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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #447EE5CE it is the complementary color #BB811ACE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #447EE5CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #447EE5CE shade: #497EE0CE, #5A90F3CE, #6BA2FFCE, #7CB4FFCE and #8DC6FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #447EE5CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #447EE5CE shade: #447EE5CE, #336CD2CE, #225ABFCE, #1148ACCE and #003699CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #447EE5CE shade: #437DE5, #4351E5, #6043E5, #8C43E5 and #B743E5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #447EE5CE shade: #437DE5, #4351E5 and #4343E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #447EE5CE shade matches the following richer shades: #437DE5 and #3178F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #447EE5CE shade: #437DE5, #5482D4, #6587C3, #768CB1 and #8891A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #447EE5CE shade: #43D5E5, #43AAE5, #437EE5, #4353E5 and #5E43E5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #447EE5CE shade: #1A54BC, #1F64E0, #437DE5, #6796EA and #8BAFEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #447EE5CE shade: #447EE5, #CA43E5 and #BFE543

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #447EE5CE shade: #447EE5, #E5437E and #7EE543

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #447EE5CE shade: #447EE5, #CA43E5, #E5AA43 and #5EE543

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #447EE5CE shade: #447EE5, #E543D0, #E5AA43 and #43E558

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 36 / 0 / 8

HEX #447EE5CE

RGBA 68 126 229 0.81

HSLA 218.39, 0.76%, 0.58%, 0.81

LABA 53.82, 15.02, -57.86, 0.81

 

Complementary color

CMYK 0 / 25 / 70 / 22

HEX #BB811ACE

RGBA 187 129 26 0.81

HSLA 38.39, 0.76%, 0.42%, 0.81

LABA 58.36, 14.27, 58.76, 0.81

 

CMYK 55 / 35 / 0 / 10

HEX #497EE0CE

RGBA 73 126 224 0.81

HSLA 218.94, 0.71%, 0.58%, 0.81

LABA 53.73, 13.99, -55.2, 0.81

 

CMYK 51 / 33 / 0 / 4

HEX #5A90F3CE

RGBA 90 144 243 0.81

HSLA 218.82, 0.86%, 0.65%, 0.81

LABA 60.42, 12.42, -55.04, 0.81

 

CMYK 47 / 30 / 0 / 0

HEX #6BA2FFCE

RGBA 107 162 255 0.81

HSLA 217.7, 1%, 0.71%, 0.81

LABA 66.66, 8.89, -51.65, 0.81

 

CMYK 42 / 24 / 0 / 0

HEX #7CB4FFCE

RGBA 124 180 255 0.81

HSLA 214.35, 1%, 0.74%, 0.81

LABA 72.33, 2.17, -42.69, 0.81

 

CMYK 36 / 18 / 0 / 0

HEX #8DC6FFCE

RGBA 141 198 255 0.81

HSLA 210, 1%, 0.78%, 0.81

LABA 78.03, -3.78, -33.75, 0.81

 

CMYK 57 / 36 / 0 / 8

HEX #447EE5CE

RGBA 68 126 229 0.81

HSLA 218.39, 0.76%, 0.58%, 0.81

LABA 53.82, 15.02, -57.86, 0.81

 

CMYK 61 / 39 / 0 / 14

HEX #336CD2CE

RGBA 51 108 210 0.81

HSLA 218.49, 0.64%, 0.51%, 0.81

LABA 47.08, 17.13, -57.99, 0.81

 

CMYK 67 / 43 / 0 / 20

HEX #225ABFCE

RGBA 34 90 191 0.81

HSLA 218.6, 0.7%, 0.44%, 0.81

LABA 40.27, 19.75, -58.07, 0.81

 

CMYK 73 / 47 / 0 / 26

HEX #1148ACCE

RGBA 17 72 172 0.81

HSLA 218.71, 0.82%, 0.37%, 0.81

LABA 33.42, 22.99, -58.03, 0.81

 

CMYK 81 / 52 / 0 / 32

HEX #003699CE

RGBA 0 54 153 0.81

HSLA 218.82, 1%, 0.3%, 0.81

LABA 26.56, 26.83, -57.8, 0.81

 

CMYK 71 / 45 / 0 / 10

HEX #437DE5

RGB 67 125 229

HSL 218.52, 0.76%, 0.58%

LAB 53.51, 15.49, -58.36

 

CMYK 71 / 65 / 0 / 10

HEX #4351E5

RGB 67 81 229

HSL 234.81, 0.76%, 0.58%

LAB 42.36, 42.83, -76.45

 

CMYK 58 / 71 / 0 / 10

HEX #6043E5

RGB 96 67 229

HSL 250.74, 0.76%, 0.58%

LAB 41.47, 54.45, -77.84

 

CMYK 39 / 71 / 0 / 10

HEX #8C43E5

RGB 140 67 229

HSL 267.04, 0.76%, 0.58%

LAB 45.97, 61.43, -70.29

 

CMYK 20 / 71 / 0 / 10

HEX #B743E5

RGB 183 67 229

HSL 282.96, 0.76%, 0.58%

LAB 51.54, 69.56, -61.01

 

CMYK 71 / 45 / 0 / 10

HEX #437DE5

RGB 67 125 229

HSL 218.52, 0.76%, 0.58%

LAB 53.51, 15.49, -58.36

 

CMYK 71 / 65 / 0 / 10

HEX #4351E5

RGB 67 81 229

HSL 234.81, 0.76%, 0.58%

LAB 42.36, 42.83, -76.45

 

CMYK 71 / 71 / 0 / 10

HEX #4343E5

RGB 67 67 229

HSL 240, 0.76%, 0.58%

LAB 39.35, 51, -81.39

 

CMYK 71 / 45 / 0 / 10

HEX #437DE5

RGB 67 125 229

HSL 218.52, 0.76%, 0.58%

LAB 53.51, 15.49, -58.36

 

CMYK 80 / 51 / 0 / 3

HEX #3178F7

RGB 49 120 247

HSL 218.48, 0.93%, 0.58%

LAB 52.73, 23.12, -69.68

 

CMYK 71 / 45 / 0 / 10

HEX #437DE5

RGB 67 125 229

HSL 218.52, 0.76%, 0.58%

LAB 53.51, 15.49, -58.36

 

CMYK 60 / 39 / 0 / 17

HEX #5482D4

RGB 84 130 212

HSL 218.44, 0.6%, 0.58%

LAB 54.66, 9.34, -46.93

 

CMYK 48 / 31 / 0 / 24

HEX #6587C3

RGB 101 135 195

HSL 218.3, 0.44%, 0.58%

LAB 56.12, 4.63, -34.94

 

CMYK 33 / 21 / 0 / 31

HEX #768CB1

RGB 118 140 177

HSL 217.63, 0.27%, 0.58%

LAB 57.83, 1.21, -21.97

 

CMYK 15 / 9 / 0 / 37

HEX #8891A0

RGB 136 145 160

HSL 217.5, 0.11%, 0.58%

LAB 59.91, -0.05, -9.02

 

CMYK 71 / 7 / 0 / 10

HEX #43D5E5

RGB 67 213 229

HSL 185.93, 0.76%, 0.58%

LAB 78.72, -32.78, -19.04

 

CMYK 71 / 26 / 0 / 10

HEX #43AAE5

RGB 67 170 229

HSL 201.85, 0.76%, 0.58%

LAB 66.21, -10.81, -38.25

 

CMYK 71 / 45 / 0 / 10

HEX #437EE5

RGB 67 126 229

HSL 218.15, 0.76%, 0.58%

LAB 53.78, 14.88, -57.92

 

CMYK 71 / 64 / 0 / 10

HEX #4353E5

RGB 67 83 229

HSL 234.07, 0.76%, 0.58%

LAB 42.82, 41.62, -75.7

 

CMYK 59 / 71 / 0 / 10

HEX #5E43E5

RGB 94 67 229

HSL 250, 0.76%, 0.58%

LAB 41.3, 54.17, -78.12

 

CMYK 86 / 55 / 0 / 26

HEX #1A54BC

RGB 26 84 188

HSL 218.52, 0.76%, 0.42%

LAB 38.18, 21.89, -59.72

 

CMYK 86 / 55 / 0 / 12

HEX #1F64E0

RGB 31 100 224

HSL 218.55, 0.76%, 0.5%

LAB 45.34, 25.76, -68.8

 

CMYK 71 / 45 / 0 / 10

HEX #437DE5

RGB 67 125 229

HSL 218.52, 0.76%, 0.58%

LAB 53.51, 15.49, -58.36

 

CMYK 56 / 36 / 0 / 8

HEX #6796EA

RGB 103 150 234

HSL 218.47, 0.76%, 0.66%

LAB 62.2, 8.4, -47.21

 

CMYK 42 / 27 / 0 / 6

HEX #8BAFEF

RGB 139 175 239

HSL 218.4, 0.76%, 0.74%

LAB 71.13, 3.92, -35.82

 

CMYK 70 / 45 / 0 / 10

HEX #447EE5

RGB 68 126 229

HSL 218.39, 0.76%, 0.58%

LAB 53.82, 15.02, -57.86

 

CMYK 12 / 71 / 0 / 10

HEX #CA43E5

RGB 202 67 229

HSL 290, 0.76%, 0.58%

LAB 54.27, 73.39, -56.48

 

CMYK 17 / 0 / 71 / 10

HEX #BFE543

RGB 191 229 67

HSL 74.07, 0.76%, 0.58%

LAB 85.77, -33.63, 70.63

 

CMYK 70 / 45 / 0 / 10

HEX #447EE5

RGB 68 126 229

HSL 218.39, 0.76%, 0.58%

LAB 53.82, 15.02, -57.86

 

CMYK 0 / 71 / 45 / 10

HEX #E5437E

RGB 229 67 126

HSL 338.15, 0.76%, 0.58%

LAB 54.22, 65.97, 3.68

 

CMYK 45 / 0 / 71 / 10

HEX #7EE543

RGB 126 229 67

HSL 98.15, 0.76%, 0.58%

LAB 82.31, -56.6, 66.04

 

CMYK 70 / 45 / 0 / 10

HEX #447EE5

RGB 68 126 229

HSL 218.39, 0.76%, 0.58%

LAB 53.82, 15.02, -57.86

 

CMYK 12 / 71 / 0 / 10

HEX #CA43E5

RGB 202 67 229

HSL 290, 0.76%, 0.58%

LAB 54.27, 73.39, -56.48

 

CMYK 0 / 26 / 71 / 10

HEX #E5AA43

RGB 229 170 67

HSL 38.15, 0.76%, 0.58%

LAB 73.42, 11.9, 59.26

 

CMYK 59 / 0 / 71 / 10

HEX #5EE543

RGB 94 229 67

HSL 110, 0.76%, 0.58%

LAB 81.19, -65.23, 64.53

 

CMYK 70 / 45 / 0 / 10

HEX #447EE5

RGB 68 126 229

HSL 218.39, 0.76%, 0.58%

LAB 53.82, 15.02, -57.86

 

CMYK 0 / 71 / 9 / 10

HEX #E543D0

RGB 229 67 208

HSL 307.78, 0.76%, 0.58%

LAB 57.3, 75.8, -39.52

 

CMYK 0 / 26 / 71 / 10

HEX #E5AA43

RGB 229 170 67

HSL 38.15, 0.76%, 0.58%

LAB 73.42, 11.9, 59.26

 

CMYK 71 / 0 / 62 / 10

HEX #43E558

RGB 67 229 88

HSL 127.78, 0.76%, 0.58%

LAB 80.7, -68.64, 55.51

 

Description

Color code: HEX #447EE5CE | qconv.com Color code: HEX #447EE5CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 126 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 126 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 36 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 36% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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