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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44A735 it is the complementary color #BB58CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44A735. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44A735 shade: #49A730, #5AB943, #6BCB56, #7CDD69 and #8DEF7C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44A735. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44A735 shade: #44A735, #339522, #22830F, #117100 and #005F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44A735 shade: #44A735, #62A735, #81A735, #A0A735 and #A78F35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44A735 shade: #44A735, #35A744, #35A763, #35A782 and #35A7A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44A735 shade matches the following richer shades: #44A735, #37B823 and #29CA11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44A735 shade: #44A735, #519546, #5E8358, #6B716A and #78607C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44A735 shade: #81A735, #62A735, #44A735, #35A744 and #35A762

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44A735 shade: #2A6821, #37872B, #44A735, #52C341 and #6FCD61

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44A735 shade: #44A735, #359FA7 and #A73571

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44A735 shade: #44A735, #3544A7 and #A73544

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44A735 shade: #44A735, #359FA7, #9735A7 and #A73C35

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44A735 shade: #44A735, #357DA7, #9735A7 and #A75E35

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 68 / 35

HEX #44A735

RGB 68 167 53

HSL 112.11, 0.52%, 0.43%

LAB 60.89, -50.57, 48.45

 

Complementary color

CMYK 7 / 56 / 0 / 21

HEX #BB58CA

RGB 187 88 202

HSL 292.11, 0.52%, 0.57%

LAB 53.82, 56.2, -41.98

 

CMYK 56 / 0 / 71 / 35

HEX #49A730

RGB 73 167 48

HSL 107.39, 0.55%, 0.42%

LAB 61.02, -49.71, 50.64

 

CMYK 51 / 0 / 64 / 27

HEX #5AB943

RGB 90 185 67

HSL 108.31, 0.47%, 0.49%

LAB 67.48, -50.18, 49.91

 

CMYK 47 / 0 / 58 / 20

HEX #6BCB56

RGB 107 203 86

HSL 109.23, 0.53%, 0.57%

LAB 73.87, -50.4, 48.88

 

CMYK 44 / 0 / 52 / 13

HEX #7CDD69

RGB 124 221 105

HSL 110.17, 0.63%, 0.64%

LAB 80.19, -50.46, 47.72

 

CMYK 41 / 0 / 48 / 6

HEX #8DEF7C

RGB 141 239 124

HSL 111.13, 0.78%, 0.71%

LAB 86.43, -50.4, 46.52

 

CMYK 59 / 0 / 68 / 35

HEX #44A735

RGB 68 167 53

HSL 112.11, 0.52%, 0.43%

LAB 60.89, -50.57, 48.45

 

CMYK 66 / 0 / 77 / 42

HEX #339522

RGB 51 149 34

HSL 111.13, 0.63%, 0.36%

LAB 54.36, -49.67, 48.9

 

CMYK 74 / 0 / 89 / 49

HEX #22830F

RGB 34 131 15

HSL 110.17, 0.79%, 0.29%

LAB 47.76, -48.11, 48.28

 

CMYK 85 / 0 / 100 / 56

HEX #117100

RGB 17 113 0

HSL 110.97, 1%, 0.22%

LAB 41.1, -45.55, 45.87

 

CMYK 100 / 0 / 100 / 63

HEX #005F00

RGB 0 95 0

HSL 120, 1%, 0.19%

LAB 34.36, -41.84, 40.38

 

CMYK 59 / 0 / 68 / 35

HEX #44A735

RGB 68 167 53

HSL 112.11, 0.52%, 0.43%

LAB 60.89, -50.57, 48.45

 

CMYK 41 / 0 / 68 / 35

HEX #62A735

RGB 98 167 53

HSL 96.32, 0.52%, 0.43%

LAB 62.08, -41.65, 50.07

 

CMYK 23 / 0 / 68 / 35

HEX #81A735

RGB 129 167 53

HSL 80, 0.52%, 0.43%

LAB 63.8, -30.1, 52.41

 

CMYK 4 / 0 / 68 / 35

HEX #A0A735

RGB 160 167 53

HSL 63.68, 0.52%, 0.43%

LAB 66.03, -17.15, 55.4

 

CMYK 0 / 14 / 68 / 35

HEX #A78F35

RGB 167 143 53

HSL 47.37, 0.52%, 0.43%

LAB 59.99, -1.33, 49.39

 

CMYK 59 / 0 / 68 / 35

HEX #44A735

RGB 68 167 53

HSL 112.11, 0.52%, 0.43%

LAB 60.89, -50.57, 48.45

 

CMYK 68 / 0 / 59 / 35

HEX #35A744

RGB 53 167 68

HSL 127.89, 0.52%, 0.43%

LAB 60.62, -52.27, 41.35

 

CMYK 68 / 0 / 41 / 35

HEX #35A763

RGB 53 167 99

HSL 144.21, 0.52%, 0.43%

LAB 61.04, -47.41, 26.13

 

CMYK 68 / 0 / 22 / 35

HEX #35A782

RGB 53 167 130

HSL 160.53, 0.52%, 0.43%

LAB 61.66, -40.77, 9.99

 

CMYK 68 / 0 / 4 / 35

HEX #35A7A1

RGB 53 167 161

HSL 176.84, 0.52%, 0.43%

LAB 62.48, -32.59, -6.18

 

CMYK 59 / 0 / 68 / 35

HEX #44A735

RGB 68 167 53

HSL 112.11, 0.52%, 0.43%

LAB 60.89, -50.57, 48.45

 

CMYK 70 / 0 / 81 / 28

HEX #37B823

RGB 55 184 35

HSL 111.95, 0.68%, 0.43%

LAB 65.92, -60.63, 59.67

 

CMYK 80 / 0 / 92 / 21

HEX #29CA11

RGB 41 202 17

HSL 112.22, 0.84%, 0.43%

LAB 71.39, -69.04, 68.26

 

CMYK 59 / 0 / 68 / 35

HEX #44A735

RGB 68 167 53

HSL 112.11, 0.52%, 0.43%

LAB 60.89, -50.57, 48.45

 

CMYK 46 / 0 / 53 / 42

HEX #519546

RGB 81 149 70

HSL 111.65, 0.36%, 0.43%

LAB 55.77, -37.69, 34.85

 

CMYK 28 / 0 / 33 / 49

HEX #5E8358

RGB 94 131 88

HSL 111.63, 0.2%, 0.43%

LAB 51.06, -21.91, 19.2

 

CMYK 5 / 0 / 6 / 56

HEX #6B716A

RGB 107 113 106

HSL 111.43, 0.03%, 0.43%

LAB 46.94, -3.71, 3.09

 

CMYK 3 / 23 / 0 / 51

HEX #78607C

RGB 120 96 124

HSL 291.43, 0.13%, 0.43%

LAB 43.97, 15.09, -12.01

 

CMYK 23 / 0 / 68 / 35

HEX #81A735

RGB 129 167 53

HSL 80, 0.52%, 0.43%

LAB 63.8, -30.1, 52.41

 

CMYK 41 / 0 / 68 / 35

HEX #62A735

RGB 98 167 53

HSL 96.32, 0.52%, 0.43%

LAB 62.08, -41.65, 50.07

 

CMYK 59 / 0 / 68 / 35

HEX #44A735

RGB 68 167 53

HSL 112.11, 0.52%, 0.43%

LAB 60.89, -50.57, 48.45

 

CMYK 68 / 0 / 59 / 35

HEX #35A744

RGB 53 167 68

HSL 127.89, 0.52%, 0.43%

LAB 60.62, -52.27, 41.35

 

CMYK 68 / 0 / 41 / 35

HEX #35A762

RGB 53 167 98

HSL 143.68, 0.52%, 0.43%

LAB 61.02, -47.6, 26.64

 

CMYK 60 / 0 / 68 / 59

HEX #2A6821

RGB 42 104 33

HSL 112.39, 0.52%, 0.27%

LAB 38.73, -34.85, 33.03

 

CMYK 59 / 0 / 68 / 47

HEX #37872B

RGB 55 135 43

HSL 112.17, 0.52%, 0.35%

LAB 49.88, -42.7, 40.75

 

CMYK 59 / 0 / 68 / 35

HEX #44A735

RGB 68 167 53

HSL 112.11, 0.52%, 0.43%

LAB 60.89, -50.57, 48.45

 

CMYK 58 / 0 / 67 / 24

HEX #52C341

RGB 82 195 65

HSL 112.15, 0.52%, 0.51%

LAB 70.32, -56.26, 53.76

 

CMYK 46 / 0 / 53 / 20

HEX #6FCD61

RGB 111 205 97

HSL 112.22, 0.52%, 0.59%

LAB 74.77, -48.75, 44.84

 

CMYK 59 / 0 / 68 / 35

HEX #44A735

RGB 68 167 53

HSL 112.11, 0.52%, 0.43%

LAB 60.89, -50.57, 48.45

 

CMYK 68 / 5 / 0 / 35

HEX #359FA7

RGB 53 159 167

HSL 184.21, 0.52%, 0.43%

LAB 60.2, -26.93, -12.97

 

CMYK 0 / 68 / 32 / 35

HEX #A73571

RGB 167 53 113

HSL 328.42, 0.52%, 0.43%

LAB 41.14, 52.03, -8.89

 

CMYK 59 / 0 / 68 / 35

HEX #44A735

RGB 68 167 53

HSL 112.11, 0.52%, 0.43%

LAB 60.89, -50.57, 48.45

 

CMYK 68 / 59 / 0 / 35

HEX #3544A7

RGB 53 68 167

HSL 232.11, 0.52%, 0.43%

LAB 33.31, 27.45, -55.16

 

CMYK 0 / 68 / 59 / 35

HEX #A73544

RGB 167 53 68

HSL 352.11, 0.52%, 0.43%

LAB 39.88, 47.61, 17.53

 

CMYK 59 / 0 / 68 / 35

HEX #44A735

RGB 68 167 53

HSL 112.11, 0.52%, 0.43%

LAB 60.89, -50.57, 48.45

 

CMYK 68 / 5 / 0 / 35

HEX #359FA7

RGB 53 159 167

HSL 184.21, 0.52%, 0.43%

LAB 60.2, -26.93, -12.97

 

CMYK 10 / 68 / 0 / 35

HEX #9735A7

RGB 151 53 167

HSL 291.58, 0.52%, 0.43%

LAB 41.08, 56.28, -42.09

 

CMYK 0 / 64 / 68 / 35

HEX #A73C35

RGB 167 60 53

HSL 3.68, 0.52%, 0.43%

LAB 40.74, 43.59, 27.83

 

CMYK 59 / 0 / 68 / 35

HEX #44A735

RGB 68 167 53

HSL 112.11, 0.52%, 0.43%

LAB 60.89, -50.57, 48.45

 

CMYK 68 / 25 / 0 / 35

HEX #357DA7

RGB 53 125 167

HSL 202.11, 0.52%, 0.43%

LAB 49.75, -8.64, -28.96

 

CMYK 10 / 68 / 0 / 35

HEX #9735A7

RGB 151 53 167

HSL 291.58, 0.52%, 0.43%

LAB 41.08, 56.28, -42.09

 

CMYK 0 / 44 / 68 / 35

HEX #A75E35

RGB 167 94 53

HSL 21.58, 0.52%, 0.43%

LAB 47.6, 26.13, 35.88

 

Description

Color code: HEX #44A735 | qconv.com Color code: HEX #44A735 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 167 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 167 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 68 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 68% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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