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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #445A00 it is the complementary color #BBA5FF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #445A00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #445A00 shade: #495A00, #5A6C0E, #6B7E21, #7C9034 and #8DA247

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #445A00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #445A00 shade: #445A00, #334800, #223600, #112400 and #001200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #445A00 shade: #455C00, #5C5900, #5C4100, #5C2800 and #5C0F00

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #445A00 shade: #455C00, #2D5C00, #145C00, #005C05 and #005C1E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #445A00 shade matches the following richer shades: #455C00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #445A00 shade: #455C00, #425407, #3E4D0F, #3A4616 and #363E1E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #445A00 shade: #5C4000, #5C5900, #465C00, #2E5C00 and #155C00

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #445A00 shade: #070900, #263300, #455C00, #658500 and #84AE00

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #445A00 shade: #445A00, #005C28 and #4D005C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #445A00 shade: #445A00, #00465C and #5C0046

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #445A00 shade: #445A00, #005C28, #15005C and #5C0034

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #445A00 shade: #445A00, #005C43, #15005C and #5C0018

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 100 / 65

HEX #445A00

RGB 68 90 0

HSL 74.67, 1%, 0.18%

LAB 35.09, -20.67, 42.02

 

Complementary color

CMYK 27 / 35 / 0 / 0

HEX #BBA5FF

RGB 187 165 255

HSL 254.67, 1%, 0.82%

LAB 72.69, 26.65, -41.81

 

CMYK 19 / 0 / 100 / 65

HEX #495A00

RGB 73 90 0

HSL 71.33, 1%, 0.18%

LAB 35.46, -18.34, 42.46

 

CMYK 17 / 0 / 87 / 58

HEX #5A6C0E

RGB 90 108 14

HSL 71.49, 0.77%, 0.24%

LAB 42.66, -19.51, 45.04

 

CMYK 15 / 0 / 74 / 51

HEX #6B7E21

RGB 107 126 33

HSL 72.26, 0.58%, 0.31%

LAB 49.69, -20.34, 45.59

 

CMYK 14 / 0 / 64 / 44

HEX #7C9034

RGB 124 144 52

HSL 73.04, 0.47%, 0.38%

LAB 56.56, -20.91, 45.08

 

CMYK 13 / 0 / 56 / 36

HEX #8DA247

RGB 141 162 71

HSL 73.85, 0.39%, 0.46%

LAB 63.31, -21.31, 44.13

 

CMYK 24 / 0 / 100 / 65

HEX #445A00

RGB 68 90 0

HSL 74.67, 1%, 0.18%

LAB 35.09, -20.67, 42.02

 

CMYK 29 / 0 / 100 / 72

HEX #334800

RGB 51 72 0

HSL 77.5, 1%, 0.14%

LAB 27.68, -19.08, 35.76

 

CMYK 37 / 0 / 100 / 79

HEX #223600

RGB 34 54 0

HSL 82.22, 1%, 0.11%

LAB 19.96, -17.44, 27.68

 

CMYK 53 / 0 / 100 / 86

HEX #112400

RGB 17 36 0

HSL 91.67, 1%, 0.07%

LAB 11.83, -15.69, 17.23

 

CMYK 100 / 0 / 100 / 93

HEX #001200

RGB 0 18 0

HSL 120, 1%, 0.04%

LAB 3.91, -7.98, 5.71

 

CMYK 25 / 0 / 100 / 64

HEX #455C00

RGB 69 92 0

HSL 75, 1%, 0.18%

LAB 35.83, -21.25, 42.61

 

CMYK 0 / 3 / 100 / 64

HEX #5C5900

RGB 92 89 0

HSL 58.04, 1%, 0.18%

LAB 36.78, -8.51, 44.18

 

CMYK 0 / 29 / 100 / 64

HEX #5C4100

RGB 92 65 0

HSL 42.39, 1%, 0.18%

LAB 29.55, 6.04, 38.99

 

CMYK 0 / 57 / 100 / 64

HEX #5C2800

RGB 92 40 0

HSL 26.09, 1%, 0.18%

LAB 22.97, 21.48, 33.04

 

CMYK 0 / 84 / 100 / 64

HEX #5C0F00

RGB 92 15 0

HSL 9.78, 1%, 0.18%

LAB 18.44, 33.56, 28.02

 

CMYK 25 / 0 / 100 / 64

HEX #455C00

RGB 69 92 0

HSL 75, 1%, 0.18%

LAB 35.83, -21.25, 42.61

 

CMYK 51 / 0 / 100 / 64

HEX #2D5C00

RGB 45 92 0

HSL 90.65, 1%, 0.18%

LAB 34.42, -31.12, 40.91

 

CMYK 78 / 0 / 100 / 64

HEX #145C00

RGB 20 92 0

HSL 106.96, 1%, 0.18%

LAB 33.57, -38.08, 39.88

 

CMYK 100 / 0 / 95 / 64

HEX #005C05

RGB 0 92 5

HSL 123.26, 1%, 0.18%

LAB 33.28, -40.61, 37.88

 

CMYK 100 / 0 / 67 / 64

HEX #005C1E

RGB 0 92 30

HSL 139.57, 1%, 0.18%

LAB 33.45, -38.35, 28.34

 

CMYK 25 / 0 / 100 / 64

HEX #455C00

RGB 69 92 0

HSL 75, 1%, 0.18%

LAB 35.83, -21.25, 42.61

 

CMYK 25 / 0 / 100 / 64

HEX #455C00

RGB 69 92 0

HSL 75, 1%, 0.18%

LAB 35.83, -21.25, 42.61

 

CMYK 21 / 0 / 92 / 67

HEX #425407

RGB 66 84 7

HSL 74.03, 0.85%, 0.18%

LAB 32.95, -18.12, 37.95

 

CMYK 19 / 0 / 81 / 70

HEX #3E4D0F

RGB 62 77 15

HSL 74.52, 0.67%, 0.18%

LAB 30.32, -15.78, 32.65

 

CMYK 17 / 0 / 69 / 73

HEX #3A4616

RGB 58 70 22

HSL 75, 0.52%, 0.18%

LAB 27.68, -13.19, 26.58

 

CMYK 13 / 0 / 52 / 76

HEX #363E1E

RGB 54 62 30

HSL 75, 0.35%, 0.18%

LAB 24.71, -9.48, 18.51

 

CMYK 0 / 30 / 100 / 64

HEX #5C4000

RGB 92 64 0

HSL 41.74, 1%, 0.18%

LAB 29.27, 6.67, 38.76

 

CMYK 0 / 3 / 100 / 64

HEX #5C5900

RGB 92 89 0

HSL 58.04, 1%, 0.18%

LAB 36.78, -8.51, 44.18

 

CMYK 24 / 0 / 100 / 64

HEX #465C00

RGB 70 92 0

HSL 74.35, 1%, 0.18%

LAB 35.9, -20.79, 42.7

 

CMYK 50 / 0 / 100 / 64

HEX #2E5C00

RGB 46 92 0

HSL 90, 1%, 0.18%

LAB 34.47, -30.76, 40.97

 

CMYK 77 / 0 / 100 / 64

HEX #155C00

RGB 21 92 0

HSL 106.3, 1%, 0.18%

LAB 33.59, -37.89, 39.91

 

CMYK 22 / 0 / 100 / 96

HEX #070900

RGB 7 9 0

HSL 73.33, 1%, 0.02%

LAB 2.17, -1.77, 3.22

 

CMYK 25 / 0 / 100 / 80

HEX #263300

RGB 38 51 0

HSL 75.29, 1%, 0.1%

LAB 19.14, -13.81, 26.82

 

CMYK 25 / 0 / 100 / 64

HEX #455C00

RGB 69 92 0

HSL 75, 1%, 0.18%

LAB 35.83, -21.25, 42.61

 

CMYK 24 / 0 / 100 / 48

HEX #658500

RGB 101 133 0

HSL 74.44, 1%, 0.26%

LAB 51.32, -27.65, 55.34

 

CMYK 24 / 0 / 100 / 32

HEX #84AE00

RGB 132 174 0

HSL 74.48, 1%, 0.34%

LAB 65.89, -34.1, 67.29

 

CMYK 24 / 0 / 100 / 65

HEX #445A00

RGB 68 90 0

HSL 74.67, 1%, 0.18%

LAB 35.09, -20.67, 42.02

 

CMYK 100 / 0 / 57 / 64

HEX #005C28

RGB 0 92 40

HSL 146.09, 1%, 0.18%

LAB 33.58, -36.79, 23.17

 

CMYK 16 / 100 / 0 / 64

HEX #4D005C

RGB 77 0 92

HSL 290.22, 1%, 0.18%

LAB 17.23, 44.03, -33.88

 

CMYK 24 / 0 / 100 / 65

HEX #445A00

RGB 68 90 0

HSL 74.67, 1%, 0.18%

LAB 35.09, -20.67, 42.02

 

CMYK 100 / 24 / 0 / 64

HEX #00465C

RGB 0 70 92

HSL 194.35, 1%, 0.18%

LAB 27.17, -10.39, -18.45

 

CMYK 0 / 100 / 24 / 64

HEX #5C0046

RGB 92 0 70

HSL 314.35, 1%, 0.18%

LAB 18.88, 43.3, -16.1

 

CMYK 24 / 0 / 100 / 65

HEX #445A00

RGB 68 90 0

HSL 74.67, 1%, 0.18%

LAB 35.09, -20.67, 42.02

 

CMYK 100 / 0 / 57 / 64

HEX #005C28

RGB 0 92 40

HSL 146.09, 1%, 0.18%

LAB 33.58, -36.79, 23.17

 

CMYK 77 / 100 / 0 / 64

HEX #15005C

RGB 21 0 92

HSL 253.7, 1%, 0.18%

LAB 8.41, 38.15, -48.7

 

CMYK 0 / 100 / 43 / 64

HEX #5C0034

RGB 92 0 52

HSL 326.09, 1%, 0.18%

LAB 18.02, 41.11, -4.75

 

CMYK 24 / 0 / 100 / 65

HEX #445A00

RGB 68 90 0

HSL 74.67, 1%, 0.18%

LAB 35.09, -20.67, 42.02

 

CMYK 100 / 0 / 27 / 64

HEX #005C43

RGB 0 92 67

HSL 163.7, 1%, 0.18%

LAB 34.11, -30.65, 7.78

 

CMYK 77 / 100 / 0 / 64

HEX #15005C

RGB 21 0 92

HSL 253.7, 1%, 0.18%

LAB 8.41, 38.15, -48.7

 

CMYK 0 / 100 / 74 / 64

HEX #5C0018

RGB 92 0 24

HSL 344.35, 1%, 0.18%

LAB 17.18, 38.89, 14.31

 

Description

Color code: HEX #445A00 | qconv.com Color code: HEX #445A00 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 90 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 90 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 100 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 100% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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