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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #448FD8CE it is the complementary color #BB7027CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #448FD8CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #448FD8CE shade: #498FD3CE, #5AA1E6CE, #6BB3F9CE, #7CC5FFCE and #8DD7FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #448FD8CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #448FD8CE shade: #448FD8CE, #337DC5CE, #226BB2CE, #11599FCE and #00478CCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #448FD8CE shade: #4690D8, #4668D8, #4B46D8, #7246D8 and #9946D8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #448FD8CE shade: #4690D8, #4668D8 and #4646D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #448FD8CE shade matches the following richer shades: #4690D8, #3490EA and #2290FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #448FD8CE shade: #4690D8, #5890C6, #6A8FB3, #7C8FA1 and #8E8F8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #448FD8CE shade: #46D8D0, #46B8D8, #4691D8, #466AD8 and #4846D8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #448FD8CE shade: #2466A8, #2B7BCA, #4690D8, #68A4DF and #8AB9E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #448FD8CE shade: #448FD8, #AA46D8 and #CCD846

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #448FD8CE shade: #448FD8, #D84691 and #91D846

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #448FD8CE shade: #448FD8, #AA46D8, #D88C46 and #74D846

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #448FD8CE shade: #448FD8, #D546D8, #D88C46 and #48D846

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 27 / 0 / 12

HEX #448FD8CE

RGBA 68 143 216 0.81

HSLA 209.59, 0.65%, 0.56%, 0.81

LABA 57.88, 0.21, -44.13, 0.81

 

Complementary color

CMYK 0 / 32 / 64 / 22

HEX #BB7027CE

RGBA 187 112 39 0.81

HSLA 29.59, 0.65%, 0.44%, 0.81

LABA 54.34, 24.07, 50.54, 0.81

 

CMYK 53 / 26 / 0 / 14

HEX #498FD3CE

RGBA 73 143 211 0.81

HSLA 209.57, 0.61%, 0.56%, 0.81

LABA 57.81, -0.7, -41.41, 0.81

 

CMYK 49 / 24 / 0 / 8

HEX #5AA1E6CE

RGBA 90 161 230 0.81

HSLA 209.57, 0.74%, 0.63%, 0.81

LABA 64.46, -1.76, -41.48, 0.81

 

CMYK 46 / 23 / 0 / 2

HEX #6BB3F9CE

RGBA 107 179 249 0.81

HSLA 209.58, 0.92%, 0.7%, 0.81

LABA 71.01, -2.61, -41.56, 0.81

 

CMYK 42 / 18 / 0 / 0

HEX #7CC5FFCE

RGBA 124 197 255 0.81

HSLA 206.56, 1%, 0.74%, 0.81

LABA 76.94, -7.12, -35.51, 0.81

 

CMYK 36 / 13 / 0 / 0

HEX #8DD7FFCE

RGBA 141 215 255 0.81

HSLA 201.05, 1%, 0.78%, 0.81

LABA 82.64, -12.76, -26.69, 0.81

 

CMYK 56 / 27 / 0 / 12

HEX #448FD8CE

RGBA 68 143 216 0.81

HSLA 209.59, 0.65%, 0.56%, 0.81

LABA 57.88, 0.21, -44.13, 0.81

 

CMYK 60 / 30 / 0 / 18

HEX #337DC5CE

RGBA 51 125 197 0.81

HSLA 209.59, 0.59%, 0.49%, 0.81

LABA 51.15, 1.75, -44.05, 0.81

 

CMYK 66 / 32 / 0 / 24

HEX #226BB2CE

RGBA 34 107 178 0.81

HSLA 209.58, 0.68%, 0.42%, 0.81

LABA 44.33, 3.71, -43.95, 0.81

 

CMYK 72 / 36 / 0 / 30

HEX #11599FCE

RGBA 17 89 159 0.81

HSLA 209.58, 0.81%, 0.35%, 0.81

LABA 37.42, 6.26, -43.79, 0.81

 

CMYK 81 / 40 / 0 / 37

HEX #00478CCE

RGBA 0 71 140 0.81

HSLA 209.57, 1%, 0.27%, 0.81

LABA 30.4, 9.45, -43.57, 0.81

 

CMYK 68 / 33 / 0 / 15

HEX #4690D8

RGB 70 144 216

HSL 209.59, 0.65%, 0.56%

LAB 58.23, -0.06, -43.56

 

CMYK 68 / 52 / 0 / 15

HEX #4668D8

RGB 70 104 216

HSL 226.03, 0.65%, 0.56%

LAB 47.18, 24.41, -61.21

 

CMYK 65 / 68 / 0 / 15

HEX #4B46D8

RGB 75 70 216

HSL 242.05, 0.65%, 0.56%

LAB 39.3, 46.01, -74.03

 

CMYK 47 / 68 / 0 / 15

HEX #7246D8

RGB 114 70 216

HSL 258.08, 0.65%, 0.56%

LAB 42.64, 52.03, -68.44

 

CMYK 29 / 68 / 0 / 15

HEX #9946D8

RGB 153 70 216

HSL 274.11, 0.65%, 0.56%

LAB 47.12, 59.52, -60.96

 

CMYK 68 / 33 / 0 / 15

HEX #4690D8

RGB 70 144 216

HSL 209.59, 0.65%, 0.56%

LAB 58.23, -0.06, -43.56

 

CMYK 68 / 52 / 0 / 15

HEX #4668D8

RGB 70 104 216

HSL 226.03, 0.65%, 0.56%

LAB 47.18, 24.41, -61.21

 

CMYK 68 / 68 / 0 / 15

HEX #4646D8

RGB 70 70 216

HSL 240, 0.65%, 0.56%

LAB 38.97, 45.39, -74.59

 

CMYK 68 / 33 / 0 / 15

HEX #4690D8

RGB 70 144 216

HSL 209.59, 0.65%, 0.56%

LAB 58.23, -0.06, -43.56

 

CMYK 78 / 38 / 0 / 8

HEX #3490EA

RGB 52 144 234

HSL 209.67, 0.81%, 0.56%

LAB 58.62, 3.94, -53.01

 

CMYK 87 / 43 / 0 / 1

HEX #2290FC

RGB 34 144 252

HSL 209.72, 0.97%, 0.56%

LAB 59.26, 9.08, -61.93

 

CMYK 68 / 33 / 0 / 15

HEX #4690D8

RGB 70 144 216

HSL 209.59, 0.65%, 0.56%

LAB 58.23, -0.06, -43.56

 

CMYK 56 / 27 / 0 / 22

HEX #5890C6

RGB 88 144 198

HSL 209.45, 0.49%, 0.56%

LAB 58.13, -2.66, -33.56

 

CMYK 41 / 20 / 0 / 30

HEX #6A8FB3

RGB 106 143 179

HSL 209.59, 0.32%, 0.56%

LAB 58, -3.37, -22.91

 

CMYK 23 / 11 / 0 / 37

HEX #7C8FA1

RGB 124 143 161

HSL 209.19, 0.16%, 0.56%

LAB 58.51, -2.67, -11.77

 

CMYK 1 / 0 / 0 / 44

HEX #8E8F8F

RGB 142 143 143

HSL 180, 0%, 0.56%

LAB 59.32, -0.36, -0.14

 

CMYK 68 / 0 / 4 / 15

HEX #46D8D0

RGB 70 216 208

HSL 176.71, 0.65%, 0.56%

LAB 79.02, -39.74, -7.34

 

CMYK 68 / 15 / 0 / 15

HEX #46B8D8

RGB 70 184 216

HSL 193.15, 0.65%, 0.56%

LAB 69.85, -22, -25.49

 

CMYK 68 / 33 / 0 / 15

HEX #4691D8

RGB 70 145 216

HSL 209.18, 0.65%, 0.56%

LAB 58.52, -0.65, -43.11

 

CMYK 68 / 51 / 0 / 15

HEX #466AD8

RGB 70 106 216

HSL 225.21, 0.65%, 0.56%

LAB 47.71, 23.15, -60.35

 

CMYK 67 / 68 / 0 / 15

HEX #4846D8

RGB 72 70 216

HSL 240.82, 0.65%, 0.56%

LAB 39.1, 45.64, -74.37

 

CMYK 79 / 39 / 0 / 34

HEX #2466A8

RGB 36 102 168

HSL 210, 0.65%, 0.4%

LAB 42.32, 3.23, -41.29

 

CMYK 79 / 39 / 0 / 21

HEX #2B7BCA

RGB 43 123 202

HSL 209.81, 0.65%, 0.48%

LAB 50.62, 3.85, -47.77

 

CMYK 68 / 33 / 0 / 15

HEX #4690D8

RGB 70 144 216

HSL 209.59, 0.65%, 0.56%

LAB 58.23, -0.06, -43.56

 

CMYK 53 / 26 / 0 / 13

HEX #68A4DF

RGB 104 164 223

HSL 209.75, 0.65%, 0.64%

LAB 65.61, -2.83, -35.79

 

CMYK 40 / 20 / 0 / 10

HEX #8AB9E6

RGB 138 185 230

HSL 209.35, 0.65%, 0.72%

LAB 73.42, -4.27, -27.4

 

CMYK 69 / 34 / 0 / 15

HEX #448FD8

RGB 68 143 216

HSL 209.59, 0.65%, 0.56%

LAB 57.88, 0.21, -44.13

 

CMYK 21 / 68 / 0 / 15

HEX #AA46D8

RGB 170 70 216

HSL 281.1, 0.65%, 0.56%

LAB 49.36, 63.07, -57.24

 

CMYK 6 / 0 / 68 / 15

HEX #CCD846

RGB 204 216 70

HSL 64.93, 0.65%, 0.56%

LAB 83.12, -22.11, 67.21

 

CMYK 69 / 34 / 0 / 15

HEX #448FD8

RGB 68 143 216

HSL 209.59, 0.65%, 0.56%

LAB 57.88, 0.21, -44.13

 

CMYK 0 / 68 / 33 / 15

HEX #D84691

RGB 216 70 145

HSL 329.18, 0.65%, 0.56%

LAB 52.98, 63.18, -9.71

 

CMYK 33 / 0 / 68 / 15

HEX #91D846

RGB 145 216 70

HSL 89.18, 0.65%, 0.56%

LAB 79.37, -44.89, 62.17

 

CMYK 69 / 34 / 0 / 15

HEX #448FD8

RGB 68 143 216

HSL 209.59, 0.65%, 0.56%

LAB 57.88, 0.21, -44.13

 

CMYK 21 / 68 / 0 / 15

HEX #AA46D8

RGB 170 70 216

HSL 281.1, 0.65%, 0.56%

LAB 49.36, 63.07, -57.24

 

CMYK 0 / 35 / 68 / 15

HEX #D88C46

RGB 216 140 70

HSL 28.77, 0.65%, 0.56%

LAB 64.8, 22.64, 48.26

 

CMYK 46 / 0 / 68 / 15

HEX #74D846

RGB 116 216 70

HSL 101.1, 0.65%, 0.56%

LAB 78.03, -54.37, 60.36

 

CMYK 69 / 34 / 0 / 15

HEX #448FD8

RGB 68 143 216

HSL 209.59, 0.65%, 0.56%

LAB 57.88, 0.21, -44.13

 

CMYK 1 / 68 / 0 / 15

HEX #D546D8

RGB 213 70 216

HSL 298.77, 0.65%, 0.56%

LAB 55.57, 72.43, -46.96

 

CMYK 0 / 35 / 68 / 15

HEX #D88C46

RGB 216 140 70

HSL 28.77, 0.65%, 0.56%

LAB 64.8, 22.64, 48.26

 

CMYK 67 / 0 / 68 / 15

HEX #48D846

RGB 72 216 70

HSL 119.18, 0.65%, 0.56%

LAB 76.64, -65.29, 58.46

 

Description

Color code: HEX #448FD8CE | qconv.com Color code: HEX #448FD8CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 143 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 143 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 27 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 27% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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