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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44882B it is the complementary color #BB77D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44882B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44882B shade: #498826, #5A9A39, #6BAC4C, #7CBE5F and #8DD072

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44882B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44882B shade: #44882B, #337618, #226405, #115200 and #004000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44882B shade: #44882B, #5D882B, #76882B, #88802B and #88672B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44882B shade: #44882B, #2B882B, #2B8844, #2B885D and #2B8876

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44882B shade matches the following richer shades: #44882B, #3D961C and #36A50E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44882B shade: #44882B, #4A7939, #516B48, #585C56 and #5E4E65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44882B shade: #77882B, #5E882B, #45882B, #2C882B and #2B8842

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44882B shade: #244917, #346821, #44882B, #53A735 and #65C342

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44882B shade: #44882B, #2B8880 and #882B6A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44882B shade: #44882B, #2B4588 and #882B45

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44882B shade: #44882B, #2B8880, #6D2B88 and #882B33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44882B shade: #44882B, #2B7488, #6D2B88 and #883F2B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 68 / 47

HEX #44882B

RGB 68 136 43

HSL 103.87, 0.52%, 0.35%

LAB 50.7, -39.32, 41.78

 

Complementary color

CMYK 12 / 44 / 0 / 17

HEX #BB77D4

RGB 187 119 212

HSL 283.87, 0.52%, 0.65%

LAB 60.35, 42.37, -37.4

 

CMYK 46 / 0 / 72 / 47

HEX #498826

RGB 73 136 38

HSL 98.57, 0.56%, 0.34%

LAB 50.88, -38.13, 44.14

 

CMYK 42 / 0 / 63 / 40

HEX #5A9A39

RGB 90 154 57

HSL 99.59, 0.46%, 0.41%

LAB 57.64, -38.42, 43.41

 

CMYK 38 / 0 / 56 / 33

HEX #6BAC4C

RGB 107 172 76

HSL 100.63, 0.39%, 0.49%

LAB 64.28, -38.5, 42.34

 

CMYK 35 / 0 / 50 / 25

HEX #7CBE5F

RGB 124 190 95

HSL 101.68, 0.42%, 0.56%

LAB 70.83, -38.46, 41.16

 

CMYK 32 / 0 / 45 / 18

HEX #8DD072

RGB 141 208 114

HSL 102.77, 0.5%, 0.63%

LAB 77.27, -38.36, 39.96

 

CMYK 50 / 0 / 68 / 47

HEX #44882B

RGB 68 136 43

HSL 103.87, 0.52%, 0.35%

LAB 50.7, -39.32, 41.78

 

CMYK 57 / 0 / 80 / 54

HEX #337618

RGB 51 118 24

HSL 102.77, 0.66%, 0.28%

LAB 43.84, -38.72, 42.15

 

CMYK 66 / 0 / 95 / 61

HEX #226405

RGB 34 100 5

HSL 101.68, 0.9%, 0.21%

LAB 36.87, -37.52, 41.22

 

CMYK 79 / 0 / 100 / 68

HEX #115200

RGB 17 82 0

HSL 107.56, 1%, 0.16%

LAB 29.8, -35.14, 36.85

 

CMYK 100 / 0 / 100 / 75

HEX #004000

RGB 0 64 0

HSL 120, 1%, 0.13%

LAB 22.54, -32.02, 30.12

 

CMYK 50 / 0 / 68 / 47

HEX #44882B

RGB 68 136 43

HSL 103.87, 0.52%, 0.35%

LAB 50.7, -39.32, 41.78

 

CMYK 32 / 0 / 68 / 47

HEX #5D882B

RGB 93 136 43

HSL 87.74, 0.52%, 0.35%

LAB 51.96, -30.43, 43.5

 

CMYK 13 / 0 / 68 / 47

HEX #76882B

RGB 118 136 43

HSL 71.61, 0.52%, 0.35%

LAB 53.64, -20.05, 45.77

 

CMYK 0 / 6 / 68 / 47

HEX #88802B

RGB 136 128 43

HSL 54.84, 0.52%, 0.35%

LAB 52.78, -7.71, 45.36

 

CMYK 0 / 24 / 68 / 47

HEX #88672B

RGB 136 103 43

HSL 38.71, 0.52%, 0.35%

LAB 45.78, 6.51, 37.95

 

CMYK 50 / 0 / 68 / 47

HEX #44882B

RGB 68 136 43

HSL 103.87, 0.52%, 0.35%

LAB 50.7, -39.32, 41.78

 

CMYK 68 / 0 / 68 / 47

HEX #2B882B

RGB 43 136 43

HSL 120, 0.52%, 0.35%

LAB 49.85, -45.96, 40.62

 

CMYK 68 / 0 / 50 / 47

HEX #2B8844

RGB 43 136 68

HSL 136.13, 0.52%, 0.35%

LAB 50.14, -42.6, 28.65

 

CMYK 68 / 0 / 32 / 47

HEX #2B885D

RGB 43 136 93

HSL 152.26, 0.52%, 0.35%

LAB 50.58, -37.74, 15.35

 

CMYK 68 / 0 / 13 / 47

HEX #2B8876

RGB 43 136 118

HSL 168.39, 0.52%, 0.35%

LAB 51.19, -31.52, 1.77

 

CMYK 50 / 0 / 68 / 47

HEX #44882B

RGB 68 136 43

HSL 103.87, 0.52%, 0.35%

LAB 50.7, -39.32, 41.78

 

CMYK 59 / 0 / 81 / 41

HEX #3D961C

RGB 61 150 28

HSL 103.77, 0.69%, 0.35%

LAB 54.96, -47.97, 51.55

 

CMYK 67 / 0 / 92 / 35

HEX #36A50E

RGB 54 165 14

HSL 104.11, 0.84%, 0.35%

LAB 59.64, -55.5, 58.92

 

CMYK 50 / 0 / 68 / 47

HEX #44882B

RGB 68 136 43

HSL 103.87, 0.52%, 0.35%

LAB 50.7, -39.32, 41.78

 

CMYK 39 / 0 / 53 / 53

HEX #4A7939

RGB 74 121 57

HSL 104.06, 0.36%, 0.35%

LAB 46.21, -29.01, 29.91

 

CMYK 24 / 0 / 33 / 58

HEX #516B48

RGB 81 107 72

HSL 104.57, 0.2%, 0.35%

LAB 42.36, -16.92, 16.6

 

CMYK 4 / 0 / 7 / 64

HEX #585C56

RGB 88 92 86

HSL 100, 0.03%, 0.35%

LAB 38.55, -2.84, 2.9

 

CMYK 7 / 23 / 0 / 60

HEX #5E4E65

RGB 94 78 101

HSL 281.74, 0.13%, 0.35%

LAB 35.53, 11.44, -10.86

 

CMYK 13 / 0 / 68 / 47

HEX #77882B

RGB 119 136 43

HSL 70.97, 0.52%, 0.35%

LAB 53.71, -19.61, 45.87

 

CMYK 31 / 0 / 68 / 47

HEX #5E882B

RGB 94 136 43

HSL 87.1, 0.52%, 0.35%

LAB 52.02, -30.04, 43.58

 

CMYK 49 / 0 / 68 / 47

HEX #45882B

RGB 69 136 43

HSL 103.23, 0.52%, 0.35%

LAB 50.74, -39, 41.84

 

CMYK 68 / 0 / 68 / 47

HEX #2C882B

RGB 44 136 43

HSL 119.35, 0.52%, 0.35%

LAB 49.88, -45.75, 40.66

 

CMYK 68 / 0 / 51 / 47

HEX #2B8842

RGB 43 136 66

HSL 134.84, 0.52%, 0.35%

LAB 50.12, -42.92, 29.67

 

CMYK 51 / 0 / 68 / 71

HEX #244917

RGB 36 73 23

HSL 104.4, 0.52%, 0.19%

LAB 27.3, -24.12, 25.24

 

CMYK 50 / 0 / 68 / 59

HEX #346821

RGB 52 104 33

HSL 103.94, 0.52%, 0.27%

LAB 39.14, -31.73, 33.59

 

CMYK 50 / 0 / 68 / 47

HEX #44882B

RGB 68 136 43

HSL 103.87, 0.52%, 0.35%

LAB 50.7, -39.32, 41.78

 

CMYK 50 / 0 / 68 / 35

HEX #53A735

RGB 83 167 53

HSL 104.21, 0.52%, 0.43%

LAB 61.42, -46.44, 49.18

 

CMYK 48 / 0 / 66 / 24

HEX #65C342

RGB 101 195 66

HSL 103.72, 0.52%, 0.51%

LAB 71, -50.99, 54.29

 

CMYK 50 / 0 / 68 / 47

HEX #44882B

RGB 68 136 43

HSL 103.87, 0.52%, 0.35%

LAB 50.7, -39.32, 41.78

 

CMYK 68 / 0 / 6 / 47

HEX #2B8880

RGB 43 136 128

HSL 174.84, 0.52%, 0.35%

LAB 51.47, -28.7, -3.63

 

CMYK 0 / 68 / 22 / 47

HEX #882B6A

RGB 136 43 106

HSL 319.35, 0.52%, 0.35%

LAB 33.99, 46.17, -15.86

 

CMYK 50 / 0 / 68 / 47

HEX #44882B

RGB 68 136 43

HSL 103.87, 0.52%, 0.35%

LAB 50.7, -39.32, 41.78

 

CMYK 68 / 49 / 0 / 47

HEX #2B4588

RGB 43 69 136

HSL 223.23, 0.52%, 0.35%

LAB 30.75, 13.58, -40.47

 

CMYK 0 / 68 / 49 / 47

HEX #882B45

RGB 136 43 69

HSL 343.23, 0.52%, 0.35%

LAB 32.68, 41.63, 6.09

 

CMYK 50 / 0 / 68 / 47

HEX #44882B

RGB 68 136 43

HSL 103.87, 0.52%, 0.35%

LAB 50.7, -39.32, 41.78

 

CMYK 68 / 0 / 6 / 47

HEX #2B8880

RGB 43 136 128

HSL 174.84, 0.52%, 0.35%

LAB 51.47, -28.7, -3.63

 

CMYK 20 / 68 / 0 / 47

HEX #6D2B88

RGB 109 43 136

HSL 282.58, 0.52%, 0.35%

LAB 31.25, 44.47, -39.33

 

CMYK 0 / 68 / 63 / 47

HEX #882B33

RGB 136 43 51

HSL 354.84, 0.52%, 0.35%

LAB 32.26, 40.1, 17.23

 

CMYK 50 / 0 / 68 / 47

HEX #44882B

RGB 68 136 43

HSL 103.87, 0.52%, 0.35%

LAB 50.7, -39.32, 41.78

 

CMYK 68 / 15 / 0 / 47

HEX #2B7488

RGB 43 116 136

HSL 192.9, 0.52%, 0.35%

LAB 45.33, -15.75, -17.58

 

CMYK 20 / 68 / 0 / 47

HEX #6D2B88

RGB 109 43 136

HSL 282.58, 0.52%, 0.35%

LAB 31.25, 44.47, -39.33

 

CMYK 0 / 54 / 68 / 47

HEX #883F2B

RGB 136 63 43

HSL 12.9, 0.52%, 0.35%

LAB 35.91, 29.6, 26.75

 

Description

Color code: HEX #44882B | qconv.com Color code: HEX #44882B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 136 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 136 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 68 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 68% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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