199 22

HSL 104.41, 0.8%, 0.43%

LAB 70.96, -63.48, 67.29

 

CMYK 89 / 0 / 6 / 23

HEX #16C5BA

RGB 22 197 186

HSL 176.23, 0.8%, 0.43%

LAB 71.99, -42.05, -5.95

 

CMYK 23 / 89 / 0 / 23

HEX #9716C5

RGB 151 22 197

HSL 284.23, 0.8%, 0.43%

LAB 39.89, 71.25, -61.72

 

CMYK 0 / 89 / 83 / 23

HEX #C51622

RGB 197 22 34

HSL 355.89, 0.8%, 0.43%

LAB 42.09, 63.87, 41.88

 

CMYK 66 / 0 / 89 / 22

HEX #44C716

RGB 68 199 22

HSL 104.41, 0.8%, 0.43%

LAB 70.96, -63.48, 67.29

 

CMYK 89 / 21 / 0 / 23

HEX #169CC5

RGB 22 156 197

HSL 194.06, 0.8%, 0.43%

LAB 59.87, -18.65, -30.43

 

CMYK 23 / 89 / 0 / 23

HEX #9716C5

RGB 151 22 197

HSL 284.23, 0.8%, 0.43%

LAB 39.89, 71.25, -61.72

 

CMYK 0 / 68 / 89 / 23

HEX #C53F16

RGB 197 63 22

HSL 14.06, 0.8%, 0.43%

LAB 46.29, 51.65, 51.07

 

Description

Color code: HEX #44C716 | qconv.com Color code: HEX #44C716 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 199 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 199 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 89 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 89% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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