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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #449199 it is the complementary color #BB6E66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #449199. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #449199 shade: #499194, #5AA3A7, #6BB5BA, #7CC7CD and #8DD9E0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #449199. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #449199 shade: #449199, #337F86, #226D73, #115B60 and #00494D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #449199 shade: #448F97, #447997, #446397, #444C97 and #524497

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #449199 shade: #448F97, #447997, #446397, #444C97 and #444497

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #449199 shade matches the following richer shades: #448F97, #329EA9, #21ACBB and #0FBBCD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #449199 shade: #448F97, #568186, #677374, #796462 and #8B5650

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #449199 shade: #449772, #449788, #449097, #447A97 and #446497

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #449199 shade: #2A595E, #37747B, #448F97, #53A9B2 and #6FB7BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #449199 shade: #449199, #5C4497 and #977D44

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #449199 shade: #449199, #974490 and #909744

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #449199 shade: #449199, #5C4497, #974B44 and #809744

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #449199 shade: #449199, #754497, #974B44 and #679744

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 5 / 0 / 40

HEX #449199

RGB 68 145 153

HSL 185.65, 0.38%, 0.43%

LAB 55.87, -21.27, -11.46

 

Complementary color

CMYK 0 / 41 / 45 / 27

HEX #BB6E66

RGB 187 110 102

HSL 5.65, 0.38%, 0.57%

LAB 54.74, 29.63, 17.65

 

CMYK 51 / 2 / 0 / 42

HEX #499194

RGB 73 145 148

HSL 182.4, 0.34%, 0.43%

LAB 55.89, -21.59, -8.54

 

CMYK 46 / 2 / 0 / 35

HEX #5AA3A7

RGB 90 163 167

HSL 183.12, 0.3%, 0.5%

LAB 62.64, -21.68, -9.18

 

CMYK 42 / 3 / 0 / 27

HEX #6BB5BA

RGB 107 181 186

HSL 183.8, 0.36%, 0.57%

LAB 69.27, -21.71, -9.78

 

CMYK 40 / 3 / 0 / 20

HEX #7CC7CD

RGB 124 199 205

HSL 184.44, 0.45%, 0.65%

LAB 75.79, -21.7, -10.34

 

CMYK 37 / 3 / 0 / 12

HEX #8DD9E0

RGB 141 217 224

HSL 185.06, 0.57%, 0.72%

LAB 82.2, -21.68, -10.88

 

CMYK 56 / 5 / 0 / 40

HEX #449199

RGB 68 145 153

HSL 185.65, 0.38%, 0.43%

LAB 55.87, -21.27, -11.46

 

CMYK 62 / 5 / 0 / 47

HEX #337F86

RGB 51 127 134

HSL 185.06, 0.45%, 0.36%

LAB 49.01, -20.92, -10.79

 

CMYK 70 / 5 / 0 / 55

HEX #226D73

RGB 34 109 115

HSL 184.44, 0.54%, 0.29%

LAB 42.02, -20.34, -10.03

 

CMYK 82 / 5 / 0 / 62

HEX #115B60

RGB 17 91 96

HSL 183.8, 0.7%, 0.22%

LAB 34.89, -19.37, -9.13

 

CMYK 100 / 5 / 0 / 70

HEX #00494D

RGB 0 73 77

HSL 183.12, 1%, 0.15%

LAB 27.58, -18.03, -8.1

 

CMYK 55 / 5 / 0 / 41

HEX #448F97

RGB 68 143 151

HSL 185.78, 0.38%, 0.43%

LAB 55.18, -20.8, -11.34

 

CMYK 55 / 20 / 0 / 41

HEX #447997

RGB 68 121 151

HSL 201.69, 0.38%, 0.43%

LAB 48.43, -8.69, -21.61

 

CMYK 55 / 34 / 0 / 41

HEX #446397

RGB 68 99 151

HSL 217.59, 0.38%, 0.43%

LAB 41.82, 4.56, -31.89

 

CMYK 55 / 50 / 0 / 41

HEX #444C97

RGB 68 76 151

HSL 234.22, 0.38%, 0.43%

LAB 35.27, 19.35, -42.31

 

CMYK 46 / 55 / 0 / 41

HEX #524497

RGB 82 68 151

HSL 250.12, 0.38%, 0.43%

LAB 34.32, 27.75, -43.77

 

CMYK 55 / 5 / 0 / 41

HEX #448F97

RGB 68 143 151

HSL 185.78, 0.38%, 0.43%

LAB 55.18, -20.8, -11.34

 

CMYK 55 / 20 / 0 / 41

HEX #447997

RGB 68 121 151

HSL 201.69, 0.38%, 0.43%

LAB 48.43, -8.69, -21.61

 

CMYK 55 / 34 / 0 / 41

HEX #446397

RGB 68 99 151

HSL 217.59, 0.38%, 0.43%

LAB 41.82, 4.56, -31.89

 

CMYK 55 / 50 / 0 / 41

HEX #444C97

RGB 68 76 151

HSL 234.22, 0.38%, 0.43%

LAB 35.27, 19.35, -42.31

 

CMYK 55 / 55 / 0 / 41

HEX #444497

RGB 68 68 151

HSL 240, 0.38%, 0.43%

LAB 33.13, 24.56, -45.75

 

CMYK 55 / 5 / 0 / 41

HEX #448F97

RGB 68 143 151

HSL 185.78, 0.38%, 0.43%

LAB 55.18, -20.8, -11.34

 

CMYK 70 / 7 / 0 / 34

HEX #329EA9

RGB 50 158 169

HSL 185.55, 0.54%, 0.43%

LAB 59.89, -26.25, -14.58

 

CMYK 82 / 8 / 0 / 27

HEX #21ACBB

RGB 33 172 187

HSL 185.84, 0.7%, 0.43%

LAB 64.5, -29.41, -17.72

 

CMYK 93 / 9 / 0 / 20

HEX #0FBBCD

RGB 15 187 205

HSL 185.68, 0.86%, 0.43%

LAB 69.51, -32, -20.08

 

CMYK 55 / 5 / 0 / 41

HEX #448F97

RGB 68 143 151

HSL 185.78, 0.38%, 0.43%

LAB 55.18, -20.8, -11.34

 

CMYK 36 / 4 / 0 / 47

HEX #568186

RGB 86 129 134

HSL 186.25, 0.22%, 0.43%

LAB 51.15, -13.42, -7.43

 

CMYK 11 / 1 / 0 / 55

HEX #677374

RGB 103 115 116

HSL 184.62, 0.06%, 0.43%

LAB 47.5, -4.26, -2.09

 

CMYK 0 / 17 / 19 / 53

HEX #796462

RGB 121 100 98

HSL 5.22, 0.11%, 0.43%

LAB 44.32, 8.06, 4.28

 

CMYK 0 / 38 / 42 / 45

HEX #8B5650

RGB 139 86 80

HSL 6.1, 0.27%, 0.43%

LAB 42.34, 21.24, 12.73

 

CMYK 55 / 0 / 25 / 41

HEX #449772

RGB 68 151 114

HSL 153.25, 0.38%, 0.43%

LAB 56.66, -34.34, 11.98

 

CMYK 55 / 0 / 10 / 41

HEX #449788

RGB 68 151 136

HSL 169.16, 0.38%, 0.43%

LAB 57.21, -29, 0.26

 

CMYK 55 / 5 / 0 / 41

HEX #449097

RGB 68 144 151

HSL 185.06, 0.38%, 0.43%

LAB 55.49, -21.33, -10.88

 

CMYK 55 / 19 / 0 / 41

HEX #447A97

RGB 68 122 151

HSL 200.96, 0.38%, 0.43%

LAB 48.74, -9.27, -21.14

 

CMYK 55 / 34 / 0 / 41

HEX #446497

RGB 68 100 151

HSL 216.87, 0.38%, 0.43%

LAB 42.12, 3.94, -31.43

 

CMYK 55 / 5 / 0 / 63

HEX #2A595E

RGB 42 89 94

HSL 185.77, 0.38%, 0.27%

LAB 34.89, -14.4, -7.81

 

CMYK 55 / 6 / 0 / 52

HEX #37747B

RGB 55 116 123

HSL 186.18, 0.38%, 0.35%

LAB 45.27, -17.53, -9.89

 

CMYK 55 / 5 / 0 / 41

HEX #448F97

RGB 68 143 151

HSL 185.78, 0.38%, 0.43%

LAB 55.18, -20.8, -11.34

 

CMYK 53 / 5 / 0 / 30

HEX #53A9B2

RGB 83 169 178

HSL 185.68, 0.38%, 0.51%

LAB 64.51, -23.31, -12.57

 

CMYK 42 / 4 / 0 / 25

HEX #6FB7BE

RGB 111 183 190

HSL 185.32, 0.38%, 0.59%

LAB 70.15, -20.69, -10.64

 

CMYK 56 / 5 / 0 / 40

HEX #449199

RGB 68 145 153

HSL 185.65, 0.38%, 0.43%

LAB 55.87, -21.27, -11.46

 

CMYK 39 / 55 / 0 / 41

HEX #5C4497

RGB 92 68 151

HSL 257.35, 0.38%, 0.43%

LAB 35.29, 30.22, -42.16

 

CMYK 0 / 17 / 55 / 41

HEX #977D44

RGB 151 125 68

HSL 41.2, 0.38%, 0.43%

LAB 53.67, 2.64, 34.52

 

CMYK 56 / 5 / 0 / 40

HEX #449199

RGB 68 145 153

HSL 185.65, 0.38%, 0.43%

LAB 55.87, -21.27, -11.46

 

CMYK 0 / 55 / 5 / 41

HEX #974490

RGB 151 68 144

HSL 305.06, 0.38%, 0.43%

LAB 42.35, 45.21, -26.27

 

CMYK 5 / 0 / 55 / 41

HEX #909744

RGB 144 151 68

HSL 65.06, 0.38%, 0.43%

LAB 60.32, -14.65, 42.2

 

CMYK 56 / 5 / 0 / 40

HEX #449199

RGB 68 145 153

HSL 185.65, 0.38%, 0.43%

LAB 55.87, -21.27, -11.46

 

CMYK 39 / 55 / 0 / 41

HEX #5C4497

RGB 92 68 151

HSL 257.35, 0.38%, 0.43%

LAB 35.29, 30.22, -42.16

 

CMYK 0 / 50 / 55 / 41

HEX #974B44

RGB 151 75 68

HSL 5.06, 0.38%, 0.43%

LAB 41.26, 31.1, 18.87

 

CMYK 15 / 0 / 55 / 41

HEX #809744

RGB 128 151 68

HSL 76.63, 0.38%, 0.43%

LAB 59.1, -21.39, 40.47

 

CMYK 56 / 5 / 0 / 40

HEX #449199

RGB 68 145 153

HSL 185.65, 0.38%, 0.43%

LAB 55.87, -21.27, -11.46

 

CMYK 23 / 55 / 0 / 41

HEX #754497

RGB 117 68 151

HSL 275.42, 0.38%, 0.43%

LAB 38.11, 36.9, -37.49

 

CMYK 0 / 50 / 55 / 41

HEX #974B44

RGB 151 75 68

HSL 5.06, 0.38%, 0.43%

LAB 41.26, 31.1, 18.87

 

CMYK 32 / 0 / 55 / 41

HEX #679744

RGB 103 151 68

HSL 94.7, 0.38%, 0.43%

LAB 57.5, -31.25, 38.18

 

Description

Color code: HEX #449199 | qconv.com Color code: HEX #449199 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 145 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 145 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 5 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 5% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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