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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4499C3 it is the complementary color #BB663C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4499C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4499C3 shade: #4999BE, #5AABD1, #6BBDE4, #7CCFF7 and #8DE1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4499C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4499C3 shade: #4499C3, #3387B0, #22759D, #11638A and #005177

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4499C3 shade: #469AC3, #4678C3, #4656C3, #5846C3 and #7946C3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4499C3 shade: #469AC3, #4678C3, #4656C3 and #4646C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4499C3 shade matches the following richer shades: #469AC3, #32A0D7, #1FA7EB and #0BAEFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4499C3 shade: #469AC3, #5A93AF, #6E8C9B, #828688 and #957F74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4499C3 shade: #46C3A8, #46BDC3, #469BC3, #467AC3 and #4659C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4499C3 shade: #2D6B8A, #3783A9, #469AC3, #65ABCD and #84BCD7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4499C3 shade: #4499C3, #8746C3 and #C3B946

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4499C3 shade: #4499C3, #C3469B and #9BC346

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4499C3 shade: #4499C3, #8746C3, #C36E46 and #83C346

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4499C3 shade: #4499C3, #AC46C3, #C36E46 and #5DC346

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 22 / 0 / 24

HEX #4499C3

RGB 68 153 195

HSL 199.84, 0.51%, 0.52%

LAB 59.84, -12.54, -29.26

 

Complementary color

CMYK 0 / 45 / 68 / 27

HEX #BB663C

RGB 187 102 60

HSL 19.84, 0.51%, 0.48%

LAB 52.28, 30.52, 38.23

 

CMYK 62 / 19 / 0 / 25

HEX #4999BE

RGB 73 153 190

HSL 198.97, 0.47%, 0.52%

LAB 59.81, -13.26, -26.48

 

CMYK 57 / 18 / 0 / 18

HEX #5AABD1

RGB 90 171 209

HSL 199.16, 0.56%, 0.59%

LAB 66.45, -13.85, -26.82

 

CMYK 53 / 17 / 0 / 11

HEX #6BBDE4

RGB 107 189 228

HSL 199.34, 0.69%, 0.66%

LAB 72.97, -14.31, -27.14

 

CMYK 50 / 16 / 0 / 3

HEX #7CCFF7

RGB 124 207 247

HSL 199.51, 0.88%, 0.73%

LAB 79.4, -14.67, -27.45

 

CMYK 45 / 12 / 0 / 0

HEX #8DE1FF

RGB 141 225 255

HSL 195.79, 1%, 0.78%

LAB 85.37, -17.87, -22.53

 

CMYK 65 / 22 / 0 / 24

HEX #4499C3

RGB 68 153 195

HSL 199.84, 0.51%, 0.52%

LAB 59.84, -12.54, -29.26

 

CMYK 71 / 23 / 0 / 31

HEX #3387B0

RGB 51 135 176

HSL 199.68, 0.55%, 0.45%

LAB 53.13, -11.56, -28.92

 

CMYK 78 / 25 / 0 / 38

HEX #22759D

RGB 34 117 157

HSL 199.51, 0.64%, 0.37%

LAB 46.31, -10.25, -28.52

 

CMYK 88 / 28 / 0 / 46

HEX #11638A

RGB 17 99 138

HSL 199.34, 0.78%, 0.3%

LAB 39.37, -8.44, -28.06

 

CMYK 100 / 32 / 0 / 53

HEX #005177

RGB 0 81 119

HSL 199.16, 1%, 0.23%

LAB 32.3, -6.12, -27.54

 

CMYK 64 / 21 / 0 / 24

HEX #469AC3

RGB 70 154 195

HSL 199.68, 0.51%, 0.52%

LAB 60.21, -12.75, -28.7

 

CMYK 64 / 38 / 0 / 24

HEX #4678C3

RGB 70 120 195

HSL 216, 0.51%, 0.52%

LAB 50.3, 7.03, -44.21

 

CMYK 64 / 56 / 0 / 24

HEX #4656C3

RGB 70 86 195

HSL 232.32, 0.51%, 0.52%

LAB 41.05, 28.44, -59.06

 

CMYK 55 / 64 / 0 / 24

HEX #5846C3

RGB 88 70 195

HSL 248.64, 0.51%, 0.52%

LAB 38.54, 41.35, -63.08

 

CMYK 38 / 64 / 0 / 24

HEX #7946C3

RGB 121 70 195

HSL 264.48, 0.51%, 0.52%

LAB 41.82, 47.79, -57.6

 

CMYK 64 / 21 / 0 / 24

HEX #469AC3

RGB 70 154 195

HSL 199.68, 0.51%, 0.52%

LAB 60.21, -12.75, -28.7

 

CMYK 64 / 38 / 0 / 24

HEX #4678C3

RGB 70 120 195

HSL 216, 0.51%, 0.52%

LAB 50.3, 7.03, -44.21

 

CMYK 64 / 56 / 0 / 24

HEX #4656C3

RGB 70 86 195

HSL 232.32, 0.51%, 0.52%

LAB 41.05, 28.44, -59.06

 

CMYK 64 / 64 / 0 / 24

HEX #4646C3

RGB 70 70 195

HSL 240, 0.51%, 0.52%

LAB 37.16, 38.45, -65.4

 

CMYK 64 / 21 / 0 / 24

HEX #469AC3

RGB 70 154 195

HSL 199.68, 0.51%, 0.52%

LAB 60.21, -12.75, -28.7

 

CMYK 77 / 26 / 0 / 16

HEX #32A0D7

RGB 50 160 215

HSL 200, 0.67%, 0.52%

LAB 62.28, -12.19, -36.7

 

CMYK 87 / 29 / 0 / 8

HEX #1FA7EB

RGB 31 167 235

HSL 200, 0.84%, 0.52%

LAB 64.9, -10.66, -43.65

 

CMYK 96 / 31 / 0 / 0

HEX #0BAEFE

RGB 11 174 254

HSL 199.75, 0.99%, 0.52%

LAB 67.65, -8.56, -49.7

 

CMYK 64 / 21 / 0 / 24

HEX #469AC3

RGB 70 154 195

HSL 199.68, 0.51%, 0.52%

LAB 60.21, -12.75, -28.7

 

CMYK 49 / 16 / 0 / 31

HEX #5A93AF

RGB 90 147 175

HSL 199.76, 0.35%, 0.52%

LAB 58.17, -10.89, -20.46

 

CMYK 29 / 10 / 0 / 39

HEX #6E8C9B

RGB 110 140 155

HSL 200, 0.18%, 0.52%

LAB 56.52, -6.89, -11.42

 

CMYK 4 / 1 / 0 / 47

HEX #828688

RGB 130 134 136

HSL 200, 0.02%, 0.52%

LAB 55.66, -1.07, -1.59

 

CMYK 0 / 15 / 22 / 42

HEX #957F74

RGB 149 127 116

HSL 20, 0.13%, 0.52%

LAB 54.9, 6.61, 9.1

 

CMYK 64 / 0 / 14 / 24

HEX #46C3A8

RGB 70 195 168

HSL 167.04, 0.51%, 0.52%

LAB 71.66, -40.83, 3.46

 

CMYK 64 / 3 / 0 / 24

HEX #46BDC3

RGB 70 189 195

HSL 182.88, 0.51%, 0.52%

LAB 70.62, -30.77, -12.83

 

CMYK 64 / 21 / 0 / 24

HEX #469BC3

RGB 70 155 195

HSL 199.2, 0.51%, 0.52%

LAB 60.5, -13.3, -28.24

 

CMYK 64 / 37 / 0 / 24

HEX #467AC3

RGB 70 122 195

HSL 215.04, 0.51%, 0.52%

LAB 50.88, 5.81, -43.31

 

CMYK 64 / 54 / 0 / 24

HEX #4659C3

RGB 70 89 195

HSL 230.88, 0.51%, 0.52%

LAB 41.82, 26.54, -57.81

 

CMYK 67 / 22 / 0 / 46

HEX #2D6B8A

RGB 45 107 138

HSL 200, 0.51%, 0.36%

LAB 42.62, -9.57, -22.94

 

CMYK 67 / 22 / 0 / 34

HEX #3783A9

RGB 55 131 169

HSL 200, 0.51%, 0.44%

LAB 51.73, -11.06, -27.04

 

CMYK 64 / 21 / 0 / 24

HEX #469AC3

RGB 70 154 195

HSL 199.68, 0.51%, 0.52%

LAB 60.21, -12.75, -28.7

 

CMYK 51 / 17 / 0 / 20

HEX #65ABCD

RGB 101 171 205

HSL 199.62, 0.51%, 0.6%

LAB 66.75, -12.69, -24.1

 

CMYK 39 / 13 / 0 / 16

HEX #84BCD7

RGB 132 188 215

HSL 199.52, 0.51%, 0.68%

LAB 73.4, -11.39, -19.32

 

CMYK 65 / 22 / 0 / 24

HEX #4499C3

RGB 68 153 195

HSL 199.84, 0.51%, 0.52%

LAB 59.84, -12.54, -29.26

 

CMYK 31 / 64 / 0 / 24

HEX #8746C3

RGB 135 70 195

HSL 271.2, 0.51%, 0.52%

LAB 43.47, 50.83, -54.87

 

CMYK 0 / 5 / 64 / 24

HEX #C3B946

RGB 195 185 70

HSL 55.2, 0.51%, 0.52%

LAB 74.02, -10.37, 57.6

 

CMYK 65 / 22 / 0 / 24

HEX #4499C3

RGB 68 153 195

HSL 199.84, 0.51%, 0.52%

LAB 59.84, -12.54, -29.26

 

CMYK 0 / 64 / 21 / 24

HEX #C3469B

RGB 195 70 155

HSL 319.2, 0.51%, 0.52%

LAB 49.92, 58.61, -20.61

 

CMYK 21 / 0 / 64 / 24

HEX #9BC346

RGB 155 195 70

HSL 79.2, 0.51%, 0.52%

LAB 73.83, -31.79, 56.5

 

CMYK 65 / 22 / 0 / 24

HEX #4499C3

RGB 68 153 195

HSL 199.84, 0.51%, 0.52%

LAB 59.84, -12.54, -29.26

 

CMYK 31 / 64 / 0 / 24

HEX #8746C3

RGB 135 70 195

HSL 271.2, 0.51%, 0.52%

LAB 43.47, 50.83, -54.87

 

CMYK 0 / 44 / 64 / 24

HEX #C36E46

RGB 195 110 70

HSL 19.2, 0.51%, 0.52%

LAB 55.27, 30.11, 36.63

 

CMYK 33 / 0 / 64 / 24

HEX #83C346

RGB 131 195 70

HSL 90.72, 0.51%, 0.52%

LAB 72.43, -40.79, 54.58

 

CMYK 65 / 22 / 0 / 24

HEX #4499C3

RGB 68 153 195

HSL 199.84, 0.51%, 0.52%

LAB 59.84, -12.54, -29.26

 

CMYK 12 / 64 / 0 / 24

HEX #AC46C3

RGB 172 70 195

HSL 288.96, 0.51%, 0.52%

LAB 48.37, 59.34, -46.73

 

CMYK 0 / 44 / 64 / 24

HEX #C36E46

RGB 195 110 70

HSL 19.2, 0.51%, 0.52%

LAB 55.27, 30.11, 36.63

 

CMYK 52 / 0 / 64 / 24

HEX #5DC346

RGB 93 195 70

HSL 108.96, 0.51%, 0.52%

LAB 70.73, -52.91, 52.24

 

Description

Color code: HEX #4499C3 | qconv.com Color code: HEX #4499C3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 153 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 153 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 22 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 22% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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