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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4455EB it is the complementary color #BBAA14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4455EB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4455EB shade: #4955E6, #5A67F9, #6B79FF, #7C8BFF and #8D9DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4455EB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4455EB shade: #4455EB, #3343D8, #2231C5, #111FB2 and #000D9F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4455EB shade: #4253EB, #5E42EB, #8C42EB, #BA42EB and #E742EB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4455EB shade: #4253EB and #4242EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4455EB shade matches the following richer shades: #4253EB and #3146FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4455EB shade: #4253EB, #5360DA, #646EC9, #757BB8 and #8589A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4455EB shade: #42B0EB, #4283EB, #4256EB, #5B42EB and #8842EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4455EB shade: #1527C6, #1C31E7, #4253EB, #6775EF and #8C97F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4455EB shade: #4455EB, #EB42DD and #99EB42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4455EB shade: #4455EB, #EB4256 and #56EB42

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4455EB shade: #4455EB, #EB42DD, #EBD742 and #42EB50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4455EB shade: #4455EB, #EB42AA, #EBD742 and #42EB83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 64 / 0 / 8

HEX #4455EB

RGB 68 85 235

HSL 233.89, 0.81%, 0.59%

LAB 43.83, 42.57, -77.43

 

Complementary color

CMYK 0 / 9 / 89 / 27

HEX #BBAA14

RGB 187 170 20

HSL 53.89, 0.81%, 0.41%

LAB 69.01, -8.08, 68.75

 

CMYK 68 / 63 / 0 / 10

HEX #4955E6

RGB 73 85 230

HSL 235.41, 0.76%, 0.59%

LAB 43.69, 41.48, -74.82

 

CMYK 64 / 59 / 0 / 2

HEX #5A67F9

RGB 90 103 249

HSL 235.09, 0.93%, 0.66%

LAB 50.35, 39.27, -74.58

 

CMYK 58 / 53 / 0 / 0

HEX #6B79FF

RGB 107 121 255

HSL 234.32, 1%, 0.71%

LAB 56.11, 33.18, -68.52

 

CMYK 51 / 45 / 0 / 0

HEX #7C8BFF

RGB 124 139 255

HSL 233.13, 1%, 0.74%

LAB 61.63, 25.79, -59.6

 

CMYK 45 / 38 / 0 / 0

HEX #8D9DFF

RGB 141 157 255

HSL 231.58, 1%, 0.78%

LAB 67.27, 19.13, -50.56

 

CMYK 71 / 64 / 0 / 8

HEX #4455EB

RGB 68 85 235

HSL 233.89, 0.81%, 0.59%

LAB 43.83, 42.57, -77.43

 

CMYK 76 / 69 / 0 / 15

HEX #3343D8

RGB 51 67 216

HSL 234.18, 0.68%, 0.52%

LAB 37.25, 45.19, -77.45

 

CMYK 83 / 75 / 0 / 23

HEX #2231C5

RGB 34 49 197

HSL 234.48, 0.71%, 0.45%

LAB 30.8, 47.95, -77.09

 

CMYK 90 / 83 / 0 / 30

HEX #111FB2

RGB 17 31 178

HSL 234.78, 0.83%, 0.38%

LAB 24.68, 50.47, -76.01

 

CMYK 100 / 92 / 0 / 38

HEX #000D9F

RGB 0 13 159

HSL 235.09, 1%, 0.31%

LAB 19.19, 51.77, -73.68

 

CMYK 72 / 65 / 0 / 8

HEX #4253EB

RGB 66 83 235

HSL 233.96, 0.81%, 0.59%

LAB 43.28, 43.55, -78.35

 

CMYK 60 / 72 / 0 / 8

HEX #5E42EB

RGB 94 66 235

HSL 249.94, 0.81%, 0.59%

LAB 41.65, 56.45, -80.95

 

CMYK 40 / 72 / 0 / 8

HEX #8C42EB

RGB 140 66 235

HSL 266.27, 0.81%, 0.59%

LAB 46.27, 63.32, -73.2

 

CMYK 21 / 72 / 0 / 8

HEX #BA42EB

RGB 186 66 235

HSL 282.6, 0.81%, 0.59%

LAB 52.21, 71.7, -63.28

 

CMYK 2 / 72 / 0 / 8

HEX #E742EB

RGB 231 66 235

HSL 298.58, 0.81%, 0.59%

LAB 58.87, 80.65, -52.26

 

CMYK 72 / 65 / 0 / 8

HEX #4253EB

RGB 66 83 235

HSL 233.96, 0.81%, 0.59%

LAB 43.28, 43.55, -78.35

 

CMYK 72 / 72 / 0 / 8

HEX #4242EB

RGB 66 66 235

HSL 240, 0.81%, 0.59%

LAB 39.67, 53.37, -84.28

 

CMYK 72 / 65 / 0 / 8

HEX #4253EB

RGB 66 83 235

HSL 233.96, 0.81%, 0.59%

LAB 43.28, 43.55, -78.35

 

CMYK 81 / 72 / 0 / 1

HEX #3146FC

RGB 49 70 252

HSL 233.79, 0.97%, 0.59%

LAB 41.31, 55.36, -91.16

 

CMYK 72 / 65 / 0 / 8

HEX #4253EB

RGB 66 83 235

HSL 233.96, 0.81%, 0.59%

LAB 43.28, 43.55, -78.35

 

CMYK 62 / 56 / 0 / 15

HEX #5360DA

RGB 83 96 218

HSL 234.22, 0.65%, 0.59%

LAB 46, 32.16, -64.23

 

CMYK 50 / 45 / 0 / 21

HEX #646EC9

RGB 100 110 201

HSL 234.06, 0.48%, 0.59%

LAB 49.59, 21.34, -48.68

 

CMYK 36 / 33 / 0 / 28

HEX #757BB8

RGB 117 123 184

HSL 234.63, 0.32%, 0.59%

LAB 53.39, 12.79, -32.85

 

CMYK 20 / 18 / 0 / 35

HEX #8589A7

RGB 133 137 167

HSL 232.94, 0.16%, 0.59%

LAB 57.72, 5.11, -16.33

 

CMYK 72 / 25 / 0 / 8

HEX #42B0EB

RGB 66 176 235

HSL 200.95, 0.81%, 0.59%

LAB 68.17, -12.22, -38.48

 

CMYK 72 / 44 / 0 / 8

HEX #4283EB

RGB 66 131 235

HSL 216.92, 0.81%, 0.59%

LAB 55.47, 13.82, -58.57

 

CMYK 72 / 63 / 0 / 8

HEX #4256EB

RGB 66 86 235

HSL 232.9, 0.81%, 0.59%

LAB 43.96, 41.74, -77.22

 

CMYK 61 / 72 / 0 / 8

HEX #5B42EB

RGB 91 66 235

HSL 248.88, 0.81%, 0.59%

LAB 41.4, 56.07, -81.36

 

CMYK 42 / 72 / 0 / 8

HEX #8842EB

RGB 136 66 235

HSL 264.85, 0.81%, 0.59%

LAB 45.81, 62.65, -73.97

 

CMYK 89 / 80 / 0 / 22

HEX #1527C6

RGB 21 39 198

HSL 233.9, 0.81%, 0.43%

LAB 28.61, 53.05, -81.33

 

CMYK 88 / 79 / 0 / 9

HEX #1C31E7

RGB 28 49 231

HSL 233.79, 0.81%, 0.51%

LAB 34.42, 58.74, -90.74

 

CMYK 72 / 65 / 0 / 8

HEX #4253EB

RGB 66 83 235

HSL 233.96, 0.81%, 0.59%

LAB 43.28, 43.55, -78.35

 

CMYK 57 / 51 / 0 / 6

HEX #6775EF

RGB 103 117 239

HSL 233.82, 0.81%, 0.67%

LAB 53.85, 29.74, -63.3

 

CMYK 42 / 38 / 0 / 5

HEX #8C97F3

RGB 140 151 243

HSL 233.59, 0.81%, 0.75%

LAB 65.1, 18.94, -47.43

 

CMYK 71 / 64 / 0 / 8

HEX #4455EB

RGB 68 85 235

HSL 233.89, 0.81%, 0.59%

LAB 43.83, 42.57, -77.43

 

CMYK 0 / 72 / 6 / 8

HEX #EB42DD

RGB 235 66 221

HSL 304.97, 0.81%, 0.59%

LAB 58.77, 79.35, -44.5

 

CMYK 35 / 0 / 72 / 8

HEX #99EB42

RGB 153 235 66

HSL 89.11, 0.81%, 0.59%

LAB 85.29, -50.32, 69.78

 

CMYK 71 / 64 / 0 / 8

HEX #4455EB

RGB 68 85 235

HSL 233.89, 0.81%, 0.59%

LAB 43.83, 42.57, -77.43

 

CMYK 0 / 72 / 63 / 8

HEX #EB4256

RGB 235 66 86

HSL 352.9, 0.81%, 0.59%

LAB 54.27, 65.09, 27.73

 

CMYK 63 / 0 / 72 / 8

HEX #56EB42

RGB 86 235 66

HSL 112.9, 0.81%, 0.59%

LAB 82.8, -69.1, 66.46

 

CMYK 71 / 64 / 0 / 8

HEX #4455EB

RGB 68 85 235

HSL 233.89, 0.81%, 0.59%

LAB 43.83, 42.57, -77.43

 

CMYK 0 / 72 / 6 / 8

HEX #EB42DD

RGB 235 66 221

HSL 304.97, 0.81%, 0.59%

LAB 58.77, 79.35, -44.5

 

CMYK 0 / 9 / 72 / 8

HEX #EBD742

RGB 235 215 66

HSL 52.9, 0.81%, 0.59%

LAB 85.33, -8.94, 71.69

 

CMYK 72 / 0 / 66 / 8

HEX #42EB50

RGB 66 235 80

HSL 124.97, 0.81%, 0.59%

LAB 82.46, -71.56, 60.75

 

CMYK 71 / 64 / 0 / 8

HEX #4455EB

RGB 68 85 235

HSL 233.89, 0.81%, 0.59%

LAB 43.83, 42.57, -77.43

 

CMYK 0 / 72 / 28 / 8

HEX #EB42AA

RGB 235 66 170

HSL 323.08, 0.81%, 0.59%

LAB 56.55, 72.52, -18.71

 

CMYK 0 / 9 / 72 / 8

HEX #EBD742

RGB 235 215 66

HSL 52.9, 0.81%, 0.59%

LAB 85.33, -8.94, 71.69

 

CMYK 72 / 0 / 44 / 8

HEX #42EB83

RGB 66 235 131

HSL 143.08, 0.81%, 0.59%

LAB 83.03, -64.9, 38.35

 

Description

Color code: HEX #4455EB | qconv.com Color code: HEX #4455EB | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 85 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 85 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 64 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 64% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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