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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #445FB44C it is the complementary color #BBA04B4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #445FB44C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #445FB44C shade: #495FAF4C, #5A71C24C, #6B83D54C, #7C95E84C and #8DA7FB4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #445FB44C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #445FB44C shade: #445FB44C, #334DA14C, #223B8E4C, #11297B4C and #0017684C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #445FB44C shade: #4560B5, #4845B5, #6645B5, #8545B5 and #A345B5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #445FB44C shade: #4560B5 and #4545B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #445FB44C shade matches the following richer shades: #4560B5, #3155C9, #1C4BDE and #0840F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #445FB44C shade: #4560B5, #596AA1, #6D758D, #817F79 and #968A64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #445FB44C shade: #459DB5, #457FB5, #4561B5, #4745B5 and #6545B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #445FB44C shade: #2E4079, #395097, #4560B5, #6078C3 and #7E92CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #445FB44C shade: #445FB4, #B045B5 and #8EB545

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #445FB44C shade: #445FB4, #B54561 and #61B545

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #445FB44C shade: #445FB4, #B045B5, #B59945 and #4AB545

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #445FB44C shade: #445FB4, #B54599, #B59945 and #45B561

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 14 / 0 / 9

HEX #445FB44C

RGBA 68 95 180 0.3

HSLA 225.54, 0.45%, 0.49%, 0.3

LABA 42.32, 17.09, -48.26, 0.3

 

Complementary color

CMYK 0 / 4 / 18 / 8

HEX #BBA04B4C

RGBA 187 160 75 0.3

HSLA 45.54, 0.45%, 0.51%, 0.3

LABA 66.68, -0.3, 47.1, 0.3

 

CMYK 17 / 14 / 0 / 9

HEX #495FAF4C

RGBA 73 95 175 0.3

HSLA 227.06, 0.41%, 0.49%, 0.3

LABA 42.3, 16.34, -45.34, 0.3

 

CMYK 16 / 13 / 0 / 7

HEX #5A71C24C

RGBA 90 113 194 0.3

HSLA 226.73, 0.46%, 0.56%, 0.3

LABA 49.35, 15.02, -45.09, 0.3

 

CMYK 15 / 12 / 0 / 5

HEX #6B83D54C

RGBA 107 131 213 0.3

HSLA 226.42, 0.56%, 0.63%, 0.3

LABA 56.25, 13.94, -44.89, 0.3

 

CMYK 14 / 11 / 0 / 3

HEX #7C95E84C

RGBA 124 149 232 0.3

HSLA 226.11, 0.7%, 0.7%, 0.3

LABA 63.02, 13.04, -44.74, 0.3

 

CMYK 13 / 10 / 0 / 0

HEX #8DA7FB4C

RGBA 141 167 251 0.3

HSLA 225.82, 0.93%, 0.77%, 0.3

LABA 69.66, 12.27, -44.63, 0.3

 

CMYK 19 / 14 / 0 / 9

HEX #445FB44C

RGBA 68 95 180 0.3

HSLA 225.54, 0.45%, 0.49%, 0.3

LABA 42.32, 17.09, -48.26, 0.3

 

CMYK 20 / 16 / 0 / 11

HEX #334DA14C

RGBA 51 77 161 0.3

HSLA 225.82, 0.52%, 0.42%, 0.3

LABA 35.17, 18.98, -48.55, 0.3

 

CMYK 23 / 18 / 0 / 13

HEX #223B8E4C

RGBA 34 59 142 0.3

HSLA 226.11, 0.61%, 0.35%, 0.3

LABA 27.9, 21.4, -48.8, 0.3

 

CMYK 26 / 20 / 0 / 16

HEX #11297B4C

RGBA 17 41 123 0.3

HSLA 226.42, 0.76%, 0.27%, 0.3

LABA 20.58, 24.54, -48.9, 0.3

 

CMYK 30 / 23 / 0 / 18

HEX #0017684C

RGBA 0 23 104 0.3

HSLA 226.73, 1%, 0.2%, 0.3

LABA 13.3, 28.2, -48.61, 0.3

 

CMYK 62 / 47 / 0 / 29

HEX #4560B5

RGB 69 96 181

HSL 225.54, 0.45%, 0.49%

LAB 42.71, 16.99, -48.22

 

CMYK 60 / 62 / 0 / 29

HEX #4845B5

RGB 72 69 181

HSL 241.61, 0.45%, 0.49%

LAB 35.93, 34.72, -59.18

 

CMYK 44 / 62 / 0 / 29

HEX #6645B5

RGB 102 69 181

HSL 257.68, 0.45%, 0.49%

LAB 38.58, 40.52, -54.74

 

CMYK 27 / 62 / 0 / 29

HEX #8545B5

RGB 133 69 181

HSL 274.29, 0.45%, 0.49%

LAB 42.12, 47.57, -48.86

 

CMYK 10 / 62 / 0 / 29

HEX #A345B5

RGB 163 69 181

HSL 290.36, 0.45%, 0.49%

LAB 46.15, 54.9, -42.19

 

CMYK 62 / 47 / 0 / 29

HEX #4560B5

RGB 69 96 181

HSL 225.54, 0.45%, 0.49%

LAB 42.71, 16.99, -48.22

 

CMYK 62 / 62 / 0 / 29

HEX #4545B5

RGB 69 69 181

HSL 240, 0.45%, 0.49%

LAB 35.71, 34.22, -59.54

 

CMYK 62 / 47 / 0 / 29

HEX #4560B5

RGB 69 96 181

HSL 225.54, 0.45%, 0.49%

LAB 42.71, 16.99, -48.22

 

CMYK 76 / 58 / 0 / 21

HEX #3155C9

RGB 49 85 201

HSL 225.79, 0.61%, 0.49%

LAB 40.19, 28.34, -63.98

 

CMYK 87 / 66 / 0 / 13

HEX #1C4BDE

RGB 28 75 222

HSL 225.46, 0.78%, 0.49%

LAB 38.82, 40.83, -78.34

 

CMYK 97 / 74 / 0 / 5

HEX #0840F2

RGB 8 64 242

HSL 225.64, 0.94%, 0.49%

LAB 38.07, 53.85, -90.93

 

CMYK 62 / 47 / 0 / 29

HEX #4560B5

RGB 69 96 181

HSL 225.54, 0.45%, 0.49%

LAB 42.71, 16.99, -48.22

 

CMYK 45 / 34 / 0 / 37

HEX #596AA1

RGB 89 106 161

HSL 225.83, 0.29%, 0.49%

LAB 45.64, 8.69, -31.74

 

CMYK 23 / 17 / 0 / 45

HEX #6D758D

RGB 109 117 141

HSL 225, 0.13%, 0.49%

LAB 49.37, 2.55, -14.07

 

CMYK 0 / 2 / 6 / 49

HEX #817F79

RGB 129 127 121

HSL 45, 0.03%, 0.49%

LAB 53.2, -0.4, 3.52

 

CMYK 0 / 8 / 33 / 41

HEX #968A64

RGB 150 138 100

HSL 45.6, 0.2%, 0.49%

LAB 57.64, -1.52, 22.02

 

CMYK 62 / 13 / 0 / 29

HEX #459DB5

RGB 69 157 181

HSL 192.86, 0.45%, 0.49%

LAB 60.53, -18.96, -20.32

 

CMYK 62 / 30 / 0 / 29

HEX #457FB5

RGB 69 127 181

HSL 208.93, 0.45%, 0.49%

LAB 51.59, -2.17, -34.15

 

CMYK 62 / 46 / 0 / 29

HEX #4561B5

RGB 69 97 181

HSL 225, 0.45%, 0.49%

LAB 42.99, 16.35, -47.78

 

CMYK 61 / 62 / 0 / 29

HEX #4745B5

RGB 71 69 181

HSL 241.07, 0.45%, 0.49%

LAB 35.85, 34.55, -59.3

 

CMYK 44 / 62 / 0 / 29

HEX #6545B5

RGB 101 69 181

HSL 257.14, 0.45%, 0.49%

LAB 38.48, 40.3, -54.91

 

CMYK 62 / 47 / 0 / 53

HEX #2E4079

RGB 46 64 121

HSL 225.6, 0.45%, 0.33%

LAB 28.45, 11.92, -34.8

 

CMYK 62 / 47 / 0 / 41

HEX #395097

RGB 57 80 151

HSL 225.32, 0.45%, 0.41%

LAB 35.68, 14.41, -41.69

 

CMYK 62 / 47 / 0 / 29

HEX #4560B5

RGB 69 96 181

HSL 225.54, 0.45%, 0.49%

LAB 42.71, 16.99, -48.22

 

CMYK 51 / 38 / 0 / 24

HEX #6078C3

RGB 96 120 195

HSL 225.45, 0.45%, 0.57%

LAB 51.68, 12.42, -41.95

 

CMYK 39 / 29 / 0 / 19

HEX #7E92CE

RGB 126 146 206

HSL 225, 0.45%, 0.65%

LAB 61.18, 7.86, -33.15

 

CMYK 62 / 47 / 0 / 29

HEX #445FB4

RGB 68 95 180

HSL 225.54, 0.45%, 0.49%

LAB 42.32, 17.09, -48.26

 

CMYK 3 / 62 / 0 / 29

HEX #B045B5

RGB 176 69 181

HSL 297.32, 0.45%, 0.49%

LAB 48.04, 58.15, -39.08

 

CMYK 22 / 0 / 62 / 29

HEX #8EB545

RGB 142 181 69

HSL 80.89, 0.45%, 0.49%

LAB 68.92, -30.37, 51.36

 

CMYK 62 / 47 / 0 / 29

HEX #445FB4

RGB 68 95 180

HSL 225.54, 0.45%, 0.49%

LAB 42.32, 17.09, -48.26

 

CMYK 0 / 62 / 46 / 29

HEX #B54561

RGB 181 69 97

HSL 345, 0.45%, 0.49%

LAB 45.56, 47.79, 7.74

 

CMYK 46 / 0 / 62 / 29

HEX #61B545

RGB 97 181 69

HSL 105, 0.45%, 0.49%

LAB 66.53, -46.32, 48.05

 

CMYK 62 / 47 / 0 / 29

HEX #445FB4

RGB 68 95 180

HSL 225.54, 0.45%, 0.49%

LAB 42.32, 17.09, -48.26

 

CMYK 3 / 62 / 0 / 29

HEX #B045B5

RGB 176 69 181

HSL 297.32, 0.45%, 0.49%

LAB 48.04, 58.15, -39.08

 

CMYK 0 / 15 / 62 / 29

HEX #B59945

RGB 181 153 69

HSL 45, 0.45%, 0.49%

LAB 64.19, 0.45, 47

 

CMYK 59 / 0 / 62 / 29

HEX #4AB545

RGB 74 181 69

HSL 117.32, 0.45%, 0.49%

LAB 65.7, -52.67, 46.88

 

CMYK 62 / 47 / 0 / 29

HEX #445FB4

RGB 68 95 180

HSL 225.54, 0.45%, 0.49%

LAB 42.32, 17.09, -48.26

 

CMYK 0 / 62 / 15 / 29

HEX #B54599

RGB 181 69 153

HSL 315, 0.45%, 0.49%

LAB 47.47, 54.84, -23.37

 

CMYK 0 / 15 / 62 / 29

HEX #B59945

RGB 181 153 69

HSL 45, 0.45%, 0.49%

LAB 64.19, 0.45, 47

 

CMYK 62 / 0 / 46 / 29

HEX #45B561

RGB 69 181 97

HSL 135, 0.45%, 0.49%

LAB 65.89, -50.03, 33.52

 

Description

Color code: HEX #445FB44C | qconv.com Color code: HEX #445FB44C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 95 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 95 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 14 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 14% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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