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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #445DDACE it is the complementary color #BBA225CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #445DDACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #445DDACE shade: #495DD5CE, #5A6FE8CE, #6B81FBCE, #7C93FFCE and #8DA5FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #445DDACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #445DDACE shade: #445DDACE, #334BC7CE, #2239B4CE, #1127A1CE and #00158ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #445DDACE shade: #445DDA, #5344DA, #7C44DA, #A444DA and #CD44DA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #445DDACE shade: #445DDA and #4444DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #445DDACE shade matches the following richer shades: #445DDA, #3151EC and #1F44FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #445DDACE shade: #445DDA, #5669C8, #6875B6, #7A81A4 and #8C8D91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #445DDACE shade: #44ADDA, #4485DA, #445DDA, #5344DA and #7B44DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #445DDACE shade: #2238AA, #2844CC, #445DDA, #667BE1 and #8998E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #445DDACE shade: #445DDA, #DA44D5 and #99DA44

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #445DDACE shade: #445DDA, #DA445D and #5DDA44

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #445DDACE shade: #445DDA, #DA44D5, #DAC144 and #44DA49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #445DDACE shade: #445DDA, #DA44A8, #DAC144 and #44DA76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 46 / 0 / 12

HEX #445DDACE

RGBA 68 93 218 0.81

HSLA 230, 0.67%, 0.56%, 0.81

LABA 44.4, 31.75, -66.86, 0.81

 

Complementary color

CMYK 0 / 11 / 65 / 22

HEX #BBA225CE

RGBA 187 162 37 0.81

HSLA 50, 0.67%, 0.44%, 0.81

LABA 66.93, -3.4, 62.77, 0.81

 

CMYK 53 / 46 / 0 / 13

HEX #495DD5CE

RGBA 73 93 213 0.81

HSLA 231.43, 0.63%, 0.56%, 0.81

LABA 44.3, 30.73, -64.15, 0.81

 

CMYK 50 / 42 / 0 / 7

HEX #5A6FE8CE

RGBA 90 111 232 0.81

HSLA 231.13, 0.76%, 0.63%, 0.81

LABA 51.12, 28.77, -63.84, 0.81

 

CMYK 46 / 39 / 0 / 1

HEX #6B81FBCE

RGBA 107 129 251 0.81

HSLA 230.83, 0.95%, 0.7%, 0.81

LABA 57.84, 27.11, -63.53, 0.81

 

CMYK 42 / 34 / 0 / 0

HEX #7C93FFCE

RGBA 124 147 255 0.81

HSLA 229.47, 1%, 0.74%, 0.81

LABA 63.65, 21.09, -56.37, 0.81

 

CMYK 36 / 29 / 0 / 0

HEX #8DA5FFCE

RGBA 141 165 255 0.81

HSLA 227.37, 1%, 0.78%, 0.81

LABA 69.32, 14.55, -47.33, 0.81

 

CMYK 56 / 46 / 0 / 12

HEX #445DDACE

RGBA 68 93 218 0.81

HSLA 230, 0.67%, 0.56%, 0.81

LABA 44.4, 31.75, -66.86, 0.81

 

CMYK 60 / 50 / 0 / 18

HEX #334BC7CE

RGBA 51 75 199 0.81

HSLA 230.27, 0.59%, 0.49%, 0.81

LABA 37.59, 34.26, -67.07, 0.81

 

CMYK 66 / 55 / 0 / 24

HEX #2239B4CE

RGBA 34 57 180 0.81

HSLA 230.55, 0.68%, 0.42%, 0.81

LABA 30.79, 37.18, -67.08, 0.81

 

CMYK 72 / 61 / 0 / 30

HEX #1127A1CE

RGBA 17 39 161 0.81

HSLA 230.83, 0.81%, 0.35%, 0.81

LABA 24.14, 40.39, -66.65, 0.81

 

CMYK 81 / 69 / 0 / 36

HEX #00158ECE

RGBA 0 21 142 0.81

HSLA 231.13, 1%, 0.28%, 0.81

LABA 17.87, 43.22, -65.36, 0.81

 

CMYK 69 / 57 / 0 / 15

HEX #445DDA

RGB 68 93 218

HSL 230, 0.67%, 0.56%

LAB 44.4, 31.75, -66.86

 

CMYK 62 / 69 / 0 / 15

HEX #5344DA

RGB 83 68 218

HSL 246, 0.67%, 0.56%

LAB 39.64, 48.84, -74.6

 

CMYK 43 / 69 / 0 / 15

HEX #7C44DA

RGB 124 68 218

HSL 262.4, 0.67%, 0.56%

LAB 43.48, 55.35, -68.17

 

CMYK 25 / 69 / 0 / 15

HEX #A444DA

RGB 164 68 218

HSL 278.4, 0.67%, 0.56%

LAB 48.37, 63.09, -60.01

 

CMYK 6 / 69 / 0 / 15

HEX #CD44DA

RGB 205 68 218

HSL 294.8, 0.67%, 0.56%

LAB 54.21, 71.74, -50.32

 

CMYK 69 / 57 / 0 / 15

HEX #445DDA

RGB 68 93 218

HSL 230, 0.67%, 0.56%

LAB 44.4, 31.75, -66.86

 

CMYK 69 / 69 / 0 / 15

HEX #4444DA

RGB 68 68 218

HSL 240, 0.67%, 0.56%

LAB 38.59, 46.97, -76.35

 

CMYK 69 / 57 / 0 / 15

HEX #445DDA

RGB 68 93 218

HSL 230, 0.67%, 0.56%

LAB 44.4, 31.75, -66.86

 

CMYK 79 / 66 / 0 / 7

HEX #3151EC

RGB 49 81 236

HSL 229.73, 0.83%, 0.56%

LAB 42.14, 43.51, -80.8

 

CMYK 88 / 73 / 0 / 0

HEX #1F44FE

RGB 31 68 254

HSL 230.04, 0.99%, 0.56%

LAB 40.54, 56.24, -93.57

 

CMYK 69 / 57 / 0 / 15

HEX #445DDA

RGB 68 93 218

HSL 230, 0.67%, 0.56%

LAB 44.4, 31.75, -66.86

 

CMYK 57 / 48 / 0 / 22

HEX #5669C8

RGB 86 105 200

HSL 230, 0.51%, 0.56%

LAB 47.3, 21.1, -51.82

 

CMYK 43 / 36 / 0 / 29

HEX #6875B6

RGB 104 117 182

HSL 230, 0.35%, 0.56%

LAB 50.74, 12.26, -35.93

 

CMYK 26 / 21 / 0 / 36

HEX #7A81A4

RGB 122 129 164

HSL 230, 0.19%, 0.56%

LAB 54.57, 5.46, -19.48

 

CMYK 3 / 3 / 0 / 43

HEX #8C8D91

RGB 140 141 145

HSL 228, 0.02%, 0.56%

LAB 58.67, 0.43, -2.26

 

CMYK 69 / 21 / 0 / 15

HEX #44ADDA

RGB 68 173 218

HSL 198, 0.67%, 0.56%

LAB 66.66, -15.91, -31.52

 

CMYK 69 / 39 / 0 / 15

HEX #4485DA

RGB 68 133 218

HSL 214, 0.67%, 0.56%

LAB 55.14, 6.85, -49.59

 

CMYK 69 / 57 / 0 / 15

HEX #445DDA

RGB 68 93 218

HSL 230, 0.67%, 0.56%

LAB 44.4, 31.75, -66.86

 

CMYK 62 / 69 / 0 / 15

HEX #5344DA

RGB 83 68 218

HSL 246, 0.67%, 0.56%

LAB 39.64, 48.84, -74.6

 

CMYK 44 / 69 / 0 / 15

HEX #7B44DA

RGB 123 68 218

HSL 262, 0.67%, 0.56%

LAB 43.37, 55.18, -68.35

 

CMYK 80 / 67 / 0 / 33

HEX #2238AA

RGB 34 56 170

HSL 230.29, 0.67%, 0.4%

LAB 29.59, 34.14, -63.08

 

CMYK 80 / 67 / 0 / 20

HEX #2844CC

RGB 40 68 204

HSL 229.76, 0.67%, 0.48%

LAB 35.88, 39.44, -72.8

 

CMYK 69 / 57 / 0 / 15

HEX #445DDA

RGB 68 93 218

HSL 230, 0.67%, 0.56%

LAB 44.4, 31.75, -66.86

 

CMYK 55 / 45 / 0 / 12

HEX #667BE1

RGB 102 123 225

HSL 229.76, 0.67%, 0.64%

LAB 54.48, 21.43, -54.48

 

CMYK 41 / 34 / 0 / 9

HEX #8998E8

RGB 137 152 232

HSL 230.53, 0.67%, 0.72%

LAB 64.64, 14.53, -42.12

 

CMYK 69 / 57 / 0 / 15

HEX #445DDA

RGB 68 93 218

HSL 230, 0.67%, 0.56%

LAB 44.4, 31.75, -66.86

 

CMYK 0 / 69 / 2 / 15

HEX #DA44D5

RGB 218 68 213

HSL 302, 0.67%, 0.56%

LAB 55.93, 73.76, -44.63

 

CMYK 30 / 0 / 69 / 15

HEX #99DA44

RGB 153 218 68

HSL 86, 0.67%, 0.56%

LAB 80.37, -43.03, 64.09

 

CMYK 69 / 57 / 0 / 15

HEX #445DDA

RGB 68 93 218

HSL 230, 0.67%, 0.56%

LAB 44.4, 31.75, -66.86

 

CMYK 0 / 69 / 57 / 15

HEX #DA445D

RGB 218 68 93

HSL 350, 0.67%, 0.56%

LAB 51.64, 59.7, 19.56

 

CMYK 57 / 0 / 69 / 15

HEX #5DDA44

RGB 93 218 68

HSL 110, 0.67%, 0.56%

LAB 77.81, -61.55, 60.64

 

CMYK 69 / 57 / 0 / 15

HEX #445DDA

RGB 68 93 218

HSL 230, 0.67%, 0.56%

LAB 44.4, 31.75, -66.86

 

CMYK 0 / 69 / 2 / 15

HEX #DA44D5

RGB 218 68 213

HSL 302, 0.67%, 0.56%

LAB 55.93, 73.76, -44.63

 

CMYK 0 / 11 / 69 / 15

HEX #DAC144

RGB 218 193 68

HSL 50, 0.67%, 0.56%

LAB 78.15, -4.82, 63.33

 

CMYK 69 / 0 / 67 / 15

HEX #44DA49

RGB 68 218 73

HSL 122, 0.67%, 0.56%

LAB 77.19, -66.41, 57.84

 

CMYK 69 / 57 / 0 / 15

HEX #445DDA

RGB 68 93 218

HSL 230, 0.67%, 0.56%

LAB 44.4, 31.75, -66.86

 

CMYK 0 / 69 / 23 / 15

HEX #DA44A8

RGB 218 68 168

HSL 320, 0.67%, 0.56%

LAB 53.89, 67.27, -21.86

 

CMYK 0 / 11 / 69 / 15

HEX #DAC144

RGB 218 193 68

HSL 50, 0.67%, 0.56%

LAB 78.15, -4.82, 63.33

 

CMYK 69 / 0 / 46 / 15

HEX #44DA76

RGB 68 218 118

HSL 140, 0.67%, 0.56%

LAB 77.69, -60.66, 37.94

 

Description

Color code: HEX #445DDACE | qconv.com Color code: HEX #445DDACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 93 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 93 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 46 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 46% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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