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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #445AE0CE it is the complementary color #BBA51FCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #445AE0CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #445AE0CE shade: #495ADBCE, #5A6CEECE, #6B7EFFCE, #7C90FFCE and #8DA2FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #445AE0CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #445AE0CE shade: #445AE0CE, #3348CDCE, #2236BACE, #1124A7CE and #001294CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #445AE0CE shade: #4259E0, #5742E0, #8142E0, #AC42E0 and #D642E0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #445AE0CE shade: #4259E0 and #4242E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #445AE0CE shade matches the following richer shades: #4259E0 and #314CF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #445AE0CE shade: #4259E0, #5465CF, #6672BD, #787FAB and #898C99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #445AE0CE shade: #42AEE0, #4284E0, #425AE0, #5542E0 and #7F42E0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #445AE0CE shade: #1D32B3, #233CD7, #4259E0, #6678E6 and #8997EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #445AE0CE shade: #445AE0, #E042D8 and #99E042

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #445AE0CE shade: #445AE0, #E0425A and #5AE042

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #445AE0CE shade: #445AE0, #E042D8, #E0C942 and #42E04A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #445AE0CE shade: #445AE0, #E042A9, #E0C942 and #42E07A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 48 / 0 / 10

HEX #445AE0CE

RGBA 68 90 224 0.81

HSLA 231.54, 0.72%, 0.57%, 0.81

LABA 44.12, 35.72, -70.73, 0.81

 

Complementary color

CMYK 0 / 10 / 68 / 22

HEX #BBA51FCE

RGBA 187 165 31 0.81

HSLA 51.54, 0.72%, 0.43%, 0.81

LABA 67.71, -5.18, 65.18, 0.81

 

CMYK 54 / 48 / 0 / 11

HEX #495ADBCE

RGBA 73 90 219 0.81

HSLA 233.01, 0.67%, 0.57%, 0.81

LABA 44.01, 34.67, -68.06, 0.81

 

CMYK 50 / 44 / 0 / 5

HEX #5A6CEECE

RGBA 90 108 238 0.81

HSLA 232.7, 0.81%, 0.64%, 0.81

LABA 50.77, 32.6, -67.76, 0.81

 

CMYK 47 / 41 / 0 / 0

HEX #6B7EFFCE

RGBA 107 126 255 0.81

HSLA 232.3, 1%, 0.71%, 0.81

LABA 57.34, 30.19, -66.54, 0.81

 

CMYK 42 / 35 / 0 / 0

HEX #7C90FFCE

RGBA 124 144 255 0.81

HSLA 230.84, 1%, 0.74%, 0.81

LABA 62.89, 22.85, -57.59, 0.81

 

CMYK 36 / 30 / 0 / 0

HEX #8DA2FFCE

RGBA 141 162 255 0.81

HSLA 228.95, 1%, 0.78%, 0.81

LABA 68.55, 16.26, -48.55, 0.81

 

CMYK 56 / 48 / 0 / 10

HEX #445AE0CE

RGBA 68 90 224 0.81

HSLA 231.54, 0.72%, 0.57%, 0.81

LABA 44.12, 35.72, -70.73, 0.81

 

CMYK 61 / 53 / 0 / 16

HEX #3348CDCE

RGBA 51 72 205 0.81

HSLA 231.82, 0.61%, 0.5%, 0.81

LABA 37.38, 38.3, -70.89, 0.81

 

CMYK 66 / 57 / 0 / 22

HEX #2236BACE

RGBA 34 54 186 0.81

HSLA 232.11, 0.69%, 0.43%, 0.81

LABA 30.7, 41.21, -70.79, 0.81

 

CMYK 73 / 64 / 0 / 28

HEX #1124A7CE

RGBA 17 36 167 0.81

HSLA 232.4, 0.82%, 0.36%, 0.81

LABA 24.23, 44.23, -70.14, 0.81

 

CMYK 81 / 71 / 0 / 34

HEX #001294CE

RGBA 0 18 148 0.81

HSLA 232.7, 1%, 0.29%, 0.81

LABA 18.24, 46.55, -68.49, 0.81

 

CMYK 71 / 60 / 0 / 12

HEX #4259E0

RGB 66 89 224

HSL 231.27, 0.72%, 0.57%

LAB 43.78, 36.09, -71.3

 

CMYK 61 / 71 / 0 / 12

HEX #5742E0

RGB 87 66 224

HSL 247.97, 0.72%, 0.57%

LAB 40.09, 52.29, -77.28

 

CMYK 42 / 71 / 0 / 12

HEX #8142E0

RGB 129 66 224

HSL 263.92, 0.72%, 0.57%

LAB 44.15, 58.73, -70.47

 

CMYK 23 / 71 / 0 / 12

HEX #AC42E0

RGB 172 66 224

HSL 280.25, 0.72%, 0.57%

LAB 49.56, 66.77, -61.45

 

CMYK 4 / 71 / 0 / 12

HEX #D642E0

RGB 214 66 224

HSL 296.2, 0.72%, 0.57%

LAB 55.66, 75.36, -51.33

 

CMYK 71 / 60 / 0 / 12

HEX #4259E0

RGB 66 89 224

HSL 231.27, 0.72%, 0.57%

LAB 43.78, 36.09, -71.3

 

CMYK 71 / 71 / 0 / 12

HEX #4242E0

RGB 66 66 224

HSL 240, 0.72%, 0.57%

LAB 38.61, 49.85, -79.76

 

CMYK 71 / 60 / 0 / 12

HEX #4259E0

RGB 66 89 224

HSL 231.27, 0.72%, 0.57%

LAB 43.78, 36.09, -71.3

 

CMYK 80 / 69 / 0 / 5

HEX #314CF2

RGB 49 76 242

HSL 231.61, 0.88%, 0.57%

LAB 41.58, 48.58, -85.1

 

CMYK 71 / 60 / 0 / 12

HEX #4259E0

RGB 66 89 224

HSL 231.27, 0.72%, 0.57%

LAB 43.78, 36.09, -71.3

 

CMYK 59 / 51 / 0 / 19

HEX #5465CF

RGB 84 101 207

HSL 231.71, 0.56%, 0.57%

LAB 46.57, 25.54, -57.01

 

CMYK 46 / 40 / 0 / 26

HEX #6672BD

RGB 102 114 189

HSL 231.72, 0.4%, 0.57%

LAB 50.14, 15.67, -40.92

 

CMYK 30 / 26 / 0 / 33

HEX #787FAB

RGB 120 127 171

HSL 231.76, 0.23%, 0.57%

LAB 54.15, 7.8, -24.18

 

CMYK 10 / 8 / 0 / 40

HEX #898C99

RGB 137 140 153

HSL 228.75, 0.07%, 0.57%

LAB 58.39, 1.6, -7.28

 

CMYK 71 / 22 / 0 / 12

HEX #42AEE0

RGB 66 174 224

HSL 198.99, 0.72%, 0.57%

LAB 67.14, -14.77, -34.07

 

CMYK 71 / 41 / 0 / 12

HEX #4284E0

RGB 66 132 224

HSL 214.94, 0.72%, 0.57%

LAB 55.12, 9.29, -52.99

 

CMYK 71 / 60 / 0 / 12

HEX #425AE0

RGB 66 90 224

HSL 230.89, 0.72%, 0.57%

LAB 44.02, 35.47, -70.9

 

CMYK 62 / 71 / 0 / 12

HEX #5542E0

RGB 85 66 224

HSL 247.22, 0.72%, 0.57%

LAB 39.93, 52.03, -77.55

 

CMYK 43 / 71 / 0 / 12

HEX #7F42E0

RGB 127 66 224

HSL 263.16, 0.72%, 0.57%

LAB 43.93, 58.39, -70.84

 

CMYK 84 / 72 / 0 / 30

HEX #1D32B3

RGB 29 50 179

HSL 231.6, 0.72%, 0.41%

LAB 28.89, 40.82, -69.62

 

CMYK 84 / 72 / 0 / 16

HEX #233CD7

RGB 35 60 215

HSL 231.67, 0.72%, 0.49%

LAB 34.99, 47.82, -80.62

 

CMYK 71 / 60 / 0 / 12

HEX #4259E0

RGB 66 89 224

HSL 231.27, 0.72%, 0.57%

LAB 43.78, 36.09, -71.3

 

CMYK 56 / 48 / 0 / 10

HEX #6678E6

RGB 102 120 230

HSL 231.56, 0.72%, 0.65%

LAB 54, 24.85, -58.05

 

CMYK 42 / 36 / 0 / 7

HEX #8997EC

RGB 137 151 236

HSL 231.52, 0.72%, 0.73%

LAB 64.57, 16.22, -44.44

 

CMYK 70 / 60 / 0 / 12

HEX #445AE0

RGB 68 90 224

HSL 231.54, 0.72%, 0.57%

LAB 44.12, 35.72, -70.73

 

CMYK 0 / 71 / 4 / 12

HEX #E042D8

RGB 224 66 216

HSL 303.04, 0.72%, 0.57%

LAB 56.78, 76.22, -44.93

 

CMYK 32 / 0 / 71 / 12

HEX #99E042

RGB 153 224 66

HSL 86.96, 0.72%, 0.57%

LAB 82.1, -45.73, 66.58

 

CMYK 70 / 60 / 0 / 12

HEX #445AE0

RGB 68 90 224

HSL 231.54, 0.72%, 0.57%

LAB 44.12, 35.72, -70.73

 

CMYK 0 / 71 / 60 / 12

HEX #E0425A

RGB 224 66 90

HSL 350.89, 0.72%, 0.57%

LAB 52.38, 62.05, 22.52

 

CMYK 60 / 0 / 71 / 12

HEX #5AE042

RGB 90 224 66

HSL 110.89, 0.72%, 0.57%

LAB 79.54, -64.52, 63.16

 

CMYK 70 / 60 / 0 / 12

HEX #445AE0

RGB 68 90 224

HSL 231.54, 0.72%, 0.57%

LAB 44.12, 35.72, -70.73

 

CMYK 0 / 71 / 4 / 12

HEX #E042D8

RGB 224 66 216

HSL 303.04, 0.72%, 0.57%

LAB 56.78, 76.22, -44.93

 

CMYK 0 / 10 / 71 / 12

HEX #E0C942

RGB 224 201 66

HSL 51.27, 0.72%, 0.57%

LAB 80.75, -6.48, 66.88

 

CMYK 71 / 0 / 67 / 12

HEX #42E04A

RGB 66 224 74

HSL 123.04, 0.72%, 0.57%

LAB 79.02, -68.62, 59.4

 

CMYK 70 / 60 / 0 / 12

HEX #445AE0

RGB 68 90 224

HSL 231.54, 0.72%, 0.57%

LAB 44.12, 35.72, -70.73

 

CMYK 0 / 71 / 25 / 12

HEX #E042A9

RGB 224 66 169

HSL 320.89, 0.72%, 0.57%

LAB 54.67, 69.63, -21.16

 

CMYK 0 / 10 / 71 / 12

HEX #E0C942

RGB 224 201 66

HSL 51.27, 0.72%, 0.57%

LAB 80.75, -6.48, 66.88

 

CMYK 71 / 0 / 46 / 12

HEX #42E07A

RGB 66 224 122

HSL 141.27, 0.72%, 0.57%

LAB 79.54, -62.49, 38.32

 

Description

Color code: HEX #445AE0CE | qconv.com Color code: HEX #445AE0CE | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 90 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 90 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 48 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 48% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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