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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #445984 it is the complementary color #BBA67B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #445984. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #445984 shade: #49597F, #5A6B92, #6B7DA5, #7C8FB8 and #8DA1CB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #445984. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #445984 shade: #445984, #334771, #22355E, #11234B and #001138

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #445984 shade: #445983, #444783, #514483, #624483 and #734483

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #445984 shade: #445983, #444783 and #444483

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #445984 shade matches the following richer shades: #445983, #345393, #234DA3, #1348B4 and #0342C4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #445984 shade: #445983, #545E73, #646463, #746953 and #846F43

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #445984 shade: #447B83, #446A83, #445983, #444883 and #504483

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #445984 shade: #28344D, #364668, #445983, #526B9F and #6880B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #445984 shade: #445984, #7B4483 and #728344

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #445984 shade: #445984, #834459 and #598344

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #445984 shade: #445984, #7B4483, #836E44 and #4C8344

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #445984 shade: #445984, #834479, #836E44 and #44834E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 33 / 0 / 48

HEX #445984

RGB 68 89 132

HSL 220.31, 0.32%, 0.39%

LAB 37.91, 4.61, -26.56

 

Complementary color

CMYK 0 / 11 / 34 / 27

HEX #BBA67B

RGB 187 166 123

HSL 40.31, 0.32%, 0.61%

LAB 68.94, 1.25, 25.09

 

CMYK 43 / 30 / 0 / 50

HEX #49597F

RGB 73 89 127

HSL 222.22, 0.27%, 0.39%

LAB 38.01, 4.42, -23.33

 

CMYK 38 / 27 / 0 / 43

HEX #5A6B92

RGB 90 107 146

HSL 221.79, 0.24%, 0.46%

LAB 45.31, 3.89, -23.37

 

CMYK 35 / 24 / 0 / 35

HEX #6B7DA5

RGB 107 125 165

HSL 221.38, 0.24%, 0.53%

LAB 52.41, 3.46, -23.47

 

CMYK 33 / 22 / 0 / 28

HEX #7C8FB8

RGB 124 143 184

HSL 221, 0.3%, 0.6%

LAB 59.33, 3.1, -23.61

 

CMYK 31 / 21 / 0 / 20

HEX #8DA1CB

RGB 141 161 203

HSL 220.65, 0.37%, 0.67%

LAB 66.11, 2.78, -23.78

 

CMYK 48 / 33 / 0 / 48

HEX #445984

RGB 68 89 132

HSL 220.31, 0.32%, 0.39%

LAB 37.91, 4.61, -26.56

 

CMYK 55 / 37 / 0 / 56

HEX #334771

RGB 51 71 113

HSL 220.65, 0.38%, 0.32%

LAB 30.41, 5.48, -26.64

 

CMYK 64 / 44 / 0 / 63

HEX #22355E

RGB 34 53 94

HSL 221, 0.47%, 0.25%

LAB 22.63, 6.71, -26.8

 

CMYK 77 / 53 / 0 / 71

HEX #11234B

RGB 17 35 75

HSL 221.38, 0.63%, 0.18%

LAB 14.56, 8.61, -27.04

 

CMYK 100 / 70 / 0 / 78

HEX #001138

RGB 0 17 56

HSL 221.79, 1%, 0.11%

LAB 6.2, 10.64, -27.23

 

CMYK 48 / 32 / 0 / 49

HEX #445983

RGB 68 89 131

HSL 220, 0.32%, 0.39%

LAB 37.86, 4.28, -26.03

 

CMYK 48 / 46 / 0 / 49

HEX #444783

RGB 68 71 131

HSL 237.14, 0.32%, 0.39%

LAB 32.64, 15.96, -34.26

 

CMYK 38 / 48 / 0 / 49

HEX #514483

RGB 81 68 131

HSL 252.38, 0.32%, 0.39%

LAB 32.97, 21.44, -33.68

 

CMYK 25 / 48 / 0 / 49

HEX #624483

RGB 98 68 131

HSL 268.57, 0.32%, 0.39%

LAB 34.74, 26.42, -30.75

 

CMYK 12 / 48 / 0 / 49

HEX #734483

RGB 115 68 131

HSL 284.76, 0.32%, 0.39%

LAB 36.78, 31.67, -27.41

 

CMYK 48 / 32 / 0 / 49

HEX #445983

RGB 68 89 131

HSL 220, 0.32%, 0.39%

LAB 37.86, 4.28, -26.03

 

CMYK 48 / 46 / 0 / 49

HEX #444783

RGB 68 71 131

HSL 237.14, 0.32%, 0.39%

LAB 32.64, 15.96, -34.26

 

CMYK 48 / 48 / 0 / 49

HEX #444483

RGB 68 68 131

HSL 240, 0.32%, 0.39%

LAB 31.81, 17.93, -35.59

 

CMYK 48 / 32 / 0 / 49

HEX #445983

RGB 68 89 131

HSL 220, 0.32%, 0.39%

LAB 37.86, 4.28, -26.03

 

CMYK 65 / 44 / 0 / 42

HEX #345393

RGB 52 83 147

HSL 220.42, 0.48%, 0.39%

LAB 36.03, 10, -38.72

 

CMYK 79 / 53 / 0 / 36

HEX #234DA3

RGB 35 77 163

HSL 220.31, 0.65%, 0.39%

LAB 34.62, 17.52, -50.67

 

CMYK 89 / 60 / 0 / 29

HEX #1348B4

RGB 19 72 180

HSL 220.25, 0.81%, 0.39%

LAB 34.13, 26.3, -61.63

 

CMYK 98 / 66 / 0 / 23

HEX #0342C4

RGB 3 66 196

HSL 220.41, 0.97%, 0.39%

LAB 33.78, 35.93, -71.62

 

CMYK 48 / 32 / 0 / 49

HEX #445983

RGB 68 89 131

HSL 220, 0.32%, 0.39%

LAB 37.86, 4.28, -26.03

 

CMYK 27 / 18 / 0 / 55

HEX #545E73

RGB 84 94 115

HSL 220.65, 0.16%, 0.39%

LAB 39.8, 1.33, -13.16

 

CMYK 0 / 0 / 1 / 61

HEX #646463

RGB 100 100 99

HSL 60, 0.01%, 0.39%

LAB 42.35, -0.2, 0.56

 

CMYK 0 / 9 / 28 / 55

HEX #746953

RGB 116 105 83

HSL 40, 0.17%, 0.39%

LAB 44.86, 0.57, 13.97

 

CMYK 0 / 16 / 49 / 48

HEX #846F43

RGB 132 111 67

HSL 40.62, 0.33%, 0.39%

LAB 47.85, 2.07, 27.48

 

CMYK 48 / 6 / 0 / 49

HEX #447B83

RGB 68 123 131

HSL 187.62, 0.32%, 0.39%

LAB 48.3, -15.88, -10.02

 

CMYK 48 / 19 / 0 / 49

HEX #446A83

RGB 68 106 131

HSL 203.81, 0.32%, 0.39%

LAB 43.03, -6.16, -18.03

 

CMYK 48 / 32 / 0 / 49

HEX #445983

RGB 68 89 131

HSL 220, 0.32%, 0.39%

LAB 37.86, 4.28, -26.03

 

CMYK 48 / 45 / 0 / 49

HEX #444883

RGB 68 72 131

HSL 236.19, 0.32%, 0.39%

LAB 32.92, 15.3, -33.81

 

CMYK 39 / 48 / 0 / 49

HEX #504483

RGB 80 68 131

HSL 251.43, 0.32%, 0.39%

LAB 32.87, 21.16, -33.83

 

CMYK 48 / 32 / 0 / 70

HEX #28344D

RGB 40 52 77

HSL 220.54, 0.32%, 0.23%

LAB 21.74, 2.77, -16.94

 

CMYK 48 / 33 / 0 / 59

HEX #364668

RGB 54 70 104

HSL 220.8, 0.32%, 0.31%

LAB 29.82, 3.87, -21.84

 

CMYK 48 / 32 / 0 / 49

HEX #445983

RGB 68 89 131

HSL 220, 0.32%, 0.39%

LAB 37.86, 4.28, -26.03

 

CMYK 48 / 33 / 0 / 38

HEX #526B9F

RGB 82 107 159

HSL 220.52, 0.32%, 0.47%

LAB 45.38, 5.62, -31.01

 

CMYK 41 / 28 / 0 / 31

HEX #6880B1

RGB 104 128 177

HSL 220.27, 0.32%, 0.55%

LAB 53.55, 4.21, -28.65

 

CMYK 48 / 33 / 0 / 48

HEX #445984

RGB 68 89 132

HSL 220.31, 0.32%, 0.39%

LAB 37.91, 4.61, -26.56

 

CMYK 6 / 48 / 0 / 49

HEX #7B4483

RGB 123 68 131

HSL 292.38, 0.32%, 0.39%

LAB 37.81, 34.18, -25.71

 

CMYK 13 / 0 / 48 / 49

HEX #728344

RGB 114 131 68

HSL 76.19, 0.32%, 0.39%

LAB 52.09, -16.86, 31.84

 

CMYK 48 / 33 / 0 / 48

HEX #445984

RGB 68 89 132

HSL 220.31, 0.32%, 0.39%

LAB 37.91, 4.61, -26.56

 

CMYK 0 / 48 / 32 / 49

HEX #834459

RGB 131 68 89

HSL 340, 0.32%, 0.39%

LAB 37.26, 29.54, -0.24

 

CMYK 32 / 0 / 48 / 49

HEX #598344

RGB 89 131 68

HSL 100, 0.32%, 0.39%

LAB 50.42, -26.85, 29.4

 

CMYK 48 / 33 / 0 / 48

HEX #445984

RGB 68 89 132

HSL 220.31, 0.32%, 0.39%

LAB 37.91, 4.61, -26.56

 

CMYK 6 / 48 / 0 / 49

HEX #7B4483

RGB 123 68 131

HSL 292.38, 0.32%, 0.39%

LAB 37.81, 34.18, -25.71

 

CMYK 0 / 16 / 48 / 49

HEX #836E44

RGB 131 110 68

HSL 40, 0.32%, 0.39%

LAB 47.49, 2.3, 26.43

 

CMYK 42 / 0 / 48 / 49

HEX #4C8344

RGB 76 131 68

HSL 112.38, 0.32%, 0.39%

LAB 49.72, -31.48, 28.38

 

CMYK 48 / 33 / 0 / 48

HEX #445984

RGB 68 89 132

HSL 220.31, 0.32%, 0.39%

LAB 37.91, 4.61, -26.56

 

CMYK 0 / 48 / 8 / 49

HEX #834479

RGB 131 68 121

HSL 309.52, 0.32%, 0.39%

LAB 38.45, 34.79, -18.48

 

CMYK 0 / 16 / 48 / 49

HEX #836E44

RGB 131 110 68

HSL 40, 0.32%, 0.39%

LAB 47.49, 2.3, 26.43

 

CMYK 48 / 0 / 40 / 49

HEX #44834E

RGB 68 131 78

HSL 129.52, 0.32%, 0.39%

LAB 49.51, -32.41, 22.54

 

Description

Color code: HEX #445984 | qconv.com Color code: HEX #445984 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 89 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 89 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 33 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 33% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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