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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44590ACE it is the complementary color #BBA6F5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44590ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44590ACE shade: #495905CE, #5A6B18CE, #6B7D2BCE, #7C8F3ECE and #8DA151CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44590ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44590ACE shade: #44590ACE, #334700CE, #223500CE, #112300CE and #001100CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44590ACE shade: #43570A, #57570A, #57420A, #572D0A and #57180A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44590ACE shade: #43570A, #2E570A, #19570A, #0A570F and #0A5724

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44590ACE shade matches the following richer shades: #43570A and #465F02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44590ACE shade: #43570A, #3F4F12, #3B4819, #384021 and #343829

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44590ACE shade: #57410A, #57560A, #44570A, #2F570A and #1A570A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44590ACE shade: #0A0D01, #263206, #43570A, #5F7C0E and #7BA112

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44590ACE shade: #44590A, #0A572D and #4C0A57

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44590ACE shade: #44590A, #0A4457 and #570A44

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44590ACE shade: #44590A, #0A572D, #1D0A57 and #570A34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44590ACE shade: #44590A, #0A5744, #1D0A57 and #570A1D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 72 / 53

HEX #44590ACE

RGBA 68 89 10 0.81

HSLA 75.95, 0.8%, 0.19%, 0.81

LABA 34.79, -19.73, 38.68, 0.81

 

Complementary color

CMYK 19 / 26 / 0 / 3

HEX #BBA6F5CE

RGBA 187 166 245 0.81

HSLA 255.95, 0.8%, 0.81%, 0.81

LABA 72.51, 23.74, -36.67, 0.81

 

CMYK 15 / 0 / 76 / 53

HEX #495905CE

RGBA 73 89 5 0.81

HSLA 71.43, 0.89%, 0.18%, 0.81

LABA 35.15, -17.61, 40.63, 0.81

 

CMYK 13 / 0 / 63 / 47

HEX #5A6B18CE

RGBA 90 107 24 0.81

HSLA 72.29, 0.63%, 0.26%, 0.81

LABA 42.39, -18.52, 41.52, 0.81

 

CMYK 12 / 0 / 53 / 41

HEX #6B7D2BCE

RGBA 107 125 43 0.81

HSLA 73.17, 0.49%, 0.33%, 0.81

LABA 49.46, -19.14, 41.12, 0.81

 

CMYK 11 / 0 / 46 / 36

HEX #7C8F3ECE

RGBA 124 143 62 0.81

HSLA 74.07, 0.4%, 0.4%, 0.81

LABA 56.36, -19.54, 40.16, 0.81

 

CMYK 10 / 0 / 40 / 30

HEX #8DA151CE

RGBA 141 161 81 0.81

HSLA 75, 0.33%, 0.47%, 0.81

LABA 63.13, -19.82, 39.02, 0.81

 

CMYK 19 / 0 / 72 / 53

HEX #44590ACE

RGBA 68 89 10 0.81

HSLA 75.95, 0.8%, 0.19%, 0.81

LABA 34.79, -19.73, 38.68, 0.81

 

CMYK 23 / 0 / 81 / 58

HEX #334700CE

RGBA 51 71 0 0.81

HSLA 76.9, 1%, 0.14%, 0.81

LABA 27.33, -18.55, 35.46, 0.81

 

CMYK 29 / 0 / 81 / 64

HEX #223500CE

RGBA 34 53 0 0.81

HSLA 81.51, 1%, 0.1%, 0.81

LABA 19.58, -16.9, 27.25, 0.81

 

CMYK 42 / 0 / 81 / 70

HEX #112300CE

RGBA 17 35 0 0.81

HSLA 90.86, 1%, 0.07%, 0.81

LABA 11.42, -15.15, 16.67, 0.81

 

CMYK 81 / 0 / 81 / 76

HEX #001100CE

RGBA 0 17 0 0.81

HSLA 120, 1%, 0.03%, 0.81

LABA 3.62, -7.4, 5.29, 0.81

 

CMYK 23 / 0 / 89 / 66

HEX #43570A

RGB 67 87 10

HSL 75.58, 0.79%, 0.19%

LAB 34.05, -19.13, 38

 

CMYK 0 / 0 / 89 / 66

HEX #57570A

RGB 87 87 10

HSL 60, 0.79%, 0.19%

LAB 35.72, -9.5, 40.1

 

CMYK 0 / 24 / 89 / 66

HEX #57420A

RGB 87 66 10

HSL 43.64, 0.79%, 0.19%

LAB 29.27, 3.21, 34.54

 

CMYK 0 / 48 / 89 / 66

HEX #572D0A

RGB 87 45 10

HSL 27.27, 0.79%, 0.19%

LAB 23.42, 16.47, 29.15

 

CMYK 0 / 72 / 89 / 66

HEX #57180A

RGB 87 24 10

HSL 10.91, 0.79%, 0.19%

LAB 18.81, 28.3, 24.11

 

CMYK 23 / 0 / 89 / 66

HEX #43570A

RGB 67 87 10

HSL 75.58, 0.79%, 0.19%

LAB 34.05, -19.13, 38

 

CMYK 47 / 0 / 89 / 66

HEX #2E570A

RGB 46 87 10

HSL 91.95, 0.79%, 0.19%

LAB 32.74, -28.02, 36.34

 

CMYK 71 / 0 / 89 / 66

HEX #19570A

RGB 25 87 10

HSL 108.31, 0.79%, 0.19%

LAB 31.91, -34.58, 35.27

 

CMYK 89 / 0 / 83 / 66

HEX #0A570F

RGB 10 87 15

HSL 123.9, 0.79%, 0.19%

LAB 31.61, -37.01, 33.15

 

CMYK 89 / 0 / 59 / 66

HEX #0A5724

RGB 10 87 36

HSL 140.26, 0.79%, 0.19%

LAB 31.83, -34.4, 23.29

 

CMYK 23 / 0 / 89 / 66

HEX #43570A

RGB 67 87 10

HSL 75.58, 0.79%, 0.19%

LAB 34.05, -19.13, 38

 

CMYK 26 / 0 / 98 / 63

HEX #465F02

RGB 70 95 2

HSL 76.13, 0.96%, 0.19%

LAB 36.91, -22.26, 42.86

 

CMYK 23 / 0 / 89 / 66

HEX #43570A

RGB 67 87 10

HSL 75.58, 0.79%, 0.19%

LAB 34.05, -19.13, 38

 

CMYK 20 / 0 / 77 / 69

HEX #3F4F12

RGB 63 79 18

HSL 75.74, 0.63%, 0.19%

LAB 31.1, -16.22, 32.18

 

CMYK 18 / 0 / 65 / 72

HEX #3B4819

RGB 59 72 25

HSL 76.6, 0.48%, 0.19%

LAB 28.47, -13.58, 25.91

 

CMYK 13 / 0 / 48 / 75

HEX #384021

RGB 56 64 33

HSL 75.48, 0.32%, 0.19%

LAB 25.62, -9.33, 17.84

 

CMYK 7 / 0 / 27 / 78

HEX #343829

RGB 52 56 41

HSL 76, 0.15%, 0.19%

LAB 22.72, -4.92, 8.83

 

CMYK 0 / 25 / 89 / 66

HEX #57410A

RGB 87 65 10

HSL 42.86, 0.79%, 0.19%

LAB 28.98, 3.84, 34.28

 

CMYK 0 / 1 / 89 / 66

HEX #57560A

RGB 87 86 10

HSL 59.22, 0.79%, 0.19%

LAB 35.41, -8.92, 39.83

 

CMYK 22 / 0 / 89 / 66

HEX #44570A

RGB 68 87 10

HSL 74.81, 0.79%, 0.19%

LAB 34.12, -18.67, 38.09

 

CMYK 46 / 0 / 89 / 66

HEX #2F570A

RGB 47 87 10

HSL 91.17, 0.79%, 0.19%

LAB 32.79, -27.64, 36.4

 

CMYK 70 / 0 / 89 / 66

HEX #1A570A

RGB 26 87 10

HSL 107.53, 0.79%, 0.19%

LAB 31.94, -34.34, 35.31

 

CMYK 23 / 0 / 92 / 95

HEX #0A0D01

RGB 10 13 1

HSL 75, 0.86%, 0.03%

LAB 3.2, -2.56, 4.34

 

CMYK 24 / 0 / 88 / 80

HEX #263206

RGB 38 50 6

HSL 76.36, 0.79%, 0.11%

LAB 18.83, -12.71, 24.01

 

CMYK 23 / 0 / 89 / 66

HEX #43570A

RGB 67 87 10

HSL 75.58, 0.79%, 0.19%

LAB 34.05, -19.13, 38

 

CMYK 23 / 0 / 89 / 51

HEX #5F7C0E

RGB 95 124 14

HSL 75.82, 0.8%, 0.27%

LAB 48.11, -25.45, 49.85

 

CMYK 24 / 0 / 89 / 37

HEX #7BA112

RGB 123 161 18

HSL 75.94, 0.8%, 0.35%

LAB 61.43, -31.38, 60.92

 

CMYK 24 / 0 / 89 / 65

HEX #44590A

RGB 68 89 10

HSL 75.95, 0.8%, 0.19%

LAB 34.79, -19.73, 38.68

 

CMYK 89 / 0 / 48 / 66

HEX #0A572D

RGB 10 87 45

HSL 147.27, 0.79%, 0.19%

LAB 31.97, -32.73, 18.3

 

CMYK 13 / 89 / 0 / 66

HEX #4C0A57

RGB 76 10 87

HSL 291.43, 0.79%, 0.19%

LAB 17.65, 39.88, -29.85

 

CMYK 24 / 0 / 89 / 65

HEX #44590A

RGB 68 89 10

HSL 75.95, 0.8%, 0.19%

LAB 34.79, -19.73, 38.68

 

CMYK 89 / 22 / 0 / 66

HEX #0A4457

RGB 10 68 87

HSL 194.81, 0.79%, 0.19%

LAB 26.41, -10.16, -16.37

 

CMYK 0 / 89 / 22 / 66

HEX #570A44

RGB 87 10 68

HSL 314.81, 0.79%, 0.19%

LAB 18.63, 39.1, -15.17

 

CMYK 24 / 0 / 89 / 65

HEX #44590A

RGB 68 89 10

HSL 75.95, 0.8%, 0.19%

LAB 34.79, -19.73, 38.68

 

CMYK 89 / 0 / 48 / 66

HEX #0A572D

RGB 10 87 45

HSL 147.27, 0.79%, 0.19%

LAB 31.97, -32.73, 18.3

 

CMYK 67 / 89 / 0 / 66

HEX #1D0A57

RGB 29 10 87

HSL 254.81, 0.79%, 0.19%

LAB 10.31, 31.97, -42.15

 

CMYK 0 / 89 / 40 / 66

HEX #570A34

RGB 87 10 52

HSL 327.27, 0.79%, 0.19%

LAB 17.88, 36.96, -5.08

 

CMYK 24 / 0 / 89 / 65

HEX #44590A

RGB 68 89 10

HSL 75.95, 0.8%, 0.19%

LAB 34.79, -19.73, 38.68

 

CMYK 89 / 0 / 22 / 66

HEX #0A5744

RGB 10 87 68

HSL 165.19, 0.79%, 0.19%

LAB 32.48, -27.05, 4.87

 

CMYK 67 / 89 / 0 / 66

HEX #1D0A57

RGB 29 10 87

HSL 254.81, 0.79%, 0.19%

LAB 10.31, 31.97, -42.15

 

CMYK 0 / 89 / 67 / 66

HEX #570A1D

RGB 87 10 29

HSL 345.19, 0.79%, 0.19%

LAB 17.14, 34.77, 10.42

 

Description

Color code: HEX #44590ACE | qconv.com Color code: HEX #44590ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 89 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 89 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 72 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 72% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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