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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44ABA2 it is the complementary color #BB545D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44ABA2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44ABA2 shade: #49AB9D, #5ABDB0, #6BCFC3, #7CE1D6 and #8DF3E9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44ABA2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44ABA2 shade: #44ABA2, #33998F, #22877C, #117569 and #006356

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44ABA2 shade: #44ABA2, #44AB87, #44AB6B, #44AB4F and #55AB44

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44ABA2 shade: #44ABA2, #4499AB, #447DAB, #4461AB and #4445AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44ABA2 shade matches the following richer shades: #44ABA2, #31BFB2, #1ED2C2 and #0AE6D2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44ABA2 shade: #44ABA2, #589892, #6B8582, #7E7172 and #925E62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44ABA2 shade: #44AB6A, #44AB86, #44ABA1, #449AAB and #447FAB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44ABA2 shade: #2D706A, #398E86, #44ABA2, #5BBEB5 and #79C9C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44ABA2 shade: #44ABA2, #4F44AB and #AB7844

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44ABA2 shade: #44ABA2, #A144AB and #ABA144

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44ABA2 shade: #44ABA2, #4F44AB, #AB444F and #A1AB44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44ABA2 shade: #44ABA2, #6E44AB, #AB444F and #82AB44

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 5 / 33

HEX #44ABA2

RGB 68 171 162

HSL 174.76, 0.43%, 0.47%

LAB 64.13, -31.71, -4.25

 

Complementary color

CMYK 0 / 55 / 50 / 27

HEX #BB545D

RGB 187 84 93

HSL 354.76, 0.43%, 0.53%

LAB 49.12, 42.36, 15.29

 

CMYK 57 / 0 / 8 / 33

HEX #49AB9D

RGB 73 171 157

HSL 171.43, 0.4%, 0.48%

LAB 64.14, -32.08, -1.43

 

CMYK 52 / 0 / 7 / 26

HEX #5ABDB0

RGB 90 189 176

HSL 172.12, 0.43%, 0.55%

LAB 70.67, -32.18, -2.29

 

CMYK 48 / 0 / 6 / 19

HEX #6BCFC3

RGB 107 207 195

HSL 172.8, 0.51%, 0.62%

LAB 77.1, -32.2, -3.09

 

CMYK 45 / 0 / 5 / 12

HEX #7CE1D6

RGB 124 225 214

HSL 173.47, 0.63%, 0.68%

LAB 83.44, -32.17, -3.83

 

CMYK 42 / 0 / 4 / 5

HEX #8DF3E9

RGB 141 243 233

HSL 174.12, 0.81%, 0.75%

LAB 89.7, -32.11, -4.52

 

CMYK 60 / 0 / 5 / 33

HEX #44ABA2

RGB 68 171 162

HSL 174.76, 0.43%, 0.47%

LAB 64.13, -31.71, -4.25

 

CMYK 67 / 0 / 7 / 40

HEX #33998F

RGB 51 153 143

HSL 174.12, 0.5%, 0.4%

LAB 57.53, -31.33, -3.32

 

CMYK 75 / 0 / 8 / 47

HEX #22877C

RGB 34 135 124

HSL 173.47, 0.6%, 0.33%

LAB 50.83, -30.7, -2.27

 

CMYK 85 / 0 / 10 / 54

HEX #117569

RGB 17 117 105

HSL 172.8, 0.75%, 0.26%

LAB 44.03, -29.68, -1.05

 

CMYK 100 / 0 / 13 / 61

HEX #006356

RGB 0 99 86

HSL 172.12, 1%, 0.19%

LAB 37.11, -28.27, 0.34

 

CMYK 60 / 0 / 5 / 33

HEX #44ABA2

RGB 68 171 162

HSL 174.76, 0.43%, 0.47%

LAB 64.13, -31.71, -4.25

 

CMYK 60 / 0 / 21 / 33

HEX #44AB87

RGB 68 171 135

HSL 159.03, 0.43%, 0.47%

LAB 63.43, -38.57, 9.77

 

CMYK 60 / 0 / 37 / 33

HEX #44AB6B

RGB 68 171 107

HSL 142.72, 0.43%, 0.47%

LAB 62.86, -44.5, 24.32

 

CMYK 60 / 0 / 54 / 33

HEX #44AB4F

RGB 68 171 79

HSL 126.41, 0.43%, 0.47%

LAB 62.44, -49.08, 38.3

 

CMYK 50 / 0 / 60 / 33

HEX #55AB44

RGB 85 171 68

HSL 110.1, 0.43%, 0.47%

LAB 62.91, -45.96, 44.26

 

CMYK 60 / 0 / 5 / 33

HEX #44ABA2

RGB 68 171 162

HSL 174.76, 0.43%, 0.47%

LAB 64.13, -31.71, -4.25

 

CMYK 60 / 11 / 0 / 33

HEX #4499AB

RGB 68 153 171

HSL 190.49, 0.43%, 0.47%

LAB 58.93, -20.1, -17.11

 

CMYK 60 / 27 / 0 / 33

HEX #447DAB

RGB 68 125 171

HSL 206.8, 0.43%, 0.47%

LAB 50.5, -4.53, -30.09

 

CMYK 60 / 43 / 0 / 33

HEX #4461AB

RGB 68 97 171

HSL 223.11, 0.43%, 0.47%

LAB 42.34, 12.67, -42.95

 

CMYK 60 / 60 / 0 / 33

HEX #4445AB

RGB 68 69 171

HSL 239.42, 0.43%, 0.47%

LAB 34.85, 30.68, -55

 

CMYK 60 / 0 / 5 / 33

HEX #44ABA2

RGB 68 171 162

HSL 174.76, 0.43%, 0.47%

LAB 64.13, -31.71, -4.25

 

CMYK 74 / 0 / 7 / 25

HEX #31BFB2

RGB 49 191 178

HSL 174.51, 0.59%, 0.47%

LAB 70.27, -39.41, -4.1

 

CMYK 86 / 0 / 8 / 18

HEX #1ED2C2

RGB 30 210 194

HSL 174.67, 0.75%, 0.47%

LAB 76.23, -45, -4.02

 

CMYK 96 / 0 / 9 / 10

HEX #0AE6D2

RGB 10 230 210

HSL 174.55, 0.92%, 0.47%

LAB 82.55, -49.9, -3.28

 

CMYK 60 / 0 / 5 / 33

HEX #44ABA2

RGB 68 171 162

HSL 174.76, 0.43%, 0.47%

LAB 64.13, -31.71, -4.25

 

CMYK 42 / 0 / 4 / 40

HEX #589892

RGB 88 152 146

HSL 174.38, 0.27%, 0.47%

LAB 58.61, -22.02, -3.29

 

CMYK 20 / 0 / 2 / 48

HEX #6B8582

RGB 107 133 130

HSL 173.08, 0.11%, 0.47%

LAB 53.51, -9.93, -1.47

 

CMYK 0 / 10 / 10 / 51

HEX #7E7172

RGB 126 113 114

HSL 355.38, 0.05%, 0.47%

LAB 48.84, 5.24, 1.28

 

CMYK 0 / 36 / 33 / 43

HEX #925E62

RGB 146 94 98

HSL 355.38, 0.22%, 0.47%

LAB 45.63, 21.8, 6.54

 

CMYK 60 / 0 / 38 / 33

HEX #44AB6A

RGB 68 171 106

HSL 142.14, 0.43%, 0.47%

LAB 62.84, -44.69, 24.83

 

CMYK 60 / 0 / 22 / 33

HEX #44AB86

RGB 68 171 134

HSL 158.45, 0.43%, 0.47%

LAB 63.41, -38.8, 10.29

 

CMYK 60 / 0 / 6 / 33

HEX #44ABA1

RGB 68 171 161

HSL 174.17, 0.43%, 0.47%

LAB 64.1, -31.99, -3.74

 

CMYK 60 / 10 / 0 / 33

HEX #449AAB

RGB 68 154 171

HSL 189.9, 0.43%, 0.47%

LAB 59.23, -20.62, -16.65

 

CMYK 60 / 26 / 0 / 33

HEX #447FAB

RGB 68 127 171

HSL 205.63, 0.43%, 0.47%

LAB 51.09, -5.7, -29.16

 

CMYK 60 / 0 / 5 / 56

HEX #2D706A

RGB 45 112 106

HSL 174.63, 0.43%, 0.31%

LAB 43.04, -22.64, -3.04

 

CMYK 60 / 0 / 6 / 44

HEX #398E86

RGB 57 142 134

HSL 174.35, 0.43%, 0.39%

LAB 53.96, -27.42, -3.4

 

CMYK 60 / 0 / 5 / 33

HEX #44ABA2

RGB 68 171 162

HSL 174.76, 0.43%, 0.47%

LAB 64.13, -31.71, -4.25

 

CMYK 52 / 0 / 5 / 25

HEX #5BBEB5

RGB 91 190 181

HSL 174.55, 0.43%, 0.55%

LAB 71.14, -31.16, -4.33

 

CMYK 40 / 0 / 3 / 21

HEX #79C9C2

RGB 121 201 194

HSL 174.75, 0.43%, 0.63%

LAB 75.91, -26.16, -4.23

 

CMYK 60 / 0 / 5 / 33

HEX #44ABA2

RGB 68 171 162

HSL 174.76, 0.43%, 0.47%

LAB 64.13, -31.71, -4.25

 

CMYK 54 / 60 / 0 / 33

HEX #4F44AB

RGB 79 68 171

HSL 246.41, 0.43%, 0.47%

LAB 35.47, 33.37, -53.95

 

CMYK 0 / 30 / 60 / 33

HEX #AB7844

RGB 171 120 68

HSL 30.29, 0.43%, 0.47%

LAB 54.56, 14.3, 36.12

 

CMYK 60 / 0 / 5 / 33

HEX #44ABA2

RGB 68 171 162

HSL 174.76, 0.43%, 0.47%

LAB 64.13, -31.71, -4.25

 

CMYK 6 / 60 / 0 / 33

HEX #A144AB

RGB 161 68 171

HSL 294.17, 0.43%, 0.47%

LAB 45.15, 52.95, -37.9

 

CMYK 0 / 6 / 60 / 33

HEX #ABA144

RGB 171 161 68

HSL 54.17, 0.43%, 0.47%

LAB 65.41, -8.28, 48.56

 

CMYK 60 / 0 / 5 / 33

HEX #44ABA2

RGB 68 171 162

HSL 174.76, 0.43%, 0.47%

LAB 64.13, -31.71, -4.25

 

CMYK 54 / 60 / 0 / 33

HEX #4F44AB

RGB 79 68 171

HSL 246.41, 0.43%, 0.47%

LAB 35.47, 33.37, -53.95

 

CMYK 0 / 60 / 54 / 33

HEX #AB444F

RGB 171 68 79

HSL 353.59, 0.43%, 0.47%

LAB 43.3, 43.16, 15.41

 

CMYK 6 / 0 / 60 / 33

HEX #A1AB44

RGB 161 171 68

HSL 65.83, 0.43%, 0.47%

LAB 67.37, -17.76, 50.49

 

CMYK 60 / 0 / 5 / 33

HEX #44ABA2

RGB 68 171 162

HSL 174.76, 0.43%, 0.47%

LAB 64.13, -31.71, -4.25

 

CMYK 36 / 60 / 0 / 33

HEX #6E44AB

RGB 110 68 171

HSL 264.47, 0.43%, 0.47%

LAB 38.53, 40.15, -48.86

 

CMYK 0 / 60 / 54 / 33

HEX #AB444F

RGB 171 68 79

HSL 353.59, 0.43%, 0.47%

LAB 43.3, 43.16, 15.41

 

CMYK 24 / 0 / 60 / 33

HEX #82AB44

RGB 130 171 68

HSL 83.88, 0.43%, 0.47%

LAB 65.19, -30.41, 47.46

 

Description

Color code: HEX #44ABA2 | qconv.com Color code: HEX #44ABA2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 171 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 171 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 5 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 5% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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