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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #446DAE it is the complementary color #BB9251. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #446DAE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #446DAE shade: #496DA9, #5A7FBC, #6B91CF, #7CA3E2 and #8DB5F5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #446DAE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #446DAE shade: #446DAE, #335B9B, #224988, #113775 and #002562

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #446DAE shade: #436BAC, #434FAC, #5343AC, #6F43AC and #8C43AC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #446DAE shade: #436BAC, #434FAC and #4343AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #446DAE shade matches the following richer shades: #436BAC, #2F67BF, #1C63D3 and #085EE6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #446DAE shade: #436BAC, #567099, #697485, #7D7972 and #907D5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #446DAE shade: #43A5AC, #4389AC, #436DAC, #4351AC and #5143AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #446DAE shade: #2C4671, #37598E, #436BAC, #5A81BE and #7797CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #446DAE shade: #446DAE, #9743AC and #97AC43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #446DAE shade: #446DAE, #AC436D and #6DAC43

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #446DAE shade: #446DAE, #9743AC, #AC8243 and #58AC43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #446DAE shade: #446DAE, #AC43A2, #AC8243 and #43AC4D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 37 / 0 / 32

HEX #446DAE

RGB 68 109 174

HSL 216.79, 0.44%, 0.47%

LAB 45.94, 6.16, -38.99

 

Complementary color

CMYK 0 / 22 / 57 / 27

HEX #BB9251

RGB 187 146 81

HSL 36.79, 0.44%, 0.53%

LAB 63.11, 7.78, 39.96

 

CMYK 57 / 36 / 0 / 34

HEX #496DA9

RGB 73 109 169

HSL 217.5, 0.4%, 0.47%

LAB 45.93, 5.5, -36.06

 

CMYK 52 / 32 / 0 / 26

HEX #5A7FBC

RGB 90 127 188

HSL 217.35, 0.42%, 0.55%

LAB 52.93, 4.59, -35.99

 

CMYK 48 / 30 / 0 / 19

HEX #6B91CF

RGB 107 145 207

HSL 217.2, 0.51%, 0.62%

LAB 59.78, 3.86, -35.97

 

CMYK 45 / 28 / 0 / 11

HEX #7CA3E2

RGB 124 163 226

HSL 217.06, 0.64%, 0.69%

LAB 66.5, 3.26, -35.98

 

CMYK 42 / 26 / 0 / 4

HEX #8DB5F5

RGB 141 181 245

HSL 216.92, 0.84%, 0.76%

LAB 73.09, 2.75, -36.03

 

CMYK 61 / 37 / 0 / 32

HEX #446DAE

RGB 68 109 174

HSL 216.79, 0.44%, 0.47%

LAB 45.94, 6.16, -38.99

 

CMYK 67 / 41 / 0 / 39

HEX #335B9B

RGB 51 91 155

HSL 216.92, 0.5%, 0.4%

LAB 38.82, 7.55, -39.1

 

CMYK 75 / 46 / 0 / 47

HEX #224988

RGB 34 73 136

HSL 217.06, 0.6%, 0.33%

LAB 31.54, 9.42, -39.23

 

CMYK 85 / 53 / 0 / 54

HEX #113775

RGB 17 55 117

HSL 217.2, 0.75%, 0.26%

LAB 24.12, 12.01, -39.31

 

CMYK 100 / 62 / 0 / 62

HEX #002562

RGB 0 37 98

HSL 217.35, 1%, 0.19%

LAB 16.53, 15.42, -39.35

 

CMYK 61 / 38 / 0 / 33

HEX #436BAC

RGB 67 107 172

HSL 217.14, 0.44%, 0.47%

LAB 45.2, 6.51, -38.99

 

CMYK 61 / 54 / 0 / 33

HEX #434FAC

RGB 67 79 172

HSL 233.14, 0.44%, 0.47%

LAB 37.42, 24.42, -51.45

 

CMYK 52 / 61 / 0 / 33

HEX #5343AC

RGB 83 67 172

HSL 249.14, 0.44%, 0.47%

LAB 35.66, 35.09, -54.23

 

CMYK 35 / 61 / 0 / 33

HEX #6F43AC

RGB 111 67 172

HSL 265.14, 0.44%, 0.47%

LAB 38.5, 41.2, -49.49

 

CMYK 19 / 61 / 0 / 33

HEX #8C43AC

RGB 140 67 172

HSL 281.71, 0.44%, 0.47%

LAB 42.11, 48.27, -43.52

 

CMYK 61 / 38 / 0 / 33

HEX #436BAC

RGB 67 107 172

HSL 217.14, 0.44%, 0.47%

LAB 45.2, 6.51, -38.99

 

CMYK 61 / 54 / 0 / 33

HEX #434FAC

RGB 67 79 172

HSL 233.14, 0.44%, 0.47%

LAB 37.42, 24.42, -51.45

 

CMYK 61 / 61 / 0 / 33

HEX #4343AC

RGB 67 67 172

HSL 240, 0.44%, 0.47%

LAB 34.37, 32.11, -56.39

 

CMYK 61 / 38 / 0 / 33

HEX #436BAC

RGB 67 107 172

HSL 217.14, 0.44%, 0.47%

LAB 45.2, 6.51, -38.99

 

CMYK 75 / 46 / 0 / 25

HEX #2F67BF

RGB 47 103 191

HSL 216.67, 0.61%, 0.47%

LAB 44.33, 12.7, -51.5

 

CMYK 87 / 53 / 0 / 17

HEX #1C63D3

RGB 28 99 211

HSL 216.72, 0.77%, 0.47%

LAB 44.05, 21.2, -63.49

 

CMYK 97 / 59 / 0 / 10

HEX #085EE6

RGB 8 94 230

HSL 216.76, 0.93%, 0.47%

LAB 43.9, 30.97, -74.56

 

CMYK 61 / 38 / 0 / 33

HEX #436BAC

RGB 67 107 172

HSL 217.14, 0.44%, 0.47%

LAB 45.2, 6.51, -38.99

 

CMYK 44 / 27 / 0 / 40

HEX #567099

RGB 86 112 153

HSL 216.72, 0.28%, 0.47%

LAB 46.8, 1.79, -25.23

 

CMYK 21 / 13 / 0 / 48

HEX #697485

RGB 105 116 133

HSL 216.43, 0.12%, 0.47%

LAB 48.5, -0.18, -10.69

 

CMYK 0 / 3 / 9 / 51

HEX #7D7972

RGB 125 121 114

HSL 38.18, 0.05%, 0.47%

LAB 50.98, 0.19, 4.37

 

CMYK 0 / 13 / 34 / 44

HEX #907D5F

RGB 144 125 95

HSL 36.73, 0.21%, 0.47%

LAB 53.41, 2.62, 19.06

 

CMYK 61 / 4 / 0 / 33

HEX #43A5AC

RGB 67 165 172

HSL 184, 0.44%, 0.47%

LAB 62.58, -26.14, -12.17

 

CMYK 61 / 20 / 0 / 33

HEX #4389AC

RGB 67 137 172

HSL 200, 0.44%, 0.47%

LAB 54.09, -11.29, -25.09

 

CMYK 61 / 37 / 0 / 33

HEX #436DAC

RGB 67 109 172

HSL 216, 0.44%, 0.47%

LAB 45.78, 5.27, -38.07

 

CMYK 61 / 53 / 0 / 33

HEX #4351AC

RGB 67 81 172

HSL 232, 0.44%, 0.47%

LAB 37.94, 23.12, -50.59

 

CMYK 53 / 61 / 0 / 33

HEX #5143AC

RGB 81 67 172

HSL 248, 0.44%, 0.47%

LAB 35.48, 34.69, -54.52

 

CMYK 61 / 38 / 0 / 56

HEX #2C4671

RGB 44 70 113

HSL 217.39, 0.44%, 0.31%

LAB 29.68, 4.47, -27.81

 

CMYK 61 / 37 / 0 / 44

HEX #37598E

RGB 55 89 142

HSL 216.55, 0.44%, 0.39%

LAB 37.68, 4.9, -33.06

 

CMYK 61 / 38 / 0 / 33

HEX #436BAC

RGB 67 107 172

HSL 217.14, 0.44%, 0.47%

LAB 45.2, 6.51, -38.99

 

CMYK 53 / 32 / 0 / 25

HEX #5A81BE

RGB 90 129 190

HSL 216.6, 0.43%, 0.55%

LAB 53.59, 4.03, -36.1

 

CMYK 41 / 25 / 0 / 21

HEX #7797CA

RGB 119 151 202

HSL 216.87, 0.44%, 0.63%

LAB 61.93, 2, -29.78

 

CMYK 61 / 37 / 0 / 32

HEX #446DAE

RGB 68 109 174

HSL 216.79, 0.44%, 0.47%

LAB 45.94, 6.16, -38.99

 

CMYK 12 / 61 / 0 / 33

HEX #9743AC

RGB 151 67 172

HSL 288, 0.44%, 0.47%

LAB 43.61, 51.04, -41.03

 

CMYK 12 / 0 / 61 / 33

HEX #97AC43

RGB 151 172 67

HSL 72, 0.44%, 0.47%

LAB 66.89, -22.52, 50.2

 

CMYK 61 / 37 / 0 / 32

HEX #446DAE

RGB 68 109 174

HSL 216.79, 0.44%, 0.47%

LAB 45.94, 6.16, -38.99

 

CMYK 0 / 61 / 37 / 33

HEX #AC436D

RGB 172 67 109

HSL 336, 0.44%, 0.47%

LAB 44.07, 47.03, -1.97

 

CMYK 37 / 0 / 61 / 33

HEX #6DAC43

RGB 109 172 67

HSL 96, 0.44%, 0.47%

LAB 64.29, -38.75, 46.58

 

CMYK 61 / 37 / 0 / 32

HEX #446DAE

RGB 68 109 174

HSL 216.79, 0.44%, 0.47%

LAB 45.94, 6.16, -38.99

 

CMYK 12 / 61 / 0 / 33

HEX #9743AC

RGB 151 67 172

HSL 288, 0.44%, 0.47%

LAB 43.61, 51.04, -41.03

 

CMYK 0 / 24 / 61 / 33

HEX #AC8243

RGB 172 130 67

HSL 36, 0.44%, 0.47%

LAB 57.21, 9.04, 39.78

 

CMYK 49 / 0 / 61 / 33

HEX #58AC43

RGB 88 172 67

HSL 108, 0.44%, 0.47%

LAB 63.33, -45.59, 45.23

 

CMYK 61 / 37 / 0 / 32

HEX #446DAE

RGB 68 109 174

HSL 216.79, 0.44%, 0.47%

LAB 45.94, 6.16, -38.99

 

CMYK 0 / 61 / 6 / 33

HEX #AC43A2

RGB 172 67 162

HSL 305.71, 0.44%, 0.47%

LAB 46.17, 54.69, -30.86

 

CMYK 0 / 24 / 61 / 33

HEX #AC8243

RGB 172 130 67

HSL 36, 0.44%, 0.47%

LAB 57.21, 9.04, 39.78

 

CMYK 61 / 0 / 55 / 33

HEX #43AC4D

RGB 67 172 77

HSL 125.71, 0.44%, 0.47%

LAB 62.7, -49.97, 39.6

 

Description

Color code: HEX #446DAE | qconv.com Color code: HEX #446DAE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 109 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 109 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 37 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 37% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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