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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #447A8C it is the complementary color #BB8573. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #447A8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #447A8C shade: #497A87, #5A8C9A, #6B9EAD, #7CB0C0 and #8DC2D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #447A8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #447A8C shade: #447A8C, #336879, #225666, #114453 and #003240

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #447A8C shade: #447B8D, #44678D, #44538D, #48448D and #5C448D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #447A8C shade: #447B8D, #44678D, #44538D and #44448D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #447A8C shade matches the following richer shades: #447B8D, #33839E, #228CAF, #1194C0 and #009DD1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #447A8C shade: #447B8D, #55727C, #666A6B, #77615A and #885949

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #447A8C shade: #448D78, #448D8C, #447B8D, #44678D and #44548D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #447A8C shade: #294A55, #376371, #447B8D, #5193A9 and #6CA5B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #447A8C shade: #447A8C, #65448D and #8D8244

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #447A8C shade: #447A8C, #8D447B and #7B8D44

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #447A8C shade: #447A8C, #65448D, #8D5644 and #6C8D44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #447A8C shade: #447A8C, #7B448D, #8D5644 and #568D44

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 13 / 0 / 45

HEX #447A8C

RGB 68 122 140

HSL 195, 0.35%, 0.41%

LAB 48.31, -12.67, -15.32

 

Complementary color

CMYK 0 / 29 / 39 / 27

HEX #BB8573

RGB 187 133 115

HSL 15, 0.35%, 0.59%

LAB 60.41, 18.41, 17.95

 

CMYK 46 / 10 / 0 / 47

HEX #497A87

RGB 73 122 135

HSL 192.58, 0.3%, 0.41%

LAB 48.37, -12.88, -12.27

 

CMYK 42 / 9 / 0 / 40

HEX #5A8C9A

RGB 90 140 154

HSL 193.13, 0.26%, 0.48%

LAB 55.34, -12.98, -12.73

 

CMYK 38 / 9 / 0 / 32

HEX #6B9EAD

RGB 107 158 173

HSL 193.64, 0.29%, 0.55%

LAB 62.17, -13.04, -13.18

 

CMYK 35 / 8 / 0 / 25

HEX #7CB0C0

RGB 124 176 192

HSL 194.12, 0.35%, 0.62%

LAB 68.85, -13.08, -13.62

 

CMYK 33 / 8 / 0 / 17

HEX #8DC2D3

RGB 141 194 211

HSL 194.57, 0.44%, 0.69%

LAB 75.42, -13.11, -14.05

 

CMYK 51 / 13 / 0 / 45

HEX #447A8C

RGB 68 122 140

HSL 195, 0.35%, 0.41%

LAB 48.31, -12.67, -15.32

 

CMYK 58 / 14 / 0 / 53

HEX #336879

RGB 51 104 121

HSL 194.57, 0.41%, 0.34%

LAB 41.19, -12.32, -14.87

 

CMYK 67 / 16 / 0 / 60

HEX #225666

RGB 34 86 102

HSL 194.12, 0.5%, 0.27%

LAB 33.89, -11.77, -14.37

 

CMYK 80 / 18 / 0 / 67

HEX #114453

RGB 17 68 83

HSL 193.64, 0.66%, 0.2%

LAB 26.38, -10.83, -13.79

 

CMYK 100 / 22 / 0 / 75

HEX #003240

RGB 0 50 64

HSL 193.13, 1%, 0.13%

LAB 18.59, -9.55, -13.17

 

CMYK 52 / 13 / 0 / 45

HEX #447B8D

RGB 68 123 141

HSL 194.79, 0.35%, 0.41%

LAB 48.66, -12.93, -15.38

 

CMYK 52 / 27 / 0 / 45

HEX #44678D

RGB 68 103 141

HSL 211.23, 0.35%, 0.41%

LAB 42.54, -1.2, -24.79

 

CMYK 52 / 41 / 0 / 45

HEX #44538D

RGB 68 83 141

HSL 227.67, 0.35%, 0.41%

LAB 36.63, 11.42, -34.07

 

CMYK 49 / 52 / 0 / 45

HEX #48448D

RGB 72 68 141

HSL 243.29, 0.35%, 0.41%

LAB 32.78, 22.18, -40.19

 

CMYK 35 / 52 / 0 / 45

HEX #5C448D

RGB 92 68 141

HSL 259.73, 0.35%, 0.41%

LAB 34.67, 27.38, -37.06

 

CMYK 52 / 13 / 0 / 45

HEX #447B8D

RGB 68 123 141

HSL 194.79, 0.35%, 0.41%

LAB 48.66, -12.93, -15.38

 

CMYK 52 / 27 / 0 / 45

HEX #44678D

RGB 68 103 141

HSL 211.23, 0.35%, 0.41%

LAB 42.54, -1.2, -24.79

 

CMYK 52 / 41 / 0 / 45

HEX #44538D

RGB 68 83 141

HSL 227.67, 0.35%, 0.41%

LAB 36.63, 11.42, -34.07

 

CMYK 52 / 52 / 0 / 45

HEX #44448D

RGB 68 68 141

HSL 240, 0.35%, 0.41%

LAB 32.45, 21.22, -40.73

 

CMYK 52 / 13 / 0 / 45

HEX #447B8D

RGB 68 123 141

HSL 194.79, 0.35%, 0.41%

LAB 48.66, -12.93, -15.38

 

CMYK 68 / 17 / 0 / 38

HEX #33839E

RGB 51 131 158

HSL 195.14, 0.51%, 0.41%

LAB 51.16, -15.41, -21.56

 

CMYK 81 / 20 / 0 / 31

HEX #228CAF

RGB 34 140 175

HSL 194.89, 0.67%, 0.41%

LAB 54.23, -16.78, -26.67

 

CMYK 91 / 23 / 0 / 25

HEX #1194C0

RGB 17 148 192

HSL 195.09, 0.84%, 0.41%

LAB 57.18, -16.37, -31.79

 

CMYK 100 / 25 / 0 / 18

HEX #009DD1

RGB 0 157 209

HSL 194.93, 1%, 0.41%

LAB 60.53, -15.77, -36.12

 

CMYK 52 / 13 / 0 / 45

HEX #447B8D

RGB 68 123 141

HSL 194.79, 0.35%, 0.41%

LAB 48.66, -12.93, -15.38

 

CMYK 31 / 8 / 0 / 51

HEX #55727C

RGB 85 114 124

HSL 195.38, 0.19%, 0.41%

LAB 46.21, -7.89, -8.92

 

CMYK 5 / 1 / 0 / 58

HEX #666A6B

RGB 102 106 107

HSL 192, 0.02%, 0.41%

LAB 44.51, -1.32, -1.1

 

CMYK 0 / 18 / 24 / 53

HEX #77615A

RGB 119 97 90

HSL 14.48, 0.14%, 0.41%

LAB 43.08, 7.69, 7.32

 

CMYK 0 / 35 / 46 / 47

HEX #885949

RGB 136 89 73

HSL 15.24, 0.3%, 0.41%

LAB 42.55, 17.39, 17.19

 

CMYK 52 / 0 / 15 / 45

HEX #448D78

RGB 68 141 120

HSL 162.74, 0.35%, 0.41%

LAB 53.64, -28.18, 4.26

 

CMYK 52 / 0 / 1 / 45

HEX #448D8C

RGB 68 141 140

HSL 179.18, 0.35%, 0.41%

LAB 54.21, -22.9, -6.46

 

CMYK 52 / 13 / 0 / 45

HEX #447B8D

RGB 68 123 141

HSL 194.79, 0.35%, 0.41%

LAB 48.66, -12.93, -15.38

 

CMYK 52 / 27 / 0 / 45

HEX #44678D

RGB 68 103 141

HSL 211.23, 0.35%, 0.41%

LAB 42.54, -1.2, -24.79

 

CMYK 52 / 40 / 0 / 45

HEX #44548D

RGB 68 84 141

HSL 226.85, 0.35%, 0.41%

LAB 36.92, 10.77, -33.61

 

CMYK 52 / 13 / 0 / 67

HEX #294A55

RGB 41 74 85

HSL 195, 0.35%, 0.25%

LAB 29.48, -8.63, -10.28

 

CMYK 51 / 12 / 0 / 56

HEX #376371

RGB 55 99 113

HSL 194.48, 0.35%, 0.33%

LAB 39.46, -11, -12.61

 

CMYK 52 / 13 / 0 / 45

HEX #447B8D

RGB 68 123 141

HSL 194.79, 0.35%, 0.41%

LAB 48.66, -12.93, -15.38

 

CMYK 52 / 13 / 0 / 34

HEX #5193A9

RGB 81 147 169

HSL 195, 0.35%, 0.49%

LAB 57.54, -14.77, -18.04

 

CMYK 41 / 10 / 0 / 28

HEX #6CA5B8

RGB 108 165 184

HSL 195, 0.35%, 0.57%

LAB 64.61, -13.62, -15.66

 

CMYK 51 / 13 / 0 / 45

HEX #447A8C

RGB 68 122 140

HSL 195, 0.35%, 0.41%

LAB 48.31, -12.67, -15.32

 

CMYK 28 / 52 / 0 / 45

HEX #65448D

RGB 101 68 141

HSL 267.12, 0.35%, 0.41%

LAB 35.64, 29.91, -35.45

 

CMYK 0 / 8 / 52 / 45

HEX #8D8244

RGB 141 130 68

HSL 50.96, 0.35%, 0.41%

LAB 54.08, -4.6, 34.78

 

CMYK 51 / 13 / 0 / 45

HEX #447A8C

RGB 68 122 140

HSL 195, 0.35%, 0.41%

LAB 48.31, -12.67, -15.32

 

CMYK 0 / 52 / 13 / 45

HEX #8D447B

RGB 141 68 123

HSL 314.79, 0.35%, 0.41%

LAB 39.96, 38.43, -17.26

 

CMYK 13 / 0 / 52 / 45

HEX #7B8D44

RGB 123 141 68

HSL 74.79, 0.35%, 0.41%

LAB 55.76, -18.33, 36.44

 

CMYK 51 / 13 / 0 / 45

HEX #447A8C

RGB 68 122 140

HSL 195, 0.35%, 0.41%

LAB 48.31, -12.67, -15.32

 

CMYK 28 / 52 / 0 / 45

HEX #65448D

RGB 101 68 141

HSL 267.12, 0.35%, 0.41%

LAB 35.64, 29.91, -35.45

 

CMYK 0 / 39 / 52 / 45

HEX #8D5644

RGB 141 86 68

HSL 14.79, 0.35%, 0.41%

LAB 42.36, 20.76, 20.06

 

CMYK 23 / 0 / 52 / 45

HEX #6C8D44

RGB 108 141 68

HSL 87.12, 0.35%, 0.41%

LAB 54.72, -24.47, 34.94

 

CMYK 51 / 13 / 0 / 45

HEX #447A8C

RGB 68 122 140

HSL 195, 0.35%, 0.41%

LAB 48.31, -12.67, -15.32

 

CMYK 13 / 52 / 0 / 45

HEX #7B448D

RGB 123 68 141

HSL 285.21, 0.35%, 0.41%

LAB 38.32, 36.32, -31.04

 

CMYK 0 / 39 / 52 / 45

HEX #8D5644

RGB 141 86 68

HSL 14.79, 0.35%, 0.41%

LAB 42.36, 20.76, 20.06

 

CMYK 39 / 0 / 52 / 45

HEX #568D44

RGB 86 141 68

HSL 105.21, 0.35%, 0.41%

LAB 53.43, -32.7, 33.08

 

Description

Color code: HEX #447A8C | qconv.com Color code: HEX #447A8C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 122 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 122 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 13 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 13% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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