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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #449891 it is the complementary color #BB676E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #449891. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #449891 shade: #49988C, #5AAA9F, #6BBCB2, #7CCEC5 and #8DE0D8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #449891. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #449891 shade: #449891, #33867E, #22746B, #116258 and #005045

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #449891 shade: #449790, #44977A, #449763, #44974D and #519744

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #449891 shade: #449790, #448897, #447197, #445B97 and #444497

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #449891 shade matches the following richer shades: #449790, #32A99F, #21BBAE and #0FCDBD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #449891 shade: #449790, #568682, #677473, #796264 and #8B5055

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #449891 shade: #449764, #44977A, #449790, #448897 and #447297

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #449891 shade: #2A5E5A, #377B75, #449790, #53B2AA and #6FBEB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #449891 shade: #449891, #4E4497 and #976F44

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #449891 shade: #449891, #904497 and #979044

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #449891 shade: #449891, #4E4497, #97444B and #8E9744

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #449891 shade: #449891, #674497, #97444B and #759744

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 5 / 40

HEX #449891

RGB 68 152 145

HSL 175, 0.38%, 0.43%

LAB 57.78, -27.09, -4.04

 

Complementary color

CMYK 0 / 45 / 41 / 27

HEX #BB676E

RGB 187 103 110

HSL 355, 0.38%, 0.57%

LAB 53.37, 34.29, 11.09

 

CMYK 52 / 0 / 8 / 40

HEX #49988C

RGB 73 152 140

HSL 170.89, 0.35%, 0.44%

LAB 57.81, -27.31, -1.11

 

CMYK 47 / 0 / 6 / 33

HEX #5AAA9F

RGB 90 170 159

HSL 171.75, 0.32%, 0.51%

LAB 64.5, -27.29, -1.94

 

CMYK 43 / 0 / 5 / 26

HEX #6BBCB2

RGB 107 188 178

HSL 172.59, 0.38%, 0.58%

LAB 71.08, -27.22, -2.7

 

CMYK 40 / 0 / 4 / 19

HEX #7CCEC5

RGB 124 206 197

HSL 173.41, 0.46%, 0.65%

LAB 77.55, -27.12, -3.41

 

CMYK 37 / 0 / 4 / 12

HEX #8DE0D8

RGB 141 224 216

HSL 174.22, 0.57%, 0.72%

LAB 83.93, -27.01, -4.08

 

CMYK 55 / 0 / 5 / 40

HEX #449891

RGB 68 152 145

HSL 175, 0.38%, 0.43%

LAB 57.78, -27.09, -4.04

 

CMYK 62 / 0 / 6 / 47

HEX #33867E

RGB 51 134 126

HSL 174.22, 0.45%, 0.36%

LAB 50.99, -26.87, -3.15

 

CMYK 71 / 0 / 8 / 55

HEX #22746B

RGB 34 116 107

HSL 173.41, 0.55%, 0.29%

LAB 44.08, -26.44, -2.15

 

CMYK 83 / 0 / 10 / 62

HEX #116258

RGB 17 98 88

HSL 172.59, 0.7%, 0.23%

LAB 37.04, -25.62, -0.97

 

CMYK 100 / 0 / 14 / 69

HEX #005045

RGB 0 80 69

HSL 171.75, 1%, 0.16%

LAB 29.83, -24.46, 0.4

 

CMYK 55 / 0 / 5 / 41

HEX #449790

RGB 68 151 144

HSL 174.94, 0.38%, 0.43%

LAB 57.44, -26.87, -3.97

 

CMYK 55 / 0 / 19 / 41

HEX #44977A

RGB 68 151 122

HSL 159.04, 0.38%, 0.43%

LAB 56.85, -32.49, 7.71

 

CMYK 55 / 0 / 34 / 41

HEX #449763

RGB 68 151 99

HSL 142.41, 0.38%, 0.43%

LAB 56.35, -37.5, 19.95

 

CMYK 55 / 0 / 49 / 41

HEX #44974D

RGB 68 151 77

HSL 126.51, 0.38%, 0.43%

LAB 55.99, -41.35, 31.38

 

CMYK 46 / 0 / 55 / 41

HEX #519744

RGB 81 151 68

HSL 110.6, 0.38%, 0.43%

LAB 56.39, -38.82, 36.59

 

CMYK 55 / 0 / 5 / 41

HEX #449790

RGB 68 151 144

HSL 174.94, 0.38%, 0.43%

LAB 57.44, -26.87, -3.97

 

CMYK 55 / 10 / 0 / 41

HEX #448897

RGB 68 136 151

HSL 190.84, 0.38%, 0.43%

LAB 53.03, -17.07, -14.59

 

CMYK 55 / 25 / 0 / 41

HEX #447197

RGB 68 113 151

HSL 207.47, 0.38%, 0.43%

LAB 46.01, -4, -25.36

 

CMYK 55 / 40 / 0 / 41

HEX #445B97

RGB 68 91 151

HSL 223.37, 0.38%, 0.43%

LAB 39.49, 9.63, -35.58

 

CMYK 55 / 55 / 0 / 41

HEX #444497

RGB 68 68 151

HSL 240, 0.38%, 0.43%

LAB 33.13, 24.56, -45.75

 

CMYK 55 / 0 / 5 / 41

HEX #449790

RGB 68 151 144

HSL 174.94, 0.38%, 0.43%

LAB 57.44, -26.87, -3.97

 

CMYK 70 / 0 / 6 / 34

HEX #32A99F

RGB 50 169 159

HSL 174.96, 0.54%, 0.43%

LAB 62.98, -34.53, -4.33

 

CMYK 82 / 0 / 7 / 27

HEX #21BBAE

RGB 33 187 174

HSL 174.94, 0.7%, 0.43%

LAB 68.69, -40.33, -4.25

 

CMYK 93 / 0 / 8 / 20

HEX #0FCDBD

RGB 15 205 189

HSL 174.95, 0.86%, 0.43%

LAB 74.47, -44.99, -3.93

 

CMYK 55 / 0 / 5 / 41

HEX #449790

RGB 68 151 144

HSL 174.94, 0.38%, 0.43%

LAB 57.44, -26.87, -3.97

 

CMYK 36 / 0 / 3 / 47

HEX #568682

RGB 86 134 130

HSL 175, 0.22%, 0.43%

LAB 52.55, -17.18, -3.02

 

CMYK 11 / 0 / 1 / 55

HEX #677473

RGB 103 116 115

HSL 175.38, 0.06%, 0.43%

LAB 47.77, -5.06, -1.11

 

CMYK 0 / 19 / 17 / 53

HEX #796264

RGB 121 98 100

HSL 354.78, 0.11%, 0.43%

LAB 43.83, 9.61, 2.36

 

CMYK 0 / 42 / 39 / 45

HEX #8B5055

RGB 139 80 85

HSL 354.92, 0.27%, 0.43%

LAB 41.03, 25.32, 7.82

 

CMYK 55 / 0 / 34 / 41

HEX #449764

RGB 68 151 100

HSL 143.13, 0.38%, 0.43%

LAB 56.37, -37.3, 19.43

 

CMYK 55 / 0 / 19 / 41

HEX #44977A

RGB 68 151 122

HSL 159.04, 0.38%, 0.43%

LAB 56.85, -32.49, 7.71

 

CMYK 55 / 0 / 5 / 41

HEX #449790

RGB 68 151 144

HSL 174.94, 0.38%, 0.43%

LAB 57.44, -26.87, -3.97

 

CMYK 55 / 10 / 0 / 41

HEX #448897

RGB 68 136 151

HSL 190.84, 0.38%, 0.43%

LAB 53.03, -17.07, -14.59

 

CMYK 55 / 25 / 0 / 41

HEX #447297

RGB 68 114 151

HSL 206.75, 0.38%, 0.43%

LAB 46.31, -4.59, -24.89

 

CMYK 55 / 0 / 4 / 63

HEX #2A5E5A

RGB 42 94 90

HSL 175.38, 0.38%, 0.27%

LAB 36.43, -18.41, -3.02

 

CMYK 55 / 0 / 5 / 52

HEX #377B75

RGB 55 123 117

HSL 174.71, 0.38%, 0.35%

LAB 47.32, -23, -3.26

 

CMYK 55 / 0 / 5 / 41

HEX #449790

RGB 68 151 144

HSL 174.94, 0.38%, 0.43%

LAB 57.44, -26.87, -3.97

 

CMYK 53 / 0 / 4 / 30

HEX #53B2AA

RGB 83 178 170

HSL 174.95, 0.38%, 0.51%

LAB 66.96, -29.96, -4.47

 

CMYK 42 / 0 / 3 / 25

HEX #6FBEB8

RGB 111 190 184

HSL 175.44, 0.38%, 0.59%

LAB 72.01, -25.72, -4.6

 

CMYK 55 / 0 / 5 / 40

HEX #449891

RGB 68 152 145

HSL 175, 0.38%, 0.43%

LAB 57.78, -27.09, -4.04

 

CMYK 48 / 55 / 0 / 41

HEX #4E4497

RGB 78 68 151

HSL 247.23, 0.38%, 0.43%

LAB 33.96, 26.8, -44.37

 

CMYK 0 / 26 / 55 / 41

HEX #976F44

RGB 151 111 68

HSL 31.08, 0.38%, 0.43%

LAB 49.94, 10.64, 29.96

 

CMYK 55 / 0 / 5 / 40

HEX #449891

RGB 68 152 145

HSL 175, 0.38%, 0.43%

LAB 57.78, -27.09, -4.04

 

CMYK 5 / 55 / 0 / 41

HEX #904497

RGB 144 68 151

HSL 294.94, 0.38%, 0.43%

LAB 41.69, 44.5, -31.61

 

CMYK 0 / 5 / 55 / 41

HEX #979044

RGB 151 144 68

HSL 54.94, 0.38%, 0.43%

LAB 58.92, -7.88, 40.73

 

CMYK 55 / 0 / 5 / 40

HEX #449891

RGB 68 152 145

HSL 175, 0.38%, 0.43%

LAB 57.78, -27.09, -4.04

 

CMYK 48 / 55 / 0 / 41

HEX #4E4497

RGB 78 68 151

HSL 247.23, 0.38%, 0.43%

LAB 33.96, 26.8, -44.37

 

CMYK 0 / 55 / 50 / 41

HEX #97444B

RGB 151 68 75

HSL 354.94, 0.38%, 0.43%

LAB 39.95, 35.48, 12.79

 

CMYK 6 / 0 / 55 / 41

HEX #8E9744

RGB 142 151 68

HSL 66.51, 0.38%, 0.43%

LAB 60.16, -15.5, 41.97

 

CMYK 55 / 0 / 5 / 40

HEX #449891

RGB 68 152 145

HSL 175, 0.38%, 0.43%

LAB 57.78, -27.09, -4.04

 

CMYK 32 / 55 / 0 / 41

HEX #674497

RGB 103 68 151

HSL 265.3, 0.38%, 0.43%

LAB 36.47, 33.09, -40.21

 

CMYK 0 / 55 / 50 / 41

HEX #97444B

RGB 151 68 75

HSL 354.94, 0.38%, 0.43%

LAB 39.95, 35.48, 12.79

 

CMYK 23 / 0 / 55 / 41

HEX #759744

RGB 117 151 68

HSL 84.58, 0.38%, 0.43%

LAB 58.35, -25.86, 39.4

 

Description

Color code: HEX #449891 | qconv.com Color code: HEX #449891 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 152 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 152 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 5 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 5% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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