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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44809C it is the complementary color #BB7F63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44809C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44809C shade: #498097, #5A92AA, #6BA4BD, #7CB6D0 and #8DC8E3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44809C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44809C shade: #44809C, #336E89, #225C76, #114A63 and #003850

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44809C shade: #44809C, #44699C, #44519C, #50449C and #67449C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44809C shade: #44809C, #44699C, #44519C and #44449C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44809C shade matches the following richer shades: #44809C, #3287AE, #208DC0 and #0E94D2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44809C shade: #44809C, #577A8A, #697378, #7B6C65 and #8D6653

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44809C shade: #449C89, #44989C, #44809C, #44699C and #44529C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44809C shade: #2B5163, #38697F, #44809C, #5596B4 and #72A8C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44809C shade: #44809C, #72449C and #9C9544

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44809C shade: #44809C, #9C4480 and #809C44

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44809C shade: #44809C, #72449C, #9C6044 and #6F9C44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44809C shade: #44809C, #8C449C, #9C6044 and #549C44

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 18 / 0 / 39

HEX #44809C

RGB 68 128 156

HSL 199.09, 0.39%, 0.44%

LAB 50.77, -11.11, -20.95

 

Complementary color

CMYK 0 / 32 / 47 / 27

HEX #BB7F63

RGB 187 127 99

HSL 19.09, 0.39%, 0.56%

LAB 58.64, 19.95, 24.61

 

CMYK 52 / 15 / 0 / 41

HEX #498097

RGB 73 128 151

HSL 197.69, 0.35%, 0.44%

LAB 50.79, -11.51, -17.98

 

CMYK 47 / 14 / 0 / 33

HEX #5A92AA

RGB 90 146 170

HSL 198, 0.32%, 0.51%

LAB 57.69, -11.79, -18.35

 

CMYK 43 / 13 / 0 / 26

HEX #6BA4BD

RGB 107 164 189

HSL 198.29, 0.38%, 0.58%

LAB 64.44, -11.99, -18.71

 

CMYK 40 / 13 / 0 / 18

HEX #7CB6D0

RGB 124 182 208

HSL 198.57, 0.47%, 0.65%

LAB 71.07, -12.14, -19.06

 

CMYK 38 / 12 / 0 / 11

HEX #8DC8E3

RGB 141 200 227

HSL 198.84, 0.61%, 0.72%

LAB 77.59, -12.25, -19.42

 

CMYK 56 / 18 / 0 / 39

HEX #44809C

RGB 68 128 156

HSL 199.09, 0.39%, 0.44%

LAB 50.77, -11.11, -20.95

 

CMYK 63 / 20 / 0 / 46

HEX #336E89

RGB 51 110 137

HSL 198.84, 0.46%, 0.37%

LAB 43.74, -10.53, -20.59

 

CMYK 71 / 22 / 0 / 54

HEX #225C76

RGB 34 92 118

HSL 198.57, 0.55%, 0.3%

LAB 36.56, -9.67, -20.2

 

CMYK 83 / 25 / 0 / 61

HEX #114A63

RGB 17 74 99

HSL 198.29, 0.71%, 0.23%

LAB 29.2, -8.35, -19.75

 

CMYK 100 / 30 / 0 / 69

HEX #003850

RGB 0 56 80

HSL 198, 1%, 0.16%

LAB 21.61, -6.54, -19.26

 

CMYK 56 / 18 / 0 / 39

HEX #44809C

RGB 68 128 156

HSL 199.09, 0.39%, 0.44%

LAB 50.77, -11.11, -20.95

 

CMYK 56 / 33 / 0 / 39

HEX #44699C

RGB 68 105 156

HSL 214.77, 0.39%, 0.44%

LAB 43.85, 2.51, -31.69

 

CMYK 56 / 48 / 0 / 39

HEX #44519C

RGB 68 81 156

HSL 231.14, 0.39%, 0.44%

LAB 36.96, 17.8, -42.62

 

CMYK 49 / 56 / 0 / 39

HEX #50449C

RGB 80 68 156

HSL 248.18, 0.39%, 0.44%

LAB 34.48, 28.83, -46.55

 

CMYK 34 / 56 / 0 / 39

HEX #67449C

RGB 103 68 156

HSL 263.86, 0.39%, 0.44%

LAB 36.78, 34.42, -42.73

 

CMYK 56 / 18 / 0 / 39

HEX #44809C

RGB 68 128 156

HSL 199.09, 0.39%, 0.44%

LAB 50.77, -11.11, -20.95

 

CMYK 56 / 33 / 0 / 39

HEX #44699C

RGB 68 105 156

HSL 214.77, 0.39%, 0.44%

LAB 43.85, 2.51, -31.69

 

CMYK 56 / 48 / 0 / 39

HEX #44519C

RGB 68 81 156

HSL 231.14, 0.39%, 0.44%

LAB 36.96, 17.8, -42.62

 

CMYK 56 / 56 / 0 / 39

HEX #44449C

RGB 68 68 156

HSL 240, 0.39%, 0.44%

LAB 33.49, 26.25, -48.2

 

CMYK 56 / 18 / 0 / 39

HEX #44809C

RGB 68 128 156

HSL 199.09, 0.39%, 0.44%

LAB 50.77, -11.11, -20.95

 

CMYK 71 / 22 / 0 / 32

HEX #3287AE

RGB 50 135 174

HSL 198.87, 0.55%, 0.44%

LAB 53.02, -12.4, -27.95

 

CMYK 83 / 27 / 0 / 25

HEX #208DC0

RGB 32 141 192

HSL 199.13, 0.71%, 0.44%

LAB 55.24, -11.49, -34.8

 

CMYK 93 / 30 / 0 / 18

HEX #0E94D2

RGB 14 148 210

HSL 198.98, 0.88%, 0.44%

LAB 57.97, -9.96, -40.7

 

CMYK 56 / 18 / 0 / 39

HEX #44809C

RGB 68 128 156

HSL 199.09, 0.39%, 0.44%

LAB 50.77, -11.11, -20.95

 

CMYK 37 / 12 / 0 / 46

HEX #577A8A

RGB 87 122 138

HSL 198.82, 0.23%, 0.44%

LAB 49.23, -8.12, -12.66

 

CMYK 13 / 4 / 0 / 53

HEX #697378

RGB 105 115 120

HSL 200, 0.07%, 0.44%

LAB 47.78, -2.64, -4.04

 

CMYK 0 / 12 / 18 / 52

HEX #7B6C65

RGB 123 108 101

HSL 19.09, 0.1%, 0.44%

LAB 46.81, 4.65, 6.07

 

CMYK 0 / 28 / 41 / 45

HEX #8D6653

RGB 141 102 83

HSL 19.66, 0.26%, 0.44%

LAB 46.7, 13.1, 16.91

 

CMYK 56 / 0 / 12 / 39

HEX #449C89

RGB 68 156 137

HSL 167.05, 0.39%, 0.44%

LAB 58.8, -31.15, 2.01

 

CMYK 56 / 3 / 0 / 39

HEX #44989C

RGB 68 152 156

HSL 182.73, 0.39%, 0.44%

LAB 58.12, -24.01, -9.8

 

CMYK 56 / 18 / 0 / 39

HEX #44809C

RGB 68 128 156

HSL 199.09, 0.39%, 0.44%

LAB 50.77, -11.11, -20.95

 

CMYK 56 / 33 / 0 / 39

HEX #44699C

RGB 68 105 156

HSL 214.77, 0.39%, 0.44%

LAB 43.85, 2.51, -31.69

 

CMYK 56 / 47 / 0 / 39

HEX #44529C

RGB 68 82 156

HSL 230.45, 0.39%, 0.44%

LAB 37.23, 17.15, -42.18

 

CMYK 57 / 18 / 0 / 61

HEX #2B5163

RGB 43 81 99

HSL 199.29, 0.39%, 0.28%

LAB 32.48, -7.79, -14.61

 

CMYK 56 / 17 / 0 / 50

HEX #38697F

RGB 56 105 127

HSL 198.59, 0.39%, 0.36%

LAB 41.96, -9.83, -17.3

 

CMYK 56 / 18 / 0 / 39

HEX #44809C

RGB 68 128 156

HSL 199.09, 0.39%, 0.44%

LAB 50.77, -11.11, -20.95

 

CMYK 53 / 17 / 0 / 29

HEX #5596B4

RGB 85 150 180

HSL 198.95, 0.39%, 0.52%

LAB 59.01, -12.24, -22.03

 

CMYK 41 / 13 / 0 / 24

HEX #72A8C1

RGB 114 168 193

HSL 198.99, 0.39%, 0.6%

LAB 66.08, -11.25, -18.41

 

CMYK 56 / 18 / 0 / 39

HEX #44809C

RGB 68 128 156

HSL 199.09, 0.39%, 0.44%

LAB 50.77, -11.11, -20.95

 

CMYK 27 / 56 / 0 / 39

HEX #72449C

RGB 114 68 156

HSL 271.36, 0.39%, 0.44%

LAB 38.04, 37.3, -40.64

 

CMYK 0 / 4 / 56 / 39

HEX #9C9544

RGB 156 149 68

HSL 55.23, 0.39%, 0.44%

LAB 60.76, -8.39, 42.97

 

CMYK 56 / 18 / 0 / 39

HEX #44809C

RGB 68 128 156

HSL 199.09, 0.39%, 0.44%

LAB 50.77, -11.11, -20.95

 

CMYK 0 / 56 / 18 / 39

HEX #9C4480

RGB 156 68 128

HSL 319.09, 0.39%, 0.44%

LAB 42.4, 44.04, -16.4

 

CMYK 18 / 0 / 56 / 39

HEX #809C44

RGB 128 156 68

HSL 79.09, 0.39%, 0.44%

LAB 60.59, -23.91, 42.2

 

CMYK 56 / 18 / 0 / 39

HEX #44809C

RGB 68 128 156

HSL 199.09, 0.39%, 0.44%

LAB 50.77, -11.11, -20.95

 

CMYK 27 / 56 / 0 / 39

HEX #72449C

RGB 114 68 156

HSL 271.36, 0.39%, 0.44%

LAB 38.04, 37.3, -40.64

 

CMYK 0 / 38 / 56 / 39

HEX #9C6044

RGB 156 96 68

HSL 19.09, 0.39%, 0.44%

LAB 46.78, 21.43, 26.14

 

CMYK 29 / 0 / 56 / 39

HEX #6F9C44

RGB 111 156 68

HSL 90.68, 0.39%, 0.44%

LAB 59.5, -30.61, 40.66

 

CMYK 56 / 18 / 0 / 39

HEX #44809C

RGB 68 128 156

HSL 199.09, 0.39%, 0.44%

LAB 50.77, -11.11, -20.95

 

CMYK 10 / 56 / 0 / 39

HEX #8C449C

RGB 140 68 156

HSL 289.09, 0.39%, 0.44%

LAB 41.39, 44.38, -35.11

 

CMYK 0 / 38 / 56 / 39

HEX #9C6044

RGB 156 96 68

HSL 19.09, 0.39%, 0.44%

LAB 46.78, 21.43, 26.14

 

CMYK 46 / 0 / 56 / 39

HEX #549C44

RGB 84 156 68

HSL 109.09, 0.39%, 0.44%

LAB 58.11, -40.03, 38.68

 

Description

Color code: HEX #44809C | qconv.com Color code: HEX #44809C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 128 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 128 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 18 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 18% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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