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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #449C33 it is the complementary color #BB63CC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #449C33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #449C33 shade: #499C2E, #5AAE41, #6BC054, #7CD267 and #8DE47A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #449C33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #449C33 shade: #449C33, #338A20, #22780D, #116600 and #005400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #449C33 shade: #449E33, #619E33, #7E9E33, #9B9E33 and #9E8433

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #449C33 shade: #449E33, #339E3F, #339E5B, #339E78 and #339E95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #449C33 shade matches the following richer shades: #449E33, #39AF22, #2EC011 and #22D100

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #449C33 shade: #449E33, #508D44, #5B7C55, #676B66 and #725A77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #449C33 shade: #7E9E33, #619E33, #459E33, #339E3E and #339E5A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #449C33 shade: #29601F, #377F29, #449E33, #52BD3D and #6CC95A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #449C33 shade: #449C33, #339A9E and #9E3370

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #449C33 shade: #449C33, #33459E and #9E3345

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #449C33 shade: #449C33, #339A9E, #8C339E and #9E3733

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #449C33 shade: #449C33, #337A9E, #8C339E and #9E5733

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 67 / 39

HEX #449C33

RGB 68 156 51

HSL 110.29, 0.51%, 0.41%

LAB 57.31, -46.59, 45.45

 

Complementary color

CMYK 8 / 51 / 0 / 20

HEX #BB63CC

RGB 187 99 204

HSL 290.29, 0.51%, 0.59%

LAB 55.94, 51.21, -39.8

 

CMYK 53 / 0 / 71 / 39

HEX #499C2E

RGB 73 156 46

HSL 105.27, 0.54%, 0.4%

LAB 57.45, -45.64, 47.73

 

CMYK 48 / 0 / 63 / 32

HEX #5AAE41

RGB 90 174 65

HSL 106.24, 0.46%, 0.47%

LAB 64.02, -46.01, 46.94

 

CMYK 44 / 0 / 56 / 25

HEX #6BC054

RGB 107 192 84

HSL 107.22, 0.46%, 0.54%

LAB 70.5, -46.15, 45.86

 

CMYK 41 / 0 / 51 / 18

HEX #7CD267

RGB 124 210 103

HSL 108.22, 0.54%, 0.61%

LAB 76.9, -46.15, 44.68

 

CMYK 38 / 0 / 46 / 11

HEX #8DE47A

RGB 141 228 122

HSL 109.25, 0.66%, 0.69%

LAB 83.21, -46.05, 43.47

 

CMYK 56 / 0 / 67 / 39

HEX #449C33

RGB 68 156 51

HSL 110.29, 0.51%, 0.41%

LAB 57.31, -46.59, 45.45

 

CMYK 63 / 0 / 77 / 46

HEX #338A20

RGB 51 138 32

HSL 109.25, 0.62%, 0.33%

LAB 50.67, -45.83, 45.97

 

CMYK 72 / 0 / 89 / 53

HEX #22780D

RGB 34 120 13

HSL 108.22, 0.8%, 0.26%

LAB 43.95, -44.43, 45.38

 

CMYK 83 / 0 / 100 / 60

HEX #116600

RGB 17 102 0

HSL 110, 1%, 0.2%

LAB 37.16, -41.99, 42.71

 

CMYK 100 / 0 / 100 / 67

HEX #005400

RGB 0 84 0

HSL 120, 1%, 0.16%

LAB 30.26, -38.43, 37.09

 

CMYK 57 / 0 / 68 / 38

HEX #449E33

RGB 68 158 51

HSL 110.47, 0.51%, 0.41%

LAB 57.96, -47.36, 46.15

 

CMYK 39 / 0 / 68 / 38

HEX #619E33

RGB 97 158 51

HSL 94.21, 0.51%, 0.41%

LAB 59.19, -38.28, 47.83

 

CMYK 20 / 0 / 68 / 38

HEX #7E9E33

RGB 126 158 51

HSL 77.94, 0.51%, 0.41%

LAB 60.89, -27.13, 50.14

 

CMYK 2 / 0 / 68 / 38

HEX #9B9E33

RGB 155 158 51

HSL 61.68, 0.51%, 0.41%

LAB 63.06, -14.79, 53.06

 

CMYK 0 / 16 / 68 / 38

HEX #9E8433

RGB 158 132 51

HSL 45.42, 0.51%, 0.41%

LAB 56.1, 0.58, 45.91

 

CMYK 57 / 0 / 68 / 38

HEX #449E33

RGB 68 158 51

HSL 110.47, 0.51%, 0.41%

LAB 57.96, -47.36, 46.15

 

CMYK 68 / 0 / 60 / 38

HEX #339E3F

RGB 51 158 63

HSL 126.73, 0.51%, 0.41%

LAB 57.58, -50.03, 40.17

 

CMYK 68 / 0 / 42 / 38

HEX #339E5B

RGB 51 158 91

HSL 142.43, 0.51%, 0.41%

LAB 57.95, -45.71, 26.36

 

CMYK 68 / 0 / 24 / 38

HEX #339E78

RGB 51 158 120

HSL 158.69, 0.51%, 0.41%

LAB 58.52, -39.6, 11.14

 

CMYK 68 / 0 / 6 / 38

HEX #339E95

RGB 51 158 149

HSL 174.95, 0.51%, 0.41%

LAB 59.28, -32.03, -4.16

 

CMYK 57 / 0 / 68 / 38

HEX #449E33

RGB 68 158 51

HSL 110.47, 0.51%, 0.41%

LAB 57.96, -47.36, 46.15

 

CMYK 67 / 0 / 81 / 31

HEX #39AF22

RGB 57 175 34

HSL 110.21, 0.67%, 0.41%

LAB 63.05, -57.33, 57.29

 

CMYK 76 / 0 / 91 / 25

HEX #2EC011

RGB 46 192 17

HSL 110.06, 0.84%, 0.41%

LAB 68.26, -65.39, 65.65

 

CMYK 84 / 0 / 100 / 18

HEX #22D100

RGB 34 209 0

HSL 110.24, 1%, 0.41%

LAB 73.51, -72.17, 71.86

 

CMYK 57 / 0 / 68 / 38

HEX #449E33

RGB 68 158 51

HSL 110.47, 0.51%, 0.41%

LAB 57.96, -47.36, 46.15

 

CMYK 43 / 0 / 52 / 45

HEX #508D44

RGB 80 141 68

HSL 110.14, 0.35%, 0.41%

LAB 53.14, -34.73, 32.65

 

CMYK 27 / 0 / 31 / 51

HEX #5B7C55

RGB 91 124 85

HSL 110.77, 0.19%, 0.41%

LAB 48.63, -19.9, 17.61

 

CMYK 4 / 0 / 5 / 58

HEX #676B66

RGB 103 107 102

HSL 108, 0.02%, 0.41%

LAB 44.74, -2.57, 2.26

 

CMYK 4 / 24 / 0 / 53

HEX #725A77

RGB 114 90 119

HSL 289.66, 0.14%, 0.41%

LAB 41.57, 15.46, -12.66

 

CMYK 20 / 0 / 68 / 38

HEX #7E9E33

RGB 126 158 51

HSL 77.94, 0.51%, 0.41%

LAB 60.89, -27.13, 50.14

 

CMYK 39 / 0 / 68 / 38

HEX #619E33

RGB 97 158 51

HSL 94.21, 0.51%, 0.41%

LAB 59.19, -38.28, 47.83

 

CMYK 56 / 0 / 68 / 38

HEX #459E33

RGB 69 158 51

HSL 109.91, 0.51%, 0.41%

LAB 58, -47.09, 46.19

 

CMYK 68 / 0 / 61 / 38

HEX #339E3E

RGB 51 158 62

HSL 126.17, 0.51%, 0.41%

LAB 57.56, -50.16, 40.63

 

CMYK 68 / 0 / 43 / 38

HEX #339E5A

RGB 51 158 90

HSL 141.87, 0.51%, 0.41%

LAB 57.94, -45.89, 26.88

 

CMYK 57 / 0 / 68 / 62

HEX #29601F

RGB 41 96 31

HSL 110.77, 0.51%, 0.25%

LAB 35.86, -31.98, 30.81

 

CMYK 57 / 0 / 68 / 50

HEX #377F29

RGB 55 127 41

HSL 110.23, 0.51%, 0.33%

LAB 47.17, -39.72, 38.7

 

CMYK 57 / 0 / 68 / 38

HEX #449E33

RGB 68 158 51

HSL 110.47, 0.51%, 0.41%

LAB 57.96, -47.36, 46.15

 

CMYK 57 / 0 / 68 / 26

HEX #52BD3D

RGB 82 189 61

HSL 110.16, 0.51%, 0.49%

LAB 68.41, -54.43, 53.34

 

CMYK 46 / 0 / 55 / 21

HEX #6CC95A

RGB 108 201 90

HSL 110.27, 0.51%, 0.57%

LAB 73.35, -48.85, 46.42

 

CMYK 56 / 0 / 67 / 39

HEX #449C33

RGB 68 156 51

HSL 110.29, 0.51%, 0.41%

LAB 57.31, -46.59, 45.45

 

CMYK 68 / 3 / 0 / 38

HEX #339A9E

RGB 51 154 158

HSL 182.24, 0.51%, 0.41%

LAB 58.31, -27.45, -10.71

 

CMYK 0 / 68 / 29 / 38

HEX #9E3370

RGB 158 51 112

HSL 325.79, 0.51%, 0.41%

LAB 39.25, 50.08, -11.27

 

CMYK 56 / 0 / 67 / 39

HEX #449C33

RGB 68 156 51

HSL 110.29, 0.51%, 0.41%

LAB 57.31, -46.59, 45.45

 

CMYK 68 / 56 / 0 / 38

HEX #33459E

RGB 51 69 158

HSL 229.91, 0.51%, 0.41%

LAB 32.76, 23.19, -50.64

 

CMYK 0 / 68 / 56 / 38

HEX #9E3345

RGB 158 51 69

HSL 349.91, 0.51%, 0.41%

LAB 37.96, 45.53, 14.03

 

CMYK 56 / 0 / 67 / 39

HEX #449C33

RGB 68 156 51

HSL 110.29, 0.51%, 0.41%

LAB 57.31, -46.59, 45.45

 

CMYK 68 / 3 / 0 / 38

HEX #339A9E

RGB 51 154 158

HSL 182.24, 0.51%, 0.41%

LAB 58.31, -27.45, -10.71

 

CMYK 11 / 68 / 0 / 38

HEX #8C339E

RGB 140 51 158

HSL 289.91, 0.51%, 0.41%

LAB 38.57, 52.81, -40.79

 

CMYK 0 / 65 / 68 / 38

HEX #9E3733

RGB 158 55 51

HSL 2.24, 0.51%, 0.41%

LAB 38.27, 42.52, 25.66

 

CMYK 56 / 0 / 67 / 39

HEX #449C33

RGB 68 156 51

HSL 110.29, 0.51%, 0.41%

LAB 57.31, -46.59, 45.45

 

CMYK 68 / 23 / 0 / 38

HEX #337A9E

RGB 51 122 158

HSL 200.19, 0.51%, 0.41%

LAB 48.38, -10.34, -25.86

 

CMYK 11 / 68 / 0 / 38

HEX #8C339E

RGB 140 51 158

HSL 289.91, 0.51%, 0.41%

LAB 38.57, 52.81, -40.79

 

CMYK 0 / 45 / 68 / 38

HEX #9E5733

RGB 158 87 51

HSL 20.19, 0.51%, 0.41%

LAB 44.69, 26.08, 33.3

 

Description

Color code: HEX #449C33 | qconv.com Color code: HEX #449C33 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 156 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 156 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 67 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 67% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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