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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4476B1 it is the complementary color #BB894E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4476B1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4476B1 shade: #4976AC, #5A88BF, #6B9AD2, #7CACE5 and #8DBEF8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4476B1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4476B1 shade: #4476B1, #33649E, #22528B, #114078 and #002E65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4476B1 shade: #4576B0, #4559B0, #4D45B0, #6A45B0 and #8745B0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4476B1 shade: #4576B0, #4559B0 and #4545B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4476B1 shade matches the following richer shades: #4576B0, #3174C4, #1D73D8 and #0971EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4476B1 shade: #4576B0, #58789C, #6C7989, #807B75 and #947C61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4476B1 shade: #45B0B0, #4594B0, #4577B0, #455AB0 and #4C45B0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4476B1 shade: #2D4E75, #396293, #4576B0, #5E8BC0 and #7BA0CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4476B1 shade: #4476B1, #9445B0 and #A2B045

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4476B1 shade: #4476B1, #B04577 and #77B045

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4476B1 shade: #4476B1, #9445B0, #B07E45 and #61B045

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4476B1 shade: #4476B1, #B045AD, #B07E45 and #45B048

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 33 / 0 / 31

HEX #4476B1

RGB 68 118 177

HSL 212.48, 0.44%, 0.48%

LAB 48.71, 1.67, -36.36

 

Complementary color

CMYK 0 / 27 / 58 / 27

HEX #BB894E

RGB 187 137 78

HSL 32.48, 0.44%, 0.52%

LAB 60.79, 12.51, 38.73

 

CMYK 58 / 31 / 0 / 33

HEX #4976AC

RGB 73 118 172

HSL 212.73, 0.4%, 0.48%

LAB 48.7, 1.01, -33.46

 

CMYK 53 / 29 / 0 / 25

HEX #5A88BF

RGB 90 136 191

HSL 212.67, 0.44%, 0.55%

LAB 55.63, 0.22, -33.49

 

CMYK 49 / 27 / 0 / 18

HEX #6B9AD2

RGB 107 154 210

HSL 212.62, 0.53%, 0.62%

LAB 62.41, -0.42, -33.54

 

CMYK 46 / 25 / 0 / 10

HEX #7CACE5

RGB 124 172 229

HSL 212.57, 0.67%, 0.69%

LAB 69.07, -0.93, -33.63

 

CMYK 43 / 23 / 0 / 3

HEX #8DBEF8

RGB 141 190 248

HSL 212.52, 0.88%, 0.76%

LAB 75.62, -1.37, -33.73

 

CMYK 62 / 33 / 0 / 31

HEX #4476B1

RGB 68 118 177

HSL 212.48, 0.44%, 0.48%

LAB 48.71, 1.67, -36.36

 

CMYK 68 / 37 / 0 / 38

HEX #33649E

RGB 51 100 158

HSL 212.52, 0.51%, 0.41%

LAB 41.67, 2.92, -36.37

 

CMYK 76 / 41 / 0 / 45

HEX #22528B

RGB 34 82 139

HSL 212.57, 0.61%, 0.34%

LAB 34.48, 4.59, -36.38

 

CMYK 86 / 47 / 0 / 53

HEX #114078

RGB 17 64 120

HSL 212.62, 0.75%, 0.27%

LAB 27.14, 6.93, -36.35

 

CMYK 100 / 54 / 0 / 60

HEX #002E65

RGB 0 46 101

HSL 212.67, 1%, 0.2%

LAB 19.61, 10.04, -36.31

 

CMYK 61 / 33 / 0 / 31

HEX #4576B0

RGB 69 118 176

HSL 212.52, 0.44%, 0.48%

LAB 48.71, 1.53, -35.78

 

CMYK 61 / 49 / 0 / 31

HEX #4559B0

RGB 69 89 176

HSL 228.79, 0.44%, 0.48%

LAB 40.48, 19.73, -48.86

 

CMYK 56 / 61 / 0 / 31

HEX #4D45B0

RGB 77 69 176

HSL 244.49, 0.44%, 0.48%

LAB 35.92, 33.97, -56.2

 

CMYK 40 / 61 / 0 / 31

HEX #6A45B0

RGB 106 69 176

HSL 260.75, 0.44%, 0.48%

LAB 38.65, 40, -51.66

 

CMYK 23 / 61 / 0 / 31

HEX #8745B0

RGB 135 69 176

HSL 277.01, 0.44%, 0.48%

LAB 42.06, 46.9, -45.99

 

CMYK 61 / 33 / 0 / 31

HEX #4576B0

RGB 69 118 176

HSL 212.52, 0.44%, 0.48%

LAB 48.71, 1.53, -35.78

 

CMYK 61 / 49 / 0 / 31

HEX #4559B0

RGB 69 89 176

HSL 228.79, 0.44%, 0.48%

LAB 40.48, 19.73, -48.86

 

CMYK 61 / 61 / 0 / 31

HEX #4545B0

RGB 69 69 176

HSL 240, 0.44%, 0.48%

LAB 35.31, 32.54, -57.22

 

CMYK 61 / 33 / 0 / 31

HEX #4576B0

RGB 69 118 176

HSL 212.52, 0.44%, 0.48%

LAB 48.71, 1.53, -35.78

 

CMYK 75 / 41 / 0 / 23

HEX #3174C4

RGB 49 116 196

HSL 212.65, 0.6%, 0.48%

LAB 48.42, 6.63, -47.83

 

CMYK 87 / 47 / 0 / 15

HEX #1D73D8

RGB 29 115 216

HSL 212.41, 0.76%, 0.48%

LAB 48.86, 12.95, -58.57

 

CMYK 96 / 52 / 0 / 7

HEX #0971EC

RGB 9 113 236

HSL 212.51, 0.93%, 0.48%

LAB 49.4, 21.11, -68.98

 

CMYK 61 / 33 / 0 / 31

HEX #4576B0

RGB 69 118 176

HSL 212.52, 0.44%, 0.48%

LAB 48.71, 1.53, -35.78

 

CMYK 44 / 23 / 0 / 39

HEX #58789C

RGB 88 120 156

HSL 211.76, 0.28%, 0.48%

LAB 49.38, -1.55, -22.99

 

CMYK 21 / 12 / 0 / 46

HEX #6C7989

RGB 108 121 137

HSL 213.1, 0.12%, 0.48%

LAB 50.3, -1.12, -10.32

 

CMYK 0 / 4 / 9 / 50

HEX #807B75

RGB 128 123 117

HSL 32.73, 0.04%, 0.48%

LAB 51.88, 0.76, 3.95

 

CMYK 0 / 16 / 34 / 42

HEX #947C61

RGB 148 124 97

HSL 31.76, 0.21%, 0.48%

LAB 53.57, 5.14, 18.21

 

CMYK 61 / 0 / 0 / 31

HEX #45B0B0

RGB 69 176 176

HSL 180, 0.44%, 0.48%

LAB 66.1, -30.06, -9.13

 

CMYK 61 / 16 / 0 / 31

HEX #4594B0

RGB 69 148 176

HSL 195.7, 0.44%, 0.48%

LAB 57.64, -15.7, -21.92

 

CMYK 61 / 32 / 0 / 31

HEX #4577B0

RGB 69 119 176

HSL 211.96, 0.44%, 0.48%

LAB 49, 0.92, -35.32

 

CMYK 61 / 49 / 0 / 31

HEX #455AB0

RGB 69 90 176

HSL 228.22, 0.44%, 0.48%

LAB 40.75, 19.09, -48.42

 

CMYK 57 / 61 / 0 / 31

HEX #4C45B0

RGB 76 69 176

HSL 243.93, 0.44%, 0.48%

LAB 35.84, 33.79, -56.33

 

CMYK 62 / 33 / 0 / 54

HEX #2D4E75

RGB 45 78 117

HSL 212.5, 0.44%, 0.32%

LAB 32.46, 0.88, -25.94

 

CMYK 61 / 33 / 0 / 42

HEX #396293

RGB 57 98 147

HSL 212.67, 0.44%, 0.4%

LAB 40.75, 1.38, -31.22

 

CMYK 61 / 33 / 0 / 31

HEX #4576B0

RGB 69 118 176

HSL 212.52, 0.44%, 0.48%

LAB 48.71, 1.53, -35.78

 

CMYK 51 / 28 / 0 / 25

HEX #5E8BC0

RGB 94 139 192

HSL 212.45, 0.44%, 0.56%

LAB 56.73, -0.3, -32.31

 

CMYK 40 / 22 / 0 / 20

HEX #7BA0CC

RGB 123 160 204

HSL 212.59, 0.44%, 0.64%

LAB 64.73, -1.47, -26.54

 

CMYK 62 / 33 / 0 / 31

HEX #4476B1

RGB 68 118 177

HSL 212.48, 0.44%, 0.48%

LAB 48.71, 1.67, -36.36

 

CMYK 16 / 61 / 0 / 31

HEX #9445B0

RGB 148 69 176

HSL 284.3, 0.44%, 0.48%

LAB 43.78, 50.14, -43.15

 

CMYK 8 / 0 / 61 / 31

HEX #A2B045

RGB 162 176 69

HSL 67.85, 0.44%, 0.48%

LAB 68.87, -19.8, 51.71

 

CMYK 62 / 33 / 0 / 31

HEX #4476B1

RGB 68 118 177

HSL 212.48, 0.44%, 0.48%

LAB 48.71, 1.67, -36.36

 

CMYK 0 / 61 / 32 / 31

HEX #B04577

RGB 176 69 119

HSL 331.96, 0.44%, 0.48%

LAB 45.38, 48.62, -6.09

 

CMYK 32 / 0 / 61 / 31

HEX #77B045

RGB 119 176 69

HSL 91.96, 0.44%, 0.48%

LAB 66.06, -36.77, 47.81

 

CMYK 62 / 33 / 0 / 31

HEX #4476B1

RGB 68 118 177

HSL 212.48, 0.44%, 0.48%

LAB 48.71, 1.67, -36.36

 

CMYK 16 / 61 / 0 / 31

HEX #9445B0

RGB 148 69 176

HSL 284.3, 0.44%, 0.48%

LAB 43.78, 50.14, -43.15

 

CMYK 0 / 28 / 61 / 31

HEX #B07E45

RGB 176 126 69

HSL 31.96, 0.44%, 0.48%

LAB 56.67, 13.18, 38.22

 

CMYK 45 / 0 / 61 / 31

HEX #61B045

RGB 97 176 69

HSL 104.3, 0.44%, 0.48%

LAB 64.98, -44.26, 46.3

 

CMYK 62 / 33 / 0 / 31

HEX #4476B1

RGB 68 118 177

HSL 212.48, 0.44%, 0.48%

LAB 48.71, 1.67, -36.36

 

CMYK 0 / 61 / 2 / 31

HEX #B045AD

RGB 176 69 173

HSL 301.68, 0.44%, 0.48%

LAB 47.63, 56.74, -35.03

 

CMYK 0 / 28 / 61 / 31

HEX #B07E45

RGB 176 126 69

HSL 31.96, 0.44%, 0.48%

LAB 56.67, 13.18, 38.22

 

CMYK 61 / 0 / 59 / 31

HEX #45B048

RGB 69 176 72

HSL 121.68, 0.44%, 0.48%

LAB 63.99, -51.65, 43.51

 

Description

Color code: HEX #4476B1 | qconv.com Color code: HEX #4476B1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 118 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 118 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 33 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 33% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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